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136-398: Marlon Brando Jr. (April 3, 1924 – July 1, 2004) was an American actor. Widely regarded as one of the greatest cinema actors of the 20th century, Brando received numerous accolades throughout his career, which spanned six decades, including two Academy Awards , three British Academy Film Awards , a Cannes Film Festival Award , two Golden Globe Awards , and a Primetime Emmy Award . Brando

272-668: A Primetime Emmy Award . He received his first prize, the Theatre World Awards , for his debut performances on the Broadway stages in New York City . Brando made a cinematic impression instantly with his debut performance in The Men (1950), which he succeeded with his iconic portrayal of Stanley Kowalski in A Streetcar Named Desire (1951). He received his first of four consecutive Oscar nominations for

408-539: A "cornpone melodrama". In 1961, Brando made his directorial debut in the western One-Eyed Jacks . The picture was originally directed by Stanley Kubrick , but he was fired early in the production. Paramount then made Brando the director. Brando portrays the lead character Rio, and Karl Malden plays his partner "Dad" Longworth. The supporting cast features Katy Jurado , Ben Johnson , and Slim Pickens . Brando's penchant for multiple retakes and character exploration as an actor carried over into his directing, however, and

544-419: A car in midtown Manhattan searching for a parking space." He received better reviews at subsequent tour stops, but what his colleagues recalled was only occasional indications of the talent he would later demonstrate. "There were a few times when he was really magnificent," Bankhead admitted to an interviewer in 1962. "He was a great young actor when he wanted to be, but most of the time I couldn't even hear him on

680-412: A cast member recalled. "Everybody hugged him and kissed him. He came ambling offstage and said to me, 'They don't think you can act unless you can yell.'" Critics were not as kind, however. A review of Brando's performance in the opening assessed that Brando was "still building his character, but at present fails to impress." One Boston critic remarked of Brando's prolonged death scene, "Brando looked like

816-441: A distance of some 2,500 km - in a rented limousine. By her own account, however, Balk's agent then warned her in blunt terms that the studio would ruin her and that she would never work in films again if she broke her contract, so she was soon forced to return to the set. With a potential disaster looming, New Line brought in veteran director John Frankenheimer . He came on board in part because - like virtually every member of

952-461: A drinking problem. Wilson was largely tolerant of Brando's behavior, but he reached his limit when Brando mumbled through a dress rehearsal shortly before the November 28, 1946, opening. "I don't care what your grandmother did," Wilson exclaimed, "and that Method stuff, I want to know what you're going to do!" Brando in turn raised his voice, and acted with great power and passion. "It was marvelous,"

1088-456: A feud with Brando. He shared some behind-the-scenes footage of friendly moments he had with Brando as well as his complaining to Thewlis about Frankenheimer in the documentary Val . In his memoir I'm Your Huckleberry , Kilmer said "John Frankenheimer went on to blame me publicly for ruining the movie. I always thought it an odd thing to try to do, blame me for his failure to make an entertaining film, because my character dies halfway through, and

1224-959: A film which also won him the Golden Shell at the San Sebastián International Film Festival . His career featured some critically panned performances, notably in The Formula (1980) and The Island of Dr. Moreau (1996), both of which earned dubious distinction from the Razzie Awards and Stinkers Bad Movie Awards . He won Worst Supporting Actor for the latter film from both organizations. However, he did receive his eighth Oscar nomination, and subsequent BAFTA and Golden Globe recognition, for his supporting performance in A Dry White Season (1989). These would become his final major distinctions in his six-decades-long career. The following are

1360-577: A film with friend and rival Montgomery Clift (although they shared no scenes together). Brando closed out the decade by appearing in The Fugitive Kind (1960) opposite Anna Magnani . The film was based on another play by Tennessee Williams but was hardly the success A Streetcar Named Desire had been, with the Los Angeles Times labeling Williams' personae "psychologically sick or just plain ugly" and The New Yorker calling it

1496-482: A friend asked me to and I didn't want to turn him down ... In some ways I think of my middle age as the Fuck You Years." Candy was especially appalling for many; a 1968 sex farce film directed by Christian Marquand and based on the 1958 novel by Terry Southern , the film satirizes pornographic stories through the adventures of its naive heroine, Candy, played by Ewa Aulin . It is generally regarded as

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1632-430: A higher being, incapable of harm. The existing Beast-Folk are imperfect, but Moreau claims to be close to a "solution". Meanwhile, his son Azazello finds a half-eaten rabbit, much to the disgust of the apparent pacifistic Moreau (who forbids meat-eating). After learning of the rabbit, he promises that there will be a " trial " the next day. Douglas tries to escape by boat, but stops as it is overrun with humanoid rats . At

1768-527: A human/ llama mutant give birth, with doctors attending to the delivery. Douglas's presence is noticed by a doctor—who turns out to be, also, a human/animal hybrid—and he flees, finding Aissa, a daughter of Moreau's, who leads him to the ‘village’ of the mutants. There, Moreau is worshipped and referred to as "The Father" by the mutants. He keeps the hybrids subjugated by using a remote-controlled electrical implant, surgically placed at birth under their skin. Moreau introduced human DNA into animals in search of

1904-535: A lack of acting fundamentals and, when his casting was announced, many remained dubious about his prospects for success. Directed by Joseph L. Mankiewicz and co-starring British stage actor John Gielgud , Brando delivered an impressive performance, especially during Antony's noted "Friends, Romans, countrymen ..." speech. Gielgud was so impressed that he offered Brando a full season at the Hammersmith Theatre, an offer he declined. In his biography on

2040-476: A lawyer in A Dry White Season (1989). Brando was known for playing characters who later became popular icons , such as the rebellious motorcycle-gang leader Johnny Strabler in The Wild One (1953), and he came to be seen as an emblem of the era's so-called " generation gap ". He also played Sky Masterson in the musical film Guys and Dolls (1955), Fletcher Christian in the action film Mutiny on

2176-409: A lesser actor might have been." In Sayonara (1957), Brando appeared as a United States Air Force officer. Newsweek found the film a "dull tale of the meeting of the twain", but it was nevertheless a box-office success. According to Stefan Kanfer's biography of the actor, Brando's manager Jay Kanter negotiated a profitable contract with ten percent of the gross going to Brando, which put him in

2312-467: A long-standing dream of original director Richard Stanley , who had first read the book as a child. He spent four years developing the project before getting the green-light from New Line Cinema . Although Stanley had envisaged Jürgen Prochnow in the lead role, New Line managed to secure Marlon Brando, but some time later, Stanley learned that New Line had gone behind his back and offered the movie to director Roman Polanski . Furious, Stanley demanded

