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90-430: MPEG-4 absorbs many of the features of MPEG-1 and MPEG-2 and other related standards, adding new features such as (extended) VRML support for 3D rendering, object-oriented composite files (including audio, video and VRML objects), support for externally specified digital rights management and various types of interactivity. AAC (Advanced Audio Coding) was standardized as an adjunct to MPEG-2 (as Part 1) before MPEG-4

180-414: A B-frame. Because of this, a very low bitrate B-frame can be inserted, where needed, to help control the bitrate. If this was done with a P-frame, future P-frames would be predicted from it and would lower the quality of the entire sequence. However, similarly, the future P-frame must still encode all the changes between it and the previous I- or P- anchor frame. B-frames can also be beneficial in videos where

270-506: A GOP size of 15–18. i.e. 1 I-frame for every 14-17 non-I-frames (some combination of P- and B- frames). With more intelligent encoders, GOP size is dynamically chosen, up to some pre-selected maximum limit. Limits are placed on the maximum number of frames between I-frames due to decoding complexing, decoder buffer size, recovery time after data errors, seeking ability, and accumulation of IDCT errors in low-precision implementations most common in hardware decoders (See: IEEE -1180). "P-frame"

360-462: A bitrate less than 1.5 Mbit/s, make up what is known as a constrained parameters bitstream (CPB), later renamed the "Low Level" (LL) profile in MPEG-2. This is the minimum video specifications any decoder should be able to handle, to be considered MPEG-1 compliant . This was selected to provide a good balance between quality and performance, allowing the use of reasonably inexpensive hardware of

450-405: A dedicated analog circuit-switched service. Other advantages include better voice quality and integration to a Voice over Internet Protocol (VoIP) network providing cheap or unlimited nationwide and international calling. In many cases, digital cable telephone service is separate from cable modem service being offered by many cable companies and does not rely on Internet Protocol (IP) traffic or

540-436: A given location, cable distribution lines must be available on the local utility poles or underground utility lines. Coaxial cable brings the signal to the customer's building through a service drop , an overhead or underground cable. If the subscriber's building does not have a cable service drop, the cable company will install one. The standard cable used in the U.S. is RG-6 , which has a 75 ohm impedance , and connects with

630-543: A high elevation. At the outset, cable systems only served smaller communities without television stations of their own, and which could not easily receive signals from stations in cities because of distance or hilly terrain. In Canada, however, communities with their own signals were fertile cable markets, as viewers wanted to receive American signals. Rarely, as in the college town of Alfred, New York , U.S. cable systems retransmitted Canadian channels. Although early ( VHF ) television receivers could receive 12 channels (2–13),

720-466: A higher rate. At the local headend, the feed signals from the individual television channels are received by dish antennas from communication satellites . Additional local channels, such as local broadcast television stations, educational channels from local colleges, and community access channels devoted to local governments ( PEG channels) are usually included on the cable service. Commercial advertisements for local business are also inserted in

810-405: A local VHF television station broadcast. Local broadcast channels were not usable for signals deemed to be a priority, but technology allowed low-priority signals to be placed on such channels by synchronizing their blanking intervals . TVs were unable to reconcile these blanking intervals and the slight changes due to travel through a medium, causing ghosting . The bandwidth of the amplifiers also

900-463: A microwave-based system, may be used instead. Coaxial cables are capable of bi-directional carriage of signals as well as the transmission of large amounts of data . Cable television signals use only a portion of the bandwidth available over coaxial lines. This leaves plenty of space available for other digital services such as cable internet , cable telephony and wireless services, using both unlicensed and licensed spectra. Broadband internet access

990-410: A picture) redundancy common in video to achieve better data compression than would be possible otherwise. (See: Video compression ) Before encoding video to MPEG-1, the color-space is transformed to Y′CbCr (Y′=Luma, Cb=Chroma Blue, Cr=Chroma Red). Luma (brightness, resolution) is stored separately from chroma (color, hue, phase) and even further separated into red and blue components. The chroma

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1080-408: A portion of an MPEG program, and is also used by the decoder to determine when data can be discarded from the buffer . Either video or audio will be delayed by the decoder until the corresponding segment of the other arrives and can be decoded. PTS handling can be problematic. Decoders must accept multiple program streams that have been concatenated (joined sequentially). This causes PTS values in

