The Smolny Institute ( Russian : Смольный институт ) is a Palladian edifice in Saint Petersburg that has played a major part in the history of Russia .
82-798: The building was commissioned from Giacomo Quarenghi by the Society for Education of Noble Maidens and constructed in 1806–08 to house the Smolny Institute of Noble Maidens , established at the urging of Ivan Betskoy and in accordance with a decree of Catherine II (the Great) in 1764, borrowing its name from the nearby Smolny Convent . The establishment of the institute was a significant step in making education available for females in Russia: "The provision of formal education for women began only in 1764 and 1765, when Catherine II established first
164-482: A rusticated basement or ground floor, containing the service and minor rooms; above this, the piano nobile (noble level), accessed through a portico reached by a flight of external steps, containing the principal reception and bedrooms; and lastly a low mezzanine floor with secondary bedrooms and accommodation. The proportions of each room (for example, height and width) within the villa were calculated on simple mathematical ratios like 3:4 and 4:5. The arrangement of
246-636: A building he designed on the outskirts of London and one of the largest and most influential of the early neo-Palladian houses. The movement's resurgence was championed by Richard Boyle, 3rd Earl of Burlington , whose buildings for himself, such as Chiswick House and Burlington House , became celebrated. Burlington sponsored the career of the artist, architect and landscaper William Kent , and their joint creation, Holkham Hall in Norfolk , has been described as "the most splendid Palladian house in England". By
328-590: A continuing influence of Palladio's ideas on architects of the 20th century. In the 21st century Palladio's name regularly appears among the world's most influential architects. In England, Raymond Erith (1904–1973) drew on Palladian inspirations, and was followed in this by his pupil, subsequently partner, Quinlan Terry . Their work, and that of others, led the architectural historian John Martin Robinson to suggest that "the Quattro Libri continues as
410-453: A double loggia. Loggias were sometimes given significance in a façade by being surmounted by a pediment . Villa Godi 's focal point is a loggia rather than a portico, with loggias terminating each end of the main building. Palladio would often model his villa elevations on Roman temple façades. The temple influence, often in a cruciform design, later became a trademark of his work. Palladian villas are usually built with three floors:
492-621: A façade, as at New Wardour Castle , or once at each end, as on the inner façade of Burlington House (true Palladian windows). Palladio's elaboration of this, normally used in a series, places a larger or giant order in between each window, and doubles the small columns supporting the side lintels, placing the second column behind rather than beside the first. This was introduced in the Biblioteca Marciana in Venice by Jacopo Sansovino (1537), and heavily adopted by Palladio in
574-492: A friend of Winckelmann , and the former's pupil Niccola Giansimoni, measuring and drawing the antiquities of Rome. In Venice (1771–1772), where he was studying the works of Palladio, Quarenghi came into contact with a British lord passing through there on the Grand Tour . It was through him that the architect secured a few minor English commissions, such as garden pavilions, chimney pieces (Loukomsky 1928), and an altar for
656-405: A market, a bank building, interior decorations and garden designs. His projects were put into execution as far away from the capital as Novhorod-Siverskyi , Ukraine where a cathedral was constructed to his designs. In Moscow , he was responsible for the reconstruction of medieval Red Square in a fashionable neo-Palladian mode. Count Nicholas Sheremetev engaged him to devise a theatre hall in
738-666: A mere symbol, often closed, or merely hinted at in the design by pilasters, and sometimes in very late examples of English Palladianism adapted to become a porte-cochère ; in America, the Palladian portico regained its full glory. The White House in Washington, D.C., was inspired by Irish Palladianism. Its architect James Hoban , who built the executive mansion between 1792 and 1800, was born in Callan , County Kilkenny , in 1762,
820-647: A moment when Neoclassicism was being developed in advanced artistic circles. He studied painting with Anton Raphael Mengs , then with Stefano Pozzi , later moving to study architecture (1767–69) with a traditionalist Late Baroque architect Paolo Posi . Then he came upon a copy of Andrea Palladio 's Quattro Libri d'archittetura . "You could never believe," he wrote to his friend and long-term correspondent Marchesi, "the impression that this book made. Then it struck me that I had every reason to consider myself badly guided" before that point (Loukomsky 1928). He turned for new, Neoclassical instruction to Antoine Decrezet,
902-667: A reputation that in 1779 he was selected by the Prussian-born count Rieffenstein, who had been commissioned by Catherine II of Russia to send her two Italian architects to replace her French ones (Loukomsky 1928). Despite having just designed a manege in Monaco and a dining hall for the Archduchess of Modena , 35-year-old Quarenghi seems to have felt himself underemployed, given the number of architects then working in Italy and
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#1732765914244984-691: A statesman, his passion was architecture, and he developed an intense appreciation of Palladio's architectural concepts; his designs for the James Barbour Barboursville estate, the Virginia State Capitol , and the University of Virginia campus were all based on illustrations from Palladio's book. Realising the political significance of ancient Roman architecture to the fledgling American Republic, Jefferson designed his civic buildings, such as The Rotunda , in
