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124-608: Lime Spiders were an Australian punk rock band which formed in 1979 with Mick Blood on lead vocals. He was later joined by Richard Lawson on drums, and David Sparks on guitar. Their debut studio album, The Cave Comes Alive! was released in June 1987 and reached the top 60 on the Kent Music Report Albums Chart. Their most successful single, "Weirdo Libido", was released in January that year and reached

248-480: A DIY ethic ; many bands self-produce recordings and distribute them through independent labels . The term "punk rock" was previously used by American rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges , and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what

372-703: A "dirty bastard", a "dirty fucker", and a "fucking rotter", triggering a media controversy. The episode had a major impact on the history of the scene and the punk term became a household name in 24 hours thanks to the press coverage, and several front covers of newspapers. Two days later, the Sex Pistols, the Clash, the Damned, and the Heartbreakers set out on the Anarchy Tour, a series of gigs throughout

496-473: A "national scandal". Jamie Reid 's "anarchy flag" poster and his other design work for the Sex Pistols helped establish a distinctive punk visual aesthetic . On December 1, 1976, an incident took place that sealed punk rock's notorious reputation, when the Sex Pistols and several members of the Bromley Contingent , including Siouxsie Sioux and Steven Severin , filled a vacancy for Queen on

620-610: A "punk mass" for the next couple of years. In the March 1971 issue of Creem, critic Greg Shaw wrote about the Shadows of Knight 's "hard-edge punk sound". In an April 1971 issue of Rolling Stone , he referred to a track by the Guess Who as "good, not too imaginative, punk rock and roll". The same month John Medelsohn described Alice Cooper 's album Love It to Death as "nicely wrought mainstream punk raunch". Dave Marsh used

744-409: A "style of adornment calculated to disturb and outrage". Among the other facets of the punk rock scene, a punk's hair is an important way of showing their freedom of expression. The typical male punk haircut was originally short and choppy; the mohawk later emerged as a characteristic style. Along with the mohawk, long spikes have been associated with the punk rock genre. Between the late 16th and

868-546: A 1974 interview for his fanzine Heavy Metal Digest , Danny Sugerman told Iggy Pop "You went on record as saying you never were a punk" and Iggy replied "...well I ain't. I never was a punk." By 1975, punk was being used to describe acts as diverse as the Patti Smith Group , the Bay City Rollers , and Bruce Springsteen . As the scene at New York's CBGB club attracted notice, a name was sought for

992-553: A Battle of the Bands competition at the Southern Cross Hotel, the major prize being the recording and release of a single on Green records. The competition ran over three months and included 64 bands: The Lime Spiders won the competition, with one of their opponents in the final being The Most, who would later come to figure significantly in their story. "I didn't cope well that night. We'd moved from hobbyists to being on

1116-571: A North American tour spanning two months of shows in major US cities and several in Canada. The tour included supporting Faith No More and, for the final thirteen shows, supporting Public Image Ltd . Rolling Stone magazine described them as sounding like "the Sex Pistols on acid". Highlights included a backstage visit by Iggy Pop and Joey Ramone at the Cat Club in New York. Blood described

1240-545: A band who can lay claim to influencing the movement, "the seeds of punk remain blatant in the howling ultimatum Erickson transferred from his previous teen combo to the Elevators" as well as describing other bands in the Houston , Texas psychedelic rock scene as "a prime example of the opaque proto-punk undertow at the heart of the best psychedelia ". Hippie proto-punk David Peel of New York City 's Lower East Side

1364-657: A brain injury in a pub fight in 2014. The band reformed without him for a one-off benefit show in Sydney on 23 September with a number of guest vocalists, and Celibate Rifles, the Psychotic Turnbuckles, one-time backing vocalist Bill Gibson's band Hey! Charger and an unplugged Dubrovniks among the supports. In November 2015, the band announced it would play another benefit show at Sydney's Bald Faced Stag Hotel on 23 January 2016 with singer/actor Ripley Hood (Mushroom Planet, Funhouse, The Four Stooges) on vocals as Blood

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1488-532: A characteristic sound described by Christgau as a "buzzsaw drone". Some punk rock bands take a surf rock approach with a lighter, twangier guitar tone. Others, such as Robert Quine , lead guitarist of the Voidoids , have employed a wild, " gonzo " attack, a style that stretches back through the Velvet Underground to the 1950s recordings of Ike Turner . Bass guitar lines are often uncomplicated;

1612-440: A combination of vanilla ice cream and lime soft drink (soda). The group's first show was supporting The Lonely Hearts on Christmas Eve 1979, which Mather later recalled: "We were absolutely horrible. So horrible that people didn't get it. I don't think I got it, either. We came back properly in late 1980". By February 1981 the line-up had stabilised with Blood, Guest and Mather joined by Geoff Cleary on drums. In August that year

1736-760: A decent array of riff-heavy, hard rock tracks, but lacked the raw spark that had characterised the band's earlier output". While Szatmary at AllMusic declared it was "More '60s-style punk from these Australian rockers". The same recording sessions also resulted in a four-track 12" extended play, EP , which was released in March 1989. By the time Volatile had appeared the line-up had changed again: Bambach, Blood, Corben and Lawson were joined by Michael Couvret (ex- Celibate Rifles bass guitarist) on rhythm guitar. In December 1988 Phil Hall (ex- Sardine v , Dropbears ) replaced Bambach on bass guitar and Mark Wilkinson (of The Girlies) replaced Couvret on guitar. This line-up supported Iggy Pop on his January 1989 Australian Instinct tour at

1860-618: A distinct musical style. Even where they diverged most clearly, in lyrical approach – the Ramones' apparent guilelessness at one extreme, Hell's conscious craft at the other – there was an abrasive attitude in common. Their shared attributes of minimalism and speed, however, had not yet come to define punk rock. After a brief period unofficially managing the New York Dolls, Briton Malcolm McLaren returned to London in May 1975, inspired by