1170-564: A rarity, found in an ever-dwindling number of markets. Analog television sets are accommodated, their tuners mostly obsolete and dependent entirely on the set-top box. Cable television is mostly available in North America , Europe , Australia , Asia and South America . Cable television has had little success in Africa , as it is not cost-effective to lay cables in sparsely populated areas. Multichannel multipoint distribution service ,

1260-455: A receiver box. The cable company will provide set-top boxes based on the level of service a customer purchases, from basic set-top boxes with a standard-definition picture connected through the standard coaxial connection on the TV, to high-definition wireless digital video recorder (DVR) receivers connected via HDMI or component . Older analog television sets are cable ready and can receive

1350-766: A series of signal amplifiers and line extenders. These devices carry the signal to customers via passive RF devices called taps. The very first cable networks were operated locally, notably in 1936 by Rediffusion in London in the United Kingdom and the same year in Berlin in Germany, notably for the Olympic Games , and from 1948 onwards in the United States and Switzerland. This type of local cable network

1440-675: A series of technologies for developers, for various service-providers and for end users: The MPEG-4 format can perform various functions, among which might be the following: MPEG-4 provides a large and rich set of tools for encoding. Subsets of the MPEG-4 tool sets have been provided for use in specific applications. These subsets, called 'Profiles', limit the size of the tool set a decoder is required to implement. In order to restrict computational complexity, one or more 'Levels' are set for each Profile. A Profile and Level combination allows: MPEG-4 consists of several standards—termed "parts"—including

1530-480: A single stream, ensuring simultaneous delivery, and maintaining synchronization. The PS structure is known as a multiplex , or a container format . Presentation time stamps (PTS) exist in PS to correct the inevitable disparity between audio and video SCR values (time-base correction). 90 kHz PTS values in the PS header tell the decoder which video SCR values match which audio SCR values. PTS determines when to display

1620-691: A source of annoyance. Because of the subsampling, Y′CbCr 4:2:0 video is ordinarily stored using even dimensions ( divisible by 2 horizontally and vertically). Y′CbCr color is often informally called YUV to simplify the notation, although that term more properly applies to a somewhat different color format. Similarly, the terms luminance and chrominance are often used instead of the (more accurate) terms luma and chroma. MPEG-1 supports resolutions up to 4095×4095 (12 bits), and bit rates up to 100 Mbit/s. MPEG-1 videos are most commonly seen using Source Input Format (SIF) resolution: 352×240, 352×288, or 320×240. These relatively low resolutions, combined with

1710-417: A special telephone interface at the customer's premises that converts the analog signals from the customer's in-home wiring into a digital signal, which is then sent on the local loop (replacing the analog last mile , or plain old telephone service (POTS) to the company's switching center, where it is connected to the public switched telephone network ( PSTN ). The biggest obstacle to cable telephone service

1800-429: A specific set of capabilities to be defined in a manner appropriate for a subset of applications. Initially, MPEG-4 was aimed primarily at low- bit-rate video communications; however, its scope as a multimedia coding standard was later expanded. MPEG-4 is efficient across a variety of bit rates ranging from a few kilobits per second to tens of megabits per second. MPEG-4 provides the following functions: MPEG-4 provides

1890-457: A specific video is. I-frame only MPEG-1 video is very similar to MJPEG video. So much so that very high-speed and theoretically lossless (in reality, there are rounding errors) conversion can be made from one format to the other, provided a couple of restrictions (color space and quantization matrix) are followed in the creation of the bitstream. The length between I-frames is known as the group of pictures (GOP) size. MPEG-1 most commonly uses

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1980-605: A type F connector . The cable company's portion of the wiring usually ends at a distribution box on the building exterior, and built-in cable wiring in the walls usually distributes the signal to jacks in different rooms to which televisions are connected. Multiple cables to different rooms are split off the incoming cable with a small device called a splitter . There are two standards for cable television; older analog cable, and newer digital cable which can carry data signals used by digital television receivers such as high-definition television (HDTV) equipment. All cable companies in

2070-473: A video at high speed. Given moderately higher-performance decoding equipment, fast preview can be accomplished by decoding I-frames instead of D-frames. This provides higher quality previews, since I-frames contain AC coefficients as well as DC coefficients. If the encoder can assume that rapid I-frame decoding capability is available in decoders, it can save bits by not sending D-frames (thus improving compression of

