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Liszt Collection

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The Liszt Collection contains over one million generally nineteenth-century engravings and images. The Liszt Collection is an international project to preserve a portrayal of history through contemporary engravings, articles and books.

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75-559: The Liszt Collection mainly covers Europe and the United States as well as other locations in the rest of the world, such as Canada, Australia, certain African countries, and South America and Asia. The main areas of interest covered by the collection are history, society, art and culture. These areas are covered by showing geographical locations (towns, villages, counties and countries) as well as by showing various aspects of life in

150-558: A first-class entity , rather than the specific place where the object is located at a certain time. It implements the Uniform Resource Identifier ( Uniform Resource Name ) concept and adds to it a data model and social infrastructure. A DOI name also differs from standard identifier registries such as the ISBN , ISRC , etc. The purpose of an identifier registry is to manage a given collection of identifiers, whereas

225-559: A British-born engraver who had headed the engraving department of the Illustrated London News , immigrated to the United States in 1848, where he developed a means to divide the labour for making wood engravings. A single design was divided into a grid, and each engraver worked on a square. The blocks were then assembled into a single image. This process formed the basis for his Frank Leslie's Illustrated Newspaper , which competed with Harper's in illustrating scenes from

300-448: A DOI name is a handle, and so has a set of values assigned to it and may be thought of as a record that consists of a group of fields. Each handle value must have a data type specified in its <type> field, which defines the syntax and semantics of its data. While a DOI persistently and uniquely identifies the object to which it is assigned, DOI resolution may not be persistent, due to technical and administrative issues. To resolve

375-540: A DOI name, it may be input to a DOI resolver, such as doi.org . Another approach, which avoids typing or copying and pasting into a resolver is to include the DOI in a document as a URL which uses the resolver as an HTTP proxy, such as https://doi.org/ (preferred) or http://dx.doi.org/ , both of which support HTTPS. For example, the DOI 10.1000/182 can be included in a reference or hyperlink as https://doi.org/10.1000/182 . This approach allows users to click on

450-572: A daughter, which they named Gizella. The baby was born in Körmend , Hungary, where Gizella spent her childhood. Károly Schwarz owned the well known Schwarz Coffee House and here it was that the young Gizella met many interesting people. Körmend being a frequented stop for travellers on their way from Hungary to Austria . Gizella loved music and literature and spent her whole life reading. As family history has it, around 1880 in Budapest she even, as

525-520: A high-quality specialist technique of book illustration, and is promoted, for example, by the Society of Wood Engravers , who hold an annual exhibition in London and other British venues. The terms "woodcut" and "wood engraving" were used interchangeably in the early and middle part of the 19th century, until the modern distinction emerged towards the end of the century, with confusion often extending into

600-581: A little girl, met Franz Liszt , the famous nineteenth-century composer. In 1939 she asked her birth certificate¹ from the Catholic Church in Körmend and by obtaining this certificate she saved herself from the concentration camps. The birth certificate is shown on the right and proves the validity of her origins being Roman Catholic. It is signed by the Vicar of Körmend which verifies the genuinity of

675-401: A managed registry (providing both social and technical infrastructure). It does not assume any specific business model for the provision of identifiers or services and enables other existing services to link to it in defined ways. Several approaches for making identifiers persistent have been proposed. The comparison of persistent identifier approaches is difficult because they are not all doing

750-588: A more stable link than directly using its URL. But if its URL changes, the publisher must update the metadata for the DOI to maintain the link to the URL. It is the publisher's responsibility to update the DOI database. If they fail to do so, the DOI resolves to a dead link , leaving the DOI useless. The developer and administrator of the DOI system is the International DOI Foundation (IDF), which introduced it in 2000. Organizations that meet

825-544: A non-profit organization created in 1997, is the governance body of the DOI system. It safeguards all intellectual property rights relating to the DOI system, manages common operational features, and supports the development and promotion of the DOI system. The IDF ensures that any improvements made to the DOI system (including creation, maintenance, registration, resolution and policymaking of DOI names) are available to any DOI registrant. It also prevents third parties from imposing additional licensing requirements beyond those of