2448-418: A meeting with Brando who, unexpectedly, proved very sympathetic to Stanley's vision, not least because of Stanley's intimate understanding of the novel and its history - including its connections with Joseph Conrad 's Heart of Darkness (the main inspiration for Francis Ford Coppola's Apocalypse Now ) - and because of Stanley's family relation to legendary African explorer Sir Henry Morton Stanley , one of

2584-527: A nuclear bomb was about to fall on them. Most of the class clucked and ran around wildly, but Brando sat calmly and pretended to lay an egg. Asked by Adler why he had chosen to react this way, he said, "I'm a chicken—what do I know about bombs?" Despite being commonly regarded as a method actor , Brando disagreed. He claimed to have abhorred Lee Strasberg 's teachings: After I had some success, Lee Strasberg tried to take credit for teaching me how to act. He never taught me anything. He would have claimed credit for

2720-552: A partnership with Paramount to establish his own production company called Pennebaker, its declared purpose to develop films that contained "social value that would improve the world." The name was a tribute in honor of his mother, who had died in 1954. By all accounts, Brando was devastated by her death, with biographer Peter Manso telling A&E 's Biography , "She was the one who could give him approval like no one else could and, after his mother died, it seems that Marlon stops caring." Brando appointed his father to run Pennebaker. In

2856-536: A performance. His iconic role as Don Vito Corleone in The Godfather (1972) accrued nominations from all 3 awards contingents. He received his second Academy Award and another Golden Globe, but controversially declined both awards. At the 1973 Oscars telecast , he sent Sacheen Littlefeather in his place to announce his refusal on behalf of "Hollywood's unfavorable depiction of Native Americans". He followed that up with his highly acclaimed performance in

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2992-569: A pistol to force him to do something shameful, would put his hand on the gun and push it away with the gentleness of a caress? Who else could read "Oh, Charlie!" in a tone of reproach that is so loving and so melancholy and suggests the terrific depth of pain? ... If there is a better performance by a man in the history of film in America, I don't know what it is. Upon its release, On the Waterfront received glowing reviews from critics and

3128-612: A raft. The hybrids now want to return to their natural state of being and are in favor of ending Moreau's work. Peter Cullen provided the trailer narration for this film. As recounted in David Gregory's documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau (2014), the chaotic events of the making of the film quickly led to its becoming one of the most difficult and troubled productions in Hollywood history. A film version of Dr. Moreau had been

3264-506: A reputation for pranking, and met Wally Cox , with whom he remained friends until Cox's death in 1973. In 1936, his parents separated and he and his siblings moved with their mother to Santa Ana, California . Two years later, his parents reconciled, and his father purchased a farmhouse in Libertyville, Illinois . Brando attended Libertyville High School , excelling at sports and drama, but failing in every other subject. Consequently, he

3400-623: A screen test. Coppola convinced Brando to do a videotaped "make-up" test, in which Brando did his own makeup (he used cotton balls to simulate the character's puffed cheeks). Coppola had feared Brando might be too young to play the Don, but was electrified by the actor's characterization as the head of a crime family. Even so, he had to fight the studio in order to cast the temperamental actor. Brando had doubts himself, stating in his autobiography, "I had never played an Italian before, and I didn't think I could do it successfully." Eventually, Charles Bluhdorn ,

3536-495: A summer stock production of George Bernard Shaw 's Arms and the Man . In 1954, Brando starred in On the Waterfront , a crime drama film about union violence and corruption among longshoremen . The film was directed by Elia Kazan and written by Budd Schulberg ; it also starred Karl Malden , Lee J. Cobb , Rod Steiger and, in her film debut, Eva Marie Saint . When initially offered

3672-419: A total pig of a man without sensitivity or grace of any kind. Marlon Brando would be perfect as Stanley. I have just fired the cad from my play, The Eagle Has Two Heads, and I know for a fact that he is looking for work". Pierpont writes that John Garfield was first choice for the role, but "made impossible demands." It was Kazan's decision to fall back on the far less experienced (and technically too young for

3808-427: Is complete" and noted, "Out of stiff and frozen silences he can lash into a passionate rage with the tearful and flailing frenzy of a taut cable suddenly cut." By Brando's own account, it may have been because of this film that his draft status was changed from 4-F to 1-A . He had had surgery on his trick knee, and it was no longer physically debilitating enough to incur exclusion from the draft. When Brando reported to

3944-495: Is credited with being one of the first actors to bring the Stanislavski system of acting and method acting to mainstream audiences. Brando came under the influence of Stella Adler and Stanislavski's system in the 1940s. He began his career on stage, where he was lauded for adeptly interpreting his characters. He made his Broadway debut in the play I Remember Mama (1944) and won Theater World Awards for his roles in

4080-413: Is perfect," he later wrote in his memoir, "and I think that Gadg has done injury to others, but mostly to himself." In 1953, Brando also starred in The Wild One , riding his own Triumph Thunderbird 6T motorcycle. Triumph's importers were ambivalent at the exposure, as the subject matter was rowdy motorcycle gangs taking over a small town. The film was criticized for its perceived gratuitous violence at

4216-402: Is regressing: her pupils are cat -like, her canine teeth are becoming fangs, and her fingernails are becoming sharper. Douglas can stop this with a serum from the lab. However, Montgomery has gone insane and destroyed it. Moreau was planning to use Douglas's DNA to stop Aissa's regression permanently, completing his experiments. Azazello leads the mutants to the armory. They eventually take over

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4352-487: Is the kind of guy, when he dies, he's going to heaven and give God a hard time for making him bald." Frank Sinatra called Brando "the world's most overrated actor", and referred to him as "mumbles". The film was commercially though not critically successful, costing $ 5.5 million to make and grossing $ 13 million. Brando played Sakini, a Japanese interpreter for the U.S. Army in postwar Japan, in The Teahouse of

4488-407: The 1972 New York Film Critics Circle Awards .) Albert S. Ruddy , whom Paramount assigned to produce the film, agreed with the choice of Brando. However, Paramount studio executives were opposed to casting Brando, due to his reputation for difficulty and his long string of box office flops. Brando also had One-Eyed Jacks working against him, a troubled production that lost money for Paramount when it

4624-530: The ABC miniseries Roots: The Next Generations (1979), after which he took a nine-year hiatus from acting. He later returned to film, with varying degrees of commercial and critical success. The last two decades of his life were marked by controversy, and his troubled private life received significant public attention. He struggled with mood disorders and legal issues. His last films include The Island of Dr. Moreau (1996) and The Score (2001). Marlon Brando Jr.