2160-616: A wide range of companies (audio is licensed separately) and lists all of its licensors and licensees on the site. New licenses for MPEG-4 System patents are under development and no new licenses are being offered while holders of its old MPEG-4 Systems license are still covered under the terms of that license for the patents listed. The majority of patents used for the MPEG-4 Visual format are held by three Japanese companies: Mitsubishi Electric (255 patents), Hitachi (206 patents), and Panasonic (200 patents). MPEG-1 MPEG-1

2250-430: Is a standard for lossy compression of video and audio . It is designed to compress VHS -quality raw digital video and CD audio down to about 1.5 Mbit/s (26:1 and 6:1 compression ratios respectively) without excessive quality loss, making video CDs , digital cable / satellite TV and digital audio broadcasting (DAB) practical. Today, MPEG-1 has become the most widely compatible lossy audio/video format in

2340-422: Is achieved over coaxial cable by using cable modems to convert the network data into a type of digital signal that can be transferred over coaxial cable. One problem with some cable systems is the older amplifiers placed along the cable routes are unidirectional thus in order to allow for uploading of data the customer would need to use an analog telephone modem to provide for the upstream connection. This limited

2430-453: Is also subsampled to 4:2:0 , meaning it is reduced to half resolution vertically and half resolution horizontally, i.e., to just one quarter the number of samples used for the luma component of the video. This use of higher resolution for some color components is similar in concept to the Bayer pattern filter that is commonly used for the image capturing sensor in digital color cameras. Because

2520-402: Is an abbreviation for "Predicted-frame". They may also be called forward-predicted frames or inter-frames (B-frames are also inter-frames). P-frames exist to improve compression by exploiting the temporal (over time) redundancy in a video. P-frames store only the difference in image from the frame (either an I-frame or P-frame) immediately preceding it (this reference frame is also called

2610-571: Is defined by the standard, and small errors in the bitstream may cause noticeable defects. This structure was later named an MPEG program stream : "The MPEG-1 Systems design is essentially identical to the MPEG-2 Program Stream structure." This terminology is more popular, precise (differentiates it from an MPEG transport stream ) and will be used here. Program Streams (PS) are concerned with combining multiple packetized elementary streams (usually just one audio and video PES) into

2700-472: Is defined in ISO/IEC-11172-2. The design was heavily influenced by H.261 . MPEG-1 Video exploits perceptual compression methods to significantly reduce the data rate required by a video stream. It reduces or completely discards information in certain frequencies and areas of the picture that the human eye has limited ability to fully perceive. It also exploits temporal (over time) and spatial (across

2790-540: Is no longer covered by any essential patents and can thus be used without obtaining a licence or paying any fees. The ISO patent database lists one patent for ISO 11172, US 4,472,747, which expired in 2003. The near-complete draft of the MPEG-1 standard was publicly available as ISO CD 11172 by December 6, 1991. Neither the July 2008 Kuro5hin article "Patent Status of MPEG-1, H.261 and MPEG-2", nor an August 2008 thread on

MPEG-4 - Misplaced Pages Continue

2880-524: Is one Cb block of 8x8 and one Cr block of 8x8. This set of 6 blocks, with a picture resolution of 16×16, is processed together and called a macroblock . All of these 8x8 blocks are independently put through DCT and quantization. A macroblock is the smallest independent unit of (color) video. Motion vectors (see below) operate solely at the macroblock level. If the height or width of the video are not exact multiples of 16, full rows and full columns of macroblocks must still be encoded and decoded to fill out

2970-484: Is only possible to the nearest I-frame. When cutting a video it is not possible to start playback of a segment of video before the first I-frame in the segment (at least not without computationally intensive re-encoding). For this reason, I-frame-only MPEG videos are used in editing applications. I-frame only compression is very fast, but produces very large file sizes: a factor of 3× (or more) larger than normally encoded MPEG-1 video, depending on how temporally complex

3060-482: Is the need for nearly 100% reliable service for emergency calls. One of the standards available for digital cable telephony, PacketCable , seems to be the most promising and able to work with the quality of service (QOS) demands of traditional analog plain old telephone service (POTS) service. The biggest advantage to digital cable telephone service is similar to the advantage of digital cable, namely that data can be compressed, resulting in much less bandwidth used than

