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69-423: Nayakan ( / n ɑː j ə ɡ ən / transl.  Leader ) is a 1987 Indian epic crime drama film written and directed by Mani Ratnam . Produced by Muktha Srinivasan , the film stars Kamal Haasan , Saranya (in her feature debut) and Karthika in lead roles, with Janagaraj , Vijayan , M. V. Vasudeva Rao , Delhi Ganesh , Nizhalgal Ravi , Nassar and Tara in supporting roles. It revolves around

138-460: A Ganesan-focused film and not a Haasan film. The project was dropped. Haasan later told Srinivasan about the-then upcoming director Mani Ratnam . Ratnam had previously wanted to cast Haasan as the protagonist in his directorial debut, Pallavi Anu Pallavi (1983), but the collaboration could not materialise then as Haasan was committed to Raja Paarvai (1981) at that time. Srinivasan came to Ratnam's house and gave him an envelope, which contained

207-510: A box-office success whilst being a critical success. English journalist Phil Hardy stated in his 1997 book The BFI Companion to Crime , "From the films that followed in the wake of The Godfather , the most interesting is Mani Rathnam's Nayakan (1987) starring [Kamal Haasan] in a fictional version of the Bombay gangster Varadarajan Mudaliar's life." In 2005, the magazine TIME included Nayakan in its list of "All-Time 100 Best Films" . After

276-414: A brothel and used the opposite end of the building for Velu's house location. Nayakan was notable for using frame-within-the-frame technique of filmmaking. Ratnam and Haasan met Mudaliar in person, when Ratnam asked Mudaliar how he would foresee his own death; Mudaliar replied that it would be in a public riot amidst much panic and tension, this inspired the film's climax. When the film was completed and

345-576: A cassette of the Hindi film Pagla Kahin Ka (1970). Ratnam, after watching the film, met Haasan and rejected the offer to remake the film. After Haasan asked him the kind of film he preferred to make, Ratnam suggested two stories: one was in the action genre similar to Dirty Harry (1971) and Beverly Hills Cop (1984), while the other was based on the life of the Bombay underworld don Varadarajan Mudaliar ;

414-580: A dramatic story, this man going from Tamil Nadu to Bombay and ruling the city. I outlined this thought to Kamal Haasan and he said fine. That's it. It was done. Decided.  – Mani Ratnam on his inspiration to make the film In the mid-1980s, Muktha Srinivasan narrated a story inspired by the American film The Godfather (1972) to Sivaji Ganesan who agreed to act in the film. Amala and Kamal Haasan were also confirmed to act. However Ananthu , then an associate of Haasan, felt that it would be

483-511: A half days. This was also the last part of the principal photography. The song "Naan Sirithal Deepavali" was shot at the spot where the Taj Club House is located today. The old building previously located at that spot was called the "Indian Express Building" by film industrialists as it was adjacent to the Old office of Indian Express . Thota Tharani converted the building's exterior into

552-465: A letter, after which the censor appellate board at Bombay permitted the release of the film. G. Venkateswaran of GV Films bought the rights of the film after Srinivasan distributed the film; Venkateswaran also received a producer's credit. It was dubbed into Telugu as Nayakudu and into Hindi as Velu Nayakan . Despite the Hindi dub, it was later remade in Hindi as Dayavan (1988). In 2015, Nayakan

621-626: A look as possible. He preferred Haasan in traditional Hindu attire. Haasan was initially hesitant regarding his look and wanted to sport a beard similar to that of his old-aged look in Sagara Sangamam (1983), as he felt it would not give away his jaw line, which would reveal that the character was portrayed by a younger person. Ratnam, in turn, did not want Haasan to sport a look similar to Sagara Sangamam or any of his other previous films. Haasan ultimately sported dentures to provide some weight around his jaw for Velu's old-age look. Neela,

