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26-685: Before settling on this name, the orchestra began operation in 1964 using a variety of names including RCA Victor Symphony Orchestra and the London Promenade (the latter consisting almost entirely of personnel from the London Philharmonic Orchestra ). In 1971, the orchestra was incorporated as the National Philharmonic Orchestra by Sidney Sax. Musicians from London's huge talent pool were contracted by Gerhardt and Sax. By way of example,

52-415: A home entertainment medium in the early 1920s presented Victor and the entire record industry with new challenges. Not only was music becoming available over the air free of charge, but a live radio broadcast made using high-quality microphones and heard over amplified receivers provided sound that was startlingly more clear and realistic than a contemporary phonograph record. Victor was initially dismissive of

78-517: A new line of phonographs referred to as " Orthophonic Victrolas ", scientifically developed by Western Electric to play these new records. Victor's first electrical recordings, issued in the spring of 1925 were not advertised as such; in order to create an extensive catalog of records made by the new process to satisfy anticipated demand, and to allow dealers time to liquidate their stocks of old-style Victrolas, Victor and its longtime rival, Columbia Records , agreed to keep electrical recording secret until

104-607: A polished wooden surface. The horn on the Edison-Bell machine was black and after a failed attempt at selling the painting to a cylinder record supplier of Edison Phonographs in the UK, a friend of Barraud's suggested that the painting could be brightened up (and possibly made more marketable) by substituting one of the brass-belled horns on display in the window at the new gramophone shop on Maiden Lane . The Gramophone Company in London

130-520: A series of stereo recordings of Hollywood film music with the orchestra for RCA Red Seal (the now legendary "Classic film scores "series) and Kamen recorded Eric Clapton 's orchestral sessions from the 24 Nights concerts at the Royal Albert Hall in 1990 and 1991 for Duck Records . Carlos Païta recorded Tchaikovsky 's Symphony No. 6 ( Pathétique Symphony ), Mussorgsky , Glinka , and Borodin for Lodia. In 1977, Tjeknavorian and

156-711: A studio orchestra since the days of acoustical recording early in the 20th century. In the 1920s, Victor established the Victor Salon Orchestra based at the company's headquarters in Camden, New Jersey . This group consisted of musicians primarily from nearby Philadelphia and New York City and was created by longtime Victor staff conductor and arranger Nathaniel Shilkret . The name was later used for free-lance orchestras, mainly in New York City, assembled as needed to make recordings for RCA Victor through

182-476: Is a continuation of the Encyclopedic Discography of Victor Recordings (EDVR) project by Ted Fagan and William Moran to make a complete discography of all Victor recordings as well as adding the recordings of Columbia, Brunswick and other historic American labels now controlled by Sony Music Entertainment . The Victor archive files are the main source of information for this project. In 2011,

208-409: Is that Johnson emerged as the 'Victor' from the lengthy and costly patent litigations involving Berliner and Frank Seaman's Zonophone . A third story is that Johnson's partner, Leon Douglass , derived the word from his wife's name 'Victoria.' Finally, a fourth story is that Johnson took the name from the popular 'Victor' bicycle, which he had admired for its superior engineering. Of these four accounts,

234-718: The Mask and Wig Club, released in April, 1925. On March 21, 1925, Victor recorded its first electrical Red Seal disc, twelve inch 6502 by pianist Alfred Cortot , of works by Chopin and Schubert. In 1926, Johnson sold his controlling (but not holding) interest in the Victor Company to the banking firms of JW Seligman and Speyer & Co. , who in turn sold Victor to the Radio Corporation of America in 1929. The Discography of American Historical Recordings (DAHR)

260-685: The Victor, Monarch and De Luxe labels, with the Victor label on 7-inch records, Monarch on 10-inch records and De Luxe on 12-inch records. De Luxe Special 14-inch records were briefly marketed in 1903–1904. In 1905, all labels and sizes were consolidated into the Victor imprint. Victor recorded the first jazz and blues records ever issued. The Victor Military Band recorded the first recorded blues song, " The Memphis Blues ", on July 15, 1914, in Camden, New Jersey. In 1917, The Original Dixieland Jazz Band recorded " Livery Stable Blues ". The advent of radio as

286-666: The autumn of 1925. Then, with the company's largest advertising campaign to date, Victor publicly announced the new technology and introduced its new records and the Orthophonic Victrola on November 2, 1925, dubbed "Victor Day". Victor's first commercial electrical recording was made at the company's Camden, New Jersey studios on February 26, 1925. A group of eight popular Victor artists, Billy Murray , Frank Banta, Henry Burr , Albert Campbell, Frank Croxton , John Meyer, Monroe Silver , and Rudy Wiedoeft gathered to record "A Miniature Concert". Several takes were recorded by

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312-401: The design, production and marketing of the popular "Victrola" line of phonographs and the company's extensive catalog of operatic and classical music recordings by world famous artists on the prestigious Red Seal label. After Victor merged with RCA in 1929, the company maintained its eminence as America's foremost producer of records and phonographs until the 1960s. In 1896, Emile Berliner ,

