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104-633: Initiated in the 13th century, it is one of the greatest works of the Gothic style, with French influences. Also known as the Pulchra Leonina , which means ‘Beautiful Leonese’, it is located on the Way of Saint James, or Camino de Santiago . The León Cathedral is mostly known for taking the “dematerialization” of gothic art to the extreme, that is, the reduction of the walls to their minimum expression to be replaced by stained glass , constituting one of

208-647: A pejorative description. Giorgio Vasari used the term "barbarous German style" in his Lives of the Artists to describe what is now considered the Gothic style, and in the introduction to the Lives he attributes various architectural features to the Goths , whom he held responsible for destroying the ancient buildings after they conquered Rome, and erecting new ones in this style. When Vasari wrote, Italy had experienced

312-401: A pejorative description. Giorgio Vasari used the term "barbarous German style" in his 1550 Lives of the Artists to describe what is now considered the Gothic style. In the introduction to the Lives he attributed various architectural features to the Goths whom he held responsible for destroying the ancient buildings after they conquered Rome , and erecting new ones in this style. In

416-422: A Gothic choir, and six-part rib vaults over the nave and collateral aisles, alternating pillars and doubled columns to support the vaults, and buttresses to offset the outward thrust from the vaults. One of the builders who is believed to have worked on Sens Cathedral, William of Sens , later travelled to England and became the architect who, between 1175 and 1180, reconstructed the choir of Canterbury Cathedral in

520-547: A century of building in the Vitruvian architectural vocabulary of classical orders revived in the Renaissance and seen as evidence of a new Golden Age of learning and refinement. Thus the Gothic style, being in opposition to classical architecture, from that point of view was associated with the destruction of advancement and sophistication. The assumption that classical architecture was better than Gothic architecture

624-608: A decorative form. It was consecrated on November 10, 1073, during the reign of Alfonso VI . Presumably the same stonemasons who built the Basilica of San Isidoro of León also worked on the León Cathedral. The cathedral remained in place until the end of the next century. When the last proprietary king of León, Alfonso IX , accedes to the throne, the city and in the kingdom witness an important change in society, artistic creativity, and cultural development. Construction of

728-647: A good knowledge of the French Gothic style. The goal of his extensive work was making the Cathedral stable and restoring its original pure Gothic style. He placed a complex wooden support structure to keep the vaults in place and proceeded to rebuild the vaults and the southern façade. When the supports were removed in 1878 and the building resisted, it meant that the original Gothic balance system had been restored. Madrazo's successors, Demetrio de los Ríos and Juan Bautista Lázaro, kept removing alien elements, like

832-510: A lantern tower, deeply moulded decoration, and high pointed arcades. Coutances Cathedral was remade into Gothic beginning about 1220. Its most distinctive feature is the octagonal lantern on the crossing of the transept, decorated with ornamental ribs, and surrounded by sixteen bays and sixteen lancet windows. Saint-Denis was the work of the Abbot Suger , a close adviser of Kings Louis VI and Louis VII . Suger reconstructed portions of

936-498: A new period of Gothic Revival . Gothic architecture survived the early modern period and flourished again in a revival from the late 18th century and throughout the 19th. Perpendicular was the first Gothic style revived in the 18th century. In England, partly in response to a philosophy propounded by the Oxford Movement and others associated with the emerging revival of 'high church' or Anglo-Catholic ideas during

1040-485: A representation of Gothic interest in connecting with the people. For example, the sensation of verticality corresponds to the idea of the heavenly Jerusalem , in comparison to the sensation of hospitality and security for the faithful in the Romanesque. This type of construction used to have an odd number of naves (three or five) supported by quadripartite, sexpartite, tercelet, fan, or star rib vault. The main façade

1144-449: A series of tracery patterns for windows – from the basic geometrical to the reticulated and the curvilinear – which had superseded the lancet window. Bar-tracery of the curvilinear, flowing , and reticulated types distinguish Second Pointed style. Decorated Gothic similarly sought to emphasize the windows, but excelled in the ornamentation of their tracery. Churches with features of this style include Westminster Abbey (1245–),

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1248-462: A triforium, Early English churches usually retained a gallery. High Gothic ( c.  1194 –1250) was a brief but very productive period, which produced some of the great landmarks of Gothic art. The first building in the High Gothic (French: Classique ) was Chartres Cathedral , an important pilgrimage church south of Paris. The Romanesque cathedral was destroyed by fire in 1194, but

1352-669: A triptych of the School of Antwerp , a Mozarabic bible and numerous codices. The first manuscript in the Leonese language , the Nodicia de Kesos , can be found in its archives. Leon Cathedral is also one of the three most important cathedrals, along with that of Burgos and Santiago de Compostela , on The Way of Saint James (or in Spanish, El Camino de Santiago ). It was declared a Monument of Cultural Interest in 1844. Originally, on

