87-409: Magic Tour may refer to a concert tour by: Magic Tour (Bruce Springsteen) Magic Tour (Queen) The Magic Tour (Severina) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Magic Tour . If an internal link led you here, you may wish to change the link to point directly to
174-523: A constant feature of every show; never having been done by the band before, the Springsteen official website said that "All of us have been enjoying the signs and banners with song requests," and requested that they be kept a reasonable size during the upcoming final American leg. In some cases, songs were audibled that the band had not rehearsed at all, and arrangements were made up on the spot. Clemons, Lofgren, and Weinberg all indicated they enjoyed
261-488: A farewell tour – "I envision the band carrying on for many, many, many more years. There ain't gonna be any farewell tour.... I'll never do that, man — you're only gonna know that when you don't see me no more" – as did band members the following year. As per past Springsteen practice, the tour proper was preceded by a couple of weeks of the band holding closed rehearsals at Asbury Park Convention Hall – but now with loudspeakers playing local radio stations positioned outside
348-565: A fully fluid or confident piano player. After playing piano some in concert during the early-mid 1970s, he had generally avoided it since, with the exception of a one-time benefit performance for the Christic Institute in 1990. In the 2000sM=, he had begun to give it a try again, a couple of times on the final leg of the Reunion Tour , then in the relaxed environment of Asbury Park holiday shows, and then in occasional spots on
435-472: A half hours, but also largely static set lists, possibly due to stand-in organist Charlie Giordano needing time to learn the Springsteen oeuvre. By the North American third leg, set lists were slightly loosened, with " Night " or other choices often preceding "Radio Nowhere" as the show opener. Oddball selections showed up more as wild cards or audibles, sometimes prompted by audience signs held up in
522-406: A more humane society? We've lived through such ugly times that people want to have a romance with the idea of America again, and I think they need to." The Milwaukee Journal Sentinel saw the concert there as exemplifying Springsteen's ability to have "dark words ride along on a buoyant pop melody", terming the enterprise "an exercise in danceable agitation." Commercially, though, the third leg
609-403: A paradox that only grows more profound as he endures. The Syracuse New Times summed an Albany, New York , show late in the first leg as "a masterful presentation of Springsteen’s new album Magic and a few moments of his mumbling political cajoling, all wrapped up in a joyous rock’n’roll revival replete with his most famous hits going back to the 1970s." North American ticket sales during
696-501: A percussive vocalization and guitar slaps approach http://www.austin360.com/music/content/music/statesman/2005/30springsteen.html , somewhat similar to his Ghost of Tom Joad Tour version. And then the final selection would be one of his most unusual ever—a modified version of 1970s cult band Suicide 's obscure "Dream Baby Dream". Played on pump organ with a reverberating drone, assisted by an offstage synthesizer, Springsteen cycled around and around, minute after minute, through pieces of
783-538: A rousing closer and a message summation; these dual roles were found in the start with Springsteen's exclamation over drums, “It’s your country, don’t let anyone take it from you!” and was emphasized as the tour went on, when the large video screens above the stage began scrolling the lyrics as the song played, and then illustrated Springsteen's quick-paced band intro spiel with 1960s Batman -styled cartoon bursts: E! Street! Band! The European second leg featured very enthusiastic crowds and shows lengthening towards two and
870-556: A show, usually cut down to a one- to two-minute excerpt, would be posted on Springsteen's official website. On July 4, 2008, with much fanfare, Sirius Satellite Radio 's E Street Radio channel broadcast selected songs from the show that day at the Ullevi in Göteborg , Sweden , although in practice there was much more of host Dave Marsh talking with phone callers than there was of the concert. On July 15, 2008, Springsteen released
957-485: A solo acoustic tour loses something when it features other musicians who are neither given credit for their work nor seen on stage." (In the final two shows of the tour, Springsteen brought out and introduced the off-stage keyboard player, Alan Fitzgerald, and played with him on-stage. ) The Austin American-Statesman found the show uneven, with Springsteen unlikely to gain new fans from it. Attendance
