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Palace of Mafra

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The Palace of Mafra ( Portuguese : Palácio de Mafra ), also known as the Palace-Convent of Mafra and the Royal Building of Mafra ( Real Edifício de Mafra ), is a monumental Baroque and Neoclassical palace-monastery located in Mafra , Portugal, some 28 kilometres from Lisbon . Construction began in 1717 under King John V of Portugal and was completely concluded in 1755.

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127-546: The palace was classified as a National Monument in 1910 and was also a finalist in the Seven Wonders of Portugal . On 7 July 2019, the Royal Building of Mafra – Palace, Basilica , Convent, Cerco Garden and Hunting Park ( Tapada ) was inscribed as a UNESCO World Heritage Site . The palace , which also served as a Franciscan friary , was built during the reign of King John V (1717–1750), as consequence of

254-506: A World Heritage Site , in recognition of their architectural diversity and significance. The list was expanded in 2005 to include 23 in France, as well as the tower of Gembloux , Belgium. In 2014, UNESCO recognized the carillon culture of Belgium as an intangible cultural heritage , stating that it "recognizes the creativity of carillonneurs and others who ensure that this cultural form remains relevant to today's local societies." In 2008,

381-676: A canonical coronation to the image of Our Lady of Solitude of the basilica, guarded by the Confraternity of the Most Blessed Sacrament. The Rococo library, situated at the back of the second floor, is truly the highlight of the palace, rivalling the grandeur of the library of the Melk Abbey in Austria. Built by Manuel Caetano de Sousa , this library is 88 m long, 9.5 m wide and 13 m high. The magnificent floor

508-410: A chime . Standard-sized instruments have about 50, and the world's largest has 77 bells. The appearance of a carillon depends on the number and weight of the bells and the tower in which it is housed. They may be found in towers which are free-standing or connected to a building. The bells of a carillon may be directly exposed to the elements or hidden inside the structure of their tower. The origins of

635-400: A dynamic range similar to a piano, if not more versatile. Through variation of touch, performers can express many volumes. The larger the bell, the larger its dynamic range. Bigger bells will also sound naturally louder than smaller, higher-pitched bells. Along with pipe organs , carillons are one of the world's heaviest musical instruments. Most carillons weigh (counting only the weight of

762-412: A perfect fourth to up an octave. In North America, an increasing number of new carillons have been installed in concert pitch as a result of the desire to establish the carillon as a full-fledged concert instrument. Many carillons, according to a C-compass, are missing the lowest C ♯ and E ♭ bells (equating to the second- and fourth-largest bells if they were included). The reason

889-503: A program and a place for the audience to sit and listen. Some carillonneurs may livestream the event so the audience can watch them at the keyboard. The first carillon concert was held on 1 August 1892 as part of Jef Denyn's Monday evening concert series. The lack of consistent interest in traditional performances among the general public has caused carillonneurs to engage in musical collaborations and experiments, collectively referred to as "Carillon Plus". Carillonneur duos explore

1016-607: A vow the king made in 1711, to build a convent if his wife, Maria Anna of Austria , gave him offspring. The birth of his first daughter the Infanta Barbara of Portugal , prompted construction of the palace to begin. The palace was conveniently located near royal hunting preserves, and was usually a secondary residence for the royal family. The construction was funded in large part from the proceeds of Colonial Brazil , where gold and then diamonds were mined in vast quantities. This vast complex, largely built of Lioz stone,

1143-416: A bell will never lose its original sound. It produces a sound with overtones , also known as partial tones, which are not necessarily harmonically related. To produce a pleasing, harmonically related series of tones, the bell's profile must be carefully adjusted. Bellfounders typically focus on five principal tones when tuning , most notably the minor third overtone called the tierce, which gives rise to

1270-526: A bellringer could gather ropes together to chime multiple bells in rhythmic patterns. By the end of the 15th century, chimers are recorded to have used their technique to play music on bells. A 1478 chronicle recounts a man in Dunkirk having made a "great innovation in honor of God" by playing melodies on bells. Another recounts in 1482 a jester from Aalst playing bells in Antwerp with ropes and batons,

1397-610: A carillon but do not offer course credit often have a student organization or education program, such as the Yale Guild of Carillonneurs, which manages performances on the Yale Memorial Carillon . Music competitions for carillon are held regularly, with the international Queen Fabiola Competition being the most important. Several institutions register and count carillons worldwide. Some registries specialize in counting specific types of carillons. For example,

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1524-668: A carillon program within their curriculum. For example, the University of California, Berkeley ; the University of California, Santa Barbara ; the University of Denver ; the University of Florida ; and the University of Michigan offer complete courses of study. Clemson University , Indiana University , Iowa State University , the University of Kansas, and Marquette University offer limited credit for carillon performance. Employed carillonneurs will often offer private lessons at their carillons. Universities that possess

1651-663: A carillon school in Mechelen with Denyn as its first director. It was later named the Royal Carillon School "Jef Denyn" . Stephen Thorne of the Canadian military history magazine Legion writes that the Allied Powers of World War I and of World War II saw the destruction of carillons during the respective wars as a "brutal annihilation of a unique democratic music instrument". The destruction

1778-445: A clapper to swing towards the inner wall of the key's corresponding bell . At rest, these clappers are about 2 to 4 centimeters (0.8 to 1.6 in) away from the bell wall. Small bells are fitted with springs to pull their clappers back immediately after the stroke, so that the bell is not sounded more than once with each keystroke. This is not necessary for large bells, which have sufficiently heavy clappers. Immediately above each key

1905-417: A full octave below most other bourdons. The entire ensemble of fixed and swinging bells, clappers, and steel framework weighs more than 226 metric tons (249 short tons). A carillon's range is determined by the number of bells it has. The number of bells usually depends on funds available for the creation of the instrument: more money allows more bells to be cast, especially the larger, more costly ones. It