4760-643: The Cannes Best Actor prize for Viva Zapata! . He earned further Golden Globes attention as Best Comedy/Musical Actor for The Teahouse of the August Moon (1956), but also some backlash for doing " yellowface " (white actors portraying Asian characters). Sayonara (1957) earned him his fifth Oscar nomination, and third Globe recognition for a film. The Young Lions (1958) netted him his fourth BAFTA nomination. And The Ugly American (1963) garnered him his fourth Golden Globe nomination for

4896-531: The Korean War . Early in his career, Brando began using cue cards instead of memorizing his lines. Despite the objections of several of the film directors he worked with, Brando felt that this helped bring realism and spontaneity to his performances. He felt otherwise he would appear to be reciting a writer's speech. In the TV documentary The Making of Superman: The Movie , Brando explained: "If you don't know what

5032-482: The Lost Soul documentary that with their help Stanley secretly came back to the set over several days, disguised in full costume as one of the dog-men, and performed as an extra on the film he originally had been hired to direct. It has been reported that he showed up at the film's wrap party, where he ran into Kilmer, who was said to have apologized profusely for Stanley's removal from the film. A director's cut

5168-487: The Razzie Awards including Worst Picture and Worst Director , winning Worst Supporting Actor for Marlon Brando (Val Kilmer was also a nominee in this category). At the 1996 Stinkers Bad Movie Awards , Brando was nominated for Worst On-Screen Hairstyle (which he lost to Stephen Baldwin for Bio-Dome ) and won Worst Supporting Actor. The film also got nominations for two Saturn Awards : Best Science Fiction Film and Best Make-up . Mike Myers has acknowledged that

5304-537: The radio there. Douglas and Montgomery go to the Main House, where the former is warned not to wander. According to Montgomery, Moreau vanished after becoming obsessed with his animal research. For his own safety, Douglas is locked in his room by Montgomery, but escapes that night. While exploring, he hears cries and enters a laboratory building. Inside, he finds incubation chambers and artificial “wombs” containing fetuses developing. He hears cries again and sees

5440-547: The 1954 film Désirée . Brando was in the film adaptation of the musical Guys and Dolls (1955). Guys and Dolls would be Brando's first and last musical role. Time found the picture "false to the original in its feeling", remarking that Brando "sings in a faraway tenor that sometimes tends to be flat." Appearing in Edward Murrow 's Person to Person interview in early 1955, he admitted to having problems with his singing voice, which he called "pretty terrible." In

5576-737: The 1965 documentary Meet Marlon Brando , he revealed that the final product heard in the movie was a result of countless singing takes being cut into one and later joked, "I couldn't hit a note with a baseball bat; some notes I missed by extraordinary margins ... They sewed my words together on one song so tightly that when I mouthed it in front of the camera, I nearly asphyxiated myself". Relations between Brando and costar Frank Sinatra were also frosty, with Stefan Kanfer observing: "The two men were diametrical opposites: Marlon required multiple takes; Frank detested repeating himself." Upon their first meeting Sinatra reportedly scoffed, "Don't give me any of that Actors Studio shit." Brando later quipped, "Frank

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5712-691: The American Theatre Wing Professional School, part of the Dramatic Workshop of the New School , with influential German director Erwin Piscator . In a 1988 documentary, Marlon Brando: The Wild One , Brando's sister Jocelyn remembered, "He was in a school play and enjoyed it ... So he decided he would go to New York and study acting because that was the only thing he had enjoyed. That was when he

5848-511: The August Moon (1956). Pauline Kael was not particularly impressed by the movie, but noted "Marlon Brando starved himself to play the pixie interpreter Sakini, and he looks as if he's enjoying the stunt—talking with a mad accent, grinning boyishly, bending forward, and doing tricky movements with his legs. He's harmlessly genial (and he is certainly missed when he's offscreen), though the fey, roguish role doesn't allow him to do what he's great at and it's possible that he's less effective in it than

5984-605: The Bounty (1962), Jor-El in the superhero film Superman (1978), and as Colonel Kurtz in the Vietnam war drama Apocalypse Now (1979). He made his directorial film debut in the western drama One-Eyed Jacks (1961), in which he also starred, which did poorly at the box office. On television, Brando won the Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or Movie for his role in

6120-593: The Oscar for his role as Irish-American stevedore Terry Malloy in On the Waterfront . His performance, spurred on by his rapport with Eva Marie Saint and Kazan's direction, was praised as a tour de force . For the scene in which Terry laments his failings, saying I coulda been a contender , he convinced Kazan that the scripted scene was unrealistic. Schulberg's script had Brando acting the entire scene with his character being held at gunpoint by his brother Charlie, played by Rod Steiger . Brando insisted on gently pushing away

6256-439: The actor was "trapped in another dog of a movie ... Not for the first time, Mr. Brando gives us a heavy-lidded, adenoidally openmouthed caricature of the inarticulate, stalwart loner." Although he feigned indifference, Brando was hurt by the critical mauling, admitting in the 2015 film Listen to Me Marlon , "They can hit you every day and you have no way of fighting back. I was very convincing in my pose of indifference, but I

6392-429: The actor, Stefan Kanfer writes, "Marlon's autobiography devotes one line to his work on that film: Among all those British professionals, 'for me to walk onto a movie set and play Mark Anthony was asinine'—yet another example of his persistent self-denigration, and wholly incorrect." Kanfer adds that after a screening of the film, director John Huston commented: "Christ! It was like a furnace door opening—the heat came off

6528-516: The airport for the return flight to Hollywood. The reasons for Stanley's dismissal were not made clear and false rumours were spread about his allegedly erratic behaviour, but the main reasons appear to have been his perceived unwillingness to deal with studio executives and especially his problems in dealing with Kilmer, whose already well-established reputation for being "difficult" was soon to be enshrined in movie lore thanks to this film. Stanley had been offered his full fee on condition that he leave

6664-427: The best acting I've ever done in that picture, but few people came to see it." Brando dedicated a full chapter to the film in his memoir, stating that the director, Gillo Pontecorvo , was the best director he had ever worked with next to Kazan and Bernardo Bertolucci . Brando also detailed his clashes with Pontecorvo on the set and how "we nearly killed each other." Loosely based on events in the history of Guadeloupe ,

6800-444: The best reading I have ever heard." Brando based his portrayal of Kowalski on the boxer Rocky Graziano , whom he had studied at a local gymnasium. Graziano did not know who Brando was, but attended the production with tickets provided by the young man. He said, "The curtain went up and on the stage is that son of a bitch from the gym, and he's playing me." In 1947, Brando performed a screen test for an early Warner Brothers script for

6936-433: The better roles. Previously only signing short-term deals with film studios, in 1961 Brando uncharacteristically signed a five-picture deal with Universal Studios that would haunt him for the rest of the decade. The Ugly American (1963) was the first of these films. Based on the 1958 novel of the same title that Pennebaker had optioned, the film, which featured Brando's sister Jocelyn, was rated fairly positively but died at