338-644: The early 1960s. Its players were recruited primarily from the New York Philharmonic , the Metropolitan Opera , the NBC Symphony Orchestra , and other major New York ensembles. The RCA Victor Orchestra recorded with several notable conductors including Leopold Stokowski , Fritz Reiner , Dmitri Mitropoulos , William Steinberg and Leonard Bernstein . A number of these recordings received Grammy Awards . The orchestra

364-426: The encroachments of radio, but after plummeting sales and much apathy and resistance from the company's senior executives brought the company to the verge of bankruptcy, Victor switched from the acoustical or mechanical method of recording to the new microphone -based electrical system developed by Western Electric in 1925. Victor called its version of the improved fidelity recording process "Orthophonic", and marketed

390-1054: The film scores recorded in England and performed by the National Philharmonic Orchestra: RCA Victor Symphony Orchestra The RCA Victor Symphony Orchestra , sometimes also known as the Victor Symphony Orchestra, the RCA Victor Salon Orchestra, the RCA Victor Orchestra or the RCA Orchestra, was an American studio orchestra founded in 1940 by the RCA Victor record label for the purposes of making recordings. The Victor Talking Machine Company had employed

416-436: The first two are the most generally accepted." The first use of the Victor name was on a letterhead, dated March 28, 1901. Herbert Rose Barraud's deceased brother, a London photographer, willed him his estate, including his DC-powered Edison-Bell cylinder phonograph with a case of cylinders and his dog, named Nipper . Barraud's original painting depicts Nipper staring intently into the horn of an Edison-Bell while both sit on

442-451: The inventor of the gramophone and disc record, contracted machinist Eldridge R. Johnson to manufacture his inventions. There are different accounts as to how the "Victor" name came about. RCA historian Fred Barnum gives various possible origins of the name in "His Master's Voice" In America , he writes, "One story claims that Johnson considered his first improved Gramophone to be both a scientific and business 'victory.' A second account

468-519: The old acoustical process, then additional takes were recorded electrically for test purposes. The electrical recordings turned out well, and Victor issued the results that summer as the two sides of twelve inch 78 rpm disc, Victor 35753. Victor's first electrical recording to be issued was Victor 19626, a ten-inch record consisting of two numbers recorded on March 16, 1925, from the University of Pennsylvania 's thirty-seventh annual production of

494-407: The orchestra for recordings of his film work. Kenneth Schermerhorn conducted the orchestra on the soundtrack of Baryshnikov 's production The Nutcracker , a staging of Tchaikovsky's ballet which became a television classic, after being presented live onstage. The orchestra also provided the music for the stage production. The National Philharmonic Orchestra has since been disbanded. Some of

520-558: The orchestra recorded Borodin 's Symphony No. 2 , In the Steppes of Central Asia , and opera Prince Igor (including Polovtsian Dances ) for RCA Red Seal. The orchestra has been featured on the soundtrack of many films (particularly those scored by Jerry Goldsmith , Maurice Jarre and Robert O. Ragland ) as well as a selection of Star Wars suites from the John Williams catalogue. Bernard Herrmann regularly used

546-463: The violin section would routinely be peppered with leaders / concertmasters of all the major London orchestras, past and present, such as John Ronayne, Bela Dekany, Lionel Bentley, Derek Jacobs, John Ludlow, John Brown, Donald Weekes, Irvine Arditti, Charles Meinardi, Hans Geiger, etc. The orchestra recorded exclusively for RCA Records until Decca Records began recording the orchestra in March, 1974. This

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572-554: Was an independent enterprise until 1929 when it was purchased by the Radio Corporation of America (RCA) and became the RCA Victor Division of the Radio Corporation of America until late 1968, when it was renamed RCA Records . Established in Camden, New Jersey , Victor was the largest and most prestigious firm of its kind in the world, best known for its use of the iconic " His Master's Voice " trademark,

598-607: Was disbanded in the early 1960s when RCA Victor began moving much of its Red Seal recording activity to Europe and established the RCA Italiana Orchestra at its studios in Rome. This article about a United States classical music orchestra is a stub . You can help Misplaced Pages by expanding it . Victor Talking Machine Company The Victor Talking Machine Company was an American recording company and phonograph manufacturer, incorporated in 1901. Victor

624-578: Was for a Phase 4 Stereo recording of the Yellow River Piano Concerto conducted by Elgar Howarth . Columbia Records began using the orchestra for recordings in 1975. Several conductors, such as Leopold Stokowski , Riccardo Chailly , Richard Bonynge , Charles Gerhardt , Michael Kamen , Carlos Païta and Loris Tjeknavorian have made recordings with the orchestra. Bonynge recorded all three of Tchaikovsky 's ballets for Decca . With producer George Korngold , Gerhardt made

650-425: Was founded and managed by an American, William Barry Owen. Barraud paid a visit with a photograph of the painting and asked to borrow a horn. Owen gave Barraud an entire gramophone and asked him to paint it into the picture, offering to buy the result. On close inspection of the painting, the contours of the Edison-Bell phonograph are visible beneath the paint of the gramophone. In 1915, the "His Master's Voice" logo

676-597: Was rendered in immense circular leaded-glass windows in the tower of the Victrola cabinet building at Victor's headquarters in Camden, New Jersey. The building still stands today with replica windows installed during RCA 's ownership of the plant in its later years. Today, one of the original windows is located at the Smithsonian museum in Washington, D.C. In the company's early years, Victor issued recordings on

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