Ramón " Mongo " Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a Cuban percussionist and bandleader who spent most of his career in the United States . Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock 's " Watermelon Man ", which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz , before retiring in the late 1990s.
28-710: [REDACTED] Look up Mongo or mongo in Wiktionary, the free dictionary. Mongo may refer to: Geography [ edit ] Africa [ edit ] Mongo, Chad , a Sahel city Apostolic Vicariate of Mongo , Chad, a Roman Catholic missionary jurisdiction Mongo Department , Gabon Mongo, Sierra Leone , a chiefdom Mongo River (Little Scarces River) - see List of rivers of Guinea and List of rivers of Sierra Leone United States [ edit ] Mongo, Indiana , an unincorporated community Languages [ edit ] Mongo language ,
56-465: A London-based rapper and founder of hip hop group Mud Family Mike Mangold (1955–2015), American airline and former aerobatics pilot whose US Air Force call sign was "Mongo" Mark LoMonaco (born 1971), American professional wrestler, one of whose ring names is "Mongo Vyle" Steve McMichael (born 1957), former American football player and professional wrestler whose ring name was "Mongo" Fiction [ edit ] Mongo ( Flash Gordon ) ,
84-465: A London-based rapper and founder of hip hop group Mud Family Mike Mangold (1955–2015), American airline and former aerobatics pilot whose US Air Force call sign was "Mongo" Mark LoMonaco (born 1971), American professional wrestler, one of whose ring names is "Mongo Vyle" Steve McMichael (born 1957), former American football player and professional wrestler whose ring name was "Mongo" Fiction [ edit ] Mongo ( Flash Gordon ) ,
112-458: A big hit. That's how it happened (2001: 54). The sudden success of the song (which Mongo Santamaria recorded on December 17, 1962) propelled Santamaría into his niche of blending Afro-Cuban and African American music. Santamaría went on to record Cuban-flavored versions of popular music R&B and Motown songs. On February 1, 2003 Santamaria died in Miami, Florida, after suffering a stroke, at
140-423: A child in the streets of Havana's Jesús María neighborhood. He reminisced: "In the neighborhood where I came from we had all kinds of music, mostly from Africa. We did not leave it alone; we changed it our way. The music we made dealt with religion and conversation. The drum was our tool and we used it for everything" (1979: 19). Gerard points out: "Santamaría, like other drummers of his generation, learned music in
168-408: A document-oriented database Mongo foot , the use of the front foot to propel a skateboard See also [ edit ] Monga (disambiguation) Mongol (disambiguation) Mungo (disambiguation) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Mongo . If an internal link led you here, you may wish to change
196-408: A document-oriented database Mongo foot , the use of the front foot to propel a skateboard See also [ edit ] Monga (disambiguation) Mongol (disambiguation) Mungo (disambiguation) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Mongo . If an internal link led you here, you may wish to change
224-520: A fictional setting for the adventures of Flash Gordon Magic Mongo , a fictional genie featured in segments of the Saturday morning TV program The Krofft Supershow Mongo ( Shrek ) , a fictional giant gingerbread man in the animated movie Shrek 2 Mongo the Magnificent , a fictional private investigator with dwarfism Mongo, a character in the film Precious Mongo, a character in
252-404: A fictional setting for the adventures of Flash Gordon Magic Mongo , a fictional genie featured in segments of the Saturday morning TV program The Krofft Supershow Mongo ( Shrek ) , a fictional giant gingerbread man in the animated movie Shrek 2 Mongo the Magnificent , a fictional private investigator with dwarfism Mongo, a character in the film Precious Mongo, a character in
280-499: A hand, it just fit perfectly. The bass player looked at my left hand for the bass line, and he learned that. Little by little, the audience was getting up from their tables, and they all got on the dance floor. Pretty soon the dance floor was filled with people, laughing and shrieking, and was having a great time, and they were saying, "This is a hit! This is fantastic!" It was like a movie! So after that, Mongo said "Can I record this?" I said "By all means." And he recorded it, and it became
308-556: A lot from Chicho—because he could play everything" (2001: 137). Santamaría played some of the first recorded folkloric rumbas. Because he recorded for mainstream jazz labels, his folkloric records were consistently available to the public. Santamaría's albums tended to list the personnel and their instruments, and record buyers came to know other Cuban rumberos, such as Armando Peraza , Francisco Aguabella , Julito Collazo , Carlos Vidal Bolado , Modesto Duran and Pablo Mozo. The 10 inch 33 1/3 rpm phonorecord Afro-Cuban Drums by Santamaría
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#1732765590520336-646: A typical African 3:2 cross-rhythm , or hemiola . The song begins with the bass repeatedly playing 6 cross-beats per each measure of 12/8, or 6 cross-beats per 4 main beats—6:4 (two cells of 3:2). The following example shows the original ostinato "Afro Blue" bass line. The slashed noteheads indicate the main beats (not bass notes), where you would normally tap your foot to "keep time." In 1960 Santamaría went to Havana, Cuba with Willie Bobo to record two albums "Mongo in Havana" and "Bembe y Nuestro Hombre En La Habana". After recording, he returned to New York City to form
364-431: Is an excerpt from a quinto performance by Santamaría on his composition "Mi guaguancó" (1959). The excerpt shows variations on two main motifs, marked as A and B. Santamaría's use of repetition turns the secondary phrase (B), into the primary motif here. Santamaría began playing bongos with Septeto Beloña in 1937. In the 1940s he worked in the house band of the prestigious Tropicana nightclub. When Chicho could not go on
392-580: The 1974 comedy film Blazing Saddles , played by Alex Karras General Mongo, a character in the 1970 Western film Compañeros Mongo, a fictional boss character in the game show Nick Arcade Mongo, a fictional character in the Dungeon Crawler Carl series Other uses [ edit ] Möngö, a Mongolian monetary unit worth 0.01 Mongolian tögrög Mongo (album) , a 1959 album by Mongo Santamaría Mongo (horse) , an American champion thoroughbred racehorse MongoDB ,
420-508: The 1974 comedy film Blazing Saddles , played by Alex Karras General Mongo, a character in the 1970 Western film Compañeros Mongo, a fictional boss character in the game show Nick Arcade Mongo, a fictional character in the Dungeon Crawler Carl series Other uses [ edit ] Möngö, a Mongolian monetary unit worth 0.01 Mongolian tögrög Mongo (album) , a 1959 album by Mongo Santamaría Mongo (horse) , an American champion thoroughbred racehorse MongoDB ,
448-419: The charanga orquestra La Sabrosa. In late 1962 Chick Corea had given notice and Santamaría needed a pianist to fill in for the upcoming weekend gigs. Herbie Hancock got the temporary job. Hancock recalls what happened the night that Santamaría discovered " Watermelon Man ", the only tune of Santamaría's to reach the top of the pop charts: [Jazz trumpeter Donald Byrd ] came to this supper club to see how I
476-492: The congas as an amateur rumba musician in the streets of Havana. He then learned the bongos from Clemente "Chicho" Piquero and toured with various successful bands such as the Lecuona Cuban Boys and Sonora Matancera . In 1950, he moved to New York City, where he became Tito Puente 's conguero and in 1957 he joined Cal Tjader 's band. He then formed his own charanga , while at the same time recording some of
504-575: The first rumba and Santería music albums. By the end of the decade, he had his first pachanga hit, "Para ti". He then became a pioneer of boogaloo with "Watermelon Man" and later signed record deals with Columbia , Atlantic and Fania . He collaborated with salsa artists and became a member of the Fania All-Stars , often showcasing his conga solos against Ray Barretto . In his later years, Santamaría recorded mostly Latin jazz for Concord Jazz and Chesky Records . Santamaría learned rumba as