1456-482: A violent and bothersome mistake, as suggested by Vasari. Rather, he saw that the Gothic style had developed over time along the lines of a changing society, and that it was thus a legitimate architectural style of its own. It was no secret that Wren strongly disliked the building practices of the Gothic style. When he was appointed Surveyor of the Fabric at Westminster Abbey in the year 1698, he expressed his distaste for

1560-540: Is also the architecture of many castles , palaces , town halls , guildhalls , universities and, less prominently today, private dwellings. Many of the finest examples of medieval Gothic architecture are listed by UNESCO as World Heritage Sites . With the development of Renaissance architecture in Italy during the mid-15th century, the Gothic style was supplanted by the new style, but in some regions, notably England and Belgium, Gothic continued to flourish and develop into

1664-577: Is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages , surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture . It originated in the Île-de-France and Picardy regions of northern France . The style at the time was sometimes known as opus Francigenum ( lit.   ' French work ' );

1768-474: Is evident that he was familiar with Gothic architectural form of Île-de-France . He died in 1277 and was replaced with the Spanish Juan Pérez. In 1289, Bishop Martín Fernández also died, when the top of the church was open for worship. The fundamental structure of the cathedral was soon completed, in 1302, with Bishop Gonzalo Osorio opening the entire church to the faithful, although the cloister and

1872-408: Is generally structures in three flared openings, consisting of archivolts , jambs , and framed in a gable , a gallery of Old Testament kings, a large rose window (in the central nave), an andito (space through which the façade is accessed to perform possible reforms), and by two towers of different characteristics (roofed or not with an arrow-shaped pinnacle). The plan is almost a replica of

1976-581: Is known in Britain as High Victorian Gothic . The Palace of Westminster in London by Sir Charles Barry with interiors by a major exponent of the early Gothic Revival, Augustus Welby Pugin , is an example of the Gothic revival style from its earlier period in the second quarter of the 19th century. Examples from the High Victorian Gothic period include George Gilbert Scott 's design for

2080-550: Is one of the reasons why Wren's theory is rejected by many. The earliest examples of the pointed arch in Europe date from before the Holy War in the year 1095; this is widely regarded as proof that the Gothic style could not have possibly been derived from Saracen architecture. Several authors have taken a stance against this allegation, claiming that the Gothic style had most likely filtered into Europe in other ways, for example through Spain or Sicily. The Spanish architecture from

2184-615: Is the image of the Virgen Blanca and the Locus Appellatione , where justice was imparted. The church has nearly 1,800 square meters of stained glass windows. The great majority of them date from the thirteenth to the fifteenth century: a rarity among medieval gothic churches. In the Main Chapel, there is an altarpiece by Nicolás Francés (15th century) and a silver urn containing the relics of San Froilán ,

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2288-538: Is transparent there and it accommodates the technical progress achieved in the Sainte Chapelle in Paris and Amiens Cathedral . French influence is also found in developing the chancel , where initially the choir was to be put according to their custom. Specifically Leonese is the location of the cloister , with no organic tie to the temple, the exit in the floor plan of the towers of the main façade, displaying

2392-519: Is why he constantly praised the classic architecture of 'the Ancients' in his writings. Even though he openly expressed his distaste for the Gothic style, Wren did not blame the Saracens for the apparent lack of ingenuity. Quite the opposite: he praised the Saracens for their 'superior' vaulting techniques and their widespread use of the pointed arch. Wren claimed the inventors of the Gothic had seen

2496-489: The Albert Memorial in London, and William Butterfield 's chapel at Keble College, Oxford . From the second half of the 19th century onwards, it became more common in Britain for neo-Gothic to be used in the design of non-ecclesiastical and non-governmental buildings types. Gothic details even began to appear in working-class housing schemes subsidised by philanthropy, though given the expense, less frequently than in

2600-651: The Byzantine , of course belong more to the Gothic period than the light and elegant structures of the pointed order which succeeded them. The Gothic style of architecture was strongly influenced by the Romanesque architecture which preceded it; by the growing population and wealth of European cities, and by the desire to express local grandeur. It was influenced by theological doctrines which called for more light and by technical improvements in vaults and buttresses that allowed much greater height and larger windows. It

2704-592: The Chateau of Gaillon near Rouen (1502–1510) with the assistance of Italian craftsmen. The Château de Blois (1515–1524) introduced the Renaissance loggia and open stairway. King Francois I installed Leonardo da Vinci at his Chateau of Chambord in 1516, and introduced a Renaissance long gallery at the Palace of Fontainebleau in 1528–1540. In 1546 Francois I began building the first example of French classicism,

2808-575: The Pantheon, Rome , was one of the first Renaissance landmarks, but it also employed Gothic technology; the outer skin of the dome was supported by a framework of twenty-four ribs. In the 16th century, as Renaissance architecture from Italy began to appear in France and other countries in Europe. The Gothic style began to be described as outdated, ugly and even barbaric. The term "Gothic" was first used as