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#17327804858091044-521: A sort of drama and intimacy for the audience: They know it's just them and just you." He would further explain his challenge to Esquire during the tour: "I don't have a piano and a sax and drums behind me on this tour. So I had to re-approach the guitar as an instrument of solo accompaniment. It becomes a bit of a new land, and I'll play it in ways I've never played it before. I'm constantly asking myself, How can I wring as much music and meaning as possible out of those six strings? One thing I do know: With
1131-691: A tour with the E Street Band immediately concurrent with the release of his album Magic . The two first-announced legs followed the practice established during the 2002–2003 Rising Tour , of quickly visiting cities in North America followed by the same in Western Europe . Possible lengthier engagements, or dates in areas outside the Northeastern United States , where Springsteen's commercial appeal had dimmed, were viewed as additional legs in 2008. In an interview at
1218-516: The E Street Band as a whole and being in the more acoustic, somber vein of his earlier Nebraska and The Ghost of Tom Joad works, was not without (sometimes substantial) instrumentation and arrangements. Thus when Springsteen began rehearsals for the upcoming tour in Asbury Park 's Paramount Theatre , he experimented with a small band line-up. Although the rehearsals were closed, a dozen or two diehard Springsteen fans would stand outside
1305-512: The E Street Band since 1988). As the tour left Helsinki, the group had played a total of 117 different songs over 87 shows, the list having been expanded in Europe with rarities like " I'm on Fire ", " Held Up Without a Gun ", " For You ", "Drive All Night", "Rendezvous", " Summertime Blues ", " Cover Me ", and "None but the Brave". Front pit audience signs and Springsteen audibles from same were now
1392-554: The George W. Bush administration , including extraordinary rendition , illegal wiretapping , voter suppression , no habeas corpus , New Orleans after Hurricane Katrina , and the continuing Iraq War . "The Promised Land" followed by wild card slots would then alleviate the mood. Another fixed, socio-political sequence occurred at the end of the main set, "Devil's Arcade" into " The Rising " into "Last to Die" into " Long Walk Home " into " Badlands ". In an interview, Springsteen said of
1479-757: The Hartford Civic Center on October 2, 2007, and played in arenas through two shows at the TD Banknorth Garden in Boston , concluding November 19. The second, European leg began on November 25 at the Palacio de Deportes de la Comunidad de Madrid and finished at The O2 in London on December 19. As customary on some other Springsteen tours, a two-month winter holiday break was then taken. The third, North American leg again started up at
1566-468: The presidential campaign of Barack Obama . In a USA Today interview Springsteen professed admiration for both Obama's effort and rival Hillary Rodham Clinton's campaign , although he seemed to have a greater affinity for the former: "I always look at my work as trying to measure the distance between American promise and American reality. And I think [Obama]'s inspired a lot of people with that idea: How do you make that distance shorter? How do we create
1653-578: The 14th biggest grossing concert tour in North America for 2007. Springsteen saw more younger fans appearing in America than in a decade, while in Europe younger fans were constantly replenishing his fan base. Meanwhile, over in Europe, the London concert, which went on sale first on August 30, sold out in about ten minutes. The Belfast concert sold out in eight minutes, setting a venue record for The Odyssey ; thousands left standing outside
1740-615: The 2002–2003 Rising Tour . His lack of skills had been illustrated in the Live in Barcelona DVD from that tour, when a solo piano " Spirit in the Night " had completely broken down. Now, for the first time, he was doing it on a steady basis, and with nowhere to hide if he made mistakes; indeed this challenge may have in part the motivation for doing the tour solo. Verdicts on his playing were mixed: fans downloading bootlegged MP3s from
1827-502: The 2006 Sessions Band Tour . Federici made his only return to the stage on March 20, 2008, during the tour's third leg, when he appeared for portions of a show in Indianapolis . He died on April 17, 2008; the next two shows of the tour were postponed. The Magic Tour was one of the biggest tours of the year and won the 2008 Billboard Touring Awards for Top Tour, Top Draw, and Top Manager (for Jon Landau ). The Magic Tour had
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#17327804858091914-529: The Devils and Dust tour was Springsteen at his best, creating some of the most exciting shows longtime fans have ever seen. Springsteen played a total of 140 different songs during the tour. Few artists have ever played such a large variety of songs during one tour. Springsteen showcased his musical talent and made fans want to follow him on tour from the excitement created by so many different songs being played each night. The Devils & Dust material had been