2032-462: A length of 63 m. It is rather narrow (16.5 m), an impression accentuated by the height of its nave (21.5 m). The vestibule (Galilee porch) contains a group of large sculptures in Carrara marble, representing the patron saints of several monastic orders. The interior makes abundantly use of local rose-coloured marble, intermingled with white marble in different patterns. The multi-coloured designs of

2159-590: A magnificent giant candleholder with seven lamps sprouting from the mouth of seven rolled-up snakes. Above the main altar, inserting into the ceiling, is a gigantic jasper crucifix of 4.2 m, flanked by two kneeling angels, made by the School of Mafra. The cupola over the crossing was also inspired by the cupola of Sant'Agnese in Agone (by the Roman Baroque architect Francesco Borromini ). This 70 m-high cupola with

2286-511: A major library, with about 30,000 rare books. The basilica is decorated with several Italian statues and includes six historical pipe organs and two carillons , composed of 98 bells. The exact site was chosen in 1713 and purchased in 1716. Construction began by the laying of the first stone on November 17, 1717, with a grand ceremony in the presence of the king, his entire court and the Cardinal Patriarch of Lisbon . Initially it

2413-404: A musical instrument. In 1887, after his father had become completely blind, Denyn took over as the city carillonneur and was responsible for playing the carillon in the tower of St. Rumbold's Cathedral . From the beginning of his career, Denyn advocated for better playability of the instrument. He further developed the tumbler rack system of transmission cables that his father had installed on

2540-424: A partnership between Pieter and François Hemony and Jacob van Eyck . The Hemony brothers were prominent bellfounders known for their precise tuning technique. Van Eyck was a renowned blind carillonneur of Utrecht , who was commissioned by several Dutch cities to maintain and make improvements to their clock chimes and carillons. He was particularly interested in the sounds of bells. In 1633, he developed

2667-598: A process to qualify and quantify those structures that have had an intrinsic value to the Portuguese culture. Starting with the Direcção Geral dos Edifícios e Monumentos Nacionais (DGMEN) , and later by the Instituto de Gestão do Património Arquitectónico e Arqueológico (IGESPAR) , the Portuguese government developed a registry of national monuments that includes a rich heritage of historical monuments throughout

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2794-590: A scale never seen before in Portugal. The basilica was dedicated to Our Lady and to Saint Anthony of Padua . However the building was not finished. The lantern on the cupola was completed in 1735. Work continued until 1755, when the work force was needed in Lisbon after the devastation of the Lisbon earthquake . The palace was not occupied permanently by the royalty, who considered the rooms too gloomy. Nonetheless, it

2921-733: A second decline during the First and Second World Wars , and a second revival thereafter. UNESCO has designated 56 belfries in Belgium and France as a World Heritage Site and recognized the carillon culture of Belgium as an intangible cultural heritage . According to counts by various registries, there are about 700 carillons worldwide . Most are in and around the Low Countries, though nearly 200 have been constructed in North America. Almost all extant carillons were constructed in

3048-468: A small lantern atop, is carried by four finely sculpted arcs in rose and white marble. There are six organs, four of which are located in the transept, constituting a rather uncommon ensemble. There were built by Joaquim Peres Fontanes and António Xavier Machado e Cerveira between 1792 and 1807 (when the French troops occupied Mafra). They were made out of partially gilded Brazilian wood. The largest pipe

3175-844: A strict procedure defined by Decree-Law no. 309/2009 (23 October 2009), which entered into force in January 2010. IGESPAR also monitors and participates in the UNESCO registry of World Heritage Sites as a member state: there are 13 UNESCO World Heritage Sites in territory of Portugal. Similarly, eleven assets in the UNESCO world heritage list of 878 sites were former Portuguese possessions at one time, spread across three continents (Africa, America and Asia) associated with period of Portuguese Discoveries. Carillon A carillon ( US : / ˈ k ær ə l ɒ n / KARR -ə-lon , UK : / k ə ˈ r ɪ l j ən / kə- RIL -yən )

3302-468: A warning signal just before the hour count to draw the attention of listeners to the incoming announcement. This signal is called the forestrike (Dutch: voorslag ). Originally the forestrike consisted of striking one or two bells, and the systems slowly grew in complexity. By the middle of the 15th century, forestrikes, with three to seven bells, could play simple melodies . As late as 1510, these two functions were combined into one primitive carillon in

3429-419: Is 6 m high and has a diameter of 0.28 m. King John V had commissioned liturgical vestments from master embroiderers from Genoa and Milan , such as Giuliano Saturni and Benedetto Salandri, and from France. They attest of superb quality and workmanship by their embroidering in gold technique and the use of silk thread in the same colour. The religious paintings in the basilica and the convent constitute one of

3556-415: Is a loanword from French dating to the late 18th century. It is derived from Old French carignon (an alteration of quarregon ) ' a set of four bells ' . The word quarregon originates from Latin quaternionem ' set of four ' ; from quater ' four times ' . It is often stated that carillon may have referred originally to a set of four forestrike bells whose melodies announced

3683-534: Is a pitched percussion instrument that is played with a keyboard and consists of at least 23 bells . The bells are cast in bronze , hung in fixed suspension, and tuned in chromatic order so that they can be sounded harmoniously together. They are struck with clappers connected to a keyboard of wooden batons played with the hands and pedals played with the feet. Often housed in bell towers , carillons are usually owned by churches, universities, or municipalities. They can include an automatic system through which

3810-417: Is a wire adjuster called a turnbuckle . These allow the performer to adjust the length of the wire, which often changes with temperature fluctuations. The carillon's cast bronze, cup-shaped bells are housed at the top of a tower in a structure typically made of steel or wooden beams. The arrangement of the bells depends on the space, height and construction of the tower, and the number and size of bells. When