2912-468: The Pulchra Leonina . In addition to its layout, the Cathedral of Leon is also inspired by that of Rheims in its structure, the form of the chapels of its ambulatory (in this case polygonal), and the development of its transept. The influence of Chartres Cathedral can be seen in the western porch. The one in Leon abandons the model of Rheims Cathedral in the elevations beyond the body of the clerestory, as it

3016-693: The rib vault , had appeared in England, Sicily and Normandy in the 11th century. Rib-vaults were employed in some parts of the cathedral at Durham (1093–) and in Lessay Abbey in Normandy (1098). However, the first buildings to be considered fully Gothic are the royal funerary abbey of the French kings, the Abbey of Saint-Denis (1135–1144), and the archiepiscopal cathedral at Sens (1135–1164). They were

3120-494: The 'clock tower'. The Renaissance retrochoir contains alabaster sculptures by Jusquin , Copin of Holland and Juan de Malinas . Particularly noteworthy is the Plateresque iron grillwork screen or reja in the wall behind the sepulcher of King Ordoño. It has three portals decorated with sculptures situated in the pointed arches between the two towers. The central section has a large rose window. Particularly outstanding

3224-424: The 1250s, Louis IX commissioned the rebuilt transepts and enormous rose windows of Notre-Dame de Paris (1250s for the north transept, 1258 for the beginning of south transept). This first 'international style' was also used in the clerestory of Metz Cathedral ( c . 1245–), then in the choir of Cologne 's cathedral ( c . 1250–), and again in the nave of the cathedral at Strasbourg ( c . 1250–). Masons elaborated

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3328-539: The 13th century; by 1300, a first "international style" of Gothic had developed, with common design features and formal language. A second "international style" emerged by 1400, alongside innovations in England and central Europe that produced both the perpendicular and flamboyant varieties. Typically, these typologies are identified as: Norman architecture on either side of the English Channel developed in parallel towards Early Gothic . Gothic features, such as

3432-557: The 16th century. A series of Gothic revivals began in mid-18th century England , spread through 19th-century Europe and continued, largely for churches and university buildings, into the 20th century. Medieval contemporaries described the style as Latin : opus Francigenum , lit.   'French work' or ' Frankish work', as opus modernum , 'modern work', novum opus , 'new work', or as Italian : maniera tedesca , lit.   'German style'. The term "Gothic architecture" originated as

3536-480: The 17th and 18th centuries, especially in provincial and ecclesiastical contexts, notably at Oxford . Beginning in the mid-15th century, the Gothic style gradually lost its dominance in Europe. It had never been popular in Italy, and in the mid-15th century the Italians, drawing upon ancient Roman ruins, returned to classical models. The dome of Florence Cathedral (1420–1436) by Filippo Brunelleschi , inspired by

3640-509: The 17th and 18th century several important Gothic buildings were constructed at Oxford University and Cambridge University , including Tom Tower (1681–82) at Christ Church, Oxford , by Christopher Wren . It also appeared, in a whimsical fashion, in Horace Walpole 's Twickenham villa , Strawberry Hill (1749–1776). The two western towers of Westminster Abbey were constructed between 1722 and 1745 by Nicholas Hawksmoor , opening

3744-431: The 17th century, Molière also mocked the Gothic style in the 1669 poem La Gloire : "...the insipid taste of Gothic ornamentation, these odious monstrosities of an ignorant age, produced by the torrents of barbarism..." The dominant styles in Europe became in turn Italian Renaissance architecture , Baroque architecture , and the grand classicism of the style Louis XIV . The Kings of France had first-hand knowledge of

3848-600: The Abbey of Saint-Denis , near Paris, the choir was reconstructed between 1140 and 1144, drawing together for the first time the developing Gothic architectural features. In doing so, a new architectural style emerged that emphasized verticality and the effect created by the transmission of light through stained glass windows. Common examples are found in Christian ecclesiastical architecture , and Gothic cathedrals and churches , as well as abbeys , and parish churches . It

3952-640: The Air and Weather; the Coping, which cannot defend them, first failing, and if they give Way, the Vault must spread. Pinnacles are no Use, and as little Ornament. The chaos of the Gothic left much to be desired in Wren's eyes. His aversion of the style was so strong that he refused to put a Gothic roof on the new St. Paul's, despite being pressured to do so. Wren much preferred symmetry and straight lines in architecture, which

4056-644: The Gothic style in a letter to the bishop of Rochester: Nothing was thought magnificent that was not high beyond Measure, with the Flutter of Arch-buttresses, so we call the sloping Arches that poise the higher Vaultings of the Nave. The Romans always concealed their Butments, whereas the Normans thought them ornamental. These I have observed are the first Things that occasion the Ruin of Cathedrals, being so much exposed to

4160-642: The Greeks. Wren was the first to popularize the belief that it was not the Europeans, but the Saracens that had created the Gothic style. The term 'Saracen' was still in use in the 18th century and it typically referred to all Muslims, including the Arabs and Berbers. Wren mentions Europe's architectural debt to the Saracens no fewer than twelve times in his writings. He also decidedly broke with tradition in his assumption that Gothic architecture did not merely represent