2001-535: The E Street Band to play the halftime show at Super Bowl XLIII , with strong speculation extending to a new album in early 2009 and a tour run before Max Weinberg went to California for The Tonight Show with Conan O'Brien . When the tour opened at the Hartford Civic Center , several things were immediately apparent. The show was clearly shorter than in years past, beginning at around 8:30 and ending at around 10:45. However, more songs were played than could be extrapolated from this time, given past practice, due to
2088-755: The Edge of Town and Born to Run were played in sequence in their entirety. ) Meanwhile, both arenas and stadiums were scheduled for a fourth, European leg to take place in mid-May through mid-July 2008, beginning at the RDS Arena in Dublin . The fifth and final leg of the tour would return to North America for a few stadium and mostly arena or smaller outdoor venue shows, starting at Giants Stadium in New Jersey and visiting such places as Hershey, Pennsylvania , Richmond, Virginia , Nashville, Tennessee , and
2175-603: The European fourth leg, she missed all of those shows as well, until the Spanish ones at the end of the leg. She was at the first four shows of the fifth leg, then missed the rest of those too. Early on the first leg, the starting three songs (one more than planned) of the October 10, 2007, Continental Airlines Arena show were broadcast live over VH1 Classic . Throughout much of the tour, video clips of one performance from
2262-462: The European outdoor summer's leg, where unlike in the U.S. Springsteen was still a stadium-level attraction, the shows became increasingly longer, a pattern that had been taking hold throughout the tour. The Helsinki Olympic Stadium show in Finland ran past three hours, containing 31 songs (in that metric, the longest show of Springsteen's since 1993 on the "Other Band" Tour and the longest with
2349-680: The Hartford Civic Center on February 28, 2008, playing both previously visited and unvisited markets, in arenas. It concluded on May 2, 2008, at BankAtlantic Center in Fort Lauderdale, Florida . (The leg's conclusion was followed by a special out-of-tour, very-high-priced benefit show May 7 for, and at, the Count Basie Theatre in Red Bank, New Jersey , where Springsteen's classic 1970s albums Darkness on
2436-572: The Law ", " Then She Kissed Me ", " Mountain of Love ", " It's All Over Now " (with Soozie Tyrell taking her first lead vocal with the E Street Band), and " Boys " (with Max Weinberg surprisingly doing the same). In the final stretch of shows, Springsteen expressed the freedom to take on anything and everything. The tour's final performance at Harleyfest featured Danny Federici's son Jason playing accordion on " Sandy ", followed by venue-thematic selections such as " Wooly Bully ", "Gypsy Biker", " Racing in
2523-586: The Street ", and a tour finale of " Born to be Wild ". By the conclusion, some 144 to 148 different songs had been played, depending upon how snippets were counted. At the conclusion of the Harley show, Springsteen told the audience, "We just had the greatest tour of our lives." Springsteen would later say that the Magic Tour constituted "some of the most exciting shows we've ever done." And Springsteen echoed
2610-461: The Street ", or surprises from his back catalog, including intense tracks from The River such as " Stolen Car ", " Wreck on the Highway ", and "Drive All Night" that had not been played live for over two decades. Later in the tour more obscure selections were dug up, such as "Iceman", "Santa Ana", and "Zero and Blind Terry", never released until appearing on the 1998 Tracks box set, as well as
2697-522: The U.S. Eastern Seaboard to give repeat concert-goers a chance to see how the tour had evolved; the final show was November 22 at Sovereign Bank Arena in Trenton, New Jersey . Audience members at larger venues were often greeted by a paper handout, proclaiming that "Tonight's show is a solo acoustic [sic] performance, set in a theater style arrangement ... There will be no seating during each song ... All concession stands will close 10 minutes prior to
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2784-599: The U.S.A. Tunnel of Love Lucky Town Greatest Hits Devils %26 Dust Tour The Devils & Dust Tour was a 2005 concert tour featuring Bruce Springsteen performing alone on stage on a variety of instruments. It followed the release of his 2005 album Devils & Dust . The tour was named the Top Small Venue Tour of 2005 by the Billboard Touring Awards . The Devils & Dust album, while not using
2871-452: The album. After a week or two of this, however, Springsteen decided it was not what he wanted. The musicians disappeared, and Springsteen would perform on the tour all by himself. As he told Rolling Stone before the tour began, "Nils and some other folks came in for rehearsals to give me a sense of if I wanted to go with something bigger. But what tends to be dramatic is either the full band or you onstage by yourself. Playing alone creates
