The Mellini or Saint Nicholas of Tolentino Chapel ( Italian : Cappella Mellini, Cappella di San Niccolò da Tolentino ) is the third chapel on the left-hand side of the nave in the Church of Santa Maria del Popolo in Rome . The chapel contains several funeral monuments of the members of the Mellini family among them the works of Alessandro Algardi and Pierre-Étienne Monnot .
87-560: The first patron of the chapel was a celebrated jurist, Pietro Mellini who belonged to a noble and ancient Roman family. The chapel, which was dedicated to Saint Nicholas of Tolentino , is one of the original 15th-century hexagonal side chapels of the basilica. It has been the funeral place of the Mellini family for centuries. Originally it had two monumental Renaissance tombs facing each other, made for Cardinal Giovanni Battista Mellini and his brother, Pietro around 1478-83. A similar arrangement
174-456: A Flemish artist, has created a series of artworks titled “Falling Angels: Allegories about the 7 Sins and 7 Virtues for Falling Angels and other Curious Minds”. The series explores the topic of morality, sins, and virtues, which have dominated Western cultures for more than 2000 years. In this work, Decadt follows in the footsteps of Pieter Breughel, who made a series of sketches on the 7 sins and 7 virtues about 500 years ago. The work takes
261-657: A Neoclassical church. In Guimbal, Iloilo , the construction of the San Nicolas de Tolentino Church and convent began between 1769 and 1774 and it was made of coral stone and yellow sandstone. In Lambunao, Iloilo , the consecration of the San Nicolas de Tolentino Church took place on September 9, 1890. In the Bataan province, San Nicolas de Tolentino is the patron saint of Mariveles . The Augustinian Recollects missionaries erected Mariveles Church in 1729 in honor of
348-411: A book and a biretta . His head is covered by a zucchetto . The bust is placed in a deep rectangular niche which is clad with black and yellow slabs. The characteristically colourful Late Baroque composition is enhanced by a yellow marble inscription plate. The monument is crowned by a broken segmental pediment with the cardinal's coloured coat-of-arms. The French sculptor signed his work on the biretta of
435-528: A child. Nicholas became a friar of the Order of Hermits of Saint Augustine at 18, and seven years later, he was ordained a priest. He gained a reputation as a preacher and a confessor. C. 1274, he was sent to Tolentino , near his birthplace. The town suffered from civil strife between the Guelphs and Ghibellines , in their struggle for control of Italy. Nicholas was primarily a pastor to his flock. He ministered to
522-439: A goddess, which, indeed, if it could be a goddess, had been preferable to many. And now, because it is not a goddess, but a gift of God, let it be obtained by prayer from Him, by whom alone it can be given, and the whole crowd of false gods vanishes. For as much as they have thought proper to distribute virtue into four divisions - prudence, justice, fortitude, and temperance - and as each of these divisions has its own virtues, faith
609-496: A group (sometimes included in larger lists) long before they were given this title. Plato associated the four cardinal virtues with the social classes of the ideal city described in The Republic , and with the faculties of humanity. Plato narrates a discussion of the character of a good city where the following is agreed upon: Clearly, then, it will be wise, brave, temperate [literally: healthy-minded], and just. Temperance
696-432: A harmonious relationship and a balanced rule between the soul's governing and being governed aspects. It signifies maintaining a state of natural self-reliance and exercising proper discipline as and when required by the soul. Rational consensus within the soul is essential concerning what merits admiration and what warrants disdain. This approach entails deliberate caution in one's choices, as one's selection navigates between
783-573: A long fast, he received a vision of Jesus, the Blessed Virgin Mary , and Saint Augustine . He was told to eat some bread marked with a cross and dipped in water. Upon doing so he was immediately stronger. He started distributing these rolls to the ailing, while praying to Mary, often curing the sufferers; this is the origin of the Augustinian custom of blessing and distributing Saint Nicholas Bread . In Tolentino, Nicholas worked as
870-469: A model for the Cardinal's portrait. The monuments are almost identical with subtle differences. Both consist a trapezoid sarcophagus and the bust of the deceased which is set between volutes. The sarcophagus is decorated with the letter M on Urbano's tomb. The inscription states that the tomb of Mario Mellini was built by his son, Cardinal Savio Mellini "for the best of fathers". The bust was probably made by