4264-548: The Moors could have favoured the emergence of the Gothic style long before the Crusades took place. This could have happened gradually through merchants, travelers and pilgrims. According to a 19th-century correspondent in the London journal Notes and Queries , Gothic was a derisive misnomer; the pointed arcs and architecture of the later Middle Ages was quite different from the rounded arches prevalent in late antiquity and

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4368-515: The Reims Cathedral, although in a somewhat smaller format. It is 90 meters long, 30 meters high, and 29 meters wide. Divided in three naves , from the entrance to the transept , and in five names from the transept to the main altar. The cathedral shows macrocephaly , that is a roof larger than usual (the width of the transept in this case), which takes away some depth and perspective but instead provides more space for worshippers; being on

4472-831: The Saracen architecture during the Crusades , also called the Religious war or Holy War, organised by the Kingdom of France in the year 1095: The Holy War gave the Christians, who had been there, an Idea of the Saracen Works, which were afterwards by them imitated in the West; and they refined upon it every day, as they proceeded in building Churches. There are several chronological issues that arise with this statement, which

4576-538: The Way of Saint James, its influx is greater than other churches. The naves of the León Cathedral are covered with quadripartite rib vaults in rectangular sections. The transept is built with a quadripartite vault, which replaced the Baroque dome of the 17th century in the work undertaken at the end of the 19th century to be consistent with the rest of the construction. It has 125 windows, with 1800 meters² of polychrome stained glass of medieval origin, being considered one of

4680-501: The addition of non-Gothic elements with the construction of a plateresque gable in the Western façade, too tall and heavy. He also added a plateresque sacristy in the south-east end of the cathedral and rebuilt some vaults. Serious problems started in the seventeenth century. Parts of the largest vault in the crossing fell down in 1631. It was replaced by a baroque semicircular dome designed by Juan de Naveda . This addition damaged

4784-450: The ambulatory and side-chapels around the choir at Saint-Denis, and by the paired towers and triple doors on the western façade. Sens was quickly followed by Senlis Cathedral (begun 1160), and Notre-Dame de Paris (begun 1160). Their builders abandoned the traditional plans and introduced the new Gothic elements from Saint-Denis. The builders of Notre-Dame went further by introducing the flying buttress, heavy columns of support outside

4888-489: The architect Demetrio de los Ríos , excavated the basement of the cathedral to replace the pavement and lay the foundations of the pillars, he found part of the walls and factory of the second cathedral. Through the plan that he drew, we notice how everything was configured within the Gothic: It was built in brick and masonry, with three naves finished in semicircular apses , dedicating the central nave to Saint Mary, as in

4992-463: The best in the world of its kind. Of them stands out the large central rose window located in the central portico , between the two spire towers, as well as those of the Main Chapel, the north transept, and the Chapel of Santiago. A. Capilla Mayor B. Choir C. Crossing D. Tombs E. Nave F. Towers G. Cloisters In Spanish In English Gothic architecture Gothic architecture

5096-523: The brothers William and Robert Vertue 's Henry VII Chapel ( c.  1503 –1512) at Westminster Abbey . Perpendicular is sometimes called Third Pointed and was employed over three centuries; the fan-vaulted staircase at Christ Church, Oxford built around 1640. Lacey patterns of tracery continued to characterize continental Gothic building, with very elaborate and articulated vaulting, as at Saint Barbara's, Kutná Hora (1512). In certain areas, Gothic architecture continued to be employed until

5200-699: The capital of the medieval kingdom of Armenia concluded to have discovered the oldest Gothic arch. According to these historians, the architecture of the Saint Hripsime Church near the Armenian religious seat Etchmiadzin was built in the fourth century A.D. and was repaired in 618. The cathedral of Ani was built in 980–1012 A.D. However many of the elements of Islamic and Armenian architecture that have been cited as influences on Gothic architecture also appeared in Late Roman and Byzantine architecture,

5304-428: The cathedral at Metz ( c .1235–). In High Gothic, the whole surface of the clerestory was given over to windows. At Chartres Cathedral, plate tracery was used for the rose window, but at Reims the bar-tracery was free-standing. Lancet windows were supplanted by multiple lights separated by geometrical bar-tracery. Tracery of this kind distinguishes Middle Pointed style from the simpler First Pointed . Inside,

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5408-529: The cathedral museum. Others, like the hypocaust , remain under the site. The primitive cathedral During the Reconquista (Christian reconquest) the ancient Roman baths were converted into a royal palace. King Ordoño II , who had occupied the throne of Leon in 916, defeated the Arabs in the Battle of San Esteban de Gormaz in 917. As a sign of gratitude to God for victory, he gave up his palace to build

5512-507: The cathedrals at Lichfield (after 1257–) and Exeter (1275–), Bath Abbey (1298–), and the retro choir at Wells Cathedral ( c .1320–). The Rayonnant developed its second 'international style' with increasingly autonomous and sharp-edged tracery mouldings apparent in the cathedral at Clermont-Ferrand (1248–), the papal collegiate church at Troyes , Saint-Urbain (1262–), and the west façade of Strasbourg Cathedral (1276–1439)). By 1300, there were examples influenced by Strasbourg in

5616-517: The cathedrals of Limoges (1273–), Regensburg ( c . 1275–), and in the cathedral nave at York (1292–). Central Europe began to lead the emergence of a new, international flamboyant style with the construction of a new cathedral at Prague (1344–) under the direction of Peter Parler . This model of rich and variegated tracery and intricate reticulated rib-vaulting was definitive in the Late Gothic of continental Europe, emulated not only by

5720-546: The classical columns he had seen in Rome. In addition, he installed a circular rose window over the portal on the façade. These also became a common feature of Gothic cathedrals. Some elements of Gothic style appeared very early in England. Durham Cathedral was the first cathedral to employ a rib vault, built between 1093 and 1104. The first cathedral built entirely in the new style was Sens Cathedral , begun between 1135 and 1140 and consecrated in 1160. Sens Cathedral features

5824-552: The cloisters and chapter-house ( c.  1332 ) of Old St Paul's Cathedral in London by William de Ramsey . The chancel of Gloucester Cathedral ( c.  1337 –1357) and its latter 14th century cloisters are early examples. Four-centred arches were often used, and lierne vaults seen in early buildings were developed into fan vaults, first at the latter 14th century chapter-house of Hereford Cathedral (demolished 1769) and cloisters at Gloucester, and then at Reginald Ely 's King's College Chapel, Cambridge (1446–1461) and

5928-637: The collegiate churches and cathedrals, but by urban parish churches which rivalled them in size and magnificence. The minster at Ulm and other parish churches like the Heilig-Kreuz-Münster at Schwäbisch Gmünd ( c .1320–), St Barbara's Church at Kutná Hora (1389–), and the Heilig-Geist-Kirche (1407–) and St Martin's Church ( c .1385–) in Landshut are typical. Use of ogees was especially common. The flamboyant style

6032-719: The competition. Work began that same year, but in 1178 William was badly injured by falling from the scaffolding, and returned to France, where he died. His work was continued by William the Englishman who replaced his French namesake in 1178. The resulting structure of the choir of Canterbury Cathedral is considered the first work of Early English Gothic . The cathedral churches of Worcester (1175–), Wells ( c .1180–), Lincoln (1192–), and Salisbury (1220–) are all, with Canterbury, major examples. Tiercerons – decorative vaulting ribs – seem first to have been used in vaulting at Lincoln Cathedral, installed c .1200. Instead of

6136-591: The coverage of stained glass windows such that the walls are effectively entirely glazed; examples are the nave of Saint-Denis (1231–) and the royal chapel of Louis IX of France on the Île de la Cité in the Seine – the Sainte-Chapelle ( c .1241–1248). The high and thin walls of French Rayonnant Gothic allowed by the flying buttresses enabled increasingly ambitious expanses of glass and decorated tracery, reinforced with ironwork. Shortly after Saint-Denis, in

6240-524: The current site of the cathedral , the Legio VII Gemina had built thermal baths larger in size than the current cathedral. During the great restoration of the building in the 19th century, the remains of the thermal baths were discovered under the cathedral, and in 1996, others were discovered near the south façade. Little remains of these primitive buildings, only some vestiges of mosaics , roof tiles ( tegulas ), and ceramics, displayed today at

6344-469: The delicate balance of the whole building, causing cracks in the southern façade that needed restoration in the end of the century, including a new gable. In the eighteenth century, Joaquin de Churriguera tried to improve stability by adding four pinnacles around the dome, but this caused further damage. The cathedral was affected by the Lisbon earthquake of 1755 . Extensive rebuilding of the southern façade

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6448-490: The east end of the church, which typically had a half-dome. The lantern tower was another common feature in Norman Gothic. One example of early Norman Gothic is Bayeux Cathedral (1060–1070) where the Romanesque cathedral nave and choir were rebuilt into the Gothic style. Lisieux Cathedral was begun in 1170. Rouen Cathedral (begun 1185) was rebuilt from Romanesque to Gothic with distinct Norman features, including

6552-439: The elevation of the buttresses of the nave , and the discontinuity of the five naves at the front end of the main area of the temple, which were reduced to three. The problem was that a major part of the site sits upon Roman remains, hypocaust of the second century, which complicated the foundation of the pillars. The accumulation of moisture and water leakage caused serious problems for the master builders. Besides that, most of

6656-534: The façades of Sainte-Chapelle de Vincennes (1370s) and choir Mont-Saint-Michel 's abbey church (1448). In England, ornamental rib-vaulting and tracery of Decorated Gothic co-existed with, and then gave way to, the perpendicular style from the 1320s, with straightened, orthogonal tracery topped with fan-vaulting . Perpendicular Gothic was unknown in continental Europe and unlike earlier styles had no equivalent in Scotland or Ireland. It first appeared in

6760-410: The first buildings to systematically combine rib vaulting, buttresses, and pointed arches. Most of the characteristics of later Early English were already present in the lower chevet of Saint-Denis. The Duchy of Normandy , part of the Angevin Empire until the 13th century, developed its own version of Gothic. One of these was the Norman chevet , a small apse or chapel attached to the choir at

6864-420: The first cathedral. Under the episcopate of Fruminio II, the building was transformed into a sacred place. The tomb of Ordoño II of Leon, who died in 924, is found in the cathedral. The temple was guarded and governed by monks of the Order of St. Benedict , and it is likely that its structure was very similar to many others existing during the Leonese Mozarabic period. Almanzor campaigned through these lands in

6968-503: The front and back side of the façade. The new High Gothic churches competed to be the tallest, with increasingly ambitious structures lifting the vault yet higher. Chartres Cathedral's height of 38 m (125 ft) was exceeded by Beauvais Cathedral's 48 m (157 ft), but on account of the latter's collapse in 1248, no further attempt was made to build higher. Attention turned from achieving greater height to creating more awe-inspiring decoration. Rayonnant Gothic maximized

7072-408: The largest collections of medieval stained glass in the world. León Cathedral, dedicated to Saint Mary, mother of Jesus , is known as the Pulchra Leonina and is a masterpiece of the Gothic style of the mid-13th century. The design is attributed to the Master Mason Enrique. By the mid 15th century it was virtually completed. The main façade has two towers. The southern tower is known as

7176-419: The late 10th century, devastating the city and destroying the temples. However, damage to the building of the cathedral appears to have been rapidly addressed, since in the year 999 King Alfonso V was crowned in the church. After the political turmoil and Moorish raids that lasted until 1067 the state of the cathedral was in extreme poverty. This would move to King Ferdinand I of León , who, after transferring

7280-495: The making of slender cathedrals (on the one hand, the arch can be lengthened without expanding its width as it was in the Romanesque period which reduces pressure by making lighter roofs, allowing the walls to be opened.) The Romanesque tribune disappears and the lateral thrusts that it resolves are sent to the flying buttresses , arches that transmit the thrust of the roof to the exterior buttresses , which were previously topped with pinnacles . The large stained-glass windows are

7384-487: The most noticeable example being the pointed arch and flying buttress. The most notable example is the capitals, which are forerunners of the Gothic style and deviated from the Classical standards of ancient Greece and Rome with serpentine lines and naturalistic forms. Architecture "became a leading form of artistic expression during the late Middle Ages". Gothic architecture began in the earlier 12th century in northwest France and England and spread throughout Latin Europe in

7488-447: The nave was divided into by regular bays, each covered by a quadripartite rib vaults. Other characteristics of the High Gothic were the development of rose windows of greater size, using bar-tracery, higher and longer flying buttresses, which could reach up to the highest windows, and walls of sculpture illustrating biblical stories filling the façade and the fronts of the transept. Reims Cathedral had two thousand three hundred statues on

7592-442: The new Gothic style. Sens Cathedral was influential in its strongly vertical appearance and in its three-part elevation, typical of subsequent Gothic buildings, with a clerestory at the top supported by a triforium , all carried on high arcades of pointed arches. In the following decades flying buttresses began to be used, allowing the construction of lighter, higher walls. French Gothic churches were heavily influenced both by

7696-412: The new Italian style, because of the military campaign of Charles VIII to Naples and Milan (1494), and especially the campaigns of Louis XII and Francis I (1500–1505) to restore French control over Milan and Genoa. They brought back Italian paintings, sculpture and building plans, and, more importantly, Italian craftsmen and artists. The Cardinal Georges d'Amboise , chief minister of Louis XII, built

7800-588: The new palace begun by Emperor Charles V in Granada, within the Alhambra (1485–1550), inspired by Bramante and Raphael, but it was never completed. The first major Renaissance work in Spain was El Escorial , the monastery-palace built by Philip II of Spain . Under Henry VIII and Elizabeth I , England was largely isolated from architectural developments on the continent. The first classical building in England

7904-490: The new style were Burghley House (1550s–1580s) and Longleat , built by associates of Somerset. With those buildings, a new age of architecture began in England. Gothic architecture, usually churches or university buildings, continued to be built. Ireland was an island of Gothic architecture in the 17th and 18th centuries, with the construction of Derry Cathedral (completed 1633), Sligo Cathedral ( c.  1730 ), and Down Cathedral (1790–1818) are other examples. In

8008-470: The nineteenth century tried to remove most non-Gothic elements and restore the building to its original, purely Gothic state. In the fifteenth century, the south tower was finished, in the Flamboyant Gothic style. Also in this style was the library, currently the Chapel of Santiago, built by Juan de Badajoz el Viejo at the end of the century. In the sixteenth century, Juan de Badajoz started

8112-504: The north tower were still not completed; the south tower was not completed until the second half of the 15th century. This promptness in completion gives the cathedral a great unity of architectural style. The León Cathedral was inspired by the layout of the Reims Cathedral (although it was smaller in area size), which was well known to Master Enrique. Like most French cathedrals, León was constructed with modular geometry based on

8216-425: The old Romanesque church with the rib vault in order to remove walls and to make more space for windows. He described the new ambulatory as "a circular ring of chapels, by virtue of which the whole church would shine with the wonderful and uninterrupted light of most luminous windows, pervading the interior beauty." To support the vaults he also introduced columns with capitals of carved vegetal designs, modelled upon

8320-501: The old mediaeval style, which they termed Gothic, as synonymous with every thing that was barbarous and rude, it may be sufficient to refer to the celebrated Treatise of Sir Henry Wotton , entitled The Elements of Architecture , ... printed in London so early as 1624. ... But it was a strange misapplication of the term to use it for the pointed style, in contradistinction to the circular, formerly called Saxon, now Norman, Romanesque, &c. These latter styles, like Lombardic , Italian, and

8424-597: The others, continued to use six-part rib vaults); and Beauvais Cathedral (1225–). In central Europe, the High Gothic style appeared in the Holy Roman Empire , first at Toul (1220–), whose Romanesque cathedral was rebuilt in the style of Reims Cathedral; then Trier 's Liebfrauenkirche parish church (1228–), and then throughout the Reich , beginning with the Elisabethkirche at Marburg (1235–) and

8528-634: The period of the Ostrogothic Kingdom in Italy: There can be no doubt that the term 'Gothic' as applied to pointed styles of ecclesiastical architecture was used at first contemptuously, and in derision, by those who were ambitious to imitate and revive the Grecian orders of architecture, after the revival of classical literature. But, without citing many authorities, such as Christopher Wren , and others, who lent their aid in depreciating

8632-438: The plateresque gable in the Western façade, and replacing them with Neo-Gothic designs. The stained glass windows, that had been dismantled and stored for years, were restored after 1895. Finally, the cathedral was reopened in 1901, after one of the most complex and extensive restoration projects in nineteenth-century Europe. Smaller restoration works were undertaken during the twentieth century. A fire caused by lightning consumed

8736-417: The poor quality of stone and foundation, caused it to suffer constant interventions and restorations since the 10th century, making the church a European paradigm of transformation intervention, restoration, and conservation. Extensive modifications and additions have been made to the cathedral, sometimes trying to improve its stability but also to adapt it to contemporary taste, until restorations beginning in

8840-405: The previous church. A cloister was also built on the north side. The new church was significant in dimensions, measuring 60 meters in length and 40 meters in maximum width. Although all of it was executed within the international currents of the Romanesque, contemplating what has survived of its statutory, we can find out that it had an indigenous character, still using the horseshoe arch, at least as

8944-432: The remains of San Isidoro to León, sought to restore the temple. This king achieved success in the expansion of the kingdom. With the help of the infanta Urraca of Zamora , the first-born daughter of the king, begins the construction of a second cathedral, according to the aspirations of the city and the Romanesque style. It was within the episcopal see of Pelagius of Oviedo , or Pelayo II . Between 1884 and 1888, when

9048-425: The rooftop on May 27, 1966, but the structure suffered no serious damage (thanks, partly, to the decision of not using too much water to put out the blaze). A general project to restore the stained glass started in 2009. In Gothic architecture, the use of pointed arches (or ogival arches) and the rib vault is generalized, thus concentrating the pressure on certain points and not on the entire wall, which allows for

9152-437: The second quarter of the 19th century, neo-Gothic began to become promoted by influential establishment figures as the preferred style for ecclesiastical, civic and institutional architecture. The appeal of this Gothic revival (which after 1837, in Britain, is sometimes termed Victorian Gothic ), gradually widened to encompass "low church" as well as "high church" clients. This period of more universal appeal, spanning 1855–1885,

9256-711: The square courtyard of the Louvre Palace designed by Pierre Lescot . Nonetheless, new Gothic buildings, particularly churches, continued to be built. New Gothic churches built in Paris in this period included Saint-Merri (1520–1552) and Saint-Germain l'Auxerrois . The first signs of classicism in Paris churches did not appear until 1540, at Saint-Gervais-Saint-Protais . The largest new church, Saint-Eustache (1532–1560), rivalled Notre-Dame in size, 105 m (344 ft) long, 44 m (144 ft) wide, and 35 m (115 ft) high. As construction of this church continued, elements of Renaissance decoration, including

9360-422: The stones were of mediocre quality, a type of limestone , with little resistance to atmospheric agents. Furthermore, the subtlety of its style was a challenge to its material; its numerous supports were extremely fragile, the lines are reduced to total optimization, in such a way that various architects of the time questioned the cathedral's ability to remain standing. This almost implausible structure, together with

9464-477: The story of the Virgin Mary but also, in a small corner of each window, illustrating the crafts of the guilds who donated those windows. The model of Chartres was followed by a series of new cathedrals of unprecedented height and size. These were Reims Cathedral (begun 1211), where coronations of the kings of France took place; Amiens Cathedral (1220–1226); Bourges Cathedral (1195–1230) (which, unlike

9568-682: The system of classical orders of columns, were added to the design, making it a Gothic-Renaissance hybrid. In Germany, some Italian elements were introduced at the Fugger Chapel of St. Anne's Church, Augsburg , (1510–1512) combined with Gothic vaults; and others appeared in the Church of St. Michael in Munich, but in Germany Renaissance elements were used primarily for decoration. Some Renaissance elements also appeared in Spain, in

9672-410: The term Gothic was first applied contemptuously during the later Renaissance , by those ambitious to revive the architecture of classical antiquity . The defining design element of Gothic architecture is the pointed arch . The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses , combined with elaborate tracery and stained glass windows. At

9776-440: The third cathedral began around the year 1205, but problems in structural foundation paralyzed construction, and the work was not resumed until 1255. Under the pontificate of Bishop Martín Fernández and the support of King Alfonso X de Castilla , this new cathedral became entirely Gothic. The architect of the cathedral seems to have been Master Enrique, probably a native of France, who had previously worked on Burgos Cathedral . It

9880-501: The town's patron saint, made by Enrique de Arfe . The 13th- to 15th-century cloister contains sculpted details in the capitals, friezes, and ledges. The Cathedral Museum houses a large collection of sacred art. There are almost 1,500 pieces, including 50  Romanesque sculptures of the Virgin, dating from prehistoric times to the 18th century ( Neoclassicism ) with works by Juan de Juni , Gregorio Fernández , Mateo Cerezo ,

9984-468: The triangle ( ad triangulum ), whose members related to the square root of 3, to which the totality of its parts and the whole respond. This aspect, like the plan, the elevations, and the decorative and symbolic repertoires, convert the cathedral into an authentic trans-Pyrenees building, away from the Hispanic current, which has earned it the qualifications of “the most French of Spanish cathedrals,” or

10088-441: The walls connected by arches to the upper walls. The buttresses counterbalanced the outward thrust from the rib vaults. This allowed the builders to construct higher, thinner walls and larger windows. Following the destruction by fire of the choir of Canterbury Cathedral in 1174, a group of master builders was invited to propose plans for the reconstruction. The master-builder William of Sens , who had worked on Sens Cathedral, won

10192-407: Was also influenced by the necessity of many churches, such as Chartres Cathedral and Canterbury Cathedral , to accommodate growing numbers of pilgrims. It adapted features from earlier styles. According to Charles Texier (French historian, architect, and archaeologist) and Josef Strzygowski (Polish-Austrian art historian), after lengthy research and study of cathedrals in the medieval city of Ani ,

10296-448: Was characterised by the multiplication of the ribs of the vaults, with new purely decorative ribs, called tiercons and liernes, and additional diagonal ribs. One common ornament of flamboyant in France is the arc-en-accolade , an arch over a window topped by a pinnacle, which was itself topped with fleuron , and flanked by other pinnacles. Examples of French flamboyant building include the west façade of Rouen Cathedral , and especially

10400-424: Was done. In 1857, stones started to fell down from the central nave and the crossing, causing fears of a complete collapse. Matías Laviña started a full restoration of the building in 1859. He dismantled the central dome and the pinnacles, parts of the transept and the southern façade. After Laviña died in 1868, Juan de Madrazo was commissioned to direct the restoration. He was a friend of Viollet-le-Duc and had

10504-667: Was not owed to the Goths but to the Islamic Golden Age . He wrote: This we now call the Gothic manner of architecture (so the Italians called what was not after the Roman style) though the Goths were rather destroyers than builders; I think it should with more reason be called the Saracen style, for these people wanted neither arts nor learning: and after we in the west lost both, we borrowed again from them, out of their Arabic books, what they with great diligence had translated from

10608-456: Was swiftly rebuilt in the new style, with contributions from King Philip II of France , Pope Celestine III , local gentry, merchants, craftsmen, and Richard the Lionheart , king of England. The builders simplified the elevation used at Notre Dame, eliminated the tribune galleries, and used flying buttresses to support the upper walls. The walls were filled with stained glass, mainly depicting

10712-578: Was the Old Somerset House in London (1547–1552) (since demolished), built by Edward Seymour, 1st Duke of Somerset , who was regent as Lord Protector for Edward VI until the young king came of age in 1547. Somerset's successor, John Dudley, 1st Duke of Northumberland , sent the architectural scholar John Shute to Italy to study the style. Shute published the first book in English on classical architecture in 1570. The first English houses in

10816-412: Was widespread and proved difficult to defeat. Vasari was echoed in the 16th century by François Rabelais , who referred to Goths and Ostrogoths ( Gotz and Ostrogotz ). The polymath architect Christopher Wren disapproved of the name Gothic for pointed architecture. He compared it to Islamic architecture , which he called the ' Saracen style', pointing out that the pointed arch's sophistication

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