690-572: A massive scale. Biographical films may be less lavish versions of this genre. They often have a Roadshow theatrical release and are often shot on 70 mm film . Many writers may refer to any film that is "long" (over two hours) as an epic, making the definition epic a matter of dispute, and raise questions as to whether it is a "genre" at all. As Roger Ebert put it, in his "Great Movies" article on Lawrence of Arabia : The word epic in recent years has become synonymous with big-budget B picture . What you realize watching Lawrence of Arabia

759-466: A schoolgirl forced into prostitution, who has interests to pursue her education. Her innocence and courage impress Velu, and he eventually marries her. They have two children: Surya and Charumathi. Velu's power and command gradually increases in Dharavi as he voices out in support of local people which gains him huge popularity among the masses. His rival smugglers try to murder Velu in an attack, but Neela

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828-495: A sequel to Nayakan , Ratnam said, "Never. When you finish a film, you're glad to be rid of it. You're happy you don't have to go back to that script again. Been there, done that." The scenes and dialogues from the film have been parodied in various films, including Dumm Dumm Dumm (2001), and Chellamae (2004). When stand-up comedian and television anchor Bosskey launched a quirky play titled Dada in October 2005, he named

897-462: Is a rare Tamil film. Sensitivity is its hallmark. Authenticity is its lifebreath. It has the stamp of nativity. It has class. Yet, it is not an Art film. It could be a watershed in Tamil cinema; an artistically made film that could make money as well." On 1 November, Ananda Vikatan stated that Haasan underplayed his role well and demonstrated his histrionics as a godfather in the film well, adding that

966-465: Is arrested by the police to find his whereabouts. They trick Velu into believing them as his well-wishers and release him. When Velu meets his father, the police kill the latter. Feeling betrayed, Sakthivel stabs the police inspector and runs away to Bombay , where he is raised by Hussain, a kind-hearted smuggler living in the Dharavi slums. One day, when Hussain is ill, a young Velu decides to carry out

1035-416: Is killed instead. After avenging Neela's death, Velu sends his children to Madras to safeguard them. Years pass by, Velu's power further increases in Bombay and is fondly called Velu Naicker by everyone. Surya and Charumathi return to Bombay as adults after education. Surya follows Velu's footsteps, a fact that he is initially hesitant of, and later learns to accept. But when Surya is killed trying to flee

1104-440: Is married to him and they have a son. Patil too learns that his wife is Velu's daughter and suspects that she might help her father to flee from the police. Velu absconds and his allies are arrested. He decides to surrender to the police to save them from undergoing torture in the police station. Through Charumathi, Velu sets up his surrender. Patil is shocked due to the lack of proper evidence against Velu as none comes forward from

1173-485: Is that the word epic refers not to the cost or the elaborate production, but to the size of the ideas and vision. Werner Herzog's Aguirre: The Wrath of God didn't cost as much as the catering in Pearl Harbor , but it is an epic, and Pearl Harbor is not. The epic is among the oldest of film genres, with one early notable example being Giovanni Pastrone 's Cabiria , a two-and-a-half hour silent film about

1242-564: The Punic Wars , which laid the groundwork for the subsequent silent epics of D. W. Griffith . The genre reached a peak of popularity in the early 1960s, when Hollywood frequently collaborated with foreign film studios (such as Rome's Cinecittà ) to use relatively exotic locations in Spain, Morocco and elsewhere for the production of epic films such as El Cid (1961) or Lawrence of Arabia (1962). The genre soon spread to other regions of

1311-725: The Singapore Police Force , the rank may be held by staff department heads or directors. Assistant Commissioner of Police of the Metropolis (AC) is the third highest rank in the London Metropolitan Police , ranking between deputy assistant commissioner and Deputy Commissioner of Police of the Metropolis . The assistant commissioner is also the second-in-command of the City of London Police , ranking between commander and commissioner . The rank

1380-677: The Western Australia Police and NSW Police Force , and chief superintendent in the Queensland Police Service . In all services, the insignia consists of crossed tipstaves within a wreath. In the Bangladesh Police , assistant commissioner of police is the entry level post for cadre officers posted in metropolitan areas, equivalent to assistant superintendent of police in other areas. The Royal Canadian Mounted Police has 26 officers with