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900-483: A slightly different character. The block is manipulated on a "sandbag" (a sand-filled circular leather cushion). This helps the engraver produce curved or undulating lines with minimal manipulation of the cutting tool. Wood engravers use a range of specialized tools. The lozenge graver is similar to the burin used by copper engravers of Bewick's day, and comes in different sizes. Various sizes of V-shaped graver are used for hatching. Other, more flexible, tools include

975-419: A transaction, etc. The names can refer to objects at varying levels of detail: thus DOI names can identify a journal, an individual issue of a journal, an individual article in the journal, or a single table in that article. The choice of level of detail is left to the assigner, but in the DOI system it must be declared as part of the metadata that is associated with a DOI name, using a data dictionary based on

1050-507: A way of getting its collection online. The Liszt Collection is becoming a source of world heritage by the publication of the assets (image and text) as identifiable electronic publications, registered with a DOI (Digital Object Identifier) for permanent referencing and linking. One of the Liszt Collection's main aims is to be an eye-opener, showing a variety of cultures and regions, which will be now achieved through cooperating with

1125-450: Is a type of Handle System handle, which takes the form of a character string divided into two parts, a prefix and a suffix, separated by a slash. The prefix identifies the registrant of the identifier and the suffix is chosen by the registrant and identifies the specific object associated with that DOI. Most legal Unicode characters are allowed in these strings, which are interpreted in a case-insensitive manner. The prefix usually takes

1200-447: Is almost all about woodcut and its much longer history, with Thomas Bewick only appearing from page 558. Chatto is ready to call individual woodcuts "cuts", but seems never to use "woodcut". Most of his illustrations are in fact wood engravings, by John Jackson , mostly reproducing woodcuts. Wood-engraving: A Manual of Instruction by William James Linton in 1884 and A History of Wood-engraving by George Edward Woodberry in 1883 are

1275-613: Is maintained by the International DOI Foundation. The IDF is recognized as one of the federated registrars for the Handle System by the DONA Foundation (of which the IDF is a board member), and is responsible for assigning Handle System prefixes under the top-level 10 prefix. Registration agencies generally charge a fee to assign a new DOI name; parts of these fees are used to support the IDF. The DOI system overall, through

1350-659: Is printed by the intaglio method, where the ink fills the valleys , the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character. Thomas Bewick developed the wood engraving technique in Great Britain at the end of the 18th century. His work differed from earlier woodcuts in two key ways. First, rather than using woodcarving tools such as knives, Bewick used an engraver's burin (graver). With this, he could create thin delicate lines, often creating large dark areas in

1425-464: Is shown with a DOI name that leads to an Excel file of data underlying the tables and graphs. Further development of such services is planned. Other registries include Crossref and the multilingual European DOI Registration Agency (mEDRA) . Since 2015, RFCs can be referenced as doi:10.17487/rfc ... . The IDF designed the DOI system to provide a form of persistent identification , in which each DOI name permanently and unambiguously identifies

1500-559: Is to use one of a number of add-ons and plug-ins for browsers , thereby avoiding the conversion of the DOIs to URLs, which depend on domain names and may be subject to change, while still allowing the DOI to be treated as a normal hyperlink. A disadvantage of this approach for publishers is that, at least at present, most users will be encountering the DOIs in a browser, mail reader , or other software which does not have one of these plug-ins installed. The International DOI Foundation ( IDF ),

1575-560: The Austro-Hungarian Empire , where Gizella Schwarz (1877–1962), started to collect some ‘Liszt’ prints. These were portraits of Franz Liszt and woodcuts of the places where he lived and worked. However, her interest quickly broadened and Gizella bought prints of a great variety of subjects. Amongst many others these include butterflies and flowers, engravings of Budapest and Hungary, but also London, Paris and New York. On 15 October 1877, Károly Schwarz and Maria Habetler got

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1650-599: The Beggarstaff Brothers . Timothy Cole was a traditional wood engraver, executing copies from museum paintings on commission from magazines such as The Century Magazine . Wood engraving blocks are typically made of boxwood or other hardwoods such as lemonwood or cherry. They are expensive to purchase because end-grain wood must be a section through the trunk or large bough of a tree. Some modern wood engravers use substitutes made of PVC or resin, mounted on MDF , which produce similarly detailed results of

1725-516: The Handle System ; they also fit within the URI system ( Uniform Resource Identifier ). They are widely used to identify academic, professional, and government information, such as journal articles, research reports, data sets, and official publications . A DOI aims to resolve to its target, the information object to which the DOI refers. This is achieved by binding the DOI to metadata about

1800-497: The indecs Content Model . The official DOI Handbook explicitly states that DOIs should be displayed on screens and in print in the format doi:10.1000/182 . Contrary to the DOI Handbook , Crossref , a major DOI registration agency, recommends displaying a URL (for example, https://doi.org/10.1000/182 ) instead of the officially specified format. This URL is persistent (there is a contract that ensures persistence in

1875-458: The letterpress type of the text. The Oxford University Press used boxwood engraved on the end-grain for these by this time. At the end of the 18th century, the English artist and author Thomas Bewick is "usually considered the founder of wood-engraving" as "the first to realize its full potentialities" for larger illustrations. Bewick generally engraved harder woods, such as, rather than

1950-408: The spitsticker , for fine undulating lines; the round scorper for curved textures; and the flat scorper for clearing larger areas. Wood engraving is generally a black-and-white technique. However, a handful of wood engravers also work in colour, using three or four blocks of primary colours—in a way parallel to the four-colour process in modern printing. To do this, the printmaker must register

2025-405: The 1890s. With the new century, improvements in the half-tone process rendered this kind of reproductive engraving obsolete. In a less sophisticated form, it survived in advertisements and trade catalogues until about 1930. With this change, wood engraving was left free to develop as a creative form in its own right, a movement prefigured in the late 1800s by such artists as Joseph Crawhall II and

2100-471: The 20th century among non-specialists. At the start of the 19th, both "wood engraving" and "woodcut" were often used for both types, so that the title page of A History of British Fishes (1835), by William Yarrell boasts "illustrated by nearly 400 woodcuts", which in fact are all wood-engravings, from one of the classic works using the technique. On the other hand, A Treatise on Wood Engraving, Historical and Practical (1839), by William Andrew Chatto ,

2175-484: The American Civil War. By the mid-19th century, electrotyping was developed, which could reproduce a wood engraving on metal. By this method, a single wood-engraving could be mass-produced for sale to printshops, and the original retained without wear. Until 1860, artists working for engraving had to paint or draw directly on the surface of the woodblock and the original artwork was actually destroyed by

2250-497: The British Museum. In 15th- and 16th-century Europe, woodcuts were a common technique in printmaking and printing, yet their use as an artistic medium began to decline in the 17th century. They were still made for basic printing press work such as newspapers or almanacs. These required simple blocks that printed in relief with the text—rather than the elaborate intaglio forms in book illustrations and artistic printmaking at

2325-485: The DOI System. It requires an additional layer of administration for defining DOI as a URN namespace (the string urn:doi:10.1000/1 rather than the simpler doi:10.1000/1 ) and an additional step of unnecessary redirection to access the resolution service, already achieved through either http proxy or native resolution. If RDS mechanisms supporting URN specifications become widely available, DOI will be registered as

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2400-413: The DOI as a normal hyperlink . Indeed, as previously mentioned, this is how Crossref recommends that DOIs always be represented (preferring HTTPS over HTTP), so that if they are cut-and-pasted into other documents, emails, etc., they will be actionable. Other DOI resolvers and HTTP Proxies include the Handle System and PANGAEA . At the beginning of the year 2016, a new class of alternative DOI resolvers