957-540: A peacemaker in a city torn by strife between the Guelphs and Ghibellines who, in the conflict for control of Italy, supported the Pope and the Holy Roman Emperor respectively. He ministered to his flock, helped the poor and visited prisoners. When working wonders or healing people, he always asked those he helped to "Say nothing of this", explaining that he was just God's instrument. During his life, Nicholas
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#17327833659621044-471: A prayer book. The work was much admired in Algardi's day because it conveys a sense of Baroque piety combined with expressive realism and brilliantly observed, technically perfect details. The monument itself is a classicising aedicule framed by flat pilasters with masks and crowned by a broken segmental pediment with the Mellini coat-of-arms in a conch. The big letter M, the main symbol of the family, recurs on
1131-581: A trustworthy portraiture and the folds of the drapery are realistic. The supports of the bier are decorated with carved ornaments. The sculpture shows a strong similarity to the figure of Raffaello della Rovere in the crypt of the Church of Santi Apostoli, Rome . The monument was once of the same type as the tomb of Marcantonio Albertoni and Giovanni della Rovere, both in this church, but it was truncated. Francesco Mellini The oldest brother of Pietro and Giovanni Battista, Francesco Mellini, Augustinian friar and
1218-455: Is accompanied by a retinue of putti, one of them holding a branch of lilies, the traditional attribute of Saint Nicholas. The older female saint behind the Virgin could be identified as Saint Monica , Augustine's mother. "The style with which the artist expresses himself in the realization of this work is noble and solemn. The figures are exalted by the monumentality of the upwards perspective and
1305-517: Is among the parts of justice, and has the chief place with as many of us as know what that saying means, ‘The just shall live by faith.’ Dante Alighieri also attempts to relate the cardinal and theological virtues in his Divine Comedy , most notably in the complex allegorical scheme drawn in Purgatorio XXIX to XXXI. Depicting a procession in the Garden of Eden (which the author situates at
1392-470: Is being exposed to the faithful from September 1 until September 10 every year. In Dimiao , Bohol , the feast of San Nicolas de Tolentino, patron saint of the parish church built between 1797 and 1815, is also celebrated every September 10. There is also the San Nicolas de Tolentino Parish Church along C. Padilla Street in Cebu City , the capital city of the province and island of Cebu . Built in 1584,
1479-556: Is decorated with angel heads, the dove of the Holy Ghost and decorative relief panels. The main altarpiece shows The Virgin with Saint Augustine and Nicholas of Tolentino . The huge Baroque painting is a late work of Agostino Masucci , a successful follower of Carlo Maratta , from around 1750. It replaced a previous painting by Giovanni da San Giovanni depicting the same subject which was mentioned by Giovanni Baglione in his 1642 biography of Italian artists. (The previous altarpiece
1566-406: Is lost amid and the various forms assumed the windows and the main entrance. Simple neo-classic lines of the façade. Presently, a second class relic of the saint is venerated every Tuesdays after the mass. In the province of Nueva Ecija , St. Nicholas is being venerated as the titular of the historic Cabanatuan Cathedral where General Antonio Luna was assassinated in 1899. His first class relic
1653-523: Is love distinguishing with sagacity between what hinders it and what helps it. The "cardinal" virtues are not the same as the three theological virtues : Faith, Hope, and Charity ( Love ), named in 1 Corinthians 13 . And now these three remain: faith, hope, and love. But the greatest of these is love. Because of this reference, a group of seven virtues is sometimes listed by adding the four cardinal virtues (prudence, temperance, fortitude, justice) and three theological virtues (faith, hope, charity). While
1740-634: Is present in the New Testament, along with self-control ( ἐγκράτεια , egkrateia ). Catholic moral theology drew from both the Wisdom of Solomon and the Fourth Book of Maccabees in developing its thought on the virtues. Ambrose ( c. 330s – c. 397 ) used the expression "cardinal virtues": And we know that there are four cardinal virtues - temperance, justice, prudence, and fortitude. Augustine of Hippo , discussing
1827-608: Is said to have received visions, including images of Purgatory , which friends ascribed to his lengthy fasts. Prayer for the souls in Purgatory was the outstanding characteristic of his spirituality. Because of this Nicholas was proclaimed patron of the souls in Purgatory, in 1884 by Leo XIII . Towards the end of his life he became ill, suffering greatly, but still continued the mortifications that had been part of his holy life. Nicholas died on September 10, 1305. There are many tales and legends which relate to Nicholas. One says