1449-592: The state police services. The rank insignia is three silver stars over the name of the state in which they are working without a red or blue strip. In the Garda Síochána , the Republic of Ireland 's national police force, the rank of assistant commissioner is between chief superintendent and deputy commissioner . In the New Zealand Police , the rank of assistant commissioner is junior to

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1518-643: The "epic" film, encompassing such examples as Ben-Hur , Gone with the Wind and more recently, 300 and the Star Wars films [...] none of these comes from literary epics per se , and there is little that links them with one another. Among those who espouse film genre studies, epic is one of the most despised and ignored genres". Finally, although the American Movie Channel formally defines epic films as historical films, they nonetheless state

1587-579: The Indian cinema pantheon" after watching it at the 12th International Film Festival in Delhi. The film was India's official submission for the Academy Award for Best Foreign Language Film in 1987 at the 60th Academy Awards ; however, it was not shortlisted among the final nominees. Nayakan became a "landmark" of popular Indian cinema. As a part of its legacy, the film has been acclaimed for being

1656-670: The National Awards for Best Cinematography (Sreeram) and Best Art Direction ( Thota Tharani ). Nayakan was India's official submission for the Best Foreign Language Film at the 60th Academy Awards , but it was not nominated. It was included in Time 's list of the " All-Time 100 Best Films " and News18 's "100 greatest Indian films of all time". The film was remade in Hindi as Dayavan (1988). An anti-government union leader's son Sakthivel "Velu"

1725-461: The Reddy brothers, the murder of Velu's son Surya, and Velu crying at Surya's corpse. One scene in the film involves Velu and Selvam tying their illicit cargo to large bags of salt attached to rubber inner tubes which they then dump into the sea; the cargo sinks from the weight of the salt, but when the salt dissolves the cargo bobs to the surface, by which time they have passed the customs officers. This

1794-592: The Wind is the highest-grossing film ever, with two other romantic epics ( Titanic and Doctor Zhivago ) also featuring among the global top ten. So far the most Academy Awards ever won by a single film stands at eleven. This feat has only been achieved by three films: Ben-Hur (1959), Titanic (1997) and The Lord of the Rings: The Return of the King (2003), all of which are above three hours long and considered epic films. The previous record holder

1863-532: The basis of their enormous scope and the sweeping panorama of their settings such as How the West Was Won or East of Eden that do not have the typical substance of classical epics but are directed in an epic style. When described as "epic" because of content, an epic movie is often set during a time of war or other societal crisis, while usually covering a longer span of time sometimes throughout entire generations coming and passing away, in terms of both

1932-507: The cast after famous characters in Tamil films. Accordingly, Anniyan (one of Vikram 's character in the film), Badshah ( Rajinikanth in Baashha ) and Velu Naicker (Haasan's role in Nayakan ) play the central characters of a family of brothers. Similarly, in the 2013 comedy film Onbadhule Guru , in which the characters were named after popular protagonists of Tamil cinema, a member of

2001-453: The court amid a big cheer from his supporters, until Ajit shoots him to avenge his father's death; Velu dies on the spot. The two years I studied in Bombay (1975–77), he [ Varadarajan Mudaliar ] was at his peak. People in the Matunga belt thought he was God. I used to wonder how anyone could treat a fellow human as God. I never understood why they would do this. It fascinated me. It was such

2070-449: The epic film may be combined with the genre of science-fiction and cite Star Wars as an example. Stylistically, films classed as epic usually employ spectacular settings and specially designed costumes, often accompanied by a sweeping musical score, and an ensemble cast of bankable stars . Epics are usually among the most expensive of films to produce. They often use on-location filming, authentic period costumes , and action scenes on

2139-426: The epic is often credited to their ability to appeal to a wide audience. Several of the highest-grossing films of all-time have been epics. James Cameron 's 1997 film Titanic , which is cited as helping to revive the genre, grossed $ 1.8 billion at cinemas worldwide to become the highest-grossing film—a record it held for twelve years. If inflation is taken into account, then the historical romantic epic Gone with