532-635: The 💕 [REDACTED] Look up Mongo or mongo in Wiktionary, the free dictionary. Mongo may refer to: Geography [ edit ] Africa [ edit ] Mongo, Chad , a Sahel city Apostolic Vicariate of Mongo , Chad, a Roman Catholic missionary jurisdiction Mongo Department , Gabon Mongo, Sierra Leone , a chiefdom Mongo River (Little Scarces River) - see List of rivers of Guinea and List of rivers of Sierra Leone United States [ edit ] Mongo, Indiana , an unincorporated community Languages [ edit ] Mongo language ,
560-869: The language of the Mongo people Mongo, one of the five languages of the Duala language -cluster, spoken in Cameroon People [ edit ] Mongo people , one of the largest ethnic groups in the Democratic Republic of the Congo Mongo Santamaría (1917–2003), Cuban jazz/salsa percussionist Mongo Beti (1932–2001), pen name of Cameroonian writer Alexandre Biyidi Awala "Mongo", family nickname for Ramón Castro Ruz (1924–2016), eldest brother of Fidel Castro Mongo, nickname of musician Drew Parsons (born 1974) Mongo,
588-555: The language of the Mongo people Mongo, one of the five languages of the Duala language -cluster, spoken in Cameroon People [ edit ] Mongo people , one of the largest ethnic groups in the Democratic Republic of the Congo Mongo Santamaría (1917–2003), Cuban jazz/salsa percussionist Mongo Beti (1932–2001), pen name of Cameroonian writer Alexandre Biyidi Awala "Mongo", family nickname for Ramón Castro Ruz (1924–2016), eldest brother of Fidel Castro Mongo, nickname of musician Drew Parsons (born 1974) Mongo,
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#1732765590520616-457: The link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Mongo&oldid=1254641597 " Categories : Disambiguation pages Place name disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Language and nationality disambiguation pages Mongo From Misplaced Pages,
644-478: The link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Mongo&oldid=1254641597 " Categories : Disambiguation pages Place name disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Language and nationality disambiguation pages Mongo Santamar%C3%ADa Mongo learned to play
672-460: The streets by observing different drummers. When he started playing professionally, he learned on the job. His approach was utilitarian, not theoretical" (2001: 29). Santamaría was mentored on bongos and congas by Clemente "Chicho" Piquero, who played in Beny Moré 's band. He recalled: "I would go with Chicho and play the tumbadora and also the [quinto]. I would play everything because I learned
700-404: The time. But then all of a sudden Donald Byrd says, "Herbie, why don't you play 'Watermelon Man' for Mongo?" And I'm thinking, "What does that have to do with the conversation they're talking about?" I thought it was a little funky jazz tune. So I started playing it, and then Mongo, he got up and he said, "Keep playing it!" He went on the stage, and playing his congas, and it fit like a glove fits on
728-466: The tour in Mexico in the late 1940s, he recommended Santamaría for the job. Mexico opened Santamaría up to the wider world beyond his island home. After returning from Mexico in 1950, Santamaría moved to New York City, where he became Tito Puente 's conga player. In 1957 Mongo Santamaría joined Cal Tjader 's Latin jazz combo. In 1959 Santamaría recorded " Afro Blue ," the first jazz standard built upon
756-414: Was doing. Anyway, during one of the intermissions, Donald had a conversation with Mongo, something about, "What are the examples of the common thread between Afro-Cuban or Afro-Latin music and African-American jazz?" Mongo said he hadn't really heard a thing that really links it together, he was still searching for it. And I wasn't paying much attention to that conversation, it was a little too heavy for me at
784-514: Was recorded in SMC's New York City studios on November 3, 1952. Santamaría's next recordings with folkloric rumba were on Changó (re-issued as Drums and Chants ) recorded in New York (1954). Yambú (1958), Mongo (1959), and Bembé (1960) followed. Santamaría did not analyze his personal style: "When I play I don't know how I do it, or what I do ... I just play" (2001: 29). The following example
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