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#17327833659621914-472: Is still visible in other side chapels of the basilica. The appearance of the chapel was fundamentally changed when it was rebuilt by Cardinal Giovanni Garzia Mellini in the 1620s in Baroque style. The whole interior was covered with white and gold stuccos, and the vault was decorated with frescos depicting scenes from the life of Saint Nicholas of Tolentino by a Florentine artist, Giovanni da San Giovanni who
2001-466: Is taught in the gospels, where most translators give it as "righteousness". Plato's word for Fortitude ( ἀνδρεία ) is not present in the New Testament, but the virtues of steadfastness ( ὑπομονή , hypomonē ) and patient endurance ( μακροθυμία , makrothymia ) are praised. Paul exhorts believers to "act like men" ( ἀνδρίζομαι , andrizomai , 1 Corinthians 16:13 ). Temperance ( σωφροσύνη , sōphrosýnē ), usually translated "sobriety,"
2088-794: The Nicomachean Ethics . They were also recognized by the Stoics and Cicero expanded on them. In the Christian tradition, they are also listed in the Deuterocanonical books in Wisdom of Solomon 8:7 and 4 Maccabees 1:18–19 , and the Doctors Ambrose , Augustine , and Aquinas expounded their supernatural counterparts, the three theological virtues of faith, hope, and charity. The four cardinal virtues appeared as
2175-514: The Bishop of Senigallia , is buried under a tomb slab in the chapel. He was suffocated by the crowd at the conclave of 1431. The relief of the slab shows the full-length image of the Bishop, surrounded by a frame of trefoil arch supported on slender twisted columns with the family coats-of-arms in the upper corners. Giovanni Garzia Mellini The tomb of Cardinal Giovanni Garzia Mellini (died 1629),
2262-673: The Municipality of Macabebe . According to legends, the Blessed Virgin Mary healed Saint Nicholas' illness with a piece of bread. The shortbread is made of butter, egg yolk, flour and coconut milk poured in wooden molds, then baked. He is depicted in the black habit of the Order of the Hermits of St. Augustine — a star above him or on his breast, a lily, or a crucifix garlanded with lilies, in his hand. Sometimes, instead of
2349-461: The Papal State , were placed in front of the windows. The monuments were attributed to Alessandro Algardi, and Wittkower claims that the bust of Mario "obviously echoes Bernini's Francisco I of Este and must date from after 1650". The bust on Urbano's tomb was made well before 1660, probably in the mid-1630s, and its original designation is not clear, but it was suggested that Algardi made it as
2436-1016: The Tridentine calendar , but he was later inserted and given September 10 as his feast day. Judged to be of limited importance worldwide, his liturgical celebration was not kept in the 1969 revision of the General Roman Calendar , but he is still recognized as one of the saints of the Roman Catholic Church . A number of churches and oratories are dedicated to him, including San Nicolò da Tolentino in Venice , San Nicola da Tolentino agli Orti Sallustiani in Rome, St. Nicholas of Tolentino in The Bronx , New York City, San Nicolás Church in Barranquilla (which served as
2523-423: The vicar general of Rome was created by Alessandro Algardi in 1637-38. The monument was erected by the cardinal's nephews, Mario and Urbano Mellini but only after a conspicuously long time their uncle's death. The centrepiece of the monument is the white Carrara marble bust of the Cardinal in a niche which shows him leaning forward and turning towards the altar, his left hand on his heart and his right hand holding
2610-643: The "goods" that a person should identify in one's own mind, as opposed to "wealth or things which conduce to luxury or prestige". Suggestions of the Stoic virtues can be found in fragments in the Diogenes Laertius and Stobaeus . The Platonist view of the four cardinal virtues is described in Definitions . Practical wisdom or prudence ( phrónēsis ) is the perspicacity necessary to conduct personal business and affairs of state. It encompasses
2697-471: The Quattrocento tomb was partly reused. Two small reliefs with the personifications of the virtues and the cardinal's insignia on the side pilasters belong to that period. The monument imitates the more famous tomb of Giovanni Garzia Mellini on the left side of the chapel. The centrepiece is the marble bust of the Cardinal in a similar pose than his counterpart opposite. He looks toward the altar holding
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2784-604: The age of 16 Nicholas became an Augustinian novice and was a student of the Blessed Angelus de Scarpetti. A friar at the Priory of St Augustine in Recanati , the priory at Macerata and others, he was ordained in 1270 at the age of 25, and soon became known for his preaching and teachings. Nicholas, who had had visions of angels reciting "to Tolentino ", in 1274 took this as a sign to move to that city, where he lived
2871-483: The allegorical women's role, behaviour, interrelation, and color-coding remains a matter of literary interpretation. In the High Middle Ages, some authors opposed the seven virtues (cardinal plus theological) to the seven deadly sins . However, “treatises exclusively concentrating on both septenaries are actually quite rare.” and “examples of late medieval catalogues of virtues and vices which extend or upset
2958-495: The altar is a modern stone slab with a bronze relief of Saint Francis and the Wolf of Gubbio made by Goffredo Verginelli . The frescos on the vault display The Story of Saint Nicholas of Tolentino painted by Giovanni da San Giovanni in 1623-27. The scenes are set in a richly detailed white and gold stucco frame and the eight panels are crowned with angel heads and ribbons. The central octagonal panel illusionistically opens toward
3045-579: The architectural frame for his own tomb and placed the effigy of his forefather in front of the new monument. This effigy lies on a bier decorated with richly handled fruits and flowers. The drapery on the figure runs in one sweep from head to foot. A 17th-century drawing in Windsor Castle preserved the original appearance of the tomb. Above the effigy there was a relief of Christ, the Man of Sorrows , being raised by angels from his tomb. The base of monument
3132-549: The blessed rolls, called Saint Nicholas' bread to the sick emphasizes his care for the ailing. Like many other saints he was frequently harassed and tempted by the Devil with apparitions (fourth scene). The frescos of the lunettes show the four cardinal virtues , Justice , Fortitude , Temperance and Prudence . They are set in semicircular panels with white and gold stucco frames decorated with garlands, shells and ribbons. The frescos were painted by Giovanni da San Giovanni and like
3219-581: The bust: MONNO(T) F(E)CIT. The very long funerary inscription mentions fact the Cardinal Savio has served as papal nuncio in Spain for ten years, and later he was the cardinal priest of the Basilica of Santa Maria del Popolo. According to the inscription his tomb was erected in 1699 (i. e. during his lifetime). A will dated to 9 September 1698 states that the statues of the tomb had been completed but
3306-502: The cardinal virtues. He especially associates holiness with justice, but leaves their precise relationship unexplained. In Aristotle's Rhetoric , we read: The forms of Virtue are justice, courage, temperance, magnificence, magnanimity, liberality, gentleness, prudence, wisdom. These are expounded fully in the Nicomachean Ethics III.6-V.2. Philo of Alexandria , a Hellenistic Jewish philosopher, also recognized
3393-446: The ceiling they had been covered with a layer of 18th-century repainting until 1993 when they were restored. The female personifications can be identified by the usual attributes: Justice - scale and sword; Fortitude - lion, column, helmet, mace; Temperance - glass of wine, chalice (?); Prudence - mirror, snake. In case of The Allegory of Temperance the 18th-century layer was totally different, depicting an angel mixing water with wine and
3480-440: The chapel is the funeral monument of Cardinal Giovanni Battista Mellini (died 1478), the Bishop of Urbino and the younger brother of Pietro Mellini. Giovanni Battista played an important part in the reconstruction of Saint Peter's Basilica during the reign of Pope Sixtus IV . The funeral inscription mentions his mission as papal legate to Milan in 1477. The monument was dismantled by Cardinal Savio Mellini in 1698 who appropriated
3567-513: The church is one of the oldest in the country. The church was also built years ahead of the establishment of the Cebu Diocese in 1595. Located some 1.5 kilometer south of the ciudad, it was called Cebu Viejo, separated from the ciudad by the Pagina creek and El Pardo. The area is also considered the original site of the landing of Miguel López de Legazpi 's armada on April 17, 1565, and became
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3654-487: The city of Tolentino, province of Macerata in Marche, Italy. He is particularly invoked as an advocate for the souls in Purgatory, especially during Lent and the month of November. In many Augustinian churches, there are weekly devotions to St. Nicholas on behalf of the suffering souls. November 2, All Souls' Day, holds special significance for the devotees of St. Nicholas of Tolentino. St Pius V did not include him in
3741-667: The city's pro-cathedral church from 1932 to 1986), and St. Nicholas of Tolentino in Bristol, UK . In Ireland, Augustinian churches and friaries historically marked his feast day with a ceremony distributing bread, sometimes with his likeness on the loaves. This practice was most strongly related to churches in County Waterford . In the Philippines , the 16th century Church of San Nicolas de Tolentino in Banton, Romblon ,
3828-611: The classical cardinal virtues in complementing the three theological virtues, mirroring the seven earlier proposed in Bernard Lonergan 's Method in Theology (1972): "be humble, be hospitable, be merciful, be faithful, reconcile, be vigilant, and be reliable". The Cardinal Virtues are often depicted as female allegorical figures . These were a popular subject for funerary sculpture. The attributes and names of these figures may vary according to local tradition. Yves Decadt,
3915-447: The devil once beat him with a stick, which was then displayed for years in his church. In another, Nicholas, a vegetarian, was served a roasted fowl, for which he made the sign of the cross , and it flew out a window. Nine passengers on a ship going down at sea once asked Nicholas' aid, and he appeared in the sky, wearing the black Augustinian habit, radiating golden light, holding a lily in his left hand, and with his right hand, he quelled
4002-598: The double heptad can be easily multiplied.” And there are problems with this parallelism: The opposition between the virtues and the vices to which these works allude despite the frequent inclusion of other schemes may seem unproblematic at first sight. The virtues and the vices seem to mirror each other as positive and negative moral attitudes, so that medieval authors, with their keen predilection for parallels and oppositions, could conveniently set them against each other. … Yet artistic representations such as Conrad’s trees are misleading in that they establish oppositions between
4089-610: The embryo of a settlement which Legaspi established. San Nicolas was a vibrant town during the Spanish Period, the spawning ground for the Revolution against Spain in 1898, and the birthplace of Cebuano musical legends of the 20th century. The town eventually merged with Cebu City on April 17, 1901. The 16th century church in Sinait , Ilocos Sur is dedicated to Saint Nicholas of Tolentino. In May 2021, Pope Francis elevated
4176-516: The example of naming their sons Nicolás. Nicholas was canonized by Pope Eugene IV (also an Augustinian) on June 5, 1446. He was the first Augustinian friar to be canonized. At his canonization, Nicholas was credited with three hundred miracles, including three resurrections. The remains of St. Nicholas are preserved at the Shrine of Saint Nicholas in the Basilica di San Nicola da Tolentino in
4263-593: The extremes. Courage ( andreia ) can be defined as the ability to conquer fear within oneself when action is necessary. It encompasses military confidence, a deep understanding of warfare, and maintaining unwavering beliefs in the face of challenges. It involves self-discipline to overcome fear, obeying wisdom, and facing death boldly. Courage also entails maintaining sound judgment in tough situations, countering hostility, upholding virtues, remaining composed when faced with frightening (or encouraging) discussions and events, and not becoming discouraged. It reflects valuing
4350-433: The fact. Actually, the capital vices are more often contrasted with the remedial or contrary virtues in medieval moral literature than with the principal virtues, while the principal virtues are frequently accompanied by a set of mirroring vices rather than by the seven deadly sins. Jesuit scholars Daniel J. Harrington and James F. Keenan , in their Paul and Virtue Ethics (2010), argue for seven "new virtues" to replace
4437-454: The first four date back to Greek philosophers and were applicable to all people seeking to live moral lives, the theological virtues appear to be specific to Christians as written by Paul in the New Testament. Efforts to relate the cardinal and theological virtues differ. Augustine sees faith as coming under justice. Beginning with a wry comment about the moral mischief of pagan deities, he writes: They [the pagans] have made Virtue also
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#17327833659624524-592: The formulation of laws that can be substantiated by valid justifications, leading to a society where actions align with these laws. Moderation or temperance ( sôphrosunê ) is the capacity to temper the indulgence of desires and sensory pleasures within the bounds of what is customary for the individual, aligning only with experiences already familiar to the soul. It encompasses achieving a harmonious equilibrium and exercising disciplined control when it comes to overall pleasure and pain, ensuring that they remain within normal ranges. Moreover, moderation involves cultivating
4611-428: The four cardinal virtues as prudence, temperance, courage, and justice. In his writings, he states: In these words Moses intends to sketch out the particular virtues. And they also are four in number, prudence, temperance, courage, and justice. These virtues, according to Philo, serve as guiding principles for a virtuous and fulfilling life. The Roman philosopher and statesman Cicero (106-43 BC), like Plato, limits
4698-441: The gentle miracles that made the Augustinian saint so beloved through the ages. Once when he was ill, the prior insisted that he should eat some meat although Nicholas was a vegetarian. He obeyed and touched the roast pigeons on the plate but the birds came to life and flew away. Another time he was caught by the prior taking too much food to the poor, but the bread hidden in his sleeves turned into roses. The scene where he distributes
4785-546: The kinds of wisdom are right judgment, justice, courage, and self-control. Right judgment is supreme over all of these since by means of it reason rules over the emotions. Wisdom , usually sophia , rather than Prudence ( phrónēsis ), is discussed extensively in all parts of the New Testament . It is a major topic of 1 Corinthians 2 , where the author discusses how divine teaching and power are greater than worldly wisdom. Justice ( δικαιοσύνη , dikaiosýnē )
4872-444: The life of Saint Nicholas 2) Death of Saint Nicholas (seriously damaged) 3) Saint Nicholas revives two roasted pigeons 4) Temptation of Saint Nicholas 5) Saint Nicholas distributes bread rolls to the sick 6) Saint Nicholas transforms the bread into roses (the only fresco whose 18th-century version was retained) 7) A miracle of Saint Nicholas (the 18th-century layer was totally different) The frescos depict two of
4959-686: The lily, he holds a vial filled with money or bread. Cardinal virtues The cardinal virtues are four virtues of mind and character in classical philosophy . They are prudence , justice , fortitude , and temperance . They form a virtue theory of ethics. The term cardinal comes from the Latin cardo (hinge); these four virtues are called "cardinal" because all other virtues fall under them and hinge upon them. These virtues derive initially from Plato in Republic Book IV, 426-435. Aristotle expounded them systematically in
5046-904: The list to four virtues: Virtue may be defined as a habit of mind ( animi ) in harmony with reason and the order of nature. It has four parts: wisdom ( prudentiam ), justice, courage, temperance. Cicero discusses these further in De Officiis (I, V, and following). Seneca writes in Consolatio ad Helviam Matrem about justice ( iustitia from Ancient Greek δικαιοσύνη ), self-control ( continentia from Ancient Greek σωφροσύνη ), practical wisdom ( prudentia from Ancient Greek φρόνησις ) and devotion ( pietas ) instead of courage ( fortitudo from Ancient Greek ἀνδρεία ). The Roman Emperor Marcus Aurelius discusses these in Book V:12 of Meditations and views them as
5133-443: The main altarpiece was replaced by a similar painting of Agostino Masucci. The frescos of the vault were covered with a new cycle of paintings. These were removed in 1992-1993 when the original frescos of Giovanni da San Giovanni were revealed and restored by Bruno Zanardi except one scene where the 18th-century layer was retained. The interior of the chapel is covered with a rich white and gold stucco decoration which also extends over
5220-524: The month of November. In many Augustinian and Discalced Augustinian churches, there are weekly devotions to St. Nicholas on behalf of the suffering souls. November 2, All Souls' Day , holds special significance for the devotees of St. Nicholas of Tolentino. Born in 1245 in Sant'Angelo in Pontano , St. Nicholas of Tolentino took his name from St. Nicholas of Myra , at whose shrine his parents prayed to have
5307-420: The monument was still unfinished at the time. The cardinal planned his own tomb and apparently lived to see it erected because he died in 1701. The two flanking busts on the ledge are sometimes attributed to Monnot but according to Enggass they were made by another hand. They portray the Cardinal's deceased brothers, Pietro Mellini (†1694), general of the papal army, and Paolo Antonio Mellini (†1683), commander of
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#17327833659625394-444: The morals of the church, described them: For these four virtues (would that all felt their influence in their minds as they have their names in their mouths!), I should have no hesitation in defining them: that temperance is love giving itself entirely to that which is loved; fortitude is love readily bearing all things for the sake of the loved object; justice is love serving only the loved object, and therefore ruling rightly; prudence
5481-509: The mosaicist Carlo Lecchini after the design of architect Giuseppe (?) Ferroni. Nicholas of Tolentino Nicholas of Tolentino ( Latin : S. Nicolaus de Tolentino ), (c. 1246 – September 10, 1305), known as the Patron of Holy Souls , was an Italian saint and mystic . He is particularly invoked as an advocate for the souls in Purgatory , especially during Lent and
5568-405: The outer surface of the entrance arch. The original Renaissance half-columns were embellished with Ionic stucco capitals with festoons and angel heads. The keystone of the arch is an escutcheon with crossed branches of lilies, a star and bread rolls (the traditional attributes of Saint Nicholas of Tolentino), flanked by two stucco half-figures holding garlands of fruit. The soffit of the entrance arch