2475-409: The DOI system associates metadata with objects. A small kernel of common metadata is shared by all DOI names and can be optionally extended with other relevant data, which may be public or restricted. Registrants may update the metadata for their DOI names at any time, such as when publication information changes or when an object moves to a different URL. The International DOI Foundation (IDF) oversees

2550-436: The DOI system have deliberately not registered a DOI namespace for URNs , stating that: URN architecture assumes a DNS-based Resolution Discovery Service (RDS) to find the service appropriate to the given URN scheme. However no such widely deployed RDS schemes currently exist.... DOI is not registered as a URN namespace, despite fulfilling all the functional requirements, since URN registration appears to offer no advantage to

2625-459: The DOI system. DOI name-resolution may be used with OpenURL to select the most appropriate among multiple locations for a given object, according to the location of the user making the request. However, despite this ability, the DOI system has drawn criticism from librarians for directing users to non-free copies of documents, that would have been available for no additional fee from alternative locations. The indecs Content Model as used within

2700-501: The IDF on users of the DOI system. The IDF is controlled by a Board elected by the members of the Foundation, with an appointed Managing Agent who is responsible for co-ordinating and planning its activities. Membership is open to all organizations with an interest in electronic publishing and related enabling technologies. The IDF holds annual open meetings on the topics of DOI and related issues. Registration agencies, appointed by

2775-679: The IDF, operates on a not-for-profit cost recovery basis. The DOI system is an international standard developed by the International Organization for Standardization in its technical committee on identification and description, TC46/SC9. The Draft International Standard ISO/DIS 26324, Information and documentation – Digital Object Identifier System met the ISO requirements for approval. The relevant ISO Working Group later submitted an edited version to ISO for distribution as an FDIS (Final Draft International Standard) ballot, which

2850-472: The IDF, provide services to DOI registrants: they allocate DOI prefixes, register DOI names, and provide the necessary infrastructure to allow registrants to declare and maintain metadata and state data. Registration agencies are also expected to actively promote the widespread adoption of the DOI system, to cooperate with the IDF in the development of the DOI system as a whole, and to provide services on behalf of their specific user community. A list of current RAs

2925-950: The Liszt Press. The imprint will have a large list of books, focused and specialized. Examples from the publishing list are; The Germans in Africa in 1884; Henry Landsdell, A Journey through Central Asia , around 1880; British advertisements from 1884; Major Cavagnari and the rebellion in Cabul, Afghanistan 1879; The restoration of Ely Cathedral in 1856; The Valparaíso and Santiago Railway in 1856; General Sir Colin Campbell, 1856; East Lancashire Railway , 1848; The French Republic’s Presidential Election in 1848; The Crimea in 1855, Bagtcheserai, The valley of Baidar and Woronzow Road; Visit of English Ships in 1855 to Japan , Comprising The Sybille, Hornet and Bittern. The Liszt collection’s roots lay in

3000-408: The United States. Bewick's innovations also relied on the improved smoother papers developed in the 18th century. Without these the detail of his images would not have appeared reliably. Alexander Anderson introduced the technique to the United States. Bewick's work impressed him, so he reverse engineered and imitated Bewick's technique—using metal until he learned that Bewick used wood. There it

3075-480: The black ink stayed 'type high.' A workman rolled or daubed a layer of ink over the incised surface, laid a sheet of paper on it, pressed it down with a roller, pulled the paper away from the sticky substance," and the result was a printed image. Besides interpreting details of light and shade, from the 1820s onwards, engravers used the method to reproduce freehand line drawings . This was, in many ways an unnatural application, since engravers had to cut away almost all

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3150-403: The blocks (make sure they print in exactly the same place on the page). Recently, engravers have begun to use lasers to engrave wood. Digital object identifier A digital object identifier ( DOI ) is a persistent identifier or handle used to uniquely identify various objects, standardized by the International Organization for Standardization (ISO). DOIs are an implementation of