3937-473: Is among the most sumptuous Baroque buildings in Portugal and at 40,000 m, one of the largest royal palaces. Designed by the German architect Johann Friedrich Ludwig , the palace was built symmetrically from a central axis, occupied by the basilica , and continues lengthwise through the main façade until two major towers. The structures of the convent are located behind the main façade. The building also includes

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4064-406: Is composed of 15 member organizations: Every three years, the federation hosts an international congress in a home country of one of the member organizations. The congresses host lectures, workshops, and committee meetings about the topics related to the carillon, for example: news, tutorials and demos, and research developments. Most member organizations give periodical updates to their members on

4191-485: Is covered with tiles of rose, grey and white marble. The wooden bookshelves in Rococo style are situated on the sidewalls in two rows, separated by a balcony with a wooden railing. They contain over 36,000 leather-bound volumes, attesting of the extent of western knowledge from the 14th to the 19th century. Among them, are many valuable bibliographical jewels, such as incunabula . These beautiful finished volumes were bound in

4318-601: Is generally accepted that a carillon must have a minimum of 23 bells, or else it is called a chime . There is no standard pitch range for the carillon, so several subcategories are used to categorize them: The title of "world's largest carillon by number of bells" is shared between two instruments: the carillon of the Kirk in the Hills Presbyterian Church in Bloomfield Hills, Michigan , US, and

4445-703: Is located in Denmark, and there are schools in the United Kingdom and France. The Guild of Carillonneurs in North America organizes carillon examinations during its annual congresses. Those who pass are certified as carillonneur-members of the guild. It also partners with the North American Carillon School, founded in 2012 as an affiliate of the Royal Carillon School "Jef Denyn". Several American universities offer

4572-520: Is located in the centre of the main façade, symmetrically flanked on both sides by the royal palace. John V, wishing to rival the splendour of Rome, had sought architectural advice from his ambassador to the Vatican , who sent him small-scale models of important Roman religious buildings. The benedictal balcony at its centre is clearly mirrored on the balcony of St. Peter's Basilica in Rome. But this balcony

4699-567: Is often financial: by omitting these bells, the construction of a carillon can be reduced significantly, sometimes by 20 percent for large installations. Since the early 1900s, European installations will often reintroduce the E ♭ bell, and instead of adding the C ♯ bell, they will include a B ♭ bell (which is a major second below the C-compass bell). The carillon originated from two earlier functions of bells: ringing bells to send messages and ringing bells to indicate

4826-598: Is rather intended for the King, as a symbol of his power, than for the benedictions by a prelate . The two church towers (68 m high) are inspired by the towers of Sant'Agnese in Agone (by the Roman Baroque architect Francesco Borromini ). Their two carillons contain a total of 92 church bells, founded in Antwerp . The story goes that the Flemish bell-founders were so astonished by the size of their commission, that they asked to be paid in advance. The King retorted by doubling

4953-469: The Estado Novo regime in order to inventory national treasures and preserve existing monuments. Although there are numerous monuments from various ages some of them have a special value due to their historical, architectural, artistic and cultural importance. These monuments are classified and protected by the Instituto de Gestão do Património Arquitectónico e Arqueológico (IGESPAR) ( Institute for

5080-466: The Hornbostel–Sachs classification of musical instruments (111.242.222 – sets of bells with internal strikers). Carillon bells are made of bell bronze , a specialized copper–tin alloy used for its above-average rigidity and resonance . A bell's profile (shape) and weight determine its note and the quality of its tone. Therefore, apart from changes in its profile, such as chipping or corrosion,

5207-655: The Oudenaarde Town Hall . One set of nine bells were connected to both a keyboard and to the clock's forestrike. The Low Countries —present day Belgium, the Netherlands, and the French Netherlands —were most interested in the potential of using bells to make music. In this region, bellfounding had reached an advanced stage relative to other regions in Europe. The new instrument developed in

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5334-422: The chromaticism of the newer musical styles. The production of new musical works for the instrument essentially came to a standstill. The standard skill level of carillonneurs had also dropped significantly, so much so that in 1895, the music publisher Schott frères issued Matthias Vanden Gheyn 's 11 carillon preludes for piano with a foreword claiming "no carillonneur of our time knows how to play them on

5461-431: The diatonic keys ("white keys") and arranged like a piano; however, they are spaced far apart, and the chromatic keys are raised above the rest, about 10 centimeters (4 in). To operate, the keys are depressed with a closed fist. The lowest 1.5 to 2.5 octaves of the manual are connected to a pedal keyboard played with the feet. The connection is direct, meaning that when a pedal is pressed, its corresponding key on

5588-421: The organ repertoire . Some 15 collections of carillon music written in the 17th and 18th centuries are known to exist. Like with the pipe organ , early carillon performances consisted mostly of improvisations. In the late Renaissance and early Baroque eras , keyboard music was not written for one instrument or another, but rather was written to be played on any keyboard instrument. For this reason, much of

5715-568: The 1060s and 1070s. It became an autonomous dominion of the Kingdom of León in 1128, emerging as a fully independent kingdom in 1139, officially recognized by the Treaty of Zamora in 1143. After this period, and with the rise of the Portuguese state after the beginning of the Age of Discovery, Portuguese architecture expanded under the patronage of the wealthy kings, nobility, powerful clergy and through

5842-479: The 1970s, the idea for a global carillon organization took shape, and the World Carillon Federation  [ nl ] was later formed as the central organization of carillon players and enthusiasts. It is a federation of the preexisting national or regional carillon associations that had been founded throughout the 20th century. In 1999, UNESCO designated 32 bell towers in Belgium as

5969-542: The 20th century. Additionally, there are about 500 "non-traditional" carillons, which due to some component of its action being electrified or computerized, most registries do not consider to be carillons. A plurality are located in the United States , and most of the others in Western Europe. A few "traveling" or "mobile" carillons are fixed to a frame that enables them to be transported. The word carillon