1066-450: A trademark of Palladio's early career. There are two different versions of the motif : the simpler one is called a Venetian window , and the more elaborate a Palladian window or "Palladian motif", although this distinction is not always observed. The Venetian window has three parts: a central high round-arched opening, and two smaller rectangular openings to the sides. The side windows are topped by lintels and supported by columns. This
1148-464: Is derived from the ancient Roman triumphal arch , and was first used outside Venice by Donato Bramante and later mentioned by Sebastiano Serlio (1475–1554) in his seven-volume architectural book Tutte l'opere d'architettura et prospetiva ( All the Works of Architecture and Perspective ) expounding the ideals of Vitruvius and Roman architecture. It can be used in series, but is often only used once in
1230-676: Is often misused in modern discourse and tends to be used to describe buildings with any classical pretensions. There was a revival of a more serious Palladian approach in the 20th century when Colin Rowe , an influential architectural theorist, published his essay, The Mathematics of the Ideal Villa , (1947), in which he drew links between the compositional "rules" in Palladio's villas and Le Corbusier's villas at Poissy and Garches. Suzanne Walters' article The Two Faces of Modernism suggests
1312-442: Is small, has only three bays, while the temple-like portico is merely suggested, and is closed. Two great flanking wings containing a vast suite of state rooms replace the walls or colonnades which should have connected to the farm buildings; the farm buildings terminating the structure are elevated in height to match the central block and given Palladian windows , to ensure they are seen as of Palladian design. This development of
1394-747: Is the Villa Pisani, and that for the first Monticello, the Villa Cornaro at Piombino Dese . Both are taken from Book II, Chapter XIV of I quattro libri dell'architettura . Jefferson later made substantial alterations to Monticello, known as the second Monticello (1802–1809), making the Hammond-Harwood House the only remaining house in North America modelled directly on a Palladian design. Jefferson referred to I quattro libri dell'architettura as his bible . Although
1476-522: Is the former Irish Houses of Parliament in Dublin. Christine Casey, in her 2005 volume Dublin , in the Pevsner Buildings of Ireland series, considers the building, "arguably the most accomplished public set-piece of the Palladian style in [Britain]". Pearce was a prolific architect who went on to design the southern façade of Drumcondra House in 1725 and Summerhill House in 1731, which
1558-527: The Basilica Palladiana in Vicenza, where it is used on both storeys; this feature was less often copied. The openings in this elaboration are not strictly windows, as they enclose a loggia. Pilasters might replace columns, as in other contexts. Sir John Summerson suggests that the omission of the doubled columns may be allowed, but the term "Palladian motif" should be confined to cases where
1640-606: The Buildings of Ireland series, suggests that, at Coole, Wyatt designed a building, "more massy, more masculine and more totally liberated from Palladian practice than anything he had done before." Because of its later development, Palladian architecture in Canada is rarer. In her 1984 study, Palladian Style in Canadian Architecture , Nathalie Clerk notes its particular impact on public architecture, as opposed to
1722-588: The Ostankino Palace and a semicircular colonnade for the Sheremetev Hospital. Most of Quarenghi's designs intended for Moscow were subsequently realized with significant modifications by other architects, as was the case with Gostiny Dvor (1789–1805), Catherine Palace (1782–87), and Sloboda Palace (1790–94). Emperor Paul disliked everything that was dear to his mother and Quarenghi's architecture obviously fell into this category. After
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#17327659142441804-700: The Smolny Convent that was built on the place where a resin plant had once been ("smola" is Russian for "resin"). In 1917, Vladimir Lenin chose the building as Bolshevik headquarters immediately before and during the October Revolution . It was Lenin's residence for several months, until the national government was moved to the Moscow Kremlin in March 1918. After that, the Smolny became
1886-468: The Whig Oligarchy who ruled Britain unchallenged for some fifty years after the death of Queen Anne . Summerson thought Kent's Horse Guards on Whitehall epitomised "the establishment of Palladianism as the official style of Great Britain". As the style peaked, thoughts of mathematical proportion were swept away. Rather than square houses with supporting wings, these buildings had the length of
1968-573: The original and the present Irish parliaments in Dublin occupy Palladian buildings. The Irish architect Sir Edward Lovett Pearce (1699–1733) became a leading advocate. He was a cousin of Sir John Vanbrugh, and originally one of his pupils. He rejected the Baroque style, and spent three years studying architecture in France and Italy before returning to Ireland. His most important Palladian work
2050-719: The Houses of Parliament, and it appears in his executed designs for the north front of Holkham Hall . Another example is Claydon House , in Buckinghamshire ; the remaining fragment is one wing of what was intended to be one of two flanking wings to a vast Palladian house. The scheme was never completed and parts of what was built have since been demolished. During the 17th century, many architects studying in Italy learned of Palladio's work, and on returning home adopted his style, leading to its widespread use across Europe and North America. Isolated forms of Palladianism throughout