3150-606: Is used in the US for cable television and originally stood for community antenna television , from cable television's origins in 1948; in areas where over-the-air TV reception was limited by distance from transmitters or mountainous terrain, large community antennas were constructed, and cable was run from them to individual homes. In 1968, 6.4% of Americans had cable television. The number increased to 7.5% in 1978. By 1988, 52.8% of all households were using cable. The number further increased to 62.4% in 1994. To receive cable television at

3240-489: The anchor frame ). The difference between a P-frame and its anchor frame is calculated using motion vectors on each macroblock of the frame (see below). Such motion vector data will be embedded in the P-frame for use by the decoder. A P-frame can contain any number of intra-coded blocks (DCT and Quantized), in addition to any forward-predicted blocks (Motion Vectors). If a video drastically changes from one frame to

3330-492: The DVB-C , DVB-C2 stream to IP for distribution of TV over IP network in the home. Many cable companies offer internet access through DOCSIS . In the most common system, multiple television channels (as many as 500, although this varies depending on the provider's available channel capacity) are distributed to subscriber residences through a coaxial cable , which comes from a trunkline supported on utility poles originating at

3420-674: The Joint Photographic Experts Group and CCITT 's Experts Group on Telephony (creators of the JPEG image compression standard and the H.261 standard for video conferencing respectively), the Moving Picture Experts Group (MPEG) working group was established in January 1988, by the initiative of Hiroshi Yasuda ( Nippon Telegraph and Telephone ) and Leonardo Chiariglione ( CSELT ). MPEG

3510-618: The MP3 article. All patents in the world connected to MP3 expired 30 December 2017, which makes this format totally free for use. On 23 April 2017, Fraunhofer IIS stopped charging for Technicolor's MP3 licensing program for certain MP3 related patents and software. The following corporations filed declarations with ISO saying they held patents for the MPEG-1 Video (ISO/IEC-11172-2) format, although all such patents have since expired. Part 1 of

3600-616: The high band 7–13 of North American television frequencies . Some operators as in Cornwall, Ontario , used a dual distribution network with Channels 2–13 on each of the two cables. During the 1980s, United States regulations not unlike public, educational, and government access (PEG) created the beginning of cable-originated live television programming. As cable penetration increased, numerous cable-only TV stations were launched, many with their own news bureaus that could provide more immediate and more localized content than that provided by

3690-428: The x264 encoder, Nero Digital AVC, QuickTime 7, Flash Video , and high-definition video media like Blu-ray Disc ). Most of the features included in MPEG-4 are left to individual developers to decide whether or not to implement. This means that there are probably no complete implementations of the entire MPEG-4 set of standards. To deal with this, the standard includes the concept of "profiles" and "levels", allowing

MPEG-4 - Misplaced Pages Continue

3780-526: The MPEG-1 standard covers systems , and is defined in ISO/IEC-11172-1. MPEG-1 Systems specifies the logical layout and methods used to store the encoded audio, video, and other data into a standard bitstream, and to maintain synchronization between the different contents. This file format is specifically designed for storage on media, and transmission over communication channels , that are considered relatively reliable. Only limited error protection

3870-640: The MPEG-1 standard very strictly defines the bitstream , and decoder function, but does not define how MPEG-1 encoding is to be performed, although a reference implementation is provided in ISO/IEC-11172-5. This means that MPEG-1 coding efficiency can drastically vary depending on the encoder used, and generally means that newer encoders perform significantly better than their predecessors. The first three parts (Systems, Video and Audio) of ISO/IEC 11172 were published in August 1993. Due to its age, MPEG-1

3960-485: The United States have switched to or are in the course of switching to digital cable television since it was first introduced in the late 1990s. Most cable companies require a set-top box ( cable converter box ) or a slot on one's TV set for conditional access module cards to view their cable channels, even on newer televisions with digital cable QAM tuners, because most digital cable channels are now encrypted, or scrambled , to reduce cable service theft . A cable from

4050-728: The background behind an object is being revealed over several frames, or in fading transitions, such as scene changes. A B-frame can contain any number of intra-coded blocks and forward-predicted blocks, in addition to backwards-predicted, or bidirectionally predicted blocks. MPEG-1 has a unique frame type not found in later video standards. "D-frames" or DC-pictures are independently coded images (intra-frames) that have been encoded using DC transform coefficients only (AC coefficients are removed when encoding D-frames—see DCT below) and hence are very low quality. D-frames are never referenced by I-, P- or B- frames. D-frames are only used for fast previews of video, for instance when seeking through

4140-404: The basic selection. By subscribing to additional tiers, customers could get specialty channels, movie channels, and foreign channels. Large cable companies used addressable descramblers to limit access to premium channels for customers not subscribing to higher tiers, however the above magazines often published workarounds for that technology as well. During the 1990s, the pressure to accommodate

4230-563: The cable box itself, these midband channels were used for early incarnations of pay TV , e.g. The Z Channel (Los Angeles) and HBO but transmitted in the clear i.e. not scrambled as standard TV sets of the period could not pick up the signal nor could the average consumer de-tune the normal stations to be able to receive it. Once tuners that could receive select mid-band and super-band channels began to be incorporated into standard television sets, broadcasters were forced to either install scrambling circuitry or move these signals further out of

4320-429: The cable company's local distribution facility, called the headend . Many channels can be transmitted through one coaxial cable by a technique called frequency division multiplexing . At the headend, each television channel is translated to a different frequency . By giving each channel a different frequency slot on the cable, the separate television signals do not interfere with each other. At an outdoor cable box on

4410-515: The cable to send data from the customer box to the cable headend, for advanced features such as requesting pay-per-view shows or movies, cable internet access , and cable telephone service . The downstream channels occupy a band of frequencies from approximately 50 MHz to 1 GHz, while the upstream channels occupy frequencies of 5 to 42 MHz. Subscribers pay with a monthly fee. Subscribers can choose from several levels of service, with premium packages including more channels but costing

4500-675: The case of no local CBS or ABC station being available – rebroadcast the programming from a nearby affiliate but fill in with its own news and other community programming to suit its own locale. Many live local programs with local interests were subsequently created all over the United States in most major television markets in the early 1980s. This evolved into today's many cable-only broadcasts of diverse programming, including cable-only produced television movies and miniseries . Cable specialty channels , starting with channels oriented to show movies and large sporting or performance events, diversified further, and narrowcasting became common. By

4590-508: The chosen channel into the TV set on Channel 2, 3 or 4. Initially, UHF broadcast stations were at a disadvantage because the standard TV sets in use at the time were unable to receive their channels. With the passage of the All-Channel Receiver Act in 1964, all new television sets were required to include a UHF tuner, nonetheless, it would still take a few years for UHF stations to become competitive. Before being added to

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4680-412: The decoder, with residual difference coding using a discrete cosine transform (DCT) of size 8×8, scalar quantization , and variable-length codes (like Huffman codes ) for entropy coding . H.261 was the first practical video coding standard, and all of its described design elements were also used in MPEG-1. Modeled on the successful collaborative approach and the compression technologies developed by

4770-415: The fact that the descrambling circuitry was for a time present in these tuners, depriving the cable operator of much of their revenue, such cable-ready tuners are rarely used now – requiring a return to the set-top boxes used from the 1970s onward. The digital television transition in the United States has put all signals, broadcast and cable, into digital form, rendering analog cable television service

4860-646: The final standard (for parts 1–3) was approved in early November 1992 and published a few months later. The reported completion date of the MPEG-1 standard varies greatly: a largely complete draft standard was produced in September 1990, and from that point on, only minor changes were introduced. The draft standard was publicly available for purchase. The standard was finished with the 6 November 1992 meeting. The Berkeley Plateau Multimedia Research Group developed an MPEG-1 decoder in November 1992. In July 1990, before

4950-465: The first draft of the MPEG-1 standard had even been written, work began on a second standard, MPEG-2 , intended to extend MPEG-1 technology to provide full broadcast-quality video (as per CCIR 601 ) at high bitrates (3–15  Mbit/s) and support for interlaced video. Due in part to the similarity between the two codecs, the MPEG-2 standard includes full backwards compatibility with MPEG-1 video, so any MPEG-2 decoder can play MPEG-1 videos. Notably,

5040-570: The following (each part covers a certain aspect of the whole specification): Profiles are also defined within the individual "parts", so an implementation of a part is ordinarily not an implementation of an entire part. MPEG-1 , MPEG-2 , MPEG-7 and MPEG-21 are other suites of MPEG standards. MPEG-4 contains patented technologies, the use of which requires licensing in countries that acknowledge software algorithm patents . Over two dozen companies claim to have patents covering MPEG-4. MPEG LA licenses patents required for MPEG-4 Part 2 Visual from

5130-525: The following five Parts : The predecessor of MPEG-1 for video coding was the H.261 standard produced by the CCITT (now known as the ITU-T ). The basic architecture established in H.261 was the motion-compensated DCT hybrid video coding structure. It uses macroblocks of size 16×16 with block-based motion estimation in the encoder and motion compensation using encoder-selected motion vectors in

5220-457: The growing array of offerings resulted in digital transmission that made more efficient use of the VHF signal capacity; fibre optics was common to carry signals into areas near the home, where coax could carry higher frequencies over the short remaining distance. Although for a time in the 1980s and 1990s, television receivers and VCRs were equipped to receive the mid-band and super-band channels. Due to

5310-524: The gstreamer-devel mailing list were able to list a single unexpired MPEG-1 Video and MPEG-1 Audio Layer I/II patent. A May 2009 discussion on the whatwg mailing list mentioned US 5,214,678 patent as possibly covering MPEG-1 Audio Layer II. Filed in 1990 and published in 1993, this patent is now expired. A full MPEG-1 decoder and encoder, with "Layer III audio", could not be implemented royalty free since there were companies that required patent fees for implementations of MPEG-1 Audio Layer III, as discussed in

5400-450: The headend, the electrical signal is translated into an optical signal and sent through the fiber. The fiber trunkline goes to several distribution hubs , from which multiple fibers fan out to carry the signal to boxes called optical nodes in local communities. At the optical node, the optical signal is translated back into an electrical signal and carried by coaxial cable distribution lines on utility poles, from which cables branch out to

5490-484: The human eye is much more sensitive to small changes in brightness (the Y component) than in color (the Cr and Cb components), chroma subsampling is a very effective way to reduce the amount of video data that needs to be compressed. However, on videos with fine detail (high spatial complexity ) this can manifest as chroma aliasing artifacts. Compared to other digital compression artifacts , this issue seems to very rarely be

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5580-460: The jack in the wall is attached to the input of the box, and an output cable from the box is attached to the television, usually the RF-IN or composite input on older TVs. Since the set-top box only decodes the single channel that is being watched, each television in the house requires a separate box. Some unencrypted channels, usually traditional over-the-air broadcast networks, can be displayed without

5670-490: The late 1980s, cable-only signals outnumbered broadcast signals on cable systems, some of which by this time had expanded beyond 35 channels. By the mid-1980s in Canada, cable operators were allowed by the regulators to enter into distribution contracts with cable networks on their own. By the 1990s, tiers became common, with customers able to subscribe to different tiers to obtain different selections of additional channels above

5760-423: The maximum number of channels that could be broadcast in one city was 7: channels 2, 4, either 5 or 6, 7, 9, 11 and 13, as receivers at the time were unable to receive strong (local) signals on adjacent channels without distortion. (There were frequency gaps between 4 and 5, and between 6 and 7, which allowed both to be used in the same city). As equipment improved, all twelve channels could be utilized, except where

5850-464: The middle of the video to reset to zero, which then begin incrementing again. Such PTS wraparound disparities can cause timing issues that must be specially handled by the decoder. Decoding Time Stamps (DTS), additionally, are required because of B-frames. With B-frames in the video stream, adjacent frames have to be encoded and decoded out-of-order (re-ordered frames). DTS is quite similar to PTS, but instead of just handling sequential frames, it contains

5940-451: The nearest network newscast. Such stations may use similar on-air branding as that used by the nearby broadcast network affiliate, but the fact that these stations do not broadcast over the air and are not regulated by the FCC, their call signs are meaningless. These stations evolved partially into today's over-the-air digital subchannels, where a main broadcast TV station e.g. NBC 37* would – in

6030-414: The next (such as a cut ), it is more efficient to encode it as an I-frame. "B-frame" stands for "bidirectional-frame" or "bipredictive frame". They may also be known as backwards-predicted frames or B-pictures. B-frames are quite similar to P-frames, except they can make predictions using both the previous and future frames (i.e. two anchor frames). It is therefore necessary for the player to first decode