6096-627: The Christian Reconquista began, expanding progressively south towards the southern coast of the Iberian Peninsula. This was not a permanent expansion, since the Moorish-Christian frontier continued to expand and retract for several years, with the victories and defeats of each battle. Meanwhile, Portugal became a county of the Kingdom of León and briefly during the independence of the Kingdom of Galicia in

6223-572: The Mafra National Palace had a great need for sculptors, local and from abroad, it became the location of a sculpture academy headed by the Italian Alessandro Giusti (1715–1799). Among the teachers were several important sculptors, such as José de Almeida (1709–1769), Claude de Laprade (1682–1738) and Giovanni Antonio da Padova (who created most of the statues for the cathedral of Évora ). The academy

6350-652: The Management of Architectural and Archaeological Heritage ), which classifies national treasures in terms of several general criteria: historic and cultural, aesthetic and social, technical and scientific, but also includes issues of integrity, authenticity and exemplary importance. Owing to its relative value and importance, the cultural property may be listed as or national, public or municipal interest. In addition, these definitions are also defined in terms of being monuments, groups of buildings or sites, based on existing international conventions. IGESPAR regularly proposes

6477-464: The Ophi. The serpent-worshipping Ophis are believed to have been a Celtic culture. These areas were eventually conquered, settled and assimilated by Indo-European peoples, made up of two probable invasions, the first by Proto-Celts who became the celebrated Lusitanians and the second by more developed Celts . Phoenicians also settled in trading posts along the coast and may have had contact with

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6604-735: The Portuguese Nobel laureate José Saramago . The main character, Baltasar, born in Mafra, works on the construction of the palace. Saramago makes a detailed description of the building process, including the transport of a giant stone from the quarry to the building site (which Baltasar assists with), depicting it as a torture for those who helped build the palace. [REDACTED] Media related to Palácio Nacional de Mafra at Wikimedia Commons List of national monuments of Portugal The national monuments of Portugal ( Portuguese : Monumentos Nacionais ) were constructed throughout

6731-406: The Portuguese territory, and the oldest date back to the period of pre-historic settlement of occupation. Subsequently, the region that is today Portugal has been colonized by many civilizations, which have left marks in the territory, constructing markers, defensive structures, homes and places of worship to suit their requirements and means. The formal organization of the Portuguese state resulted in

6858-630: The Roman ruins of Conímbriga ( Condeixa-a-Nova ), in addition to many vestiges that encountered in the cities of Lisbon or Évora . The disorganization in the Roman empire, which led to its fall, allowed the conquest by the Visigoths and the Christian Suevi in later years, along with other Germanic tribes . Many of the structures that survived this period include ancient churches and inscriptions built over previous constructions, which were

6985-491: The WCF Keyboard 2006, which is a compromise between the two standards. The organization recommends that its keyboard standard be used as a guideline when constructing new carillons or renovating existing keyboards. Each key is connected to a transmission system via a wire, usually made of stainless steel. When a particular key is depressed, it pulls on the wire which, after interacting with other wires and pulleys, causes

7112-485: The War Memorial and Peace Carillons registry counts instruments which serve as war memorials or were built in the name of promoting world peace. TowerBells counts carillons played via a baton keyboard as "traditional carillons" and those with computerized or electronic mechanisms as "non-traditional carillons", among other bell instruments. It also publishes maps, technical specifications, and summary statistics. As

7239-522: The World Carillon Federation adopted carillonist as the preferred term for its communications. The carillon is a keyboard instrument . Though it shares similarities with other instruments in this category, such as the organ or pedal piano , its playing console is unique. Playing is done with the hands on a manual keyboard composed of rounded, wooden batons. The manual has short chromatic keys (i.e. "black keys") raised above

7366-406: The ability to isolate and describe a bell's five main overtones and discovered a bell's partial tones can be tuned harmoniously with each other by adjusting the bell's thickness. The Hemony brothers were commissioned in 1644 to cast 19 bells for Zutphen 's Wijnhuistoren  [ nl ] with Van Eyck as their consultant. By tuning the bells with the advice from Van Eyck, they created

7493-499: The antithesis of the Mechelen style: instead of exciting, tremolo-filled performances that demonstrate the showmanship of the carillonneur, it features slow passages, sparse harmonies and impressionist themes to draw the listener's attention to the natural sound of the bells. Carillon music was first published in North America in 1934. G. Schirmer, Inc. published the compositions of Curtis Institute of Music students Samuel Barber , Gian Carlo Menotti , and Nino Rota as part of

7620-465: The application of the same architectural style over the whole building suggests the work of Ludwig as the head-architect in charge of the Royal Office of Works ( Real Obra ). Construction lasted 13 years and mobilized a vast army of workers from the entire country (a daily average of 15,000 but at the end climbing to 30,000 and a maximum of 45,000), under the command of António Ludovice, the son of

7747-469: The architect. In addition 7,000 soldiers were assigned to preserve order at the construction site. They used 400 kg of gunpowder to blast through the bedrock for the laying of foundations. There was even a hospital for the sick or wounded workers. A total of 1,383 workers died during the construction. The façade is 220 meters long. The whole complex covers 37,790 m with about 1,200 rooms, more than 4,700 doors and windows, and 156 stairways. When complete

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7874-513: The arts. He appointed an architect João Frederico Ludovice as director of the royal works at Mafra. Ludwig had studied architecture in Rome and knew contemporary Italian art. The extent of Ludwig's responsibility is unclear, as several other architects were involved in this project: the Milanese builder Carlos Baptista Garbo, Custódio Vieira, Manuel da Maia and even his own son António. However

8001-570: The assumably proto-Celtic Lusitanians , who, along with the Celtic Gallaeci , Celtici , Conii and Turduli became the base of the modern Portuguese ethnicity and culture. The Lusitanians along with the Gallaeci developed the Castro culture at the time of their invasion by the legions of Rome. A formal organization of what would become Portugal began with the Roman occupation of

8128-526: The basilica. The royal family could here attend Mass, seated at a window opening unto the basilica. The bust of John V in this hall is a work of the Italian Alessandro Giusti . The Throne Room, the Guard Room and the Room of Goddess Diana are decorated with murals by artist such as Cirilo Wolkmar Machado , Bernardo Oliveira Góis and Vieira Lusitano . The church is built in the form of a Latin cross with

8255-403: The bell as the peg continues to rotate away from the lever. The pegs are arranged such that simple tunes can be programmed to play at specific quarter hours. In North America, automatic playing drum systems are not common; instead, carillons may have pneumatic systems which ring the instrument. Carillons produce sound by striking stationary bells, categorizing them as percussion idiophones in

8382-635: The bells) between 4.5 and 15 metric tons (5.0 and 16.5 short tons), with extremes ranging from very light 1 metric ton (1.1 short tons) instruments to the world's heaviest at over 91 metric tons (100 short tons)—the Laura Spelman Rockefeller Memorial Carillon of the Riverside Church in New York City, US. Its bourdon , or largest bell, is the largest tuned bell ever cast for a carillon. It sounds

8509-583: The best pieces of art and furniture in the building. Jean-Andoche Junot took up residence in the palace, to be driven out in turn by Wellington . In 1834, after the Liberal Wars , Queen Maria II ordered the dissolution of the religious orders and the convent was abandoned by the Franciscans. During the last reigns of the House of Braganza , the palace was mainly used as a base for hunting. In 1849

8636-461: The biggest single order done by a foreign power in Rome and still is one of the biggest collections in existence. The parish of Mafra ( Santo André de Mafra ) and the Royal and Venerable Confraternity of the Most Blessed Sacrament of Mafra ( Portuguese : Real e Venerável Irmandade do Santíssimo Sacramento de Mafra ) have their headquarters in the basilica. On 10 November 2020, Pope Francis granted

8763-455: The building consisted of a friary capable of sheltering 330 friars, along with a royal palace and a huge library of 30,000 books, embellished with marble , exotic woods and countless artworks taken from France, Flanders and Italy, which included six monumental pipe organs and the two carillons . The basilica and the convent were inaugurated on the day of the King's 41st birthday on October 22, 1730. The festivities lasted for 8 days and were of

8890-450: The carillon are commonly categorized as either recitals or concerts . Carillon recitals are traditional performances that take place on fixed schedules throughout the week. They may supplement regularly scheduled events, or take place at the convenience of the carillonneur. Traditional since the instrument's inception, this method is the foundation of carillon performance. Concerts refer to special carillon performances, typically featuring

9017-698: The carillon at the Daejeon Institute of Science and Technology  [ ko ] in Daejeon , South Korea; both have 77 bells. Since a carillon is seldom played in concert with other instruments, its bourdon may be any pitch —whichever is advantageous for the location and funds available; to simplify the writing and playing of music, keyboards often have a C -compass. As a result, many carillons are transposing instruments , especially those that are small, have many bells, or were constructed on limited funds. The transposition can be anywhere from down

9144-584: The carillon can be traced to the Low Countries —present-day Belgium, the Netherlands, and the French Netherlands —in the 16th century. The modern carillon was invented in 1644 when Jacob van Eyck and the Hemony brothers cast the first tuned carillon. The instrument experienced a peak until the late-18th century, a decline during the French Revolution , a revival in the late 19th century,

9271-465: The carillon declined greatly. An increasing number of households had access to grandfather clocks and pocket watches , which eroded the carillon's monopoly on announcing the time. As a musical instrument, the carillon lagged behind during the Romantic era , which featured music of a wandering, story-like nature. Many carillons were tuned using meantone temperament, which meant they were not suited for

9398-597: The carillon was featured in the film Welcome to the Sticks , a box office success as the highest-grossing French film ever released in France as of 2021. In 2019, playing the carillon of St. Coleman's Cathedral in Cobh , Ireland, was recognized by the Irish government as key element of the country's living cultural heritage. The carillon repertoire skews heavily toward newer works in stark contrast to that of its relative

9525-529: The carillon". Also, with a reduced demand for new carillons, the tuning techniques developed by the Hemony brothers, but not Van Eyck's underlying theory, were forgotten. Subsequent carillons were generally inferior to earlier installations. In the early 1890s, an English change ringer and canon Arthur Simpson published a set of articles on bell tuning, where he argued bell founders had been complacent with their poor tuning methods and proposed solutions to

9652-477: The carillon's repertoire in its early history was likely the same as that of the harpsichord , organ, and piano. One of the few surviving examples is the De Gruytters carillon book , dated 1746. The music is arranged for, rather than composed for, performance on the carillon and could easily be played on other keyboard instruments. Baroque keyboard music is well suited for carillon transcription, particularly

9779-594: The carillon, Rice was regularly touring the region to interview carillonneurs for his research. After Denyn's 18 August 1913 evening concert, he and Rice exchanged ideas about the societal and educational value of carillon performances for large audiences. Rice's book Carillons of Belgium and Holland , the first in the English language written specifically about carillons, was published in December 1914 and reprinted three times. The book painted an idealized picture of

9906-469: The cathedral carillon. This allowed the player to have better control over dynamic variations, fast musical passages and tremolos . Tremolos offered a solution to a Romantic-era limitation of the carillon: its inability to expressively sustain the sound of individual notes. With his improving skills as a carillonneur and the upgraded cathedral carillon, Denyn's performances began attracting crowds of listeners. He established regular Monday night concerts at

10033-535: The centre of Lusitanian settlements. Early Christian influences persisted for several centuries, until the Moors and Arab Berber peoples (from North Africa) invaded the Peninsula, including all of the territory which would eventually become Portugal. The Moors were first to construct many of the medieval castles that dot the landscapes of Portugal. From the northern enclaves (Galicia and Asturias in Portugal's case),

10160-578: The conservation of the main façade . A major restoration of the historical pipe organs began in 1998 with the collaboration of foreign experts and was finished in 2010. The restoration won the Europa Nostra 2012 award. The imposing façade, built of local limestone , is 220 m long and faces the town of Mafra. At each end of the façade stands a square tower with a bulbous dome, such as found in Central Europe. The church, built in white marble,

10287-526: The country. This is a compilation of those structures that are designated as National Monuments only. The first documented peoples to occupy the western coast of Iberia were the " Ostrimni " recorded in Ancient Latin poetry, whose territory stretched from Galicia (in northwestern Spain) to the Algarve (southern area of Portugal). The Greeks called the area of Portugal Ophiussa, and its inhabitants

10414-687: The current state of carillon culture in their respective regions. Training to perform on a carillon can be obtained at several institutions, though the Royal Carillon School "Jef Denyn" has been the most popular. The LUCA School of Arts in Leuven , Belgium, offers a master's degree in the carillon, and the Utrecht School of the Arts in Amersfoort , Netherlands, has a dedicated school. The Scandinavian Carillon School  [ da ; no ]

10541-445: The deaths of Denyn in 1941 and Rice in 1945, North American carillonneurs, through their new organization, sought to develop their own authority on education and performance. In the 1950s and 1960s, a distinct North American style of carillon music emerged at the University of Kansas . Led by Ronald Barnes , the university's carillonneur, he encouraged his peers to compose for the carillon and produced many of his own compositions. In

10668-659: The diversity of the carillon repertoire. In a bibliography focusing on African-American music and composers, Ng claims that "while African-American music permeates the carillon repertoire," mostly in the form of spirituals , "almost none of the carillon arrangements and compositions are authored by African Americans." In a second bibliography with Emmet Lewis focusing on women, transgender , and non-binary composers, they assert that while many works have been written by these groups, they are often not published through traditional means, and " gender inequality remains systemic and common practice in carillon concerts." Performances on

10795-465: The existing problems. John William Taylor , who had been trying to replicate the tuning techniques of the Hemony brothers and the Vanden ;Gheyns at his foundry , began working with Simpson. In 1904, they founded the first tuned bells in over a century. The rediscovery initiated a revival of carillon building. In Mechelen , Belgium, Jef Denyn was a major figure in the carillon's revival as

10922-450: The fall of the monarchy in Portugal, many of the once important buildings in the country were either reused as seats of governmental power, abandoned into ruin or reused as museum, although some remained places of public use (such as the religious places of worship). The 20th century movement to restore and preserve the architectural history of Portugal was initiated under the Direcção Geral dos Edifícios e Monumentos Nacionais (DGMEN) during

11049-449: The favorable conditions in the Low Countries during the 17th century. Bellfounders found increased financial and technological support as the region traded by sea through ports. Moreover, the political situation under Margaret of Austria and Holy Roman emperor Charles V brought relative wealth and power to cities. Carillons quickly became a fashionable symbol of civic prestige. Cities and towns competed against one another to possess

11176-418: The first carillon by the modern definition. According to carillonneur John Gouwens, the quality of the bells was so impressive that Van Eyck recommended casting a full two octaves, or 23 bells. This range has been considered the standard minimum range for carillons ever since. During the next 36 years, the Hemony brothers produced 51 carillons. Carillon culture experienced a peak around this time and until

11303-477: The floor are repeated on the ceiling. The barrel vault rests on fluted Corinthian semicolumns standing between the side chapels. The chapels in the transept contain altarpieces in jasper made by sculptors from the School of Mafra. The side aisles display 58 marble statues commissioned from the best Roman sculptors of their time. The All Saint's chapel in the transept is screened from the crossing by iron railings with bronze ornaments, made in Antwerp . The choir has

11430-490: The heaviest bells are especially large, they are usually placed below the playing cabin to achieve a better tonal distribution. The bells themselves do not move during operation, only the clappers. With some instruments, the heaviest bells may be outfitted with a mechanism enabling them to swing. Carillons may also feature an automatic mechanism by which simple tunes or the Westminster Quarters are played on

11557-466: The highest-quality bells, and the increase in new carillons was greater than ever. Between 1922 and 1940, bellfounders installed 43 carillons in the United States and Canada. The flood of carillons onto the continent is attributed to Rice's widely popular books and persistent education in the United States. His romanticized depiction of the cultural instrument prompted wealthy donors to purchase carillons for their own civil and religious communities. Price

11684-481: The identically named glockenspiel , which itself is sometimes called a carillon in French. Dutch speakers use the word beiaard , which has an uncertain etymology. A musician who plays the carillon is commonly called a carillonneur ( US : / ˌ k ɛr ə l ə ˈ n ɜːr / KERR -ə-lə- NUR , UK : / k ə ˌ r ɪ l j ə ˈ n ɜːr / kə- RIL -yə- NUR ), also loaned from French. It and carillon were adopted by English speakers after

11811-586: The institute's short-lived publishing series. The Guild of Carillonneurs in North America opened the first dedicated publishing house for carillon music in North America in 1961. In 1968, the Anton Brees Carillon Library was established at Bok Tower Gardens in Lake Wales, Florida , US; it contains large collections of carillon music and related materials. In the late 2010s, University of Michigan professor Tiffany Ng analyzed

11938-583: The instrument . Technically challenging, his preludes have been the standard repertoire among carillonneurs since the early 1900s. Jef Denyn made many public statements about what music should be performed on the carillon, and he persuaded several composers of the time to write for it. Among those composers were his students, like Staf Nees  [ nl ] , Léon Henry , and Jef Rottiers  [ nl ] , and composers for other instruments, such as Jef van Hoof . The carillon school began publishing carillon music in 1925. Through his school, Denyn

12065-606: The introduction of the instrument to British troops following the War of the Spanish Succession in the 18th century. Though the word carillonneur literally refers to carillon players that are men, the French carillonneuse to denote women is not used in English. Another common term is carillonist , which some players of the carillon have wished to replace carillonneur because of the former's gender inclusivity , simple spelling, and unambiguous pronunciation. In 2018,

12192-479: The largest, highest-quality instruments. The demand was met by a successful industry of bellfounding families, notably the Waghevens and Vanden Gheyns . Together, they produced over 50 carillons during the 16th and early 17th centuries. By 1600, the primitive carillon had become an established feature of the region. A critical development for the modern carillon occurred in the 17th century, which involved

12319-554: The late-18th century. The French Revolution had far-reaching consequences on the Low Countries and the carillon. France conquered and annexed the Austrian Netherlands in 1795 and the United Provinces in 1810. After publishing instructions for extracting copper from bell bronze, France sought to dismantle local carillons to reduce its copper shortage. Carillon owners resisted by, for example, petitioning

12446-428: The latter term suggesting the existence of a keyboard. In the 14th century, the newly developed escapement technology for mechanical clocks spread throughout European clock towers and gradually replaced the water clock . Since the earliest clocks lacked faces , they announced the time by striking a bell a number of times corresponding to the current hour. Eventually, these striking clocks were modified to make

12573-455: The listing of new assets based on its mission to safeguard national heritage. As time goes by, a wide variety of new buildings and groups of structures of varying typologies have been added to the national register of monuments, such modernist architecture, vernacular landscapes, archaeological sites, monastic buildings/structures, historical gardens, and more recently human-built business and industrial establishments. The listing process follows

12700-574: The local workshop ( Livraria ) in the rocaille style (also by Manuel Caetano de Sousa). The library is known for homing bats which protect the books from insect damage. The library's bat colony includes grey long-eared bats and serotine bats . The library was used in Gulliver's Travels (1996) as the Great Chamber of War for the Emperor of Lilliput. The rectangle behind the church and

12827-408: The lower bells. The mechanism on European carillons is often a playing drum, which is a large metal cylinder connected to a clock mechanism. Metal pegs are screwed onto the outside of the drum. When the clock mechanism sets the drum in motion, the pegs catch onto levers, connected to hammers that rest just a short distance from the outside of the bell. The hammers are briefly raised, and then fall onto

12954-528: The manual is pulled down with it. Since the mid-20th century, there have been two competing keyboard design standards for a carillon's console: the North American standard and the North European standard. They differ over several design elements, such as whether the outer pedals curve toward the center or the specific distance a key is depressed. In 2006, the World Carillon Federation developed

13081-424: The many battles with rivals such as Castile , the French and Dutch. During these periods, many of the prominent buildings were destroyed, rebuilt, re-purposed and closed on the whims of the monarchy, which progressively used architectural projects to support their power, remember past glories or expand their position in the Iberian Peninsula. With the demise of the powerful clergy and religious orders, and eventually

13208-545: The monastery part of the building was assigned to the military, a situation still in use today. The last king of Portugal, Manuel II , following the proclamation of the republic , left on 5 October 1910 from the palace to the nearby coastal village of Ericeira on his way to exile. The palace was declared a national monument in 1907. At present, the building is conserved by the Direção-Geral do Património Cultural , which carried out several recovery programs, including

13335-498: The most significant 18th century collections in Portugal. They include works by the Italians Agostino Masucci , Corrado Giaquinto , Francesco Trevisani , Pompeo Batoni and some Portuguese students in Rome such as Vieira Lusitano and Inácio de Oliveira Bernardes . The sculpture collection contains works by almost every major Roman sculptor from the first half of the 18th century. At that time, it represented

13462-493: The new governments to declare their instruments as "culturally significant" or by disconnecting the bells and burying them in secret. During this period, there were as many as 110 carillons. About 50 of them were destroyed as a result of war, fire, and dismantling. The majority were melted down to produce cannons for the French Revolutionary Wars . Between 1750 and the end of the 19th century, interest in

13589-442: The offered amount. These carillons constitute the largest historical collection in the world. The two towers are connected by two rows of Corinthian columns. The top row contains the statues of St. Dominic and St. Francis , sculpted from Carrara marble , standing in a niche on each side of the balcony. The lower row contains the statues of St. Clara and St. Elisabeth of Hungary . The spacious royal apartments are situated on

13716-528: The palace houses the friary of the Franciscan friars of Arrábida Order ( Ordem de São Francisco da Província da Arrábida ) with cells for about 300 friars in long corridors on several floors. Between 1771 and 1791 this monastery was occupied by the Hermit Friars of St. Augustine . The Mafra School of Sculpture was founded during the reign of King Joseph I of Portugal , successor of King John V. As

13843-418: The peninsula, which were responsible for re-purposing many of the castro settlements and moving the settlements from the hills to the valleys in the region. In the process, they constructed new buildings, established modern infrastructures (including internal water and baths) and a road network that connected Roman villas. Although there are many excavated ruins throughout the country, of particular importance are

13970-479: The possibility of duet playing and producing new music for the configuration. Others seek to play the carillon in orchestras , bands , and other ensembles . Carillon Plus performances are not new, but have been explored more intensely since the mid-20th century. The World Carillon Federation is the central organization of carillon players and enthusiasts. It is a federation of preexisting regional, national, and supranational carillon organizations. As of 2023, it

14097-588: The region that resonated with the American public, particularly in light of the rape of Belgium . Its success motivated Rice to publish two more books in 1915 and 1925. Rice became an authority on carillons in the United States; besides his books, he gave 35 lectures in several cities, published articles in magazines, spoke on radio programs, and presented exhibition material on the subject between 1912 and 1922. In 1922, Rice garnered financial support from Herbert Hoover and John D. Rockefeller Jr. to establish

14224-415: The royal family fled in 1807 from the advancing French troops to Brazil, most rooms had to be redecorated in the original style. The Hunting trophy room ( Sala dos Troféus ) is decorated with numerous skulls of deer , the furniture is constructed of antlers and covered with deerskin and even the candleholders are made of deer antlers. The Benediction Gallery ( Sala da Benção ) borders at the upper level of

14351-406: The second floor. The apartments of the king are situated at the end of the palace while the apartment of the queen is 200m away at the other end. Such was this distance that, when the king left his apartment towards the apartment of the queen, this was announced to the queen by the sound of a trumpet. As King John VI had taken with him some of the best pieces of art and furniture in the building when

14478-459: The suggestion of the city council. On 1 August 1892, Denyn hosted the first carillon concert in history. From this point forward, the instrument garnered a reputation as a concert instrument, rather than as an instrument tasked with providing background music. Because of his concerts, Denyn met William Gorham Rice , an American state and federal government official from Albany, New York , US. Having traveled to The Hague and been exposed to

14605-407: The time is announced and simple tunes are played throughout the day. Carillons come in many designs, weights, sizes, and sounds. They are among the world's heaviest instruments, and the heaviest carillon weighs over 91 metric tons (100 short tons). Most weigh between 4.5 and 15 metric tons (5.0 and 16.5 short tons). To be considered a carillon, a minimum of 23 bells are needed; otherwise, it is called

14732-458: The time of day. In the Middle Ages , bellringers attached ropes to the clappers of swinging bells and rung them while stationary in a technique called chiming. Chiming bells gave the ringer more control compared to swinging bells, and so was used to send messages to those within earshot. For example, sounding bells was often used to warn of a fire or impending attack. At celebratory events,

14859-424: The time signal of public hour bells, but this is not confirmed by archival sources. There is convincing evidence that the term referred initially to the medieval custom of chiming on sets of four church bells by pulling the clappers by means of ropes. In German, as well as using the French term, a carillon is sometimes called a Glockenspiel ( lit.   ' bells set ' ). This should not be confused with

14986-477: The unique sound of carillons and has been the subject of further research, such as the major third bell . Since the casting process does not reliably produce perfectly tuned bells, they are cast slightly thicker and metal is shaved off with a lathe . On older European carillons, bells were tuned with each other by using the meantone temperament tuning system. Modern carillons, particularly those in North America, are tuned to equal temperament . The carillon has

15113-514: The war, with the bells out of their towers, E. W. Van Heuven and other physicists could research the tonal qualities of bells in laboratory conditions and with modern electrical sound-analyzing equipment. Percival Price , Dominion Carillonneur at the Peace Tower , was tasked with repatriating as many surviving bells as possible. He also used the opportunity to publish similar research. Now, every bellfounder could learn how to cast

15240-405: The works of Bach , Corelli , Couperin , Handel , Mozart , and Vivaldi . The earliest known original compositions specifically for the carillon, and not simply any keyboard, are the 11 preludes of Matthias Vanden Gheyn. The structure of his works suggests he had been playing non-specific keyboard music on the carillon for many years and that he wanted to play music that is idiomatic to

15367-505: Was a popular destination for the members of the royal family who enjoyed hunting in the nearby game preserve, the Tapada Nacional de Mafra . During the regency of Prince John the palace was inhabited for a whole year in 1807. The Prince was responsible for a partial renovation of the building by some well-known artists. However, with the French invasion of Portugal (1807) the royal family fled to Brazil , taking with them some of

15494-474: Was a relatively small project for a friary of 13 Capuchin friars , who were to observe strict poverty. However, when the flow of gold and diamonds from the Portuguese colony of Brazil started to arrive in Lisbon in abundance, the King changed his plans and announced the construction of a sumptuous palace along with a much enlarged friary. This immense wealth allowed the King to be a generous patron of

15621-711: Was appointed to play the carillon at the Metropolitan United Church in Toronto, Ontario , Canada (before working as Dominion Carillonneur); Mary Mesquita Dahlmer was appointed to play at Our Lady of Good Voyage Church in Gloucester, Massachusetts , US. Both were the first professional carillonneurs in their respective countries. In 1936, The Guild of Carillonneurs in North America was founded at Parliament Hill in Ottawa, Ontario , Canada. Following

15748-478: Was awarded many commissions by the Augustinians from the monastery, resulting in the many marble statues and retables in marble and jasper in the basilica. This academy produced several generations of Portuguese sculptors, such as Joaquim Machado de Castro (1731–1822). A major reference to the construction of the palace is made in the novel Baltasar and Blimunda ( Memorial do Convento ), written by

15875-422: Was highly publicized among the allies of Belgium and the Netherlands. In the latter war, British investigators claimed Germany seized two thirds of all bells in Belgium and every bell in the Netherlands. Between 1938 and 1945, 175,000 bells were stolen and stored in " bell cemeteries "  [ de ] (German: Glockenfriedhöfe ). Some 150,000 were sent to foundries and melted down for their copper. Following

16002-557: Was most successful with Roy Hamlin Johnson , a piano professor who introduced a whole category of music exclusively native to the carillon featuring the octatonic scale . Many of Johnson's works are acknowledged as masterpieces . Barnes produced 56 original compositions and hundreds of arrangements to expand the available repertoire. Other major 20th-century contributors were Albert Gerken, Gary C. White, Johan Franco, John Pozdro , and Jean W. Miller. The new American style developed into

16129-427: Was the early proponent of the "Mechelen style" of carillon music, which consists of virtuosic flourishes, tremolos, and other Baroque and Romantic elements. Ronald Barnes was the leading figure behind the North American style of carillon music, which developed in the 1950s and 1960s. He encouraged his University of Kansas peers to compose for the carillon, and he produced many of his own compositions. Barnes' campaign

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