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2208-402: The events depicted and the running time of the film. Such films usually have a historical setting, although speculative fiction (i.e. fantasy or science fiction ) settings have become common in recent decades. The central conflict of the film is usually seen as having far-reaching effects, often changing the course of history. The main characters' actions are often central to the resolution of

2277-492: The evolution of Velu Naicker from an ordinary slum dweller to a highly respected crimelord in the Bombay underworld . Nayakan is loosely based on the life of the Bombay underworld don Varadarajan Mudaliar and the American film The Godfather (1972). Ratnam was initially approached to remake the Hindi film Pagla Kahin Ka (1970) for Srinivasan and Haasan, but refused. He instead suggested two other stories, one of which impressed Haasan and became Nayakan . Cinematography

2346-406: The film "attempts faithfully to re-create a historical period by carefully managing different aspects of the mise en scène . More than any other detail in the mise en scène , automobiles – different models of cars, jeeps, and vans – indicate the passage of time within the diegesis." According to a New Straits Times article, the film does not extol crime or violence; rather it narrates

2415-400: The film in Bombay, adding that films "were a business" for him and he "wasn't interested in films as art". In response, Srinivasan accused Haasan of defaming him, and wrote an article titled "Living in past glory", his rejoinder to Haasan's article, in which he accused Haasan of "distorting the facts" and "undermining the contributions made by everyone." He also accused Haasan of interfering with

2484-583: The film score using ancient instruments, for the film. The song "Andhi Mazhai Megam" is set in the Carnatic raga Natabhairavi . "Nee Oru Kaadhal Sangeetham", set in the Hindustani raga Desh , is featured on both sides of the original LP record as the second track. The theme song "Thenpandi Cheemayile" plays for most of the film. "Nila Adhu Vanathumele", set in the Carnatic Keeravani raga,

2553-536: The film stood out for its sets, taking, colour, richness and international quality camera work. The magazine gave the film one of its highest marks of 60. Jayamanmadhan of Kalki lauded the film, saying it could be watched more than once. A 1988 review published in Bombay: The City Magazine described Haasan as having given a "powerhouse performance". Writing for India Today in 1989, Madhu Jain believed Nayakan deserved "a permanent place in

2622-404: The film was selected by TIME as one of the best, insiders of the magazine spoke about Ratnam's work in the film, saying "Ratnam has no such difficulty blending melodrama and music, violence and comedy, realism and delirium, into a two-and-a-half-hour demonstration that, when a gangster's miseries are mounting, the most natural solution is to sing in the rain." The tagline given to the film by TIME

2691-507: The first "real schedule" of Nayakan began in January 1987. 15 days of shooting took place in the slum areas of Dharavi . Using photographs taken there, the art director Thota Tharani created a set at Venus Studios in Madras. Thousands of junior artists were hired to recreate the atmosphere of the slum areas. Additionally, pigeons were brought for the same. Haasan helped in the make-up for

2760-529: The first print was ready, it was three hours long. Although Ratnam and Haasan wanted Srinivasan to release the film uncut, he felt audiences would never see the entire film due to its length, so he requested Lenin to remove the scenes which he felt were unnecessary. The result, according to Srinivasan, "gave life to the movie, along with the theme music Thenpandi seemayilae ." Haasan, Ratnam and Srinivasan have acknowledged to Nayakan being inspired by The Godfather in various scenes. These include Velu's killing of

2829-534: The improvised dialogue. Haasan used attar perfume for the female cast. Ratnam had marked around ₹ 12 lakh (US$ 100,000 in 1987) for the film's action sequences. To make the sequences slick and entertaining, cinematographer and stunt sequence director Jim Allen, who was known for his work stunt sequences in Sholay (1975) was chosen. But after three days, he was removed from the film as he charged ₹ 200,000 per day (US$ 16,000 in 1987) and Srinivasan could not afford

