The Mission School (sometimes called " New Folk " or " Urban Rustic " ) is an art movement of the 1990s and 2000s, centered in the Mission District, San Francisco, California .
22-749: Mission Style may refer to: Mission School , an art movement of the late 20th century Architecture [ edit ] Mission Revival Style architecture Architecture of the California Missions Spanish Colonial Revival Style architecture The architecture of the Prairie School , including Frank Lloyd Wright's American Craftsman Craftsman Furniture Furniture [ edit ] Mission Style Furniture The furniture and architecture of Gustav Stickley Topics referred to by
44-461: A heavy influence in Neri's early work as a painter and a graffiti artist in the 1990s, and as subjects still remain in her work today. The style that her father developed as a sculptor during the second generation of Bay Area Figuration also influenced Neri's work, which emerged later in her life as she made the switch from painting to sculpture. Comparing one of Neri's earlier figurative sculptures to
66-500: A style reminiscent of cubist painting. This transition was perhaps sparked by the fact that she was, for the first time, free of the impositions of her father's legacy. Her frustration with the weight of painting's history encouraged this transition into sculpture to continue. As Neri states in an interview for the Los Angeles Review of Books, “Painting is so demanding in terms of its history. The whole idea of what painting
88-700: Is based in Los Angeles , California. She previously worked as a street artist in San Francisco, and used the pseudonyms Reminisce and REM . Born to a family of artists, Neri was exposed to ways of making and expressing from a very young age. Her father is Manuel Neri , a prolific sculptor associated with the Bay Area Figurative Movement , and her mother, Susan Neri, is a graphic designer. Her mother's ability to render realistic images of human figures and horses proved to have
110-640: Is became problematic for me and I didn't have the time to address all the issues that were not interesting to me at all...”. Having exhibited since the mid-1990s, Neri maintains a stimulating artistic practice through a commitment to experimentation. Throughout her career, she has explored the possibilities in paint (oil, acrylic, spray), plaster, and clay - her current work is a visual culmination of those explorations. Neri deftly combines elements of figuration, abstraction, graffiti, and folk art through clay, plaster, and paint to create complex, expressive and kinetic sculptures. Lately, Neri has focused her practice and
132-740: Is closely aligned with the larger lowbrow art movement, and can be considered to be a regional expression of that movement. Artists of the Mission School take their inspiration from the urban, bohemian , "street" culture of the Mission District and are strongly influenced by mural and graffiti art, comic and cartoon art, and folk art forms such as sign painting and hobo art. These artists are also noted for use of non-traditional artistic materials, such as house paint, spray paint , correction fluid , ballpoint pens , scrapboard, and found objects . Gallery work by these artists
154-445: Is different from Wikidata All article disambiguation pages All disambiguation pages Mission School This movement is generally considered to have emerged in the early 1990s around a core group of artists who attended (or were associated with) San Francisco Art Institute . The term "Mission School", however, was not coined until 2002, in a San Francisco Bay Guardian article by Glen Helfand. The Mission School
176-438: Is often displayed using the "cluster method", in which a number of individual works (sometimes by different artists) are clustered closely together on a gallery wall, rather than the traditional gallery display method of widely separating individual works. Street art has always been an important part of the Mission School aesthetic. Several Mission School artists crossed over into San Francisco's burgeoning graffiti art scene of
198-679: Is primarily making clay sculpture. Neri uses horses as a common motif in her work, which serves as a personal symbol of her youth. Neri's most recent accomplishment is her inclusion in the book, “Vitamin C: Clay and Ceramic in Contemporary Art”, published in 2017. The book is a global survey of one hundred of today's leading clay and ceramic artists - Neri is included alongside notable artists such as Anders Ruhwald , Edmund de Waal , Theaster Gates , Ron Nagle , Grayson Perry , and Betty Woodman . In an interview conducted for Phaidon,
220-437: The 1990s, notably Barry McGee (who wrote under the name "Twist"), Ruby Neri (a.k.a. " Reminisce "), Dan "Plasma" Rauch, and Margaret Kilgallen (a.k.a. "Meta"). Artists considered to be part of the Mission School (past or present) have included: The profiles of these artists were raised by the inclusion of the work of Barry McGee in the 2001 Venice Biennale and the works of Chris Johanson and Margaret Kilgallen in
242-655: The 2002 Whitney Biennial . In 2003, not long after the term "Mission School" was coined, a panel at the Commonwealth Club of California named several emerging San Francisco artists as constituting a "New Mission School". These artists included Andrew Schoultz, Dave Warnke, Sirron Norris , Neonski, Ricardo, Damon Soule, Misk, and NoMe, though many of these artists do not embrace the "Mission School" label. The term Mission School has been criticized for being too geographically specific (many artists outside of San Francisco share this aesthetic, while others living in