2958-583: The audience with phantom overhand throwing motions ... all for a song that represented, despite frequent misinterpretations, a void empty of hope; only a return of the Devils & Dust Tour 's ultra-distorting "bullet mic" at the end served to reveal a bit of the deceit. An explicit public service announcement rap during "Livin' in the Future" listed Springsteen's complaints about developments in American during
3045-481: The band would hash out onstage the key in which to play " It's Hard to Be a Saint in the City ". The biggest surprise was "Crush on You", which had not been performed since The River Tour in 1980; Springsteen explained why by saying, "We firmly believe this is the worst song we ever put on a record." Show lengths and energy were such that Lofgren sometimes wondered whether the audience was up to handling extra songs in
3132-417: The concert. This was followed by some older number, such as " The Ties That Bind " or " No Surrender ", that supplied that social connection, and then by The Rising' s " Lonesome Day " to balance the equation. The next part of the show brought out ''Magic'''s political undercurrents, first with a spoken introduction to "Magic" that made clear that song's understated lyric: "This is about living in times when
3219-584: The correct playing style, you can summon up an orchestra." The tour began in April 2005 with two public rehearsal shows in Asbury Park's Paramount Theatre, as well as a promotional appearance in Red Bank for VH1 's Storytellers . The tour's first proper leg then began in late April with 14 concerts across the United States in mid-sized halls and partially curtained-off arenas ; the opening show
3306-547: The encores. Beginning with the Gillette Stadium show, one-off renditions of old 1960s songs that Springsteen had heard growing up, and that he and the band had played decades before, began showing up in set lists, sometimes taking up to as many five slots in a show. Such numbers included " Pretty Flamingo ", " Little Latin Lupe Lu ", " You Can't Sit Down ", " Double Shot (Of My Baby's Love) ", " Gloria ", " I Fought
3393-619: The encores. "Long Walk Home" gained more emphasis, with Nils Lofgren and especially Steve Van Zandt adding their own vocal parts during the coda. Once the tour resumed following Federici's death, the existing structure began to break down. For the first seven shows, a video montage about Federici, set to past-tour-finale-song "Blood Brothers", was shown preceding the start. Many old songs were performed, both well known, such as " Growin' Up ", and songs which had remained virtually unplayed for 20 years, such as " Wild Billy's Circus Story ". Magic slots were reduced and its songs put on rotation;
3480-657: The end. Some "Dream Baby Dream"s lasted eight minutes, nine, ten or more. Greetings from Asbury Park, New Jersey The Wild, the Innocent & the E Street Shuffle Born to Run Darkness on the Edge of Town The River Nebraska Born in the U.S.A. Tunnel of Love Human Touch Lucky Town Greatest Hits The Ghost of Tom Joad Tracks 18 Tracks The Rising The Essential Bruce Springsteen Devils & Dust Other (non-album songs) Source: The show
3567-420: The first leg of the tour. Drummer Max Weinberg also had a small teleprompter within his drum kit, showing lyrics, unusual in that Weinberg does not sing onstage. The set list heavily leaned on Magic material, as might be expected, with The Rising initially also well represented. The 1970s were also featured, with a number of songs off Born to Run and Darkness on the Edge of Town . Thematically,
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3654-573: The first leg were generally strong. Prime markets in the Northeast sold out in less than ten minutes. The faithful knew, as usual, that this was only the beginning of the ticket acquisition process, as the later secondary market — online ticket outlet drops of held-back allotments, later drops due to stage setup revelations, day of show drop lines, online forum exchanges, and eBay — all offered opportunities for success. The first, North American leg garnered $ 38.2 million in ticket revenues, making it
3741-458: The first nine positions all held by Magic Tour shows; the highest grossing was the two nights at Barcelona 's Camp Nou , where 143,804 total attendees brought in over $ 14 million gross. By the tour's finishing fifth leg, critical reaction was again strong. Of the penultimate show in St. Louis , Billboard wrote that the band had "unleash[ed] an epic, loose show that wowed the unwowable and flapped
3828-422: The first song on the way to the stage, and usually by the second song he's calling audibles, so the set list is useless. It's fun to be part of something ... where a band leader can do that much improv and get away with it and have a band that'll deliver and make it work. So, it's all really a pretty historic run, from my perspective." The fifth and final U.S. leg began with three shows at Giants Stadium , seen at
3915-490: The hall to foil the Springsteen faithful who gathered outside the building to hear a glimpse of the set lists and arrangements to come. This was followed by two rehearsal shows (which doubled as charity benefits) at Convention Hall on September 24 and 25, an early morning appearance on The Today Show ' s concert series on Rockefeller Plaza on September 28, and another, small-audience rehearsal at Continental Airlines Arena that night. The first, North American leg began at
4002-466: The holiday season and way in advance of the shows, a worsening U.S. economy, stagnant European second leg set lists, and aftereffects of Springsteen's Vote for Change explicit political stances and non-E Street Band tours. Nevertheless, the Giants Stadium stand grossed over $ 14 million, and was the fifth-highest concert stand gross for 2008. For the first half of 2008, the Magic Tour third leg
4089-565: The inevitable " Born to Run ", a celebratory " Dancing in the Dark ", and as the show finalé, "American Land". This, the only holdover from the Sessions Band Tour , featured Clemons on pennywhistle , both Federici and Bittan on accordion and joining Tyrell and the others on the front stage line, in an up-tempo jig that sought to convey the whole tale of immigration to the United States . As such it careened wildly in purpose between
4176-715: The intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Magic_Tour&oldid=1179206494 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Magic Tour (Bruce Springsteen) The Magic Tour was Bruce Springsteen and the E Street Band 's 2007–08 concert tour of North America and Western Europe. The tour began October 2, 2007, in Hartford, Connecticut, and concluded August 30, 2008, in Milwaukee, Wisconsin. This
4263-411: The like, was nonetheless a full member on-stage, appearing on every song with some combination of violin , acoustic guitar , and backing vocals . On the front line of the stage, age was taking its toll: on one side Clarence Clemons was once again sitting in a chair when not playing his saxophone or percussion parts and needing a steadying hand for getting on and off stage, while Danny Federici
4350-565: The like. The tour officially marked its end at the Harley-Davidson 105th Anniversary Celebration in Milwaukee on August 30, 2008, which Rolling Stone viewed as "a very odd way to end an epic tour." A more extensive final leg, running into the autumn, was "in the works" but scrapped in mid-June 2008. Fans, however, still hoped for something after the Harley show, and were rewarded when plans were announced for Springsteen and
4437-514: The live audio and video EP Magic Tour Highlights , which collected guest appearances from the third leg, including Federici's only return. Several shows were released as part of the Bruce Springsteen Archives : Greetings from Asbury Park, New Jersey The Wild, the Innocent & the E Street Shuffle Born to Run Darkness on the Edge of Town The River Nebraska Born in
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#17327804858094524-408: The many signs. The fourth and fifth legs also featured a new "Build Me a House" stage rap from Springsteen, located in 15-minute renditions of "Mary's Place"; the rap would carry over onto the next tour, albeit in a different song. Springsteen obscurities continued to be played, although the stadium audiences would be inattentive for quiet, intense numbers such as "Drive All Night". In other cases,
4611-475: The middle of the set became extremely varied, with "Livin' in the Future" and " She's the One " the only constants. "The Promised Land", which had been a mid-set regular, was moved to various places in the set lists. Encore length varied, but again "Born to Run" and "American Land" remained the only constants. The band found that playing shows helped them to cope with the emotional effects of the loss of Federici. On
4698-399: The new unexpectedness of the shows. Magic selections, in contrast, were sometimes down to four from their original usual eight. E Streeter Nils Lofgren described the state of the show in an interview after the end of this European leg: "The band, musically, is in the best shape we've ever been, I think. The whole show has become one long improv/audible now; sometimes [Springsteen] changes
4785-409: The omission of elongated numbers with stage hijinks, and in particular no long monologues or band intros. As guitarist Nils Lofgren said of the tour's start, "Bruce tried to do an experiment with condensing everything, covering all the emotional territory he needed to." Soozie Tyrell , while now clearly not an official member of the E Street Band by analysis of publicity material, tour T-shirts and
4872-456: The ones most using the offstage instruments, and these fans believed even more would have helped, as effective large-group versions of that album's " Devils & Dust " and "Long Time Comin'" proved on the following year's Sessions Band Tour . Critical reaction to the Devils & Dust Tour was generally favorable. Daily Variety reviewed a Los Angeles show by saying, "On a night that can be described as nothing short of magical, his solo show
4959-492: The opener. A Jon Pareles review in The New York Times of a Madison Square Garden show two weeks later framed the performance thusly: The sheer vitality of Mr. Springsteen, 58, belting an entire set of showstoppers straight from the gut and working the stage with his longtime band, provides all the hope the lyrics struggle to find. He's as serious as any public figure alive, but he leaves audiences euphoric —
5046-427: The pilgrim stands before the crowd, he makes no grand pronouncements. He seems puzzled by both the evil and the beauty in the world." LA Weekly was less impressed, objecting to Springsteen's choice of unfamiliar material and that he "insists fans neither clap nor sing along." New Jersey's Upstage magazine liked the show in general, but felt that the use of off-stage musicians was unsettling, saying "the idea of
5133-539: The pit below the stage. The signs practice became more frequent starting in March, and eventually built up into a tradition that would carry over to the band's next tour . Clemons' chair was now comically upgraded to a gilded throne , with a tambourine placed next to it so he could play along on songs where he was catching a breather. His role overall was not diminished, however, as " Jungleland " and his longest and most famous saxophone solo began appearing more often in
5220-499: The second-highest gross worldwide for 2008 in Billboard's rankings, with $ 204.5 million and trailing only Bon Jovi 's Lost Highway Tour . In Pollstar 's calculus for North America , the Magic Tour had the sixth-highest gross for 2008 at $ 69.3 million. In any case, in total over its two years, the Magic Tour grossed more than $ 235 million. On August 28, 2007, it was announced on Bruce Springsteen 's website that there would be
5307-502: The sentiment he expressed before the tour's start, that it was not a swansong for the band, at the final show of it, saying "We'll be seein' ya ... we're only just getting started." Reviews of the Magic Tour were generally favorable. The New Haven Register found the band "ripping through a spirited set" on opening night and judged Weinberg, Van Zandt, and Clemons as the main stars of the performance besides Springsteen. The paper also profiled fans who had come from nearby states to see
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#17327804858095394-438: The sharpest of ears. The work most frequently presented in this slot was "Reason to Believe", Nebraska ' s most misanthropic selection. From there he would do a few recent songs on guitar and harmonica, usually from Devils & Dust or The Rising . Then would come two batches of piano or electric piano performances. These were either emotional classic favorites such as " The River " or " Backstreets " or " Racing in
5481-608: The show was organized in recent Springsteen fashion, with certain fixed sequences that appeared every night, interspersed with "wild card" sequences in which a variety of recent or old songs might appear. Shows usually began with a calliope playing " The Daring Young Man on the Flying Trapeze " as the band took the stage, followed by several calls out from the darkness by Springsteen — "Is there anybody alive out there!?" Then, as might be expected, Magic 's first single " Radio Nowhere " and its expression of social longing began
5568-476: The shows could sometimes hear clear mistakes, especially during instrumental breaks; one reviewer found power in his playing and another proficiency; The Arizona Republic wrote that "Springsteen showed off improved piano skills"; Runaway American Dream mused that "During an impromptu electric-piano 'All That Heaven Will Allow', Springsteen seemed delighted during the solo when he hit the right notes"; while HARP Magazine said "Springsteen's piano playing
5655-408: The shows in the North American third leg as well, with Springsteen giving different humorous explanations at each stop for her absence, all revolving around their teenage children misbehaving. Scialfa said she was staying home to enjoy the last year of all three children being together, and to be fully involved in their eldest child's college application and decision process. Despite vowing to attend
5742-412: The simple yet disjointed lyrics – "Dream baby dream, I just want to see you smile, come on, dream baby dream" – until eventually he would get up from the organ and walk around the stage, the offstage music still coming, he still repeating through the lyrics, looking out over the audience as if he were giving them a puzzled benediction, then finally walking off stage still singing and without further remarks,
5829-516: The solo sound. Furthermore, his guitar tech Kevin Buell and a mysterious "Mr. Fitz" would on some songs contribute hidden, off-stage acoustic guitar , synthesizer , and percussion . This ran against Springsteen's purely solo performance claim, but provided welcome instrumental coloring (and there was a precedent, as offstage keyboards had been used a bit on the Ghost of Tom Joad Tour as well). And while
5916-570: The song dead under a river with turtles gnawing at him). For artist who had built a reputation for rousing set closers such as " Rosalita " and " Light of Day ", this draining and unpleasant finale was more than a bit of a departure. The encore would first feature some up-tempo liveliness, with high-energy guitar run-throughs of fan favorites such as " Ramrod ", " Land of Hope and Dreams ", or " Does This Bus Stop At 82nd Street? " But then would come an unearthly, distinctly non-anthemic rendition of his popular rallying cry "The Promised Land", built around
6003-600: The start of the show ..." The concert's stage set was sparse, with a few instrument stations laid out, a carpet and lamp, two reddish chandeliers, and darkish, subdued stage lighting. The instrument stations were indeed a break with the past, for Springsteen's 1995–1996 solo Ghost of Tom Joad Tour has seen him only playing acoustic guitar and harmonica . On the Devils & Dust Tour, by contrast, he would not only play those two, but add piano , electric piano , pump organ , autoharp , ukulele , banjo , electric guitar , and stomping board, thus adding considerable variety to
6090-445: The theatre each day on the chilly early spring boardwalk, listening through walls to try to hear what was being played, a practice that had been going on since the E Street Band's Reunion Tour rehearsals in 1999. These fans reported that Springsteen was rehearsing with Nils Lofgren (guitar and keyboards), Danny Federici (organ), Soozie Tyrell (violin and vocals), and Steve Jordan (drums), all of whom had participated in recording
6177-521: The time as possibly Springsteen's last there. The opening " Tenth Avenue Freeze-Out " had the upper deck literally shaking, while Lofgren's impromptu somersault during " Because the Night " astounded everyone, especially since Lofgren was headed to double hip replacement surgery after the tour. The practice of longer shows and of songs played for sign requests continued. The latter was now cued by an extended drumbeat for " Summertime Blues " or " Light of Day " while Springsteen collected and assessed
6264-642: The time of the tour's announcement, Springsteen made clear that this outing would be a return to expectations after the substantial stylistic departures of the solo, multi-instrumental 2005 Devils & Dust Tour and the big folk 2006 Sessions Band Tour : "Yeah — I'll be playing the rock music this time." Magic selections would be likely heavily featured, as they were written for playing in concert. And he shot down fan speculation that (with band members getting on in age and health and drummer Max Weinberg likely heading to Los Angeles when Conan O'Brien would take over The Tonight Show in 2009 ) this might be
6351-536: The tour was officially billed as "Solo & Acoustic", there were in fact two electric instruments onstage and one offstage. The tone of the performance was set at the start, when Springsteen would ask for quiet during the performance and humorously threaten audience members with mayhem if their cell phones went off. Then a "song" would be performed using only an amplified "stomping board" and an ultra-distorting vocal "bullet microphone", two devices designed to render any words or melody utterly incomprehensible to all but
6438-627: The transition out of "The Rising" and into "Last to Die", signalling the course of American society from the September 11 attacks to the Iraq War , "The whole night is going to turn on that segue. That's what we're up there for right now, that thirty seconds." Encores started with the relaxed lament of the new " Girls in Their Summer Clothes ". This was followed by potluck back catalog choices, often involving one of his long epics,
6525-506: The truly obscure, such as "Song to the Orphans", never released at all and unplayed since the early 1970s (it was later released on 2020's Letter to You ). Such numbers were often humorously dedicated by Springsteen — "This is a song for the people who know more about me than I do about myself" — and indeed received many positive reactions from the die-hard fans who knew, or at least knew of, them. Springsteen is, by his own admission, not
6612-420: The truth gets twisted into lies and lies get twisted into truth. So, it's not about magic. It's about tricks." Thus set up to follow was just that, a trick: yet another at-first-puzzling rendition of the always challenging "Reason to Believe". The Nebraska closer was transformed from a low-key acoustic number to a heavy-hitting, harmonica-driven, boogie-woogie blues rock version, with Springsteen pumping up
6699-459: The unflappable." Ticketmaster Entertainment's TicketsNow portal reported that the average resale price of a 2008 Magic Tour ticket had been $ 235, sixth highest among touring acts for the year. with: guest musicians: The beginning line-up was unchanged from the 2002–2003 Rising Tour . Scialfa missed a number of shows in the North American first leg, and all the shows in the European second leg, due to family duties. She missed all but one of
6786-520: The venue, other ticket outlets, or phone or online users, were left quite frustrated. Most of the tickets were bought by major companies and sold on eBay or other websites for hundreds of pounds. The Belgian concert was sold out in a few minutes, the booking site having experienced constant lag. On the show's third leg, the Rochester Democrat and Chronicle praised the show's concentration on newer material and detected implicit support for
6873-633: Was April 25, the day of the album's release, in the Fox Theatre in Detroit , Michigan . Without a break the second leg commenced, visiting Western Europe from late May through the end of June for 20 shows across various countries. After a two-week break, the third leg comprised 17 shows across Canada and the U.S., sometimes now playing in full-sized arenas. In mid-August the tour took a two-month break off. The fourth leg then took place in October and November, playing mostly Springsteen hot spots along
6960-509: Was a dream come true ... nearly every moment in the 2½-hour show resonated with truth." Billboard called the show "spare and pensive", noting that "the artist has consistently changed up the set list and reinvented dozens of songs from his more than three-decade career." The local Asbury Park Press portrayed Springsteen's attitude during the show as "[One who] has seen some things, heard some things and done some things — most of them terrible, some of them extraordinarily wonderful. [...] As
7047-472: Was also looking a little frail. On the other side, not only was Springsteen's teleprompter (a fixture since the early 1990s) still in view, but sidekick Steven Van Zandt had his own (for lyrics) as did wife and band member Patti Scialfa (for guitar chords). In the latter respect, however, the show featured a breakthrough: the first Scialfa song played in its entirety, the mid-set "A Town Called Heartbreak", which would continue to be played intermittently on
7134-410: Was definitely a challenge to its audience, especially when presented in a cavernous arena. Casual Springsteen fans, if they came at all, would leave a bit bewildered. The faithful often found the shows rewarding. In retrospect, however, some fans wondered if some of the limitations of the tour might have been overcome if Springsteen had stuck with his original small-band lineup. However, others believe
7221-489: Was disappointing in a few regions where Springsteen's drawing power had gradually been showing weakness, and everywhere but in Europe tickets were easier to get than in the past. Nevertheless, the tour did well commercially overall. Billboard reported that "Springsteen's stripped-down Devils & Dust tour did big business in 2005, grossing more than $ 33.4 million from 65 shows reported to Billboard Boxscore, 46 of them sellouts." The Devils & Dust Tour subsequently won
7308-400: Was his first tour with the E Street Band since 2004's Vote for Change shows and the first prolonged outing with them since the 2002–2003 Rising Tour . After the conclusion of the tour's first leg on November 19, 2007, organist Danny Federici took a leave of absence from the tour to pursue treatment for melanoma . He was replaced by Charles Giordano , who had played with Springsteen on
7395-417: Was perfectly imperfect." In any case, for the faithful the rarities and the frequent set list changes in the piano numbers seemed to more than make up for any technical deficiencies. The end of the regular set would always contain four or five of the dourest Devils & Dust numbers played in succession, concluding to silence with the difficult "Matamoros Banks" (the illegal immigrant protagonist starts
7482-471: Was softer, with most of its shows not sold out. Moreover, when tickets went on sale in December 2007 for three hometown, summer 2008, fifth-leg Giants Stadium shows, they did not come close to selling out right away, and may never have. This paled in comparison to the fast sales and many added dates for The Rising Tour 's Giants Stadium stand in 2003; theories advanced included poor sales timing before
7569-456: Was the second-highest grossing tour in North America, garnering $ 40.8 million, behind Bon Jovi 's Lost Highway Tour for that period but ahead of the Van Halen 2007–2008 Tour . The European outdoor fourth leg was very strong commercially, selling out or nearly selling out its shows. The Billboard Boxscore Top Ten Concert Grosses report for the issue the week after the leg ended showed
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