6120-593: The next I- or P- anchor frame sequentially after the B-frame, before the B-frame can be decoded and displayed. This means decoding B-frames requires larger data buffers and causes an increased delay on both decoding and during encoding. This also necessitates the decoding time stamps (DTS) feature in the container/system stream (see above). As such, B-frames have long been subject of much controversy, they are often avoided in videos, and are sometimes not fully supported by hardware decoders. No other frames are predicted from

6210-408: The old analog cable without a set-top box. To receive digital cable channels on an analog television set, even unencrypted ones, requires a different type of box, a digital television adapter supplied by the cable company or purchased by the subscriber. Another new distribution method that takes advantage of the low cost high quality DVB distribution to residential areas, uses TV gateways to convert

6300-405: The other simultaneous stream (e.g. video). The MPEG Video Buffering Verifier (VBV) assists in determining if a multiplexed PS can be decoded by a device with a specified data throughput rate and buffer size. This offers feedback to the multiplexer and the encoder, so that they can change the multiplex size or adjust bitrates as needed for compliance. Part 2 of the MPEG-1 standard covers video and

6390-407: The picture (though the extra decoded pixels are not displayed). To decrease the amount of temporal redundancy in a video, only blocks that change are updated, (up to the maximum GOP size). This is known as conditional replenishment. However, this is not very effective by itself. Movement of the objects, and/or the camera may result in large portions of the frame needing to be updated, even though only

6480-492: The position of the previously encoded objects has changed. Through motion estimation, the encoder can compensate for this movement and remove a large amount of redundant information. Cable television Cable television is a system of delivering television programming to consumers via radio frequency (RF) signals transmitted through coaxial cables , or in more recent systems, light pulses through fibre-optic cables . This contrasts with broadcast television , in which

6570-504: The programming at the headend (the individual channels, which are distributed nationally, also have their own nationally oriented commercials). Modern cable systems are large, with a single network and headend often serving an entire metropolitan area . Most systems use hybrid fiber-coaxial (HFC) distribution; this means the trunklines that carry the signal from the headend to local neighborhoods are optical fiber to provide greater bandwidth and also extra capacity for future expansion. At

6660-454: The programming without cost. Later, the cable operators began to carry FM radio stations, and encouraged subscribers to connect their FM stereo sets to cable. Before stereo and bilingual TV sound became common, Pay-TV channel sound was added to the FM stereo cable line-ups. About this time, operators expanded beyond the 12-channel dial to use the midband and superband VHF channels adjacent to

6750-408: The proper time-stamps to tell the decoder when to decode and display the next B-frame (types of frames explained below), ahead of its anchor (P- or I-) frame. Without B-frames in the video, PTS and DTS values are identical. To generate the PS, the multiplexer will interleave the (two or more) packetized elementary streams. This is done so the packets of the simultaneous streams can be transferred over

6840-476: The range of reception for early cable-ready TVs and VCRs. However, once consumer sets had the ability to receive all 181 FCC allocated channels, premium broadcasters were left with no choice but to scramble. The descrambling circuitry was often published in electronics hobby magazines such as Popular Science and Popular Electronics allowing anybody with anything more than a rudimentary knowledge of broadcast electronics to be able to build their own and receive

6930-479: The same channel and are guaranteed to both arrive at the decoder at precisely the same time. This is a case of time-division multiplexing . Determining how much data from each stream should be in each interleaved segment (the size of the interleave) is complicated, yet an important requirement. Improper interleaving will result in buffer underflows or overflows, as the receiver gets more of one stream than it can store (e.g. audio), before it gets enough data to decode

7020-418: The signals are typically encrypted on modern digital cable systems, and the set-top box must be activated by an activation code sent by the cable company before it will function, which is only sent after the subscriber signs up. If the subscriber fails to pay their bill, the cable company can send a signal to deactivate the subscriber's box, preventing reception. There are also usually upstream channels on

7110-403: The subscriber's residence, the company's service drop cable is connected to cables distributing the signal to different rooms in the building. At each television, the subscriber's television or a set-top box provided by the cable company translates the desired channel back to its original frequency ( baseband ), and it is displayed onscreen. Due to widespread cable theft in earlier analog systems,