SECTION 10
#1732779502670264-423: The Mission District do not), while at the same time being a vague catch-all, with many artists who are referred to as Mission School having a hard time seeing how they are part of this "school". Galleries, museums, and sites closely associated with the Mission School include: Reminisce (artist) Ruby Rose Neri (born 1970) is an American visual artist, known for her work as a sculptor, and painter. She
286-540: The highest achievement of an art school, which is to cultivate artists whose work adds new strains to contemporary art, and perhaps more importantly, who care about each other enough to add life to a community of artists”. Members of The Mission School were working within a special combination of time and place, growing up in and around art school during the early to mid-1990s during the pre-internet age, when San Francisco still possessed its “legendary bohemian-inflected vibe”. They were gearing up to start their art careers at
308-537: The movement known as “ The Mission School ”, canonized by the San Francisco Museum of Modern Art in 2010, when the institution deemed the Mission School, “...the most significant art movement to emerge out of San Francisco in the late twentieth century”. In the book “Energy That is All Around”, Curator Hesse McGraw credits this group of deeply connected artists with changing the “language” of SFAI as an institution, stating that, “They have come to reflect
330-544: The publishers of “Vitamin C”, she notes the various ceramic artists she was surrounded by and exposed to throughout her childhood, including Richard Shaw , Viola Frey , Peter Voulkos , and Robert Arneson , amongst others. She also states that, “Although I was primarily a painter for many years, ceramics has been a major influence on how I approach materials and how I physically manipulate objects”. Despite and perhaps because of her lack of formal training in ceramics, Neri manipulates
352-423: The same term [REDACTED] This disambiguation page lists articles associated with the title Mission Style . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Mission_Style&oldid=1137800616 " Category : Disambiguation pages Hidden categories: Short description
374-435: The shared aesthetic in their artworks, an aesthetic that is visibly connected to Neri's oeuvre. During Neri's time at SFAI, she formed her network of friends through a common interest in graffiti, which ultimately led to her inclusion in the Mission School movement. Although writing graffiti was more of a social and sometimes political outlet than a serious artistic pursuit for Neri, the influence of her time spent painting in
396-530: The street is still visible in her work today. In 1994, Ruby moved from the Bay Area to Los Angeles, and would go on to earn her Master's of Fine Art from the University of California, Los Angeles in 1998. There, she made the gradual transition from producing mostly painting to sculpture. Her first foray into sculpture was through plaster, which she used to create abstracted figures of humans and horses in
418-528: The work that her father is best known for, a number of visual similarities are apparent and evoke the closeness of their relationship. Though their handling of materials, surface treatment, and subject are akin at first glance, a deeper look might reveal subtle yet important differences. In 1992, Ruby moved from Nicasio, California to San Francisco , California to study painting at the San Francisco Art Institute . Ruby's father, Manuel
440-497: The “very cusp of the digital age”, and with San Francisco's proximity to Silicon Valley they would go on to, “experience a culture-shattering dot-com technology boom/bust in the mid to late ‘90s”, which brought with it a rampant case of gentrification. Through these shared experiences, The Mission School artists cultivated an anti-establishment, anti-consumerist outlook on the world. Their collective energy, worldview and active participation in various “disobedient” subcultures lead to
462-520: Was born and raised in the San Francisco Bay Area, drawing creative influence from her parents and their friends. Neri is both a painter and a sculptor, and has worked with a wide array of materials including clay, plaster, bronze, steel, fiberglass, glaze, acrylic, oil, and spray paint. Her work is based in abstraction and figuration, drawing inspiration from Bay Area Figuration, German Expressionism , graffiti , and folk art . She
SECTION 20
#1732779502670484-602: Was teaching at SFAI while Ruby was a student, making his presence and influence in her education almost unavoidable. Ruby stated in an interview that, “During undergrad at SFAI all my teachers were either my father's students or his contemporaries; I felt very limited by this but was unaware of it at the time”. Despite this limitation, her experience at SFAI proved to be one of the most influential times in her life and career. While there, she became close friends with artists Alicia McCarthy , Barry McGee , and Margaret Kilgallen. She and her friends would later become associated with
#669330