5655-570: The papal troops at the Battle of Vienna against the Ottomans where he lost his life. Mario Mellini (†1756) The large tombstone (in the floor) of Cardinal Mario Mellini (died 1756) is inlaid with a mosaic of colourful stones. The inscription says that Mellini was minister plenipotentiary at the Holy See of Maria Theresa , Empress and Queen of Hungary "in the most difficult times", and his tomb
5742-565: The parish church to the status of minor basilica. In the Iloilo province, 4 municipalities consider San Nicolas de Tolentino as their patron saint. The Augustinians erected the San Nicolas de Tolentino Church in Ajuy, Iloilo when they arrived in 1590. The San Nicolas de Tolentino Church in Cabatuan, Iloilo (built in 1834; finished in 1866) were made of red brick exterior and is considered to be
5829-404: The personification holding a bridle. The Allegory of Prudence was also heavily repainted, the 18th-century version was showing an additional angel. The entrance of the chapel is barred by a marble balustrade with richly carved wooden doors that are decorated with the coat-of-arms of Cardinal Mellini (the letter M and diagonal stripes). Giovanni Battista Mellini The oldest monumental tomb in
5916-481: The poor and criminals. He is said to have cured the sick with bread dipped in water as instructed in a dream by Mary, the Mother of God . He gained a reputation as a wonderworker . Nicholas died in 1305 after a long illness. People began immediately to petition for his canonization. Eugene IV canonized him in 1446, and his body with severed arms was discovered in 1926 at Tolentino. A studious, kind and gentle youth, at
6003-478: The principal virtues and the capital vices which are based on mere juxtaposition. As to content, the two schemes do not match each other. The capital vices of lust and avarice, for instance, contrast with the remedial virtues of chastity and generosity, respectively, rather than with any theological or cardinal virtue; conversely, the virtues of hope and prudence are opposed to despair and foolishness rather than to any deadly sin. Medieval moral authors were well aware of
6090-441: The rest of his life. Nicholas worked to counteract the decline of morality and religion which came with the development of city life in the late thirteenth century. On account of his kind and gentle manner his superiors entrusted him with the daily feeding of the poor at the monastery gates, but at times he was so free with the friary's provisions that the procurator begged the superior to check his generosity. Once, when weak after
6177-426: The rigorous, high-altitude climate of Potosí , Bolivia . He reported that all children born to Spanish colonists there died in childbirth or soon thereafter, until a father dedicated his unborn child to St. Nicholas of Tolentino (whose own parents, after all, had required saintly intervention to have a child). The colonist's son, born on Christmas Eve, 1598, survived to healthy adulthood, and many later parents followed
6264-429: The rule of law in our daily lives rather than diminishing its importance. The cardinal virtues are listed in the deuterocanonical book Wisdom of Solomon 8:7 , which reads: She [Wisdom] teaches temperance, and prudence, and justice, and fortitude, which are such things as men can have nothing more profitable in life. They are also found in other non-canonical scriptures like 4 Maccabees 1:18–19 , which relates: Now
6351-402: The saint. It was consecrated on August 10, 2022 and declared as a diocesan shrine on February 25, 2023 by the then fourth Bishop of Balanga and church's acting rector and parish priest Ruperto Santos . San Nicholas cookie or Pan de San Nicolas is a Kapampangan cuisine delicacy originating since 1600s. It is baked in honor of Saint Nicholas (Apo Kulas) , the patron saint of bakers and
6438-435: The same regard to every individual. Additionally, justice pertains to a state's aptitude to equitably allocate resources based on individuals' deservingness, as determined by their merits. It entails refraining from undue harshness, fostering a universal perception of fairness. Furthermore, it entails embodying the qualities of a law-abiding citizen or member of society, upholding principles of social equality. Justice encompasses
6525-453: The skill to distinguish the beneficial from the detrimental, to understand the attainment of happiness, and to discern the right course of action in every situation. Its antithesis or opposite is the vice of folly. Justice ( dikaiosunê ) is the harmonious alignment of one's inner self and the comprehensive integrity of the soul. It involves fostering sound discipline within each facet of our being, enabling us to live with others and extend
6612-547: The sky like an oculus ; here the fresco displays the Glory of Saint Nicholas , the saint ascending to heaven among angels, one of them holding a lily. The original frescos of Giovanni da San Giovanni were hidden under the coarse 18th-century repainting until 1993. Although they were brought to light, the paintings remain in a precarious state and many of the finer details and the original colours were irretrievably lost. The 7 scenes are as follows (in clockwise order): 1) Episode from
6699-530: The storm. An apparition of the saint, it is said, once saved the burning palace of the Doge of Venice by throwing a piece of blessed bread on the flames. He was also reported to have resurrected over one hundred dead children, including several who had drowned together. According to the Peruvian chronicler Antonio de la Calancha , it was St. Nicholas of Tolentino who made possible a permanent Spanish settlement in
6786-446: The top of the mountain of purgatory), Dante describes a chariot drawn by a gryphon and accompanied by a vast number of figures, among which stand three women on the right side dressed in red, green, and white, and four women on the left, all dressed in purple. The chariot is generally understood to represent the holy church, with the women on right and left representing the theological and cardinal virtues respectively. The exact meaning of
6873-558: The trapezoid sarcophagus (and the other Baroque tombs in the chapel). The Doric frieze is decorated with ecclesiastical objects (crozier, chalice, holy vessels and mitre). The voluminous epitaph follows the stages of Giovanni Garzia's prestigious career from his youth until his death, including his important diplomatic missions for Pope Paul V to Philip III of Spain and the warring Habsburg brothers of Emperor Rudolf II and Matthias . Urbano and Mario Mellini The tombs of Urbano (†1660) and Mario Mellini (†1673), distinguished soldiers of
6960-481: The wide gestures", wrote Maria Grazia Branchetti. The altarpiece is framed by a sumptuous gold and white stucco aedicule with fluted Corinthian columns and a segmented, broken pediment which is crowned by the symbol of the Holy Spirit, a shell with garlands of fruit and two putti. The frieze has a decoration of acanthus tendrils and two winged mythological figurines flanking a six-pointed star. The antependium of
7047-399: The workshop of Pierre-Étienne Monnot, the sculptor who created Savio Mellini's tomb. Savio Mellini The tomb of Cardinal Savio Mellini, the Bishop of Nepi and Sutri on the right hand wall of the chapel was made by Pierre-Étienne Monnot , a French sculptor who worked in Rome. The strange monument was superimposed upon the older tomb of Giovanni Battista Mellini. The architectural frame of
7134-514: Was built in honor of him and his feast day is celebrated as the annual Biniray festival, commemorating the devotion of the island's Catholic inhabitants to St. Nicholas during the Muslim raids in the 16th century. In the province of Pampanga , a 440-year-old Augustinian church , which was founded in 1575, built in his honor is located in the heart of Macabebe, Pampanga . The façade of the church has scantly ornamentation and its architectural symmetry
7221-445: Was decorated with the figures of two cherubs and the top was crowned with a shell pediment. Pietro Mellini The tomb of Pietro Mellini (died 1483) is located under the 17th-century monument of Mario Mellini. The quattrocento tomb shows a Tuscan influence. It is sometimes attributed to Giovanni Dalmata . The effigy of the great jurist is "a simple figure of great dignity, such as marked the man in his own lifetime". The face looks like
7308-400: Was erected by his nieces, Anna Serlupi and Giulia Falconieri and his nephew, Antonio Casali in 1760. The epitaph is set in a Baroque crest which is flanked by green olive branches and surmounted by the coat-of-arms of the cardinal. The allegorical figures of Prudence (left with mirror in her hand) and Fortitude (right with sword) are reclining on the top of the crest. The sepulchre was created by
7395-432: Was most closely associated with the producing classes, the farmers and craftsmen, to moderate their animal appetites. Fortitude was assigned to the warrior class, to strengthen their fighting spirit. Prudence was assigned to the rulers, to guide their reason. Justice stood above these three to properly regulate the relations among them. Plato sometimes lists holiness ( hosiotes , eusebeia , aidos ) amongst
7482-409: Was paid 130 scudi "as the rest and final installment of payment for the several works done" on 27 October 1627. The main altar was consecrated in 1628. The previous Renaissance tombs were dismantled to make way for the monumental Baroque sepulchres of Cardinal Giovanni Garzia Mellini in the 1630s and Cardinal Savio Mellini in the 1690s. In the middle of the 18th century the chapel was restored again and
7569-455: Was recently identified as a painting in the Church of Sant'Agostino in Anagni .) The young Saint Nicholas of Tolentino is dressed as an Augustinian friar in black habit, kneeling before an altar with hands clasped in prayer. He is presented to the Virgin by Saint Augustine wearing episcopal robes and a mitre. The Virgin has descended from heaven on a throne of clouds poised above the altar, and she
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