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7072-579: The box office. During the 1970s, Brando was considered "unbankable". Critics were becoming increasingly dismissive of his work and he had not appeared in a box office hit since The Young Lions in 1958, the last year he had ranked as one of the Top Ten Box Office Stars and the year of his last Academy Award nomination, for Sayonara. Brando's performance as Vito Corleone , the "Don", in The Godfather (1972), Francis Ford Coppola 's adaptation of Mario Puzo 's 1969 bestselling novel of

7208-583: The box office. Brando was nominated for a Golden Globe for his performance. All of Brando's other Universal films during this period, including Bedtime Story (1964), The Appaloosa (1966), A Countess from Hong Kong (1967) and The Night of the Following Day (1969), were also critical and commercial flops. Countess in particular was a disappointment for Brando, who had looked forward to working with one of his heroes, director Charlie Chaplin . The experience turned out to be an unhappy one; Brando

7344-480: The cast after also being served divorce papers on set. Then actor Rob Morrow quit because of script rewrites. Brando's role as Moreau was supposed to be expanded, but following his daughter 's suicide, Brando retreated to his private island, leaving production in limbo, not knowing when or even if he would show up. Brando also did not want to learn his lines, so he requested them through an earpiece and/or improvised his dialogue. Original director Richard Stanley

7480-414: The cast and crew - he wanted the opportunity to work with the legendary Brando, but he also used the studio's desperation to his advantage, successfully demanding a hefty fee and a three-picture deal in exchange for his services. Well known as one of the last of the "old style" Hollywood directors, Frankenheimer's gruff, dictatorial approach was radically different from Stanley's and he soon alienated many of

7616-405: The cast and crew have testified to Kilmer's bullying and his consistently hostile and obstructive manner during the first days of shooting. He would not deliver the dialogue as scripted and repeatedly criticized Stanley's ideas; what little footage was shot was deemed unusable. The studio mainly seems to have blamed the director for not getting Kilmer under control, but another significant factor

7752-508: The cast and crew. Brando agreed to his decision to have the then-current script by Richard Stanley , Michael Herr and Walon Green rewritten by Frankenheimer's previous collaborator Ron Hutchinson . Frankenheimer also needed to find a new lead actor to replace Rob Morrow and brought in David Thewlis to play Douglas. The whole production was shut down for a week and a half while these changes were implemented. Once shooting resumed,

7888-415: The character Christian Diestl was controversial for its time. He later wrote, "The original script closely followed the book, in which Shaw painted all Germans as evil caricatures, especially Christian, whom he portrayed as a symbol of everything that was bad about Nazism ; he was mean, nasty, vicious, a cliché of evil ... I thought the story should demonstrate that there are no inherently 'bad' people in

8024-688: The chief inspirations for Conrad's lead character, Kurtz. According to Stanley, Brando still was fascinated by Kurtz more than 15 years after he had played a version of the character in Coppola's film. With Brando supporting him, Stanley was confirmed as director, and he was able to recruit two more major stars: Bruce Willis as Edward Prendick, a U.N. negotiator who washes up on Moreau's island after his plane crashes, and James Woods as Montgomery, Moreau's chief assistant. Buoyed by these developments, Stanley enthusiastically launched into pre-production, collaborating with special effects creator Stan Winston on

8160-620: The controversial film, Last Tango in Paris (1972), earning his seventh Academy Award nomination. The Jupiter Awards honored his performance in Apocalypse Now (1979), and he won an Emmy Award portraying neo-nazi George Lincoln Rockwell in the television miniseries Roots: The Next Generations (1979). He was also nominated by the Directors Guild of America for his directorial achievement on One-Eyed Jacks (1961),

8296-399: The creation of makeup and costumes for Moreau's hybrid creatures and preparing the location and sets. As the time for principal photography approached, however, problems began to multiply: Bruce Willis withdrew from the film (Stanley says in Lost Soul that the actor was divorcing his wife Demi Moore at the time, but the couple did not announce their separation until the summer of 1998, with

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8432-636: The crime drama film On the Waterfront (1954) and Vito Corleone in the gangster epic The Godfather (1972). He was Oscar-nominated for playing Stanley Kowalski in A Streetcar Named Desire (1951), Emiliano Zapata in Viva Zapata! (1952), Mark Antony in Julius Caesar (1953), an air force pilot in Sayonara (1957), an American expatriate in Last Tango in Paris (1973), and

8568-472: The divorce made final two years later). He was replaced with Val Kilmer , who, to Stanley's dismay, demanded a 40% reduction in the number of days he was required on set. Stanley solved this problem when he had the idea to switch Kilmer from the protagonist to the supporting role of Montgomery, who had far less screen time. However, this meant James Woods had to leave the production. New Line hurriedly recruited former Northern Exposure star Rob Morrow for

8704-410: The early 20th century, and death. The film was directed by Elia Kazan and co-starred Anthony Quinn . In the biopic Marlon Brando: The Wild One , Sam Shaw says: "Secretly, before the picture started, he went to Mexico to the very town where Zapata lived and was born in and it was there that he studied the speech patterns of people, their behavior, movement." Most critics focused on the actor rather than

8840-400: The film a grade of "C−" on a scale of A+ to F. The film grossed only $ 49 million worldwide on a $ 40 million budget, which, with marketing and other expenses, lost money for the studio. In an article written upon Brando's death in 2004, critic Roger Ebert described The Island of Dr. Moreau as "perhaps [Brando's] worst film". The Island of Dr. Moreau later received six nominations for

8976-512: The film got a hostile reception from critics. In 1971, Michael Winner directed him in the British horror film The Nightcomers with Stephanie Beacham , Thora Hird , Harry Andrews and Anna Palk . It is a prequel to The Turn of the Screw , which had previously been filmed as The Innocents (1961). Brando's performance earned him a nomination for a Best Actor BAFTA, but the film bombed at

9112-423: The film soon went over budget; Paramount expected the film to take three months to complete but shooting stretched to six and the cost doubled to more than six million dollars. Brando's inexperience as an editor also delayed postproduction and Paramount eventually took control of the film. Brando later wrote, "Paramount said it didn't like my version of the story; I'd had everyone lie except Karl Malden. The studio cut

9248-514: The film, with Time and Newsweek publishing rave reviews. Years later, in his autobiography, Brando remarked: "Tony Quinn, whom I admired professionally and liked personally, played my brother, but he was extremely cold to me while we shot that picture. During our scenes together, I sensed a bitterness toward me, and if I suggested a drink after work, he either turned me down or else was sullen and said little. Only years later did I learn why." Brando explained that, to create on-screen tension between

