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62-440: The Mutoscope works on the same principle as the flip book . The individual image frames are conventional black-and-white, silver-based photographic prints on tough, flexible opaque cards. The image on each card is made by contact printing each frame of the original 70 mm film. Rather than being bound into a booklet, the cards are attached to a circular core, similar to a huge Rolodex . A reel typically holds about 850 cards, giving

124-440: A reed pen . In the case of manuscripts that were sold commercially, the writing would "undoubtedly have been discussed initially between the patron and the scribe (or the scribe's agent, but by the time the written gathering were sent off to the illuminator, there was no longer any scope for innovation.) The sturdy Roman letters of the early Middle Ages gradually gave way to scripts such as Uncial and half-Uncial, especially in

186-412: A barometer of status with the manuscript was degraded". During this time period the price of gold had become so cheap that its inclusion in an illuminated manuscript accounted for only a tenth of the cost of production. By adding richness and depth to the manuscript, the use of gold in illuminations created pieces of art that are still valued today. The application of gold leaf or dust to an illumination

248-466: A book. The mutoscope remained a popular attraction through the mid-twentieth century, appearing as coin-operated machines in penny arcades and amusement parks . In 1897, the English filmmaker Henry William Short marketed his "Filoscope", which was a flip book placed in a metal holder to facilitate flipping. By 1948, an "automated multiple camera" for the production of "Pocket Movie flip book" portraits

310-519: A commission. However, commercial scriptoria grew up in large cities, especially Paris , and in Italy and the Netherlands, and by the late 14th century there was a significant industry producing manuscripts, including agents who would take long-distance commissions, with details of the heraldry of the buyer and the saints of personal interest to him (for the calendar of a book of hours). By the end of

372-600: A few examples from later periods. Books that are heavily and richly illuminated are sometimes known as "display books" in church contexts, or "luxury manuscripts", especially if secular works. In the first millennium, these were most likely to be Gospel Books , such as the Lindisfarne Gospels and the Book of Kells . The Book of Kells is the most widely recognized illuminated manuscript in the Anglosphere , and

434-422: A format dominated by huge ornamented capitals that descended from uncial forms or by illustrations". To prevent such poorly made manuscripts and illuminations from occurring, a script was typically supplied first, "and blank spaces were left for the decoration. This presupposes very careful planning by the scribe even before he put pen to parchment." The following steps outline the detailed labor involved to create

496-426: A miniature in a frame, a historiated initial beginning a passage of text, and a border with drolleries. Often different artists worked on the different parts of the decoration. While the use of gold is by far one of the most captivating features of illuminated manuscripts, the bold use of varying colors provided multiple layers of dimension to the illumination. From a religious perspective, "the diverse colors wherewith

558-548: A mixture of fare. Both in the early days and during the revival, that mixture usually included "girlie" reels which ran the gamut from risqué to outright soft-core pornography. It was common for these reels to have suggestive titles that implied more than the reel actually delivered. The title of one such reel, What the Butler Saw , became a by-word, and Mutoscopes are commonly known in the UK as "What-the-Butler-Saw machines." (What

620-528: A moving gömböc . The Israel Philatelic Federation released an "Israeli Animation Stamp Booklet" in November 2010 with 15 stamps designed by Mish to be animated when flipping the pages. It commemorated the 50th anniversary of ASIFA , the 25th anniversary of ASIFA Israel, and the "Flip Book 250th Anniversary". The Finnish passport design released in 2012 contains a flip book of a walking moose. Illuminated manuscript An illuminated manuscript

682-401: A number of his friends and relations had several dozen. Wealthy patrons, however, could have personal prayer books made especially for them, usually in the form of richly illuminated " books of hours ", which set down prayers appropriate for various times in the liturgical day . One of the best known examples is the extravagant Très Riches Heures du Duc de Berry for a French prince. Up to

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744-771: A small number from late antiquity , and date from between 400 and 600. Examples include the Vergilius Romanus , Vergilius Vaticanus , and the Rossano Gospels . The majority of extant manuscripts are from the Middle Ages , although many survive from the Renaissance . While Islamic manuscripts can also be called illuminated and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as painted . Most manuscripts, illuminated or not, were written on parchment until

806-420: A strong light, nude female figures represented as living and moving, going into and out of baths, sitting as artists' models etc. Similar exhibitions took place at Rhyl in the men's lavatory, but, owing to public denunciation, they have been stopped." Flip book A flip book , flipbook , flicker book , or kineograph is a booklet with a series of images that very gradually change from one page to

868-457: A viewing time of about one minute. The reel with cards attached has a total diameter of about 10 inches (25 cm); the individual cards have dimensions of about 2 + 3 ⁄ 4  in ×  1 + 7 ⁄ 8  in (7.0 cm × 4.8 cm). Mutoscopes are coin-operated. The patron views the cards through a single lens enclosed by a hood, similar to the viewing hood of a stereoscope . The cards are generally lit electrically, but

930-549: Is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations . Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature , the practice continued into secular texts from the 13th century onward and typically include proclamations , enrolled bills , laws , charters , inventories, and deeds . The earliest surviving illuminated manuscripts are

992-489: Is a very detailed process that only the most skilled illuminators can undertake and successfully achieve. The first detail an illuminator considered when dealing with gold was whether to use gold leaf or specks of gold that could be applied with a brush. When working with gold leaf, the pieces would be hammered and thinned. The use of this type of leaf allowed for numerous areas of the text to be outlined in gold. There were several ways of applying gold to an illumination. One of

1054-856: Is famous for its insular designs. The Romanesque and Gothic periods saw the creation of many large illuminated complete bibles . The largest surviving example of these is The Codex Gigas in Sweden; it is so massive that it takes three librarians to lift it. Other illuminated liturgical books appeared during and after the Romanesque period. These included psalters , which usually contained all 150 canonical psalms, and small, personal devotional books made for lay people known as books of hours that would separate one's day into eight hours of devotion. These were often richly illuminated with miniatures, decorated initials and floral borders. They were costly and therefore only owned by wealthy patrons, often women. As

1116-503: Is no longer a registered trademark in the United States. Mutoscopes were a popular feature of amusement arcades and pleasure piers in the UK until the introduction of decimal coinage in 1971. The coin mechanisms were difficult to convert, and many machines were subsequently destroyed. Some were exported to Denmark where pornography had recently been legalised. The typical arcade installation included multiple machines offering

1178-431: Is the usual modern book format, although sometimes the older scroll format was used, for various reasons. A very few illuminated fragments also survive on papyrus . Books ranged in size from ones smaller than a modern paperback, such as the pocket gospel , to very large ones such as choirbooks for choirs to sing from, and "Atlantic" bibles, requiring more than one person to lift them. Paper manuscripts appeared during

1240-690: The Maqāmāt al-Ḥarīrī , pointing to a common pictorial tradition that existed since circa 1180 in Syria and Iraq which was highly influenced by Byzantine art . Some of the illustrations of these manuscript have been characterized as "illustration byzantine traitée à la manière arabe" ("Byzantine illustration treated in the Arab style"). The Persian miniature tradition mostly began in whole books, rather than single pages for muraqqas or albums, as later became more common. The Great Mongol Shahnameh , probably from

1302-597: The Artuqids . An explosion of artistic production in Arabic manuscripts occurred in the 12th and especially the 13th century. Thus various Syriac manuscripts of the twelfth and thirteenth centuries, such as Syriac Gospels, Vatican Library, Syr. 559 or Syriac Gospels, British Library, Add. 7170 , were derived from the Byzantine tradition, yet stylistically have a lot in common with Islamic illustrated manuscripts such as

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1364-470: The British Isles , where distinctive scripts such as insular majuscule and insular minuscule developed. Stocky, richly textured blackletter was first seen around the 13th century and was particularly popular in the later Middle Ages. Prior to the days of such careful planning, "A typical black-letter page of these Gothic years would show a page in which the lettering was cramped and crowded into

1426-551: The Early Modern period. Especially after the book of hours became popular, wealthy individuals commissioned works as a sign of status within the community, sometimes including donor portraits or heraldry : "In a scene from the New Testament, Christ would be shown larger than an apostle, who would be bigger than a mere bystander in the picture, while the humble donor of the painting or the artist himself might appear as

1488-626: The Graeco-Arabic translation movement and the creation of scientific and technical treatises often based on Greek scientific knowledge, such as the Arabic versions of The Book of Fixed Stars (965 CE), De materia medica or Book of the Ten Treatises of the Eye . The translators were most often Arab Syriac Christians , such as Hunayn ibn Ishaq or Yahya ibn Adi , and their work is known to have been sponsored by local rulers, such as

1550-623: The Late Middle Ages . The untypically early 11th century Missal of Silos is from Spain, near to Muslim paper manufacturing centres in Al-Andalus . Textual manuscripts on paper become increasingly common, but the more expensive parchment was mostly used for illuminated manuscripts until the end of the period. Very early printed books left spaces for red text, known as rubrics , miniature illustrations and illuminated initials , all of which would have been added later by hand. Drawings in

1612-465: The 12th century, most manuscripts were produced in monasteries in order to add to the library or after receiving a commission from a wealthy patron. Larger monasteries often contained separate areas for the monks who specialized in the production of manuscripts called a scriptorium . Within the walls of a scriptorium were individualized areas where a monk could sit and work on a manuscript without being disturbed by his fellow brethren. If no scriptorium

1674-525: The 1330s, is a very early manuscript of one of the most common works for grand illustrated books in Persian courts. Illumination was a complex and costly process, and was therefore usually reserved for special books such as altar bibles, or books for royalty. Heavily illuminated manuscripts are often called "luxury manuscripts" for this reason. In the early Middle Ages, most books were produced in monasteries, whether for their own use, for presentation, or for

1736-417: The 14th century there were secular workshops producing manuscripts, and by the beginning of the 15th century these were producing most of the best work, and were commissioned even by monasteries. When the text was complete, the illustrator set to work. Complex designs were planned out beforehand, probably on wax tablets, the sketch pad of the era. The design was then traced or drawn onto the vellum (possibly with

1798-444: The 2nd century BCE, when a more refined material called vellum , made from stretched calf skin, was supposedly introduced by King Eumenes II of Pergamum . This gradually became the standard for luxury illuminated manuscripts, although modern scholars are often reluctant to distinguish between parchment and vellum, and the skins of various animals might be used. The pages were then normally bound into codices (singular: codex ), that

1860-715: The American Mutoscope Company, later American Mutoscope and Biograph Company (1899) by the Marvin & Casler Co., Canastota, New York formed by two of the founding Managers of American Mutoscope Company. In the 1920s the Mutoscope was licensed to William Rabkin who started his own company, the International Mutoscope Reel Company , which manufactured new reels and also machines from 1926 until 1949. The term "Mutoscope"

1922-648: The Middle Ages, the Muslim world , especially on the Iberian Peninsula, was instrumental in delivering ancient classic works to the growing intellectual circles and universities of Western Europe throughout the 12th century. Books were produced there in large numbers and on paper for the first time in Europe, and with them full treatises on the sciences, especially astrology and medicine where illumination

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1984-596: The Romanesque period many more manuscripts had decorated or historiated initials , and manuscripts essentially for study often contained some images, often not in color. This trend intensified in the Gothic period, when most manuscripts had at least decorative flourishes in places, and a much larger proportion had images of some sort. Display books of the Gothic period in particular had very elaborate decorated borders of foliate patterns, often with small drolleries . A Gothic page might contain several areas and types of decoration:

2046-478: The action of burnishing it is vigorous and runs the risk of smudging any painting already around it." Monasteries produced manuscripts for their own use; heavily illuminated ones tended to be reserved for liturgical use in the early period, while the monastery library held plainer texts. In the early period manuscripts were often commissioned by rulers for their own personal use or as diplomatic gifts, and many old manuscripts continued to be given in this way, even into

2108-425: The aid of pinpricks or other markings, as in the case of the Lindisfarne Gospels ). Many incomplete manuscripts survive from most periods, giving us a good idea of working methods. At all times, most manuscripts did not have images in them. In the early Middle Ages, manuscripts tend to either be display books with very full illumination, or manuscripts for study with at most a few decorated initials and flourishes. By

2170-422: The background in gold, was taken from Byzantine mosaics and icons . Aside from adding rich decoration to the text, scribes during the time considered themselves to be praising God with their use of gold. Furthermore, gold was used if a patron who had commissioned a book to be written wished to display the vastness of their riches. Eventually, the addition of gold to manuscripts became so frequent "that its value as

2232-404: The best surviving specimens of medieval painting, and the best preserved. Indeed, for many areas and time periods, they are the only surviving examples of painting. Art historians classify illuminated manuscripts into their historic periods and types, including (but not limited to) Late Antique , Insular , Carolingian , Ottonian , Romanesque , Gothic , and Renaissance manuscripts . There are

2294-421: The book is illustrated, not unworthily represent the multiple grace of heavenly wisdom." The medieval artist's palette was broad: Chemical- and mineral-based colors, including: The color red was often associated with imagery like blood, fire, and godly power. It was the most common and inexpensive color and as such was frequently used for initials, lettering, and borders and well as general imagery. Pink

2356-474: The butler saw, presumably through a keyhole, was a woman partially disrobing.) The San Francisco Call printed a short piece about the Mutoscope in 1898, which claimed that the device was extremely popular: "Twenty machines, all different and amusing views...are crowded day and night with sightseers." However, just a few months later, the same newspaper published an editorial railing against the Mutoscope and similar machines: "...a new instrument has been placed in

2418-444: The crank, because the flexible images are bent into the proper viewing position by tension applied from forward cranking. Stopping the crank reduces the forward tension on the reels causing the reel to go backward and the picture to move away from the viewing position. A spring in the mechanism turns off the light, and in some models closes a shutter which blocks the picture. Mutoscopes were originally manufactured from 1895 to 1909 for

2480-469: The hands of the vicious for the corruption of youth...These vicious exhibitions are displayed in San Francisco with an effrontery that is as audacious as it is shameless." In 1899, The Times also printed a letter inveighing against "vicious demoralising picture shows in the penny-in-the-slot machines. It is hardly possible to exaggerate the corruption of the young that comes from exhibiting under

2542-586: The illuminations of one page of a manuscript: The illumination and decoration was normally planned at the inception of the work, and space reserved for it. However, the text was usually written before illumination began. In the Early Medieval period the text and illumination were often done by the same people, normally monks, but by the High Middle Ages the roles were typically separated, except for routine initials and flourishes, and by at least

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2604-447: The images cannot produce the illusion of a fluent motion. The necessary notion of instances smaller than a second would not really develop before the nineteenth century. The oldest known documentation of the flip book appeared on 18 March 1868, when it was patented by John Barnes Linnett under the name Kineograph ("moving picture"). They were the first form of animation to employ a linear sequence of images rather than circular (as in

2666-452: The margins (known as marginalia ) would also allow scribes to add their own notes, diagrams, translations, and even comic flourishes. The introduction of printing rapidly led to the decline of illumination. Illuminated manuscripts continued to be produced in the early 16th century but in much smaller numbers, mostly for the very wealthy. They are among the most common items to survive from the Middle Ages; many thousands survive. They are also

2728-406: The most popular included mixing the gold with stag's glue and then "pour it into water and dissolve it with your finger." Once the gold was soft and malleable in the water, it was ready to be applied to the page. Illuminators had to be very careful when applying gold leaf to the manuscript because gold leaf is able to "adhere to any pigment which had already been laid, ruining the design, and secondly

2790-422: The most popular secular texts of the time were bestiaries . These books contained illuminated depictions of various animals, both real and fictional, and often focused on their religious symbolism and significance, as it was a widespread belief in post-classical Europe that animals, and all other organisms on Earth, were manifestations of God. These manuscripts served as both devotional guidance and entertainment for

2852-640: The move from monasteries to commercial settings was a radical step. Demand for manuscripts grew to an extent that monastic libraries began to employ secular scribes and illuminators. These individuals often lived close to the monastery and, in instances, dressed as monks whenever they entered the monastery, but were allowed to leave at the end of the day. Illuminators were often well known and acclaimed and many of their identities have survived. The Byzantine world produced manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. With their traditions of literacy uninterrupted by

2914-410: The next, so that when the pages are viewed in quick succession, the images appear to animate by simulating motion or some other change. Often, flip books are illustrated books for children, but may also be geared toward adults and employ a series of photographs rather than drawings. Flip books are not always separate books, but may appear as an added feature in ordinary books or magazines, frequently using

2976-474: The older phenakistoscope ). The German film pioneer, Max Skladanowsky , first exhibited his serial photographic images in flip book form in 1894, as he and his brother Emil did not develop their own film projector until the following year. In 1894, Herman Casler invented a mechanized form of flip book called the Mutoscope , which mounted the pages on a central rotating cylinder rather than binding them in

3038-453: The page corners. Software packages and websites are also available that convert digital video files into custom-made flip books. Rather than "reading" left to right, a viewer simply stares at the same location of the images in the flip book as the pages turn. The booklet must be flipped through with enough speed for the illusion to work, so the standard way to "read" a flip book is to hold the booklet with one hand and flip through its pages with

3100-528: The period, many of the painters were women, especially painting the elaborate border, and perhaps especially in Paris. The type of script depended on local customs and tastes. In England, for example, Textura was widely used from the 12th to 16th centuries, while a cursive hand known as Anglicana emerged around 1260 for business documents. In the Frankish Empire, Carolingian minuscule emerged under

3162-424: The production of manuscripts shifted from monasteries to the public sector during the High Middle Ages , illuminated books began to reflect secular interests. These included short stories, legends of the saints, tales of chivalry, mythological stories, and even accounts of criminal, social or miraculous occurrences. Some of these were also freely used by storytellers and itinerant actors to support their plays. One of

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3224-423: The reel is driven by means of a geared-down hand crank. Each machine holds only a single reel and is dedicated to the presentation of a single short subject, described by a poster affixed to the machine. The patron can control the presentation speed only to a limited degree. The crank can be turned in both directions, but this does not reverse the playing of the reel. The patron cannot extend viewing time by stopping

3286-454: The thumb of the other hand. The German word for flip book— Daumenkino , which translates to "thumb cinema"—reflects this process, the photographic progression integral to film. There are some medieval illuminated books with sequential images, such as Sigenot (circa 1470). The illustrations in Sigenot are consistently framed and have short intervals between different phases of action, but

3348-412: The vast educational program of Charlemagne . The first step was to send the manuscript to a rubricator , "who added (in red or other colors) the titles, headlines , the initials of chapters and sections, the notes and so on; and then – if the book was to be illustrated – it was sent to the illuminator". These letters and notes would be applied using an ink-pot and either a sharpened quill feather or

3410-486: The working class of the Middle Ages. The Gothic period, which generally saw an increase in the production of illuminated books, also saw more secular works such as chronicles and works of literature illuminated. Wealthy people began to build up personal libraries; Philip the Bold probably had the largest personal library of his time in the mid-15th century, is estimated to have had about 600 illuminated manuscripts, whilst

3472-430: Was available, then "separate little rooms were assigned to book copying; they were situated in such a way that each scribe had to himself a window open to the cloister walk." By the 14th century, the cloisters of monks writing in the scriptorium had almost fully given way to commercial urban scriptoria, especially in Paris, Rome and the Netherlands. While the process of creating an illuminated manuscript did not change,

3534-427: Was brushed with gold specks. Gold leaf was from the 12th century usually polished, a process known as burnishing . The inclusion of gold alludes to many different possibilities for the text. If the text is of religious nature, lettering in gold is a sign of exalting the text. In the early centuries of Christianity, Gospel manuscripts were sometimes written entirely in gold. The gold ground style, with all or most of

3596-483: Was considered a fashionable color and was often found in clothing depictions of aristocrats and in filigree detail work. It also was used to color illuminated manuscript depictions of walls and lakes. Mineral-based colors, including: Green was often associated with visuals related to the Garden of Eden and symbolized rebirth. Verdigris Green was a specific shade almost exclusively used in cross imagery, and Green Earth

3658-514: Was held in Linz , Austria in 2005. Since 2007, Walt Disney Animation Studios has started its films with a production logo that initially evokes a flip book. It starts with a view of an empty page of paper , then as the pages start to turn, details are drawn in to reveal Mickey Mouse in Steamboat Willie . In 2010, Hungary postal services released a flip book of stamps depicting

3720-600: Was marketed in the United States. A type of flip book figures prominently in the rise in fortunes of the fictional artist Tateh in Ragtime written by E. L. Doctorow and published in 1975 later included in the film and musical adaptations of the book. The first international flip book festival was held in 2004, by the Akademie Schloss Solitude in Stuttgart . Another international flip book festival

3782-399: Was required to have profuse and accurate representations with the text. The origins of the pictorial tradition of Arabic illustrated manuscripts are uncertain. The first known decorated manuscripts are some Qur'ans from the 9th century. They were not illustrated, but were "illuminated" with decorations of the frontispieces or headings. The tradition of illustrated manuscripts started with

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3844-557: Was used under other pigments in order to create depth to skin tones. Chemical- and mineral-based colors, including: Blue, especially the pigment ultramarine, was a valuable and rare color and was commonly used in depictions of the Virgin Mary. It was also commonly used for initials, lettering, and borders. On the strictest definition, a manuscript is not considered "illuminated" unless one or many illuminations contained metal, normally gold leaf or shell gold paint, or at least

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