1984-564: A former member of New York's experimental rock group the Velvet Underground , who inspired many of those involved in the creation of punk rock. The New York Dolls updated 1950s' rock 'n' roll in a fashion that later became known as glam punk . The New York duo Suicide played spare, experimental music with a confrontational stage act inspired by that of the Stooges. In Boston, the Modern Lovers , led by Jonathan Richman , gained attention for their minimalistic style. In 1974, as well,

2108-440: A four-track double single, "25th Hour", released on Green Records in June 1983. "25th Hour" was produced by Rob Younger (ex-Radio Birdman), and included covers of The Haunted 's "1-2-5" (1966) and Liberty Bell's "That's How It Will Be". The title track was co-written by Blood and Mather, while the final track, "Can't Wait Long", was co-written by Blood and Jakimyszyn. Warwick Gilbert (ex-Radio Birdman, Hitmen) played bass guitar for

2232-422: A lot of 1960s stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll." John Holmstrom , founding editor of Punk magazine, recalls feeling "punk rock had to come along because

2356-506: A major cultural phenomenon in the UK. It gave rise to a punk subculture that expressed youthful rebellion through distinctive styles of clothing , such as T-shirts with deliberately offensive graphics, leather jackets, studded or spiked bands and jewelry, safety pins, and bondage and S&M clothes. In 1977, the influence of the music and subculture spread worldwide. It took root in a wide range of local scenes that often rejected affiliation with

2480-406: A mutant strain of acid punk that bordered on heavy metal". The Lime Spiders were formed in 1979 by Michael Patrick "Mick" Blood on lead vocals, who cites their influences as being 1960s garage bands with psychedelic rock . Early fellow members included Eric Roman Grothe on guitar, Dave Guest on bass guitar, and Darryl John Mather on guitar. The band's name relates to a non-alcoholic cocktail –

2604-535: A mutant strain of acid punk that bordered on heavy metal". While John Bush at AllMusic felt they were a "post-punk unit resurrecting the trashier elements of '60s garage and psychedelic rock with willful abandon". In 1992 Blood and Hall revived Lime Spiders, with new members Luke Mason on drums; and Jayne Murphy (born Peter Murphy; now singer/guitarist of Flowers For Jayne, 2019 -) on lead guitar. They supported The Black Crowes on their Australian tour in June, but within six months had disbanded again. In 1995 "Slave Girl"

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2728-584: A requisite item for punk fans. The BBC banned "Oh Bondage Up Yours!" due to its controversial lyrics. In October, the Sex Pistols hit number eight with " Holidays in the Sun ", followed by the release of their first and only "official" album, Never Mind the Bollocks, Here's the Sex Pistols . Inspiring yet another round of controversy, it topped the British charts. In December, one of the first books about punk rock

2852-646: A searing metal edged freakout before turning around & shyly seeking approval. It was difficult to speak with our mouths agape". "Slave Girl" was the number-one independent single in Australia for 1984, it reached the Top ;100 Kent Music Report Singles Chart, with over 5,000 copies shipped. The track received airplay in Europe including France, Germany, Spain and Sweden: "where fans in those territories became hooked on its wild acid-punk sound". In September 1984

2976-401: A single, "Little Johnny Jewel". In the words of John Walker, the record was "a turning point for the whole New York scene" if not quite for the punk rock sound itself – Hell's departure had left the band "significantly reduced in fringe aggression". Early in 1976, Hell left the Heartbreakers to form the Voidoids , described as "one of the most harshly uncompromising [punk] bands". That April,

3100-528: A tourist. Whilst Blood was in Europe, he performed as a guest singer with Swedish band the Pushtwangers (for a single release) and also with a Greek group, Last Drive. The remaining members – Bambach, Corben and Lawson – performed as Adolphus using Mark Green as lead singer. Prior to Blood's departure for Europe, the band had an offer to create a track for an in-production feature film, Young Einstein (1988). Its producers originally wanted "Slave Girl", but

3224-620: A traditional rock 'n' roll verse-chorus form and 4/4 time signature . However, later bands often broke from this format. Punk music was not a standalone movement in the 70’s and 80’s. Major punk communities gather across the globe as punk perseveres among contemporary musicians and listeners today. The vocals are sometimes nasal, and the lyrics often shouted in an "arrogant snarl", rather than conventionally sung. Complicated guitar solos were considered self-indulgent, although basic guitar breaks were common. Guitar parts tend to include highly distorted power chords or barre chords , creating

3348-405: A two-month-long weekend residency at CBGB that significantly raised the club's profile. The Television sets included Richard Hell's "Blank Generation", which became the scene's emblematic anthem. Soon after, Hell left Television and founded a band featuring a more stripped-down sound, the Heartbreakers , with former New York Dolls Johnny Thunders and Jerry Nolan . In August, Television recorded

3472-527: A vehement, straight-ahead punk rock style with a committed anarchist mission, and played a major role in the emerging anarcho-punk movement. Sham 69, London's Menace, and the Angelic Upstarts from South Shields in the Northeast combined a similarly stripped-down sound with populist lyrics, a style that became known as street punk . These expressly working-class bands contrasted with others in

3596-421: Is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock , punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces

3720-412: Is meant to be our freedom. We're meant to be able to do what we want to do." Authenticity has always been important in the punk subculture—the pejorative term " poseur " is applied to those who adopt its stylistic attributes but do not actually share or understand its underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult"; as

3844-481: Is much less the rule. Hardcore drumming tends to be especially fast. Production tends to be minimalistic, with tracks sometimes laid down on home tape recorders or four-track portastudios. Punk rock lyrics are typically blunt and confrontational; compared to the lyrics of other popular music genres, they often focus on social and political issues. Trend-setting songs such as the Clash's " Career Opportunities " and Chelsea 's "Right to Work" deal with unemployment and

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3968-486: Is our condition. As symbols of protest, swastikas are no less fatuous than flowers. — Robert Christgau in Christgau's Record Guide (1981) Technical accessibility and a do it yourself (DIY) spirit are prized in punk rock. UK pub rock from 1972 to 1975 contributed to the emergence of punk rock by developing a network of small venues, such as pubs, where non-mainstream bands could play. Pub rock also introduced

4092-598: The Los Angeles Times , reviewing the debut album by a hard rock band, Aerosmith , declared that it "achieves all that punk-rock bands strive for but most miss." A March 1973 review of an Iggy and the Stooges show in the Detroit Free Press dismissively referred to Pop as "the apotheosis of Detroit punk music". In May 1973, Billy Altman launched the short-lived punk magazine in Buffalo, NY which

4216-528: The CBGB club, also in Lower Manhattan . At its core was Television , described by critic John Walker as "the ultimate garage band with pretensions". Their influences ranged from The Velvet Underground to the staccato guitar work of Dr. Feelgood 's Wilko Johnson . The band's bassist/singer, Richard Hell , created a look with cropped, ragged hair, ripped T-shirts, and black leather jackets credited as

4340-844: The Hordern Pavilion in Sydney and at the Newcastle Workers Club – which collapsed later that year in an earthquake . They recorded a cover of The Misunderstood 's "Children of the Sun" for Timberyard Records ' Christmas compilation Rockin Bethlehem . Wilkinson played on the band's third studio album, Beethoven's Fist , with Kevin Shirley producing, mixed by Michael Brauer , in Los Angeles. Wilkinson left before its release in November 1990. McFarlane described

4464-538: The Krautrock tradition of groups such as Can . In Japan, the anti-establishment Zunō Keisatsu (Brain Police) mixed garage-psych and folk . The combo regularly faced censorship challenges, their live act at least once including onstage masturbation. A new generation of Australian garage rock bands, inspired mainly by the Stooges and MC5 , was coming closer to the sound that would soon be called "punk": In Brisbane ,

4588-428: The safety-pin aesthetic —was a major influence on Sex Pistols impresario Malcolm McLaren and, in turn, British punk style. ( John D Morton of Cleveland's Electric Eels may have been the first rock musician to wear a safety-pin-covered jacket.) McLaren's partner, fashion designer Vivienne Westwood , credits Johnny Rotten as the first British punk musician to rip his shirt, and Sex Pistols bassist Sid Vicious as

4712-592: The 18th centuries, punk was a common, coarse synonym for prostitute; William Shakespeare used it with that meaning in The Merry Wives of Windsor (1602) and Measure for Measure (1603–4). The term eventually came to describe "a young male hustler, a gangster, a hoodlum, or a ruffian". The first known use of the phrase "punk rock" appeared in the Chicago Tribune on March 22, 1970, when Ed Sanders , co-founder of New York's anarcho-prankster band

4836-484: The Alex Harvey Band — their influence was enormous. And they try to write that all off and wrap it around Patti Smith. It's so wrong!". In October 1976, the Damned released the first UK punk rock band single, " New Rose ". The Vibrators followed the next month with "We Vibrate". On November 26, 1976, the Sex Pistols' released their debut single " Anarchy in the U.K. ", which succeeded in its goal of becoming

4960-613: The Battle of the Bands competition. In March 1984 the new line-up recorded the band's second single, "Slave Girl", which was released in October on Citadel Records . It was co-produced by the band with Tom Misner, who Blood described as "an older dude who owned the School of Audio business (Central Recorders). He warmed immediately to the vibe of the song". It was co-written by Blood and Jakimyszyn. Blood later told TheDwarf website about writing

5084-459: The Clash , which was joined by Joe Strummer . On June 4, 1976, the Sex Pistols played Manchester's Lesser Free Trade Hall in what became one of the most influential rock shows ever. Among the approximately forty audience members were the two locals who organised the gig—they had formed Buzzcocks after seeing the Sex Pistols in February. Others in the small crowd went on to form Joy Division ,

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5208-581: The Clash's debut had included a cover of the recent Jamaican reggae hit " Police and Thieves ". Other first wave bands such as the Slits and new entrants to the scene like the Ruts and the Police interacted with the reggae and ska subcultures, incorporating their rhythms and production styles. The punk rock phenomenon helped spark a full-fledged ska revival movement known as 2 Tone , centered on bands such as

5332-458: The Dead Boys. They were soon playing regularly at Max's Kansas City and CBGB. At this early stage, the term punk applied to the scene in general, not necessarily a particular stylistic approach as it would later—the early New York punk bands represented a broad variety of influences. Among them, the Ramones, the Heartbreakers, Richard Hell and the Voidoids, and the Dead Boys were establishing

5456-658: The Detroit band Death —made up of three African-American brothers—recorded "scorching blasts of feral ur-punk", but could not arrange a release deal. In Ohio, a small but influential underground rock scene emerged, led by Devo in Akron and Kent and by Cleveland's Electric Eels , Mirrors and Rocket from the Tombs . Bands anticipating the forthcoming movement were appearing as far afield as Düsseldorf , West Germany, where "punk before punk" band Neu! formed in 1971, building on

5580-541: The Electric Lady in New York City. Underground and pub rock scenes became filled with cacophonous sounds, haziness brought by drugs and alcohol, and unassuming fashion. American punk represented a new generation that combined bohemian atmosphere with an aggressive guitar distortion. The Dead Boys' debut LP, Young, Loud and Snotty , was released at the end of August. October saw two more debut albums from

5704-559: The Fall , and – in the 1980s — the Smiths . In July, the Ramones played two London shows that helped spark the nascent UK punk scene. Over the next several months, many new punk rock bands formed, often directly inspired by the Sex Pistols. In London, women were near the center of the scene—among the initial wave of bands were the female-fronted Siouxsie and the Banshees , X-Ray Spex , and

5828-546: The Fugs described his first solo album as "punk rock – redneck sentimentality". In 1969 Sanders recorded a song for an album called "Street Punk" but it was only released in 2008. In the December 1970 issue of Creem , Lester Bangs , mocking more mainstream rock musicians, ironically referred to Iggy Pop as "that Stooge punk". Suicide 's Alan Vega credits this usage with inspiring his duo to bill its gigs as "punk music" or

5952-705: The Harp Hotel in Wollongong, Manly Fisherman's Club, and the Annandale Hotel. Bambach returned, while Tom Corben, the son of Gerard Corben, replaced Lawson on drums. The next line-up of Blood, Bambach, Gerard and Tom Corben, and Sparks, reconvened for an appearance at the Hoodoo Gurus' Dig It Up show in Sydney during 2013. Their track, "Slave Girl" appeared as the theme for ABC-TV's, Paper Giants: Magazine Wars , in June that year. Mick Blood suffered

6076-476: The Heartbreakers' 1976 and 1977 tours of Britain, Thunders played a central role in popularizing heroin among the punk crowd there, as well.) The Ramones' third album, Rocket to Russia , appeared in November 1977. The Sex Pistols ' live TV skirmish with Bill Grundy on December 1, 1976, was the signal moment in British punk 's transformation into a major media phenomenon, even as some stores refused to stock

6200-523: The Jerks led what became known as no wave . The Misfits formed in nearby New Jersey. Still developing what would become their signature B movie –inspired style, later dubbed horror punk , they made their first appearance at CBGB in April 1977. The American youth were searching for authenticity and newcomers like The Ramone, The Clash and The Stooges. They brought their unique sound to venues like CBGB and

6324-754: The Ramones", when nothing could have been further from the truth. In Perth , the Cheap Nasties formed in August. In September 1976, the Saints became the first punk rock band outside the U.S. to release a recording, the single " (I'm) Stranded ". The band self-financed, packaged, and distributed the single. "(I'm) Stranded" had limited impact at home, but the British music press recognized it as groundbreaking. A second wave of punk rock emerged in 1977. These bands often sounded very different from each other. While punk remained largely an underground phenomenon in

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6448-460: The Ramones' debut album was released by Sire Records ; the first single was " Blitzkrieg Bop ", opening with the rallying cry "Hey! Ho! Let's go!" According to a later description, "Like all cultural watersheds, Ramones was embraced by a discerning few and slagged off as a bad joke by the uncomprehending majority." The Cramps , whose core members were from Sacramento, California and Akron, Ohio , had debuted at CBGB in November 1976, opening for

6572-698: The Saints evoked the live sound of the British Pretty Things , who had toured Australia and New Zealand in 1975. The origins of New York's punk rock scene can be traced back to such sources as the late 1960s trash culture and an early 1970s underground rock movement centered on the Mercer Arts Center in Greenwich Village , where the New York Dolls performed. In early 1974, a new scene began to develop around

6696-405: The Sex Pistols as central players in a new youth movement, "hard and tough". As described by critic Jon Savage , the band members "embodied an attitude into which McLaren fed a new set of references: late-sixties radical politics, sexual fetish material, pop history, [...] youth sociology". Bernard Rhodes , an associate of McLaren, similarly aimed to make stars of the band London SS , who became

6820-570: The Specials , the Beat , Madness , and the Selecter . In July, the Sex Pistols' third single, " Pretty Vacant ", reached number six and Australia's the Saints had a top-forty hit with " This Perfect Day ". In September, Generation X and the Clash reached the top forty with, respectively, "Your Generation" and " Complete Control ". X-Ray Spex's " Oh Bondage Up Yours! " did not chart, but it became

6944-454: The T-shirt, motorcycle jacket, and jeans ensemble favored by American greasers of the 1950s associated with the rockabilly scene and by British rockers of the 1960s. In addition to the T-shirt, and leather jackets they wore ripped jeans and boots, typically Doc Martens . The punk look was inspired to shock people. Richard Hell 's more androgynous, ragamuffin look—and reputed invention of

7068-638: The Teenage Wasteland" in his review of the Stooges July 1972 performance at King's Cross Cinema in London for a British magazine called Cream (no relation to the more famous US publication). In the January 1973 Rolling Stone review of Nuggets , Greg Shaw commented "Punk rock is a fascinating genre... Punk rock at its best is the closest we came in the '60s to the original rockabilly spirit of Rock 'n Roll." In February 1973, Terry Atkinson of

7192-635: The UK. Many of the shows were cancelled by venue owners in response to the media outrage following the Grundy interview. A punk subculture began in Australia around the same time, centered around Radio Birdman and the Oxford Tavern in Sydney's Darlinghurst suburb. By 1976, the Saints were hiring Brisbane local halls to use as venues, or playing in "Club 76", their shared house in the inner suburb of Petrie Terrace . The band soon discovered that musicians were exploring similar paths in other parts of

7316-838: The US, in the UK it had become a major sensation. During this period punk music also spread beyond the English speaking world, inspiring local scenes in other countries. The California punk scene was fully developed by early 1977. In Los Angeles, there were: the Weirdos , The Dils , the Zeros , the Bags , Black Randy and the Metrosquad , the Germs , Fear , The Go-Go's , X , the Dickies , and

7440-506: The album Radios Appear on its own Trafalgar label. By 1979, the hardcore punk movement was emerging in Southern California . A rivalry developed between adherents of the new sound and the older punk rock crowd. Hardcore, appealing to a younger, more suburban audience, was perceived by some as anti-intellectual, overly violent, and musically limited. In Los Angeles, the opposing factions were often described as "Hollywood punks" and "beach punks", referring to Hollywood's central position in

7564-472: The album as "underrated hard rock". The track, "Mr Big Mouth", co-written by Wilkinson and Blood, was released as the B-side of the single from the album, "Cherry Red", which appeared in October. The band played a promotional show in London at The Marquee Club as a four piece, however, the group disbanded yet again soon after. McFarlane noted that over their career they had provided "raucous sound mixed screaming vocals and wild, fuzz-tone guitar riffs to arrive at

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7688-414: The album was the "snarling debut from the punk quartet who owe a debt to the '60s". Meanwhile, the six-track EP, Slave Girl , had reached the top of the United States college chart. It remained there long enough to generate interest in the group. With the release of the album, the band supported The Cult on a national tour. Jakimyszyn left the band again shortly afterwards. At the end of the year they began

7812-417: The all-female the Slits . There were female bassists Gaye Advert in the Adverts and Shanne Bradley in the Nipple Erectors , while Sex store frontwoman Jordan not only managed Adam and the Ants but also performed screaming vocals on their song "Lou". Other groups included Subway Sect , Alternative TV , Wire , the Stranglers , Eater and Generation X . Farther afield, Sham 69 began practicing in

7936-597: The band I formed 43 years ago. I no longer enjoyed the intense scrutiny, made worse these days by 'social' media. Random people posting dodgy footage taken on a phone & hurtful comments from online trolls were the last straw. The music scene isn't as immediate & real as it was back in the day, providing a perfect outlet for these cowardly types." The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music . They commenced in 1987. Punk rock Punk rock (also known as simply punk )

8060-413: The band added Gerard Corben on rhythm guitar (also ex-The Most). The success of "Slave Girl" led to the overseas release of a 12" mini-LP that compiled all six of their recorded tracks as Slave Girl . Allmusic 's Stephen Cook praised the group for "[e]schewing some of the overtly psychedelic '60s touches and concocting an updated blend of crunching guitars, snarled vocals, and bottom-heavy bass and drums,

8184-407: The band come up with a surprisingly original sound". In January 1985 Jakimyszyn left the band (after being diagnosed with schizophrenia), and they continued without a replacement. As a four-piece they recorded another single with Younger producing, "Out of Control", which was released on Citadel in December 1985. Towards the middle of 1985 Lime Spiders split up again with Blood travelling to Europe as

8308-496: The band's history, which was followed by the first tour of the band in five years. In 2004 the band played a single performance as special guests to the Detroit group, MC5 . The band then reformed again for an exclusive show at the Annandale Hotel in May 2006. The line-up featured the return of early guitarist, Jakimyszyn. The Lime Spiders again reformed in the following year, with the line-up of Blood, Corben, Hall, Lawson, and Sparks. They toured nationally in November to coincide with

8432-415: The basis for punk rock visual style. In April 1974, Patti Smith came to CBGB for the first time to see the band perform. A veteran of independent theater and performance poetry, Smith was developing an intellectual, feminist take on rock 'n' roll. On June 5, she recorded the single " Hey Joe "/" Piss Factory ", featuring Television guitarist Tom Verlaine ; released on her own Mer Records label, it heralded

8556-415: The best time-warp style '60s garage revival I've ever heard. [They] seem to be more interested in re-creating Sixties garage mania than updating it. I never thought I'd hear a psychedelic slime band more hard core than Green Fuzz , but here they are". – Jello Biafra (2 June 1984) However Lime Spiders fell apart again with Mather leaving before the single had appeared: "I didn't like The Lime Spiders towards

8680-426: The broader culture it represented, and their musical predecessors: "No Elvis , Beatles or the Rolling Stones in 1977", declared the Clash song "1977". 1976, when the punk revolution began in Britain, became a musical and a cultural "Year Zero". As nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols ' slogan "No Future"; in the later words of one observer, amid

8804-435: The developing sound. Club owner Hilly Kristal called the movement "Street rock" ; John Holmstrom credits Aquarian magazine with using punk "to describe what was going on at CBGBs". Holmstrom, Legs McNeil , and Ged Dunn's magazine Punk , which debuted at the end of 1975, was crucial in codifying the term. "It was pretty obvious that the word was getting very popular", Holmstrom later remarked. "We figured we'd take

8928-486: The early Who , the British punks also reflected the influence of glam rock and related artists and bands such as David Bowie , Slade , T.Rex , and Roxy Music . However, Sex Pistols frontman Johnny Rotten (real name John Lydon) insisted that the influences of the UK punk scene were not from the US and NY. "I've heard an awful lot of American journalists pretending that the whole punk influence came out of New York." He argued: "T. Rex, David Bowie, Slade, Mott The Hoople ,

9052-527: The early 1970s to refer to mid-1960s garage acts. In the liner notes of the 1972 anthology LP, Nuggets , musician and rock journalist Lenny Kaye , later a member of the Patti Smith Group, used the term "punk rock" to describe the genre of 1960s garage bands and "garage-punk", to describe a song recorded in 1966 by the Shadows of Knight. Nick Kent referred to Iggy Pop as the "Punk Messiah of

9176-483: The early evening Thames Television London television show Today to be interviewed by host Bill Grundy . When Grundy asked Siouxsie how she was doing, she made fun of him saying, "I've always wanted to meet you, Bill". Grundy who was drunk, told her on the air; "we shall meet afterwards then". This instantly generated a reaction from Sex Pistols guitarist Steve Jones who pronounced a series of terms inappropriate for prime-time television. Jones proceeded to call Grundy

9300-439: The end. I felt we had become heavy and were usurped by what was happening around us. In my eyes we were very much a covers band. I didn't see the band going anywhere and I was yearning to become more involved with seriously constructed pop music". – Mather The group reformed again by August 1983 with Blood and Jakimyszyn joined by Tony Bambach on bass guitar and Richard Lawson on drums. Both were from The Most, one of their rivals in

9424-817: The first to use safety pins, although few of those following punk could afford to buy McLaren and Westwood's designs so famously worn by the Pistols, so they made their own, diversifying the 'look' with various different styles based on these designs. Young women in punk demolished the typical female types in rock of either "coy sex kittens or wronged blues belters" in their fashion. Early female punk musicians displayed styles ranging from Siouxsie Sioux 's bondage gear to Patti Smith 's "straight-from-the-gutter androgyny". The former proved much more influential on female fan styles. Over time, tattoos, piercings , and metal-studded and -spiked accessories became increasingly common elements of punk fashion among both musicians and fans,

9548-477: The first wave (e.g., X , the Adicts ) also flourished. Many musicians who identified with punk or were inspired by it went on to pursue other musical directions, giving rise to movements such as post-punk , new wave , thrash metal , and alternative rock . Following alternative rock's mainstream breakthrough in the 1990s with Nirvana , punk rock saw renewed major-label interest and mainstream appeal exemplified by

9672-670: The garage phenomenon gathered momentum around the US. By 1965, the harder-edged sound of British acts, such as the Rolling Stones , the Kinks , and the Who , became increasingly influential with American garage bands. The raw sound of U.S. groups such as the Sonics and the Seeds predicted the style of later acts. In the early 1970s some rock critics used the term "punk rock" to refer to

9796-574: The grim realities of urban life. Especially in early British punk, a central goal was to outrage and shock the mainstream. The Sex Pistols' " Anarchy in the U.K. " and " God Save the Queen " openly disparaged the British political system and social mores. Anti-sentimental depictions of relationships and sex are common, as in "Love Comes in Spurts", recorded by the Voidoids . Anomie , variously expressed in

9920-418: The group added Richard Jakimyszyn on lead guitar, with Bill Gibson (later bassist for The Eastern Dark ) often acting as MC and adding backing vocals and tambourine. The band played regularly, mostly around Sydney's inner city venues, but by February the following year they had split up. During September that year they reconvened with a new drummer, Stephen Rawle (ex-Room 101), replacing Cleary. The group entered

10044-425: The idea of independent record labels , such as Stiff Records , which put out basic, low-cost records. Pub rock bands organized their own small venue tours and put out small pressings of their records. In the early days of punk rock, this DIY ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity

10168-582: The job. Adopting a new name, the group played its first gig as the Sex Pistols on November 6, 1975, at Saint Martin's School of Art , and soon attracted a small but dedicated following. In February 1976, the band received its first significant press coverage; guitarist Steve Jones declared that the Sex Pistols were not so much into music as they were "chaos". The band often provoked its crowds into near-riots. Rotten announced to one audience, "Bet you don't hate us as much as we hate you!" McLaren envisioned

10292-467: The kind of "cerebral mix of musical ferocity and rebellious posture" that would characterize much of the later British punk rock of the 1970s. The garage/beat phenomenon extended beyond North America and Britain. In America, the psychedelic rock movement birthed an array of garage bands that would later become influences on punk, the Austin Chronicle described the 13th Floor Elevators as

10416-501: The mainstream. In the late 1970s, punk experienced a second wave, when new acts that had not been active during its formative years adopted the style. By the early 1980s, faster and more aggressive subgenres, such as hardcore punk (e.g., Minor Threat ), Oi! (e.g., Sham 69 ), street punk (e.g., the Exploited ), and anarcho-punk (e.g., Crass ), became some of the predominant modes of punk rock, while bands more similar in form to

10540-493: The mid-1960s garage genre, as well as for subsequent acts perceived to be in that stylistic tradition, such as the Stooges. In Britain, largely under the influence of the mod movement and beat groups, the Kinks' 1964 hit singles " You Really Got Me " and " All Day and All of the Night ", were both influenced by "Louie, Louie". In 1965, the Who released the mod anthem " My Generation ", which according to John Reed, anticipated

10664-643: The movement: the Vibrators , formed as a pub rock–style act in February 1976, soon adopted a punk look and sound. A few even longer-active bands including Surrey neo-mods the Jam and pub rockers Eddie and the Hot Rods , the Stranglers , and Cock Sparrer also became associated with the punk rock scene. Alongside the musical roots shared with their American counterparts and the calculated confrontationalism of

10788-595: The name before anyone else claimed it. We wanted to get rid of the bullshit, strip it down to rock 'n' roll. We wanted the fun and liveliness back." The early to mid-1960s garage rock bands in the United States and elsewhere are often recognized as punk rock's progenitors. the Kingsmen 's " Louie, Louie " is often cited as punk rock's defining " ur-text ". After the success of the British Invasion ,

10912-454: The new scene he had witnessed at CBGB. The King's Road clothing store he co-owned, recently renamed Sex , was building a reputation with its outrageous "anti-fashion". Among those who frequented the shop were members of a band called the Strand, which McLaren had also been managing. In August, the group was seeking a new lead singer. Another Sex habitué, Johnny Rotten , auditioned for and won

11036-408: The original L.A. punk rock scene and to hardcore's popularity in the shoreline communities of South Bay and Orange County . Citadel Records Citadel Records is an independent record label from Sydney, Australia . It was established in the early 1980s by John Needham. Bands released through Citadel include Died Pretty , Deniz Tek , Kim Salmon and

11160-490: The poetic terms of Richard Hell's " Blank Generation " and the bluntness of the Ramones' " Now I Wanna Sniff Some Glue ", is a common theme. The controversial content of punk lyrics has frequently led to certain punk records being banned by radio stations and refused shelf space in major chain stores. Christgau said that "Punk is so tied up with the disillusions of growing up that punks do often age poorly." The classic punk rock look among male American musicians harkens back to

11284-551: The punk scene matured, he observes, eventually "everyone got called a poseur". Cultural scholars and music journalists have often attributed ‘true’ punk rock as a movement and cultural fad confined to western world in the 1970’s and 1980’s. The early punk bands emulated the minimal musical arrangements of 1960s garage rock . Typical punk rock instrumentation is stripped down to one or two guitars, bass, drums and vocals. Songs tend to be shorter than those of other rock genres and played at fast tempos. Most early punk rock songs retained

11408-476: The quintessential approach is a relentless, repetitive "forced rhythm", although some punk rock bass players—such as Mike Watt of the Minutemen and Firehose —emphasize more technical bass lines. Bassists often use a pick due to the rapid succession of notes, making fingerpicking impractical. Drums typically sound heavy and dry, and often have a minimal set-up. Compared to other forms of rock, syncopation

11532-525: The records and radio airplay was hard to come by. Press coverage of punk misbehavior grew intense: On January 4, 1977, The Evening News of London ran a front-page story on how the Sex Pistols "vomited and spat their way to an Amsterdam flight". In February 1977, the first album by a British punk band appeared: Damned Damned Damned (by the Damned) reached number thirty-six on the UK chart. The EP Spiral Scratch , self-released by Manchester's Buzzcocks ,

11656-530: The release of their next album, Live at The Esplanade , recordings of a live performance made ten years earlier on 25 January 1997 at The Esplanade Hotel , Melbourne. The performance had been recorded after Blood discovered the venue had an in-house 24-track recording system shortly before they were due to perform. It is essentially a greatest hits live collection, although it includes two previously unreleased tracks, "Society of Soul" and "The Dead Boys". Lime Spiders reformed again in December 2008 for three shows at

11780-787: The relocated Tupperwares, now dubbed the Screamers . Black Flag formed in Hermosa Beach in 1976 under the name Panic. They developed a hardcore punk sound and played their debut public performance in a garage in Redondo Beach in December 1977. San Francisco's second wave included the Avengers , The Nuns , Negative Trend , the Mutants , and the Sleepers. By mid-1977 in downtown New York, bands such as Teenage Jesus and

11904-400: The riff in my head without any lyrics. I woke up one Sat morning at a house I was staying at in [Chippendale] and the lyrics flooded my head and I wrote them down as fast as I was thinking of them ... [later] I came armed with the last verse. I suggested to Jacko that he play something he's never done before for the second guitar solo, to take the song to another level. ... [He] blew us away with

12028-690: The rise of the California bands Green Day , Social Distortion , Rancid , the Offspring , Bad Religion , and NOFX . The anti-government stance and nihilistic impression of the future provided by capitalism united the punk scene in the 1970’s in the United Kingdom as other bands emerged in the 70’s and 80’s like X-Ray Spex and Steel Pulse. The first wave of punk rock was "aggressively modern" and differed from what came before. According to Ramones drummer Tommy Ramone , "In its initial form,

12152-539: The rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music." According to Robert Christgau , punk "scornfully rejected the political idealism and Californian flower-power silliness of hippie myth." Hippies were rainbow extremists; punks are romantics of black-and-white. Hippies forced warmth; punks cultivate cool . Hippies kidded themselves about free love ; punks pretend that s&m

12276-595: The scene's DIY ethic and has often been cited as the first punk rock record. By August, Smith and Television were gigging together at Max's Kansas City . In Forest Hills, Queens , the Ramones drew on sources ranging from the Stooges to the Beatles and the Beach Boys to Herman's Hermits and 1960s girl groups, and condensed rock 'n' roll to its primal level: " '1–2–3–4!' bass-player Dee Dee Ramone shouted at

12400-409: The scene: Richard Hell and the Voidoids' first full-length, Blank Generation , and the Heartbreakers' L.A.M.F. One track on the latter exemplified both the scene's close-knit character and the popularity of heroin within it: " Chinese Rocks " — the title refers to a strong form of the drug – was written by Dee Dee Ramone and Hell, both users, as were the Heartbreakers' Thunders and Nolan. (During

12524-471: The second wave that presaged the post-punk phenomenon. Liverpool's first punk group, Big in Japan , moved in a glam, theatrical direction. The band did not survive long, but it spun off several well-known post-punk acts. The songs of London's Wire were characterized by sophisticated lyrics, minimalist arrangements, and extreme brevity. Alongside thirteen original songs that would define classic punk rock,

12648-526: The sessions, because Guest was not confident in his playing. The keyboards were provided by Bruce Tatham (later played with Decline of the Reptiles) who is also heard on The Celibate Rifles' debut album, Sideroxylon (April 1983). Bill Gibson provided backing vocals on two of the tracks. American punk rockers, Dead Kennedys ' lead singer, Jello Biafra , heard the group while touring in Sydney and he told Murray Engelheart of Juke Magazine : "This could be

12772-553: The song's rights were already assigned internationally; so they asked if the group could provide a track that matched its feel. Blood returned to Australian in September 1986 and Lime Spiders reconvened. They released "Weirdo Libido", which was co-written by Blood and original guitarist Mather and produced by Cameron Allan , as a single, in January 1987 on Virgin Records . It peaked at No. 48 in February. In April its music video

12896-411: The southeastern town of Hersham . In Durham , there was Penetration , with lead singer Pauline Murray . On September 20–21, the 100 Club Punk Festival in London featured the Sex Pistols, Clash, Damned, and Buzzcocks, as well as Paris's female-lead Stinky Toys . Siouxsie and the Banshees and Subway Sect debuted on the festival's first night. On the festival's second night, audience member Sid Vicious

13020-429: The start of every song as if the group could barely master the rudiments of rhythm." The band played its first show at CBGB in August 1974. By the end of the year, the Ramones had performed seventy-four shows, each about seventeen minutes long. "When I first saw the Ramones", critic Mary Harron later remembered, "I couldn't believe people were doing this. The dumb brattiness." That spring, Smith and Television shared

13144-527: The term in the May 1971 issue of Creem , where he described ? and the Mysterians as giving a "landmark exposition of punk rock". Later in 1971, in his fanzine Who Put the Bomp , Greg Shaw wrote about "what I have chosen to call "punkrock" bands—white teenage hard rock of '64–66 ( Standells , Kingsmen, Shadows of Knight , etc.)". Lester Bangs used the term "punk rock" in several articles written in

13268-453: The top 50 on the related Kent Music Report Singles Chart. In April its music video was the first ever shown on Australian Broadcasting Corporation TV music series rage . The track was used on the 1988 feature film Young Einstein ' s soundtrack. The group disbanded in 1990 and in 1999 Australian musicologist, Ian McFarlane , noted they had provided "raucous sound mixed screaming vocals and wild, fuzz-tone guitar riffs to arrive at

13392-537: The tour: "The States was a bit frustrating 'cos I felt we could have had a good shot at the title there. We did it in comparative luxury 'cos Virgin underwrote the tour. And we had Motörhead 's tour bus! Unfortunately we never got back there. We did some shows supporting PiL , and five weeks of our own shows, and there was quite a buzz. There was this place called the Scream Club in LA , this big marble ballroom, and it

13516-428: The track: "[it] come from a throwaway riff that [Jakimyszyn] used to peel off automatically at rehearsals every time he plugged his guitar into his amp, to check his sound ... I asked [him] to keep playin' the riff, as I thought we could construct a song around it. He looked at me as if I was crazy ... but obligingly cranked his amp & played it with venom, as the band jammed on it for the first time ... I went away with

13640-508: The unemployment and social unrest in 1977, "punk's nihilistic swagger was the most thrilling thing in England." While "self-imposed alienation " was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass , who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer 's outlook, "Punk rock

13764-407: The verge of becoming serious – we were rewarded with a record deal, like Radio Birdman had six years earlier. We got up and didn't miss a beat – a 40-minute set. We were in tune – which is something that The Lime Spiders weren't famous for – and we won. I vaguely remembered Bill Gibson standing at the back of the stage, constantly retuning all the guitars". – Mather The recording sessions resulted in

13888-435: The world. Ed Kuepper , co-founder of the Saints, later recalled: One thing I remember having had a really depressing effect on me was the first Ramones album. When I heard it [in 1976], I mean it was a great record [...] but I hated it because I knew we'd been doing this sort of stuff for years. There was even a chord progression on that album that we used [...] and I thought, "Fuck. We're going to be labeled as influenced by

14012-470: Was a benchmark for both the DIY ethic and regionalism in the country's punk movement. The Clash 's self-titled debut album came out two months later and rose to number twelve; the single " White Riot " entered the top forty. In May, the Sex Pistols achieved new heights of controversy (and number two on the singles chart) with " God Save the Queen ". The band had recently acquired a new bassist, Sid Vicious , who

14136-508: Was arrested for having thrown a glass at the Damned that shattered and destroyed a girl's eye. Press coverage of the incident reinforced punk's reputation as a social menace. Some new bands, such as London's Ultravox !, Edinburgh's Rezillos , Manchester's the Fall, and Leamington 's the Shapes , identified with the scene even as they pursued more experimental music. Others of a comparatively traditional rock 'n' roll bent were also swept up by

14260-466: Was covered by the Goo Goo Dolls on their album, A Boy Named Goo . The Lime Spiders reformed in 1998 with a line-up of Bambach, Blood, Corben, Lawson, and a new guitarist, Dave Sparks. In September 2002 a compilation album, Nine Miles High , was released by Raven Records / EMI Records , it comprised 26 tracks, including rare B-sides and EP cuts, as well as a twelve-page booklet outlining

14384-592: Was early in the tour, second gig or something, and we rocked up to play there and they were lined up around the block and I'm going, 'Are we at the right place?!' that's when I realised". The group then toured Europe, playing at the Roskilde Festival in 1988. Their follow-up album, Volatile , with Peter Blyton producing, was released in May that year. It did not receive the same level of critical or commercial acceptance as The Cave Comes Alive! . Australian musicologist, Ian McFarlane , felt that it "contained

14508-467: Was largely devoted to discussion of 1960s garage and psychedelic acts. In May 1974, Los Angeles Times critic Robert Hilburn reviewed the second New York Dolls album, Too Much Too Soon . "I told ya the New York Dolls were the real thing," he wrote, describing the album as "perhaps the best example of raw, thumb-your-nose-at-the-world, punk rock since the Rolling Stones ' Exile on Main Street ." In

14632-447: Was often looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have very many skills as musicians but still felt the need to express themselves through music". In December 1976, the English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band". British punk rejected contemporary mainstream rock,

14756-464: Was published: The Boy Looked at Johnny , by Julie Burchill and Tony Parsons . In February 1977, EMI released the Saints ' debut album, (I'm) Stranded , which the band recorded in two days. The Saints had relocated to Sydney; in April, they and Radio Birdman united for a major gig at Paddington Town Hall . Last Words had also formed in the city. The following month, the Saints relocated again, to Great Britain. In June, Radio Birdman released

14880-509: Was seen as exemplifying the punk persona. The swearing during the Grundy interview and the controversy over "God Save the Queen" led to a moral panic . Scores of new punk groups formed around the United Kingdom, as far from London as Belfast 's Stiff Little Fingers and Dunfermline , Scotland's the Skids . Though most survived only briefly, perhaps recording a small-label single or two, others set off new trends. Crass , from Essex , merged

15004-468: Was still not well enough to perform. This show was cancelled several days later after objections from Blood. In June 2023, Mick Blood has announced the end of Lime Spiders, as he can no longer enjoy existing in music with the intense scrutiny of social media. saying "As you may realise, I've finally given up the rock 'n' roll circus after a highly successful international career with the Lime Spiders,

15128-574: Was the first one ever shown on rage , an Australian Broadcasting Corporation TV music series. The track subsequently appeared on the Young Einstein soundtrack. Jakimyszyn rejoined in May 1987 in time for the release of Lime Spiders' debut album, The Cave Comes Alive! in June. The album was produced by David Price, and peaked at No. 54 on the Kent Music Report Albums Chart. AllMusic's David Szatmary found

15252-401: Was the first person to use the word " motherfucker " in a song title and also directly influenced the Clash . In August 1969, the Stooges , from Ann Arbor , premiered with a self-titled album . According to critic Greil Marcus , the band, led by singer Iggy Pop , created "the sound of Chuck Berry 's Airmobile —after thieves stripped it for parts". The album was produced by John Cale ,

15376-605: Was to come. Glam rock in the UK and the New York Dolls from New York have also been cited as key influences. Between 1974 and 1976, when the genre that became known as punk was developing, prominent acts included Television , Patti Smith , and the Ramones in New York City; the Saints in Brisbane ; the Sex Pistols , the Clash , and the Damned in London, and the Buzzcocks in Manchester. By late 1976, punk had become

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