9384-498: The first few days of filming. Stanley's vulnerability to studio pressure was exacerbated by the continuing absence of his main ally, Brando, but the biggest problem proved to be the notorious on-set behaviour of Kilmer, who reportedly arrived two days late. Kilmer later attributed his obnoxious behaviour to the fact that, just as filming began, he learned from a television report that he was being sued for divorce by his wife of seven years, Joanne Whalley . Whatever his reasons, many of

9520-559: The greatest blessings of his career, as it freed him up to play the role of Stanley Kowalski in Tennessee Williams ' 1947 play A Streetcar Named Desire , directed by Elia Kazan . Moreover, to that end, Bankhead herself, in her letter declining Williams' invitation to play the role of Blanche, gave Brando this ringing—albeit acid-tongued—endorsement stating "I do have one suggestion for casting. I know of an actor who can appear as this brutish Stanley Kowalski character. I mean,

9656-466: The gun, saying that Terry would never believe that his brother would pull the trigger and doubting that he could continue his speech while fearing a gun on him. Kazan let Brando improvise and later expressed deep admiration for Brando's instinctive understanding, saying: what was extraordinary about his performance, I feel, is the contrast of the tough-guy front and the extreme delicacy and gentle cast of his behavior. What other actor, when his brother draws

9792-445: The induction center, he answered a questionnaire by saying his race was "human", his color was "Seasonal-oyster white to beige", and he told an Army doctor that he was psychoneurotic. When the draft board referred him to a psychiatrist, Brando explained that he had been expelled from military school and had severe problems with authority. Coincidentally, the psychiatrist knew a doctor friend of Brando. Brando avoided military service during

9928-501: The island, keeping hostages. Montgomery has lost his mind and is promoting hedonism amongst the mutants. Drunk, he sits in Moreau's former throne and is killed by Azazello while watching a mutant orgy. Hyena-Swine's group continues to rampage around the island. Azazello hangs Aissa before being executed by Hyena-Swine, having outlived his usefulness. Douglas survives by telling Hyena-Swine to impose his leadership and be "God Number One" among

10064-452: The last half of the film sucks as bad as the first". Screenwriter Ron Hutchinson said "everybody behaved monstrously to each other" and Brando had "poisonous" relations with most actors. Brando also wanted to change the script to add his own plot points and decided not wanting his character to die. Stanley had reportedly jokingly told the film's production designer to burn the set down, but when Stanley disappeared after being fired, security

10200-585: The latter, which is a record in the Best Actor category and just 1 shy of the grand total held by both Bette Davis and Greer Garson , with 5 each, in Best Actress . He would next receive Oscar nominations for portraying Emiliano Zapata in Viva Zapata! (1952); Mark Antony in Julius Caesar (1953); and finally, Terry Malloy in On the Waterfront (1954), for which he garnered his first Academy Award and Golden Globe victory. He also won

10336-722: The lead role. Another significant setback occurred before filming began when Brando's daughter Cheyenne committed suicide. The devastated star retreated to his private island, leaving Stanley and his producers in limbo, not knowing when or if he would show up. The chosen location for the film was the rain forest outside Cairns in North Queensland , Australia, including Bramston Beach, Queensland , Mossman Gorge , etc. Tensions between Stanley and New Line had been growing during pre-production, partly because of Stanley's quirky, insular nature, and his marked unwillingness to attend studio meetings, but they reached crisis point within

10472-497: The main compound and confront Moreau. Enraged, Hyena-Swine says that they reject humanity and Moreau's law. Realizing that he may be in danger, Moreau presses his remote control repeatedly, to no effect—the group subsequently kills him. Douglas fires a gunshot, scaring the group off. Moreau's children grieve, except for Azazello, who steals Montgomery's handgun and goes to join Hyena-Swine's faction. Aissa informs Douglas that she

10608-404: The main scenes with Marlon". Thewlis went on to rewrite his character personally. The constant rewrites also got on Brando's nerves and, as on many previous productions, he refused to learn lines, so he was equipped with a small radio receiver, so that his assistant could feed his lines to him as he performed - a technique he had used on earlier films. Thewlis recollected that Brando would "be in

10744-435: The middle of a scene and suddenly he'd be picking up police messages and would repeat, 'There's a robbery at Woolworth's'". Meanwhile, friction between him and Kilmer elicited the former's quip: "Your problem is you confuse the size of your paycheck with the size of your talent". Upon completion of Kilmer's final scene, Frankenheimer is reported to have said to the crew, "Now get that bastard off my set". Kilmer denied having

10880-426: The millionaire category. The movie was controversial due to openly discussing interracial marriage , but proved a great success, earning 10 Academy Award nominations, with Brando being nominated for Best Actor. The film went on to win four Academy Awards. Teahouse and Sayonara were the first in a string of films Brando would strive to make over the next decade which contained socially relevant messages, and he formed

11016-486: The movie to pieces and made him a liar, too. By then, I was bored with the whole project and walked away from it". One-Eyed Jacks was received with mixed reviews by critics. Brando's revulsion with the film industry reportedly boiled over on the set of his next film, Metro-Goldwyn-Mayer 's remake of Mutiny on the Bounty , which was filmed in Tahiti . The actor was accused of deliberately sabotaging nearly every aspect of

11152-582: The movie's release, the sales of leather jackets and motorcycles skyrocketed. Reflecting on the movie in his autobiography, Brando concluded that it had not aged very well but said "More than most parts I've played in the movies or onstage, I related to Johnny, and because of this, I believe I played him as more sensitive and sympathetic than the script envisioned. There's a line in the picture where he snarls, 'Nobody tells me what to do.' That's exactly how I've felt all my life." Later that same year, Brando co-starred with fellow Studio member William Redfield in

11288-612: The nadir of Brando's career. The Washington Post observed: "Brando's self-indulgence over a dozen years is costing him and his public his talents." In the March 1966 issue of The Atlantic , Pauline Kael wrote that in his rebellious days, Brando "was antisocial because he knew society was crap; he was a hero to youth because he was strong enough not to take the crap", but now Brando and others like him had become "buffoons, shamelessly, pathetically mocking their public reputations." In an earlier review of The Appaloosa in 1966, Kael wrote that

11424-645: The novel Rebel Without a Cause (1944), which bore no relation to the film eventually produced in 1955. The screen test is included as an extra in the 2006 DVD release of A Streetcar Named Desire . Brando's first screen role was a bitter paraplegic veteran in The Men (1950). He spent a month in bed at the Birmingham Army Hospital in Van Nuys to prepare for the role. The New York Times reviewer Bosley Crowther wrote that Brando as Ken "is so vividly real, dynamic and sensitive that his illusion

11560-418: The other. New script pages were turned in only a few days before they were shot. Frankenheimer and Kilmer had an argument on-set, which reportedly got so heated, Frankenheimer stated afterwards, "I don't like Val Kilmer, I don't like his work ethic, and I don't want to be associated with him ever again". According to Thewlis, "we all had different ideas of where it should go. I even ended up improvising some of

11696-415: The others of his faction, especially those who helped him kill Moreau, causing Hyena-Swine to kill his supporters. Eventually, M'Ling, another one of Moreau's sons, triggers an explosion that causes Hyena-Swine to lose his gun and allows Douglas to escape. Outnumbered and defenseless, Hyena-Swine retreats into the burning building and burns himself alive. Peaceful-minded mutants see-off Douglas, who leaves on

11832-512: The outdoor trial, leopard /human hybrid Lo-Mai runs at Moreau. When the remote-controlled implant does not stop him, Azazello shoots Lo-Mai dead. His body is cremated publicly. Inspecting the charred remains, "Hyena-Swine", a humanoid hyena/pig, notices the control implant embedded in Lo-Mai's arm. He then feels for the same implant on his own body and removes it from the bone, roaring in pain. Hyena later starts saying "no more pain", wanting to spread

11968-648: The phenomenal success of the novel gave Evans the clout to turn The Godfather into a prestige picture . Coppola had developed a list of actors for all the roles, and his list of potential Dons included the Oscar-winning Italian-American Ernest Borgnine , the Italian-American Frank de Kova (best known for playing Chief Wild Eagle on the TV sitcom F-Troop ), John Marley (a Best Supporting Oscar-nominee for Paramount's 1970 hit film Love Story who

12104-545: The picture exceeded $ 60 million. According to Evans, Brando sold back his points in the picture for $ 100,000, as he was in dire need of funds. "That $ 100,000 cost him $ 11 million," Evans claimed. List of awards and nominations received by Marlon Brando This List includes the awards and nominations of Marlon Brando . Marlon Brando was an American actor known for his intense leading roles in film. He received numerous awards including two Academy Awards , three BAFTA Awards , five Golden Globe Awards , and

12240-562: The play was a commercial failure. In 1946, he appeared on Broadway as the young hero in the political drama A Flag is Born , refusing to accept wages above the Actors' Equity rate. In that same year, Brando played the role of Marchbanks alongside Katharine Cornell in her production's revival of Candida , one of her signature roles. Cornell also cast him as the Messenger in her production of Jean Anouilh 's Antigone that same year. He

12376-402: The plays Candida and Truckline Cafe , both in 1946. He returned to Broadway as Stanley Kowalski in the Tennessee Williams play A Streetcar Named Desire (1947), a role he reprised in the 1951 film adaptation , directed by Elia Kazan . He made his film debut playing a wounded G.I. in The Men (1950) and won two Academy Awards for Best Actor for his roles as a dockworker in

12512-408: The president of Paramount parent Gulf+Western , was won over to letting Brando have the role; when he saw the screen test, he asked in amazement, "What are we watching? Who is this old guinea?" Brando was signed for a low fee of $ 50,000, but in his contract, he was given a percentage of the gross on a sliding scale: 1% of the gross for each $ 10 million over a $ 10 million threshold, up to 5% if

12648-489: The problems continued and escalated. Brando routinely spent hours in his air-conditioned trailer when he was supposed to be on camera, while actors and extras sweltered in the tropical heat in full make-up and heavy costumes. The antipathy between Brando and Kilmer rapidly escalated into open hostility and on one occasion, as recounted in Lost Soul , this resulted in the cast and crew being kept waiting for hours, with each actor refusing to come out of his respective trailer before

12784-418: The production quietly and not speak about his firing, so his disappearance caused consternation at New Line, who feared he might try to sabotage the filming. His removal also predictably sent shock waves through the cast and crew. Outraged female lead Fairuza Balk stormed off the set after a heated exchange with New Line executives and then had a production assistant drive her all the way from Cairns to Sydney -

12920-413: The production. On June 16, 1962, The Saturday Evening Post ran an article by Bill Davidson with the headline "Six million dollars down the drain: the mutiny of Marlon Brando". Mutiny director Lewis Milestone claimed that the executives "deserve what they get when they give a ham actor, a petulant child, complete control over an expensive picture." Mutiny on the Bounty nearly capsized MGM and, while

13056-522: The project had indeed been hampered with delays other than Brando's behavior, the accusations would dog the actor for years as studios began to fear Brando's difficult reputation. Critics also began taking note of his fluctuating weight. Distracted by his personal life and becoming disillusioned with his career, Brando began to view acting as a means to a financial end. Critics protested when he started accepting roles in films many perceived as being beneath his talent, or criticized him for failing to live up to

13192-647: The project, his time as director, and the aftermath of his departure and the effect it had on the cast, crew, and overall film. Kilmer also shared some behind-the-scenes footage of the film in the 2021 documentary Val where he shared his side of events. United Nations negotiator Edward Douglas survives a plane crash in the Java Sea and is rescued by a passing boat. Aboard, Dr. Montgomery tends to him and promises that Douglas will be taken to Timor . However, when they arrive at Montgomery's destination, "Moreau's Island", he instead advises Douglas to disembark and use

13328-462: The results from various polls. The Island of Dr. Moreau (1996 film) The production was notoriously difficult, marred by issues with the cast, harsh weather and a skyrocketing budget. Bruce Willis was originally hired to play Edward Prendick, but allegedly dropped out as he started divorce proceedings from Demi Moore , his wife at the time. Willis was replaced by Kilmer, who made his availability limited, and later had anger issues with most of

13464-442: The role of Blanche Dubois in A Streetcar Named Desire , which Williams had written for her, to tour the play for the 1946–1947 season. Bankhead recognized Brando's potential, despite her disdain (which most Broadway veterans shared) for method acting, and agreed to hire him even though he auditioned poorly. The two clashed greatly during the pre-Broadway tour, with Bankhead reminding Brando of his mother, being her age and also having

13600-407: The role) Brando. In a letter dated August 29, 1947, Williams confided to his agent Audrey Wood: "It had not occurred to me before what an excellent value would come through casting a very young actor in this part. It humanizes the character of Stanley in that it becomes the brutality and callousness of youth rather than a vicious old man ... A new value came out of Brando's reading which was by far

13736-549: The role, Brando—still stung by Kazan's testimony to HUAC—demurred and the part of Terry Malloy nearly went to Frank Sinatra . According to biographer Stefan Kanfer, the director believed that Sinatra, who grew up in Hoboken (where the film takes place and was shot), would work as Malloy, but eventually producer Sam Spiegel wooed Brando to the part, signing him for $ 100,000. "Kazan made no protest because, he subsequently confessed, 'I always preferred Brando to anybody.'" Brando won

13872-516: The same A&E special, George Englund claims that Brando gave his father the job because "it gave Marlon a chance to take shots at him, to demean and diminish him". In 1958, Brando appeared in The Young Lions , dyeing his hair blonde and assuming a German accent for the role, which he later admitted was not convincing. The film is based on the novel by Irwin Shaw , and Brando's portrayal of

14008-517: The same name , was a career turning point, putting him back in the Top Ten and winning him his second Best Actor Oscar. Paramount production chief Robert Evans , who had given Puzo an advance to write The Godfather so that Paramount would own the film rights, hired Coppola after many major directors had turned the film down. Evans wanted an Italian-American director who could provide the film with cultural authenticity. Coppola also came cheap. Evans

14144-490: The screen in Tennessee Williams' A Streetcar Named Desire (1951). It earned him his first Academy Award nomination in the Best Actor category . The role is regarded as one of Brando's greatest. He was also nominated the next year for Viva Zapata! (1952), a fictionalized account of the life of Mexican revolutionary Emiliano Zapata . The film recounted Zapata's lower-class upbringing, his rise to power in

14280-531: The screen. I don't know another actor who could do that." During the filming of Julius Caesar , Brando learned that Elia Kazan had cooperated with congressional investigators, naming a whole string of "subversives" to the House Committee on Un-American Activities (HUAC). By all accounts, Brando was upset by his mentor's decision, but he worked with him again in On The Waterfront . "None of us

14416-737: The spelling of his last name having Italian origin, and what some of his most notable film roles would suggest, Brando did not have Italian ancestry. Brando's ancestry was mostly German, Dutch, English, and Irish. His patrilineal immigrant ancestor, Johann Wilhelm Brandau, arrived in New York City in the early 1700s from the Palatinate in Germany. He is also a descendant of Louis DuBois , a French Huguenot , who arrived in New York around 1660. His maternal great-grandfather, Myles Joseph Gahan,

14552-411: The stage." Brando displayed his apathy for the production by demonstrating some shocking onstage manners. He "tried everything in the world to ruin it for her," Bankhead's stage manager claimed. "He nearly drove her crazy: scratching his crotch, picking his nose, doing anything." After several weeks on the road, they reached Boston, by which time Bankhead was ready to dismiss him. This proved to be one of

14688-551: The sun and the moon if he believed he could get away with it. He was an ambitious, selfish man who exploited the people who attended the Actors Studio and tried to project himself as an acting oracle and guru. Some people worshipped him, but I never knew why. I sometimes went to the Actors Studio on Saturday mornings because Elia Kazan was teaching, and there were usually a lot of good-looking girls, but Strasberg never taught me acting. Stella (Adler) did—and later Kazan. Brando

14824-544: The time, with Time stating: "The effect of the movie is not to throw light on the public problem, but to shoot adrenaline through the moviegoer's veins." Brando allegedly did not see eye to eye with the Hungarian director László Benedek and did not get on with costar Lee Marvin . To Brando's expressed puzzlement, the movie inspired teen rebellion and made him a role model to the nascent rock-and-roll generation and future stars such as James Dean and Elvis Presley . After

14960-572: The two, "Gadg" (Kazan) had told Quinn – who had taken over the role of Stanley Kowalski from Brando on Broadway – that Brando had been unimpressed with his work. After achieving the desired effect, Kazan never told Quinn that he had misled him. It was only many years later, after comparing notes, that Brando and Quinn realized the deception. Brando's next film, Julius Caesar (1953), received highly favorable reviews. Brando portrayed Mark Antony . While most acknowledged Brando's talent, some critics felt Brando's "mumbling" and other idiosyncrasies betrayed

15096-409: The word to all the mutants. In addition to the pain, the animals are controlled through regular drugging to prevent them from "retrogressing". Hyena-Swine reveals his removed implant to Montgomery who sets the other beasts after him. Meanwhile, Douglas tries to contact the outside world, but Montgomery sabotages the radio. Hyena-Swine and his trackers—now on his side and also free of implants—break into

15232-542: The words are but you have a general idea of what they are, then you look at the cue card and it gives you the feeling to the viewer, hopefully, that the person is really searching for what he is going to say—that he doesn't know what to say". Some, however, thought Brando used the cards out of laziness or an inability to memorize his lines. Once, on the set of The Godfather , Brando was asked why he wanted his lines printed out. He responded: "Because I can read them that way." Brando brought his performance as Stanley Kowalski to

15368-453: The world, but they can easily be misled." Shaw and Brando even appeared together for a televised interview with CBS correspondent David Schoenbrun and, during a bombastic exchange, Shaw charged that, like most actors, Brando was incapable of playing flat-out villainy; Brando responded by stating "Nobody creates a character but an actor. I play the role; now he exists. He is my creation." The Young Lions also features Brando's only appearance in

15504-567: The world." Coppola's hand-written cast list has Brando's name underlined. Evans told Coppola that he had been thinking of Brando for the part two years earlier, and Puzo had imagined Brando in the part when he wrote the novel and had actually written to him about the part, so Coppola and Evans narrowed it down to Brando. (Coincidentally, Olivier would compete with Brando for the Best Actor Oscar for his part in Sleuth . He bested Brando at

15640-403: Was The Chase (1966), which paired the actor with director Arthur Penn , Jane Fonda , Robert Redford and Robert Duvall . The film deals with themes of racism, sexual revolution, small-town corruption, and vigilantism. The film was received mostly positively. Brando cited Burn! (1969) as his personal favorite of the films he had made, writing in his autobiography: "I think I did some of

15776-473: Was 18." In the A&;E Biography episode on Brando, George Englund said Brando fell into acting in New York because "he was accepted there. He wasn't criticized. It was the first time in his life that he heard good things about himself." He spent his first few months in New York sleeping on friends' couches. For a time he lived with Roy Somlyo , who later became a four-time Emmy-winning Broadway producer. Brando

15912-591: Was Brando being difficult, but actors who worked opposite him said it was just all part of his technique. Brando used his Stanislavski System skills for his first summer stock roles in Sayville, New York , on Long Island . Brando established a pattern of erratic, insubordinate behavior in the few shows he had been in. His behavior had him kicked out of the cast of the New School's production in Sayville, but he

16048-637: Was a commercial success, earning an estimated $ 4.2 million in rentals at the North American box office in 1954. In his July 29, 1954, review, The New York Times critic A. H. Weiler praised the film, calling it "an uncommonly powerful, exciting, and imaginative use of the screen by gifted professionals." Film critic Roger Ebert lauded the film retrospectively, stating that Brando and Kazan changed acting in American films forever and adding it to his "Great Movies" list. In his autobiography, Brando

16184-600: Was also offered the opportunity to portray one of the principal characters in the Broadway premiere of Eugene O'Neill 's The Iceman Cometh , but turned the part down after falling asleep while trying to read the massive script and pronouncing the play "ineptly written and poorly constructed". In 1945, Brando's agent recommended he take a co-starring role in The Eagle Has Two Heads with Tallulah Bankhead , produced by Jack Wilson. Bankhead had turned down

16320-580: Was an Irish immigrant who served as a medic in the American Civil War. In 1995, he gave an interview in Ireland in which he said, "I have never been so happy in my life. When I got off the plane I had this rush of emotion. I have never felt at home in a place as I do here. I am seriously contemplating Irish citizenship." In 1930, when Brando was only 6 years old, the family moved to Evanston, Illinois , where Brando mimicked other people, developed

16456-436: Was an avid student and proponent of Stella Adler , from whom he learned the techniques of the Stanislavski system . This technique encouraged the actor to explore both internal and external aspects to fully realize the character being portrayed. Brando's remarkable insight and sense of realism were evident early on. Adler used to recount that, when teaching Brando, she had instructed the class to act like chickens, and added that

16592-559: Was born on April 3, 1924, in Omaha, Nebraska , as the only son of Marlon Brando Sr. and Dorothy Pennebaker. His father was a salesman who often travelled out-of-state and his mother was a stage actress, often away from home. His mother's absence resulted in Brando becoming attached to the family's housekeeper, who eventually left to get married, causing Brando to develop abandonment issues. His two elder sisters were Jocelyn and Frances. Despite

16728-502: Was cast as the film producer Jack Woltz in the picture), the Italian-American Richard Conte (who was cast as Don Corleone's deadly rival Don Emilio Barzini ), and Italian film producer Carlo Ponti . Coppola admitted in a 1975 interview, "We finally figured we had to lure the best actor in the world. It was that simple. That boiled down to Laurence Olivier or Marlon Brando, who are the greatest actors in

16864-463: Was conscious of the fact that Paramount's last Mafia film, The Brotherhood (1968) had been a box office bomb, and he believed it was partly due to the fact that the director, Martin Ritt , and the star, Kirk Douglas , were Jewish, and the film lacked an authentic Italian flavor. The studio originally intended the film to be a low-budget production set in contemporary times without any major actors, but

17000-427: Was dismissed by New Line Cinema after problems arose during production, including a major hurricane, with Frankenheimer being brought in to replace him. The film received generally negative reviews and was considered a box office bomb . In 2014, the documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau was released, covering Stanley's experiences while he conceived and developed

17136-439: Was held back for a year, and with his history of misbehaving, he was expelled in 1941. Brando was sent by his father to Shattuck Military Academy , where his father had also studied. There, Brando continued to excel at acting until 1943, when he was put on probation for being insubordinate to an officer during maneuvers. He was confined to the campus, but sneaked into town and was caught. The faculty voted to expel him, although he

17272-444: Was horrified at Chaplin's didactic style of direction and his authoritarian approach. Brando had also appeared in the spy thriller Morituri in 1965; that, too, failed to attract an audience. Brando acknowledged his professional decline, writing later, "Some of the films I made during the sixties were successful; some weren't. Some, like The Night of the Following Day , I made only for the money; others, like Candy , I did because

17408-492: Was released in 1961. Paramount Pictures President Stanley Jaffe told an exasperated Coppola: "As long as I'm president of this studio, Marlon Brando will not be in this picture, and I will no longer allow you to discuss it." Jaffe eventually set three conditions for the casting of Brando: That he would have to take a fee far below what he typically received; he would have to agree to accept financial responsibility for any production delays his behavior cost; and he had to submit to

17544-426: Was released on Blu-ray on July 24, 2012, and on DVD on April 4, 2017, extending the 96-minute film to 100 minutes. The film was met with negative reviews; Rotten Tomatoes currently rates the film with a 22% "Rotten", based on 36 reviews with the consensus: "Timid and unfocused in its storytelling, The Island of Dr. Moreau is more lackluster misfire than morbid curiosity". Audiences surveyed by CinemaScore gave

17680-597: Was soon afterwards discovered in a locally produced play there. Then, in 1944, he made it to Broadway in the bittersweet drama I Remember Mama , playing the son of Mady Christians . The Lunts wanted Brando to play the role of Alfred Lunt 's son in O Mistress Mine , and Lunt even coached him for the audition, but Brando made no attempt to even read his lines at the audition and was not hired. New York Drama Critics voted him "Most Promising Young Actor" for his role as an anguished veteran in Truckline Café , although

17816-559: Was supported by the students who thought expulsion was too harsh. Brando was invited back for the following year, but decided instead to drop out of high school. He then worked as a ditch-digger at a summer job arranged by his father and tried to enlist in the Army, but his routine physical revealed that a football injury he had sustained at Shattuck had left him with a trick knee ; he was classified physically unfit for military service. Brando decided to follow his sisters to New York, studying at

17952-580: Was the first to bring a natural approach to acting on film. According to Dustin Hoffman in his online Masterclass, Brando would often talk to cameramen and fellow actors about their weekend even after the director would call action. Once Brando felt he could deliver the dialogue as naturally as that conversation, he would start the dialogue. In his 2015 documentary, Listen To Me Marlon , he said that prior to that, actors were like breakfast cereals, meaning they were predictable. Critics would later say that this

18088-602: Was the sudden departure of co-star Rob Morrow on the second day of shooting. With the location being pounded by bad weather that had temporarily stopped filming, Morrow found himself unable to bear the tension and hostility on set any longer, so he telephoned New Line chairman Rob Shaye in Hollywood and tearfully begged to be let go. Shaye agreed. After a third day of filming, following emergency consultations with its on-set executives, New Line abruptly fired Stanley by fax. The beleaguered director reacted angrily, shredding documents in revenge and then vanishing after being delivered to

18224-545: Was tightened in case he was actually trying to sabotage the project. Stanley later revealed that he had in fact stayed in Australia - suffering a total emotional breakdown, he had retreated to a remote area in the Cairns region to recover. There, he had a chance meeting with some of the film's former production staff, who had been rehired as extras and were camping in the area. It was confirmed by these same production staff in

18360-494: Was typically dismissive of his performance: "On the day Gadg showed me the complete picture, I was so depressed by my performance I got up and left the screening room ... I thought I was a huge failure." After Brando won the Academy Award for Best Actor, the statue was stolen. Much later, it turned up at a London auction house, which contacted the actor and informed him of its whereabouts. Brando portrayed Napoleon in

18496-504: Was very sensitive and it hurt a lot." Brando portrayed a repressed gay army officer in Reflections in a Golden Eye , directed by John Huston and co-starring Elizabeth Taylor . The role turned out as one of his most acclaimed in years, with Stanley Crouch marveling, "Brando's main achievement was to portray the taciturn but stoic gloom of those pulverized by circumstances." The film overall received mixed reviews. Another notable film

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