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2898-449: The latter was finalised. Ratnam had earlier narrated this story, when it was only an idea, to producer R. C. Prakash, but it was not picked up then. Cinematography for Nayakan was handled by P. C. Sreeram , and editing by B. Lenin and V. T. Vijayan . In September 1986, Haasan gave his schedule dates for the film to Srinivasan, and was paid ₹ 17.5 lakh (US$ 145,583 in 1987) for playing Velu. Ratnam wanted Haasan to have as realistic

2967-663: The money. Haasan brought his own gun, sparing Ratnam the usage of a prop. In the scene where Haasan chases Kelkar, he uses his own bottle of sugar glass, which he had brought from the United States. The remaining portions were shot at Bombay (now Mumbai ), including the portions involving Velu's childhood life in the city. The scene featuring Neela studying for her mathematics examination was suggested by Srinivasan. Velu's childhood portions before he moves to Bombay were canned in Old Mahabalipuram Road for one and

3036-726: The original screenplay by Ratnam to include sequences copied from The Godfather and Once Upon a Time in America . Srinivasan, however, concluded by writing that he was not against Haasan taking credit for the film's success, as long as it was not at his expense. Epic film Epic historical films would usually take a historical or a mythical event and add an extravagant setting, lavish costumes, an expansive musical score , and an ensemble cast , which would make them extremely expensive to produce. The most common subjects of epic films are royalty and important figures from various periods in world history. The term "epic" originally came from

3105-539: The other actors in the film and asked Janagaraj and Delhi Ganesh to cut their hair so as to make their characters Selvam and Iyer in their old age scenes look convincing. One scene involved Velu telling Iyer, "Udamba paathukonga" ( transl.  Please take care of your health ) and Ganesh spontaneously said "Naa poraen. Naa irundhu enna panna poraen. Nee nalla irukkanum, Naickerae" ( transl.  I'll take leave. What can I do by staying here? You should be well, Naicker ); an impressed Haasan told Ratnam to retain

3174-676: The poetic genre exemplified by such works as the Epic of Gilgamesh and the works of the Trojan War Cycle . In classical literature, epics are considered works focused on deeds or journeys of heroes upon which the fate of many people depends. Similarly, films described as "epic" typically take a historical character, or a mythic heroic figure. Common subjects of epics are royalty , gladiators , great military leaders, or leading personalities from various periods in world history. However, there are some films described as "epic" almost solely on

3243-470: The police in a botched mission, Charumathi blames Velu for the deaths of Neela and Surya. She decides to leave Bombay citing that she wants to get away from her father and his violent ways. Charumathi disowns her father and leaves his home. Few years pass by and a new ACP , Patil is deputed in Bombay to eliminate gangsters; his first target is Velu. He collects all the evidence needed for the arrest of Velu. When Velu comes to meet Patil, he learns that Charumathi

3312-471: The public as a witness against the crimes committed by him. Patil meets Kelkar's widow and the now grown-up Ajit and requests to disclose the truth behind her husband's death in the court. She refuses and defends Velu's acts. But Ajit is shocked after learning the truth. Velu is produced in the court and is exonerated due to lack of valid and strong evidence. He is overcome with emotion when he meets his young grandson (Charumathi's son) Shaktivel. Velu steps out of

3381-418: The rank and it is the third highest rank in the command structure of the force. The Hong Kong Police Force has the ranks of assistant commissioner of police (ACP) and senior assistant commissioner of police (SACP). In the Indian police, assistant commissioner of police is only used in metropolitan areas and is equivalent to deputy superintendent of police in other areas. Officers of this rank may belong to

3450-421: The rank of deputy commissioner and is senior to the rank of superintendent. It is the highest rank that can be achieved by a sworn member without statutory appointment. There are currently five assistant commissioners. The rank insignia is three stars in a triangle shape with a single crown above. In Papua New Guinea, assistant commissioner is the rank between chief superintendent and deputy commissioner . In