7200-458: The television signal is transmitted over-the-air by radio waves and received by a television antenna , or satellite television , in which the television signal is transmitted over-the-air by radio waves from a communications satellite and received by a satellite dish on the roof. FM radio programming, high-speed Internet , telephone services , and similar non-television services may also be provided through these cables. Analog television

7290-507: The time. MPEG-1 has several frame/picture types that serve different purposes. The most important, yet simplest, is I-frame . "I-frame" is an abbreviation for " Intra-frame ", so-called because they can be decoded independently of any other frames. They may also be known as I-pictures, or keyframes due to their somewhat similar function to the key frames used in animation. I-frames can be considered effectively identical to baseline JPEG images. High-speed seeking through an MPEG-1 video

7380-532: The upstream speed to 31.2 Kbp/s and prevented the always-on convenience broadband internet typically provides. Many large cable systems have upgraded or are upgrading their equipment to allow for bi-directional signals, thus allowing for greater upload speed and always-on convenience, though these upgrades are expensive. In North America , Australia and Europe , many cable operators have already introduced cable telephone service, which operates just like existing fixed line operators. This service involves installing

7470-550: The video content). For this reason, D-frames are seldom actually used in MPEG-1 video encoding, and the D-frame feature has not been included in any later video coding standards. MPEG-1 operates on video in a series of 8×8 blocks for quantization. However, to reduce the bit rate needed for motion vectors and because chroma (color) is subsampled by a factor of 4, each pair of (red and blue) chroma blocks corresponds to 4 different luma blocks. That is, for 4 luma blocks of size 8x8, there

7560-406: The world, and is used in a large number of products and technologies. Perhaps the best-known part of the MPEG-1 standard is the first version of the MP3 audio format it introduced. The MPEG-1 standard is published as ISO / IEC 11172 , titled Information technology—Coding of moving pictures and associated audio for digital storage media at up to about 1.5 Mbit/s . The standard consists of

7650-405: Was chosen for transmission over T-1 / E-1 lines and as the approximate data rate of audio CDs . The codecs that excelled in this testing were utilized as the basis for the standard and refined further, with additional features and other improvements being incorporated in the process. After 20 meetings of the full group in various cities around the world, and 4½ years of development and testing,

7740-624: Was formed to address the need for standard video and audio formats, and to build on H.261 to get better quality through the use of somewhat more complex encoding methods (e.g., supporting higher precision for motion vectors). Development of the MPEG-1 standard began in May 1988. Fourteen video and fourteen audio codec proposals were submitted by individual companies and institutions for evaluation. The codecs were extensively tested for computational complexity and subjective (human perceived) quality, at data rates of 1.5 Mbit/s. This specific bitrate

7830-480: Was issued. MPEG-4 is still an evolving standard and is divided into a number of parts. Companies promoting MPEG-4 compatibility do not always clearly state which "part" level compatibility they are referring to. The key parts to be aware of are MPEG-4 Part 2 (including Advanced Simple Profile, used by codecs such as DivX , Xvid , Nero Digital , RealMedia , 3ivx , H.263 and by QuickTime 6) and MPEG-4 part 10 (MPEG-4 AVC/ H.264 or Advanced Video Coding, used by

7920-427: Was limited, meaning frequencies over 250 MHz were difficult to transmit to distant portions of the coaxial network, and UHF channels could not be used at all. To expand beyond 12 channels, non-standard midband channels had to be used, located between the FM band and Channel 7, or superband beyond Channel 13 up to about 300 MHz; these channels initially were only accessible using separate tuner boxes that sent

8010-559: Was mainly used to relay terrestrial channels in geographical areas poorly served by terrestrial television signals. Cable television began in the United States as a commercial business in 1950s. The early systems simply received weak ( broadcast ) channels, amplified them, and sent them over unshielded wires to the subscribers, limited to a community or to adjacent communities. The receiving antenna would be taller than any individual subscriber could afford, thus bringing in stronger signals; in hilly or mountainous terrain it would be placed at

8100-455: Was standard in the 20th century, but since the 2000s, cable systems have been upgraded to digital cable operation. A cable channel (sometimes known as a cable network ) is a television network available via cable television. Many of the same channels are distributed through satellite television . Alternative terms include non-broadcast channel or programming service , the latter being mainly used in legal contexts. The abbreviation CATV

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