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20-561: NSAI may refer to: Nashville Songwriters Association International , songwriting preservation and education society National Spatial Address Infrastructure , a United Kingdom government initiative National Standards Authority of Ireland , the ISO member body for the Republic of Ireland Nonsteroidal anti-inflammatory drug , a group of analgesic drugs Nonsteroidal aromatase inhibitor ,

40-480: A class of drugs used in treatment of breast cancer Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title NSAI . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=NSAI&oldid=790570043 " Category : Disambiguation pages Hidden categories: Short description

60-566: A hit song in the 1980s about 16th Avenue , while the area served as namesake to Dolly Parton 's 1973 composition " Down on Music Row ". In 1999, the song " Murder on Music Row " was released and gained fame when it was recorded by George Strait and Alan Jackson , lamenting the rise of country pop and the accompanying decline of the traditional country music sound. The area hosts the offices of numerous record labels , publishing houses , music licensing firms, recording studios , video production houses, along with other businesses that serve

80-612: A month, Eddie, Buddy and Bill were conducting the group's first organizational meeting at the Old Professional's Club on Music Row . The meeting attracted some 40 songwriters, including Liz and Casey Anderson ("The Fugitive"), Felice and Boudleaux Bryant ("Wake Up Little Susie"), Kris Kristofferson ("Me And Bobby McGee") and Marijohn Wilkin ("One Day At A Time"). These 40 became the founding membership of NSAI and began spending countless hours around Marijohn's kitchen table brainstorming, discussing and refining ideas. Within

100-840: A year, the Nashville Songwriters Association was chartered by the state of Tennessee as a not-for-profit trade association, and from that moment, NSAI went on by helping to revise antiquated copyright laws and to establish new intellectual property protection in the digital age, by establishing a network of over 90 songwriter workshops to provide local instruction at home and abroad, and by conducting several educational conferences and awards shows each year. The NSAI has since grown into 4,500+ members. The association today promotes awareness of songwriters' cultural contributions (through events such as Tin Pan South Songwriters Festival ), champions

120-448: Is different from Wikidata All article disambiguation pages All disambiguation pages Nashville Songwriters Association International The Nashville Songwriters Association International (NSAI) is a 501(c) not-for-profit trade organization that works to help songwriters in three ways: through legislative advocacy , through education and advice about the actual craft of songwriting , and through teaching about

140-407: Is the "Music Row Roundabout ," a circular intersection designed to accommodate a continuous flow of traffic. Flanking the intersection to the west is Owen Bradley Park, a very small park dedicated to notable songwriter , performer, and publisher Owen Bradley . Within the park is a life-size bronze statue of Bradley behind a piano. Inside the roundabout is a large statue called the " Musica ". At

160-673: The Country Music Hall of Fame and Museum . Next door to the CMA headquarters is Broadcast Music Inc. The first Country Music Hall of Fame sat at the corner of Music Square East and Division Street from April 1967 to December 2000, but the building has since been torn down and the museum moved to a state-of-the-art building 11 blocks away in Downtown Nashville in May 2001. One area of Music Row, along Demonbreun Street,

180-541: The music industry , and how to best position a song for success within it. They own the Bluebird Cafe . The organization is the world's largest not-for-profit songwriters trade association. Established in 1967, with former singer-songwriter Lorene Mann as a co-founder, the membership of more than 5,000 active and pro members spans the United States and six other countries. NSAI is dedicated to protecting

200-587: The 1960s, property values on Music Row grew, for instance a 50-foot lot from $ 15,000 in 1961 to $ 80,000 in 1966. Music Row includes historic sites such as RCA 's famed Studio B and Studio A , where hundreds of notable and famous musicians have recorded. Country music entertainers Roy Acuff and Chet Atkins have streets named in their honor within the area. The Country Music Association (CMA) opened its $ 750,000 headquarters in Music Row in 1967. The modernist building included CMA's executive offices and

220-465: The area "where almost all of Nashville's music-related businesses operate out of a smorgasbord of renovated old single- and two-story houses and sleek new office buildings." RCA Victor , Decca Records , and Columbia Records each completed at least 90 percent of country recordings at music Row. Elsewhere, observed Hemphill, Music Row had "a montage of 'For Sale' signs [and] old houses done up with false fronts to look like office buildings." Throughout

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240-424: The heart of Nashville's entertainment industry , Music Row has also become a metonymous nickname for the music industry as a whole, particularly in country music , gospel music , and contemporary Christian music . The district is centered on 16th and 17th Avenues South (called Music Square East and Music Square West, respectively, within the Music Row area), along with several side streets. Lacy J. Dalton had

260-547: The legal rights of professional songwriters and helps develop the abilities of aspiring songwriters. Though based in Nashville, NSAI represents all musical genres and includes songwriters from across the United States and overseas. Eldred vs. Ashcroft — NSAI filed an "amicus brief" with the United States Supreme Court in a case that determined how long you and your heirs will own your copyrights. NSAI

280-537: The music industry, as well as radio networks , and radio stations . MusicRow Magazine has reported on the music industry since 1981. In present years, the district has been marked for extensive historical preservation and local as well as national movements to revive its rich and vibrant history. A group dedicated to this mission is the Music Industry Coalition . In his 1970 book The Nashville Sound , Paul Hemphill described Music Row as

300-423: The power of their offices and the media to represent the songwriter view. Up to 1960s, Nashville's songwriting community consisted of only a few dozen writers who received little credit for their achievements and whose royalty compensation was small, largely because of an antiquated copyright law. Additionally, outside of the then-existing performing rights societies ASCAP , BMI and SESAC , songwriter recognition

320-626: The rights of and serving aspiring and professional songwriters in all genres of music. NSAI established "Songwriters Caucuses" in the United States House of Representatives and the United States Senate . In Congress, a "caucus" is a group of like-minded lawmakers who share a philosophical pre-disposition to support an issue. When NSAI has an issue before Congress, they have caucus members who will assist by co-sponsoring legislation, allowing songwriters to testify, and using

340-601: Was once littered with down-market tourist attractions and vanity "museums" of various country music stars. These began to disappear in the late 1990s with the announced move of the Country Music Hall of Fame. The strip sat largely vacant for a few years but has been recently redeveloped with a number of upscale restaurants and bars serving the Downtown and Music Row areas. At the confluence of Demonbreun Street, Division Street, 16th Avenue South, and Music Square East

360-470: Was the definition of "limited time." McCann found that Madison intended for his own diaries to be published after his death by his family, for profit. This compelling argument influenced the Supreme Court's decision in favor of copyright owners and their heirs. Music Row Music Row is a historic district located southwest of downtown Nashville, Tennessee , United States. Widely considered

380-557: Was the only songwriter organization to meet with the Justice Department attorneys, arguing the case on behalf of copyright owners. NSAI songwriter and Constitutional scholar Peter McCann researched the diaries of founding father James Madison. Madison authored Section 1, Article 8 of the United States Constitution that says: "Congress may grant, for a 'limited time', to authors and composers…" At issue

400-625: Was virtually non-existent. In November 1967, over lunch at Ireland's Restaurant in Nashville, Eddie Miller (a 1975 inductee into the Nashville Songwriters Hall of Fame and founding member of the Academy of Country Music in Hollywood ) encouraged fellow songwriters Buddy Mize and Bill Brock to begin an association for writers in Nashville. Mize and Brock loved the idea, and all three set out to make it happen. Within

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