3519-461: The rewritten script had more violence, and scenes taken from The Godfather and Once Upon a Time in America (1984). According to Ratnam, a three-day test shoot involving Haasan, unknown to Srinivasan, was done in December 1986 as the script was not yet complete. While the shots taken did not make the final cut, they helped to get the technical aspects of the film on the right track. Ratnam said

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3588-524: The shooting in 60 days and 70 rolls of film. The initial budget was ₹ 60 lakh (US$ 500,000 in 1987), but time and cost overruns increased the budget to beyond ₹ 1 crore (US$ 830,000 in 1987). According to Srinivasan, principal photography commenced in November 1986 and the first schedule lasted for 10 days, but the scenes shot during this period were scrapped because Haasan disliked them, prompting script rewrites and causing shooting to be delayed;

3657-471: The smuggling activity on behalf of Hussain. His demand for a bigger commission from the smugglers enrages them, and they involve Inspector Kelkar to arrest Hussain and kill him in jail. When they close the case as suicide, Velu is enraged knowing the truth and murders Kelkar. He later takes care of Kelkar's family which consists of his wife and a mentally challenged son Ajit. Kelkar's wife knew that her husband's immorality resulted in his death. Velu meets Neela,

3726-474: The societal conflict. In its classification of films by genre, the American Film Institute limits the genre to historical films such as Ben-Hur . However, film scholars such as Constantine Santas are willing to extend the label to science-fiction films such as 2001: A Space Odyssey and Star Wars . Lynn Ramey suggests that "Surely one of the hardest film genres to define is that of

3795-460: The story of a tragic character who rises from slums to untold riches and unbridled power. Ratnam has stated that the question asked by Velu's grandson, whether he is good or bad, "puts across the moral dilemma of the man in a nutshell". The soundtrack was composed by Ilaiyaraaja , this being his 400th film soundtrack. Pulamaipithan wrote the lyrics for all the songs except "Nila Adhu Vanathumele", which Ilaiyaraaja himself wrote. Ilaiyaraaja composed

3864-471: The supporting cast was christened Velu Naicker. According to the Telugu newspaper Eenadu , Rajinikanth, after being impressed with Nayakan , requested Ratnam to write a similar script, but the project never materialised; its similarities with Pa. Ranjith 's script for Kabali (2016) made him accept to star in the latter film. The famous line in the film, "Neenga Nallavara Kettavara?" (Are you good or bad?)

3933-440: The wife of Velu, was played by Saranya , who made her debut in the film. The character was created by Srinivasan to reduce the violent content and help the film cater to family audiences. Ratnam wanted a "new face" to portray Neela as he felt only then the character would have the required zest and gusto. Saranya sent her photograph to Ratnam to audition for the role. She was later cast after a successful screen test. Saranya's father

4002-627: The world, such as India where it's flourishing Bollywood industry produced the landmark Mughal-E Azam (1960), which is widely considered as one of the greatest films of all time and a milestone in Asian epics. This boom period of international co-productions is generally considered to have ended with Cleopatra (1963), The Fall of the Roman Empire (1964) and Doctor Zhivago (1965). Nevertheless, films in this genre continued to appear, with one notable example being War and Peace , which

4071-520: Was Gone with the Wind (1939), also an epic, with ten awards. Assistant commissioner of police (India) Assistant commissioner or assistant commissioner of police ( ACP ) is a rank used in various police forces. In all Australian police forces, assistant commissioner is the rank below deputy commissioner . It is senior to the rank of commander in the South Australia Police and Victoria Police , superintendent in

4140-615: Was "A terrific gangster epic in the Godfather style." The film was also ranked 82nd in The Moving Arts Film Journal list of greatest films of all time. Nayakan was also included in NDTV 's list "India's 20 greatest films" at no 13. In April 2013, on the centenary of Indian cinema, News18 included the film in its list of "100 greatest Indian films of all time". When questioned by Baradwaj Rangan if he would make

4209-466: Was against her being cast, but she and her mother managed to convince him. Though Ratnam has stated that Saranya was "the first and only person we saw for the role", Debashree Roy claimed that she was approached, but refused as she considered that speaking in Tamil would be difficult for her. According to Suhasini , Ratnam considered her for the role of Velu's daughter Charumati; however, the role ultimately went to Karthika . Ratnam believes that Nassar

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4278-455: Was described by Lalitha Gopalan in her 2002 book Cinema of Interruptions as an homage to Once Upon a Time in America , a view that was shared by S. Shiva Kumar of The Hindu . According to historian S. Theodore Baskaran , the film "tends to glorify violence and portrays the anti-social, smuggler-king in an approving and sympathetic way, modelling him on Robin Hood ." Lalitha Gopalan notes that

4347-533: Was handled by P. C. Sreeram , and editing by B. Lenin and V. T. Vijayan . Filming began in late 1986, taking place primarily in Madras and to a lesser extent, Bombay. Nayakan was released on 21 October 1987, Diwali day. It became a critical and commercial success, running for over 175 days in theatres. Haasan's performance earned him the National Film Award for Best Actor . The film also earned

4416-542: Was offered irrespective of the character. That was a mistake." Raja Krishnamoorthy (later known as Kitty ), then the General Manager at Royal Enfield , quit to portray Velu's father, with Nayakan being his debut film. Haasan wanted Tinnu Anand for the role of Ajit, the son of Inspector Kelkar ( Pradeep Shakthi ). Anand was reluctant since he wanted to focus on his career as a director, but after Haasan insisted, Anand accepted. Ratnam initially planned to complete

4485-448: Was released in the former Soviet Union during 1967–1968. Epic films continue to be produced, although since the development of CGI they typically use computer effects instead of an actual cast of thousands. Since the 1950s, such films have regularly been shot with a wide aspect ratio for a more immersive and panoramic theatrical experience. Epic films were recognized in a montage at the 2006 Academy Awards . The enduring popularity of

4554-825: Was screened at the Habitat Film Festival. Nayakan became a major success in many states. The film completed 214 days run in Tamil Nadu and completed 100 days in both Andhra Pradesh and Karnataka. The film ran for 25 weeks at Madras' Anand Theatre, 105 days at Grelan, 105 days at Udhayam, 175 days at Madurai Minipriya, 100 days at Salem, 85 days at Trichy's Kalaiyarangam, 100 days at Jupiter, 105 days at Coimbatore's Archana, 100 days at Bombay's Dinora and 224 at Bangalore's Pallavi. The Telugu dubbed version Nayakadu also completed 100 days of theatrical run. Nayakan received critical acclaim. On 23 October 1987, N. Krishnaswamy of The Indian Express said, "[ Nayakan ]

4623-500: Was suggested to him by Haasan, when Raghuvaran was being considered for the role of the assistant commissioner Patil. Nassar shot for six days and initially believed there was nothing special in his role. He later admitted his surprise of the reach of his character post-release. Although Tara was then known mainly for playing leading roles, she accepted the supporting role of Velu's sister Shakila. She later recalled, "I didn't know what to accept and what to reject. I just grabbed whatever

4692-498: Was the original tune intended for "Thenpandi Cheemayile". Nayakan was released on 21 October 1987, Diwali day. The Censor Board at Madras initially refused to permit the release of the film, as it was based on a living person. When Srinivasan appealed to the revising committee at Bombay, they said that they would permit the release of the film he produced a letter stating that it was not based on Mudaliar's life. Through writer Mathioli Shanmugam, Srinivasan met Mudaliar, who gave him

4761-513: Was used in "The Punch Song", a song from the film, Aaha Kalyanam (2014). Delhi Ganesh reprises his role as Iyer in the 2022 film Vendhu Thanindhathu Kaadu . In October 2012, coinciding with the 25th anniversary of Nayakan , Haasan published an article in The Hindu , titled "Of course Velu Nayakan doesn't dance", in which he recounted the making of the film. In the article, he described Srinivasan as stingy and being unhappy about shooting

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