3225-459: The characters 1000 in the prefix identify the registrant; in this case the registrant is the International DOI Foundation itself. 182 is the suffix, or item ID, identifying a single object (in this case, the latest version of the DOI Handbook ). DOI names can identify creative works (such as texts, images, audio or video items, and software) in both electronic and physical forms, performances , and abstract works such as licenses, parties to

3300-412: The composition. Second, wood engraving traditionally uses the wood's end grain —while the older technique used the softer side grain. The resulting increased hardness and durability facilitated more detailed images. Wood-engraved blocks could be used on conventional printing presses , which were going through rapid mechanical improvements during the first quarter of the 19th century. The blocks were made

3375-467: The contractual obligations of the DOI system and are willing to pay to become a member of the system can assign DOIs. The DOI system is implemented through a federation of registration agencies coordinated by the IDF. By late April 2011 more than 50 million DOI names had been assigned by some 4,000 organizations, and by April 2013 this number had grown to 85 million DOI names assigned through 9,500 organizations. Fake registries have even appeared. A DOI

3450-582: The darkest areas. This technique appears in wood-engravings after Gustave Doré . Towards the end of the 19th century, a combination of Bolton's 'photo on wood' process and the increased technical virtuosity initiated by the French school gave wood engraving a new application as a means of reproducing drawings in water-colour wash (as opposed to line drawings) and actual photographs. This is exemplified in illustrations in The Strand Magazine during

3525-403: The doi.org domain, ) so it is a PURL —providing the location of an name resolver which will redirect HTTP requests to the correct online location of the linked item. The Crossref recommendation is primarily based on the assumption that the DOI is being displayed without being hyperlinked to its appropriate URL—the argument being that without the hyperlink it is not as easy to copy-and-paste

3600-463: The engraver. In 1860, however, the engraver Thomas Bolton invented a process for transferring a photograph onto the block. At about the same time, French engravers developed a modified technique (partly a return to that of Bewick) in which cross-hatching (one set of parallel lines crossing another at an angle) was almost eliminated. Instead, all tonal gradations were rendered by white lines of varying thickness and closeness, sometimes broken into dots for

3675-513: The event shown on the engraving. At this time very few (mainly American) painters could make a living selling their canvases and many turned to engraving to earn a living. Artists of the Liszt Collection’s engravings go from J. B. Allan,W. H. Bartlett and Thomas Bewick to R. Zogbaum . The Liszt Collection houses an abundance of information in images and text about the nineteenth century. The information will be made available in books through

3750-457: The form 10.NNNN , where NNNN is a number greater than or equal to 1000 , whose limit depends only on the total number of registrants. The prefix may be further subdivided with periods, like 10.NNNN.N . For example, in the DOI name 10.1000/182 , the prefix is 10.1000 and the suffix is 182 . The "10" part of the prefix distinguishes the handle as part of the DOI namespace, as opposed to some other Handle System namespace, and

3825-564: The full URL to actually bring up the page for the DOI, thus the entire URL should be displayed, allowing people viewing the page containing the DOI to copy-and-paste the URL, by hand, into a new window/tab in their browser in order to go to the appropriate page for the document the DOI represents. Major content of the DOI system currently includes: In the Organisation for Economic Co-operation and Development 's publication service OECD iLibrary , each table or graph in an OECD publication

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3900-443: The functionality of a registry-controlled scheme and will usually lack accompanying metadata in a controlled scheme. The DOI system does not have this approach and should not be compared directly to such identifier schemes. Various applications using such enabling technologies with added features have been devised that meet some of the features offered by the DOI system for specific sectors (e.g., ARK ). A DOI name does not depend on

3975-497: The information. This is proven by his signature and stamp under the sentence: "That the certificate is in compliance with the original birth register of the Roman Catholic Church, and that I further strengthen this proof with my signature and official stamp." As it can be seen a red satisfactory tick has later been added, presumably by a German officer, to certify that her origins were indeed 'lawful'. In 1957, Gizella

4050-547: The integration of these technologies and operation of the system through a technical and social infrastructure. The social infrastructure of a federation of independent registration agencies offering DOI services was modelled on existing successful federated deployments of identifiers such as GS1 and ISBN . A DOI name differs from commonly used Internet pointers to material, such as the Uniform Resource Locator (URL), in that it identifies an object itself as

4125-526: The inventor of wood-engraving, he was the first to recognise that, as the incisions made by the graver on the wood block printed white, the right use of the medium was to base his designs as much as possible on white lines and areas, and so he became the first to use his graver as a drawing instrument and to employ the medium as an original art. From the beginning of the nineteenth century Bewick's techniques gradually came into wider use, especially in Britain and

4200-407: The mid-19th century, many wood engravings rivaled copperplate engravings. Wood engraving was used to great effect by 19th-century artists such as Edward Calvert , and its heyday lasted until the early and mid-20th century when remarkable achievements were made by Eric Gill , Eric Ravilious , Tirzah Garwood and others. Though less used now, the technique is still prized in the early 21st century as

4275-510: The nineteenth century. Ranging from topics such as politics, fashion in nineteenth-century France and social activities in the nineteenth-century German village to topics such as science, hiking in Switzerland, transport and coaches and trains crossing the country side. In the mid-nineteenth-century wood engraving was used extensively for the speed and ease with which wood engravings could be produced. Engravings could be made within days of

4350-430: The object to which it is associated (although when the publisher of a journal changes, sometimes all the DOIs will be changed, with the old DOIs no longer working). It also associates metadata with objects, allowing it to provide users with relevant pieces of information about the objects and their relationships. Included as part of this metadata are network actions that allow DOI names to be resolved to web locations where

4425-467: The object's location and, in this way, is similar to a Uniform Resource Name (URN) or PURL but differs from an ordinary URL. URLs are often used as substitute identifiers for documents on the Internet although the same document at two different locations has two URLs. By contrast, persistent identifiers such as DOI names identify objects as first class entities: two instances of the same object would have

4500-425: The object, such as a URL where the object is located. Thus, by being actionable and interoperable , a DOI differs from ISBNs or ISRCs which are identifiers only. The DOI system uses the indecs Content Model to represent metadata . The DOI for a document remains fixed over the lifetime of the document, whereas its location and other metadata may change. Referring to an online document by its DOI should provide

4575-454: The objects they describe can be found. To achieve its goals, the DOI system combines the Handle System and the indecs Content Model with a social infrastructure. The Handle System ensures that the DOI name for an object is not based on any changeable attributes of the object such as its physical location or ownership, that the attributes of the object are encoded in its metadata rather than in its DOI name, and that no two objects are assigned

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4650-403: The picture libraries. Wood engraving Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut , it uses relief printing , where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving , like etching , uses a metal plate for the matrix, and

4725-467: The primary purpose of the DOI system is to make a collection of identifiers actionable and interoperable, where that collection can include identifiers from many other controlled collections. The DOI system offers persistent, semantically interoperable resolution to related current data and is best suited to material that will be used in services outside the direct control of the issuing assigner (e.g., public citation or managing content of value). It uses

4800-411: The same DOI name. DOI name resolution is provided through the Handle System , developed by Corporation for National Research Initiatives , and is freely available to any user encountering a DOI name. Resolution redirects the user from a DOI name to one or more pieces of typed data: URLs representing instances of the object, services such as e-mail, or one or more items of metadata. To the Handle System,

4875-540: The same DOI name. Because DOI names are short character strings, they are human-readable, may be copied and pasted as text, and fit into the URI specification. The DOI name-resolution mechanism acts behind the scenes, so that users communicate with it in the same way as with any other web service; it is built on open architectures , incorporates trust mechanisms , and is engineered to operate reliably and flexibly so that it can be adapted to changing demands and new applications of

4950-450: The same height as, and composited alongside, movable type in page layouts —so printers could produce thousands of copies of illustrated pages with almost no deterioration. The combination of this new wood engraving method and mechanized printing drove a rapid expansion of illustrations in the 19th century. Further, advances in stereotype let wood-engravings be reproduced onto metal, where they could be mass-produced for sale to printers. By

5025-562: The same in their use of terms. By the end of the century the modern distinction between the two terms for the two techniques was clear among specialists, with authoritative works like Campbell Dodgson 's Catalogue of Early German and Flemish Woodcuts (in the British Museum , London, 1903) and eventually Arthur Mayger Hind 's An Introduction to the History of Woodcut (1935). Both authors served as Keeper of prints and drawings at

5100-431: The same thing. Imprecisely referring to a set of schemes as "identifiers" does not mean that they can be compared easily. Other "identifier systems" may be enabling technologies with low barriers to entry, providing an easy to use labeling mechanism that allows anyone to set up a new instance (examples include Persistent Uniform Resource Locator (PURL), URLs, Globally Unique Identifiers (GUIDs), etc.), but may lack some of

5175-560: The surface of the block to produce the printable lines of the artist's drawing. Nonetheless, it became the most common use of wood engraving. Examples include the cartoons of Punch magazine, the pictures in the Illustrated London News and Sir John Tenniel 's illustrations to Lewis Carroll 's works, the latter engraved by the firm of Dalziel Brothers. In the United States, wood-engraved publications also began to take hold, such as Harper's Weekly . Frank Leslie ,

5250-412: The time, in which type and illustrations were printed with separate plates and techniques. The beginnings of modern wood engraving techniques developed in the late 17th century, by which time publishers of quality books only used the relief printing of wood blocks for small images in the text such as initials, taking advantage of relief printing blocks to be fitted into the same forme or set-up page as

5325-426: The woods used in woodcuts, and he engraved the ends of blocks instead of the side. Finding a woodcutting knife not suitable for working against the grain in harder woods, Bewick used a burin (or graver), an engraving tool with a V-shaped cutting tip. As Thomas Balston explains, Bewick abandoned the attempts of previous wood-engravers 'to imitate the black lines of copper engravings. Though not, as frequently asserted,

5400-521: Was approved by 100% of those voting in a ballot closing on 15 November 2010. The final standard was published on 23 April 2012. DOI is a registered URI under the info URI scheme specified by IETF RFC   4452 . info:doi/ is the infoURI Namespace of Digital Object Identifiers. The DOI syntax is a NISO standard, first standardized in 2000, ANSI/NISO Z39.84-2005 Syntax for the Digital Object Identifier. The maintainers of

5475-405: Was further expanded upon by his students, Joseph Alexander Adams . Before the advent of photolithography , newspapers used wood engravings to make photographic reproductions. An artist "meticulously traced the photograph upon the surface of a block of boxwood or other suitable tree, then used a sharp tool to cut out the troughs (the white part of the photo) from the wood. The remaining lines for

5550-532: Was portrayed by Janos Szikra, at the age of 80, 4 years before her death. Over the past hundred years the Liszt collection was gradually expanded and now houses over one million nineteenth-century engravings, prints and images and over two million articles. For The Liszt Collection, a diversity of image libraries like FotoLibra , Alamy , Album Archivo Fotográfico, Cultural Heritage Online/museum-images.com, Heritage Image Partnership Picture Library, TopFoto etc. offer

5625-619: Was started by http://doai.io. This service is unusual in that it tries to find a non-paywalled (often author archived ) version of a title and redirects the user to that instead of the publisher's version . Since then, other open-access favoring DOI resolvers have been created, notably https://oadoi.org/ in October 2016 (later Unpaywall ). While traditional DOI resolvers solely rely on the Handle System, alternative DOI resolvers first consult open access resources such as BASE (Bielefeld Academic Search Engine). An alternative to HTTP proxies

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