2132-677: The Newport Brick Market, conceived a decade later, is also Palladian. Two colonial period houses that can be definitively attributed to designs from I quattro libri dell'architettura are the Hammond-Harwood House (1774) in Annapolis, Maryland , and Thomas Jefferson 's first Monticello (1770). Hammond-Harwood was designed by the architect William Buckland in 1773–1774 for the wealthy farmer Matthias Hammond of Anne Arundel County , Maryland. The design source
2214-660: The Palladian Rotunda Hospital in Dublin and Florence Court in County Fermanagh . Irish Palladian country houses often feature robust Rococo plasterwork – an Irish specialty which was frequently executed by the Lafranchini brothers and far more flamboyant than the interiors of their contemporaries in England. In the 20th century, during and following the Irish War of Independence and
2296-537: The Palladian revival ended by the close of the 18th century. In the 19th century, proponents of the Gothic Revival such as Augustus Pugin , remembering the origins of Palladianism in ancient temples, considered it pagan, and unsuited to Anglican and Anglo-Catholic worship. In North America, Palladianism lingered a little longer; Thomas Jefferson's floor plans and elevations owe a great deal to Palladio's I quattro libri dell'architettura. The term Palladian
2378-612: The Palladian style, echoing in his buildings for the new republic examples from the old . In Virginia and the Carolinas , the Palladian style is found in numerous plantation houses , such as Stratford Hall , Westover Plantation and Drayton Hall . Westover's north and south entrances, made of imported English Portland stone , were patterned after a plate in William Salmon's Palladio Londinensis (1734). The distinctive feature of Drayton Hall, its two-storey portico,
2460-742: The Smolny Institute for girls of the nobility in Saint Petersburg and then the Novodevichii Institute for the daughters of commoners." The Smolny was Russia's first educational establishment for women and continued to function under the personal patronage of the Russian Empress until just before the 1917 revolution. A parterre garden and iron-work grille around the institute date from the early 19th century. Smolny Institute got its name from being close to
2542-451: The South façade which closely resembles Wyatt's 1790 design for Castle Coole, suggests that Coole is perhaps the more direct progenitor . The architectural historian Gervase Jackson-Stops describes Castle Coole as "a culmination of the Palladian traditions, yet strictly neoclassical in its chaste ornament and noble austerity", while Alistair Rowan, in his 1979 volume, North West Ulster , of
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2624-821: The Volkov Cemetery to the Lazarevskoe Cemetery at the Alexander Nevsky Monastery , and a bust of the architect was erected between the Assignation Bank and Bank Bridge in Saint Petersburg. Palladian architecture Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry , perspective and
2706-604: The administration of Anatoly Sobchak . Today, this historic building is the official residence of the governor of Saint Petersburg and also houses a museum dedicated to Lenin. Visitors to the museum can tour Lenin's office and living rooms and see the assembly hall where the victory of the October revolution was proclaimed in 1917. During the Finnish Civil War , the house in Helsinki which served as headquarters of
2788-681: The adoption in his own country of the architectural style Burlington had introduced in England. By 1741, Georg Wenzeslaus von Knobelsdorff had already begun construction of the Berlin Opera House on the Unter den Linden , based on Campbell's Wanstead House . Palladianism was particularly adopted in areas under British colonial rule . Examples can be seen in the Indian subcontinent ; the Raj Bhavan, Kolkata (formerly Government House)
2870-582: The court of Charles I to survive the turmoil of the English Civil War . Following the Stuart restoration , Jones's Palladianism was eclipsed by the Baroque designs of such architects as William Talman , Sir John Vanbrugh , Nicholas Hawksmoor , and Jones's pupil John Webb . The Baroque style proved highly popular in continental Europe, but was often viewed with suspicion in England, where it
2952-701: The dearth of commissions from the church and nobility. He accepted Rieffenstein's offer without hesitation and left with his pregnant wife for St Petersburg. Quarenghi's first important commission in Russia was the English Palace in Peterhof , a magnificent rectangular edifice with a Corinthian portico . The structure, which pleased the Empress immensely, was blown up by the Germans during World War II and
3034-500: The design of many modern buildings, while its inspirer is regularly cited as having been among the world's most influential architects. Andrea Palladio was born in Padua in 1508, the son of a stonemason . He was inspired by Roman buildings , the writings of Vitruvius (80 BC), and his immediate predecessors Donato Bramante and Raphael . Palladio aspired to an architectural style that used symmetry and proportion to emulate
3116-412: The different rooms within the house, and the external façades, were similarly determined. Earlier architects had used these formulas for balancing a single symmetrical façade; however, Palladio's designs related to the entire structure. Palladio set out his views in I quattro libri dell'architettura : "beauty will result from the form and correspondence of the whole, with respect to the several parts, of
3198-541: The emperor took the Maltese knights under his protection, Quarenghi also joined the Order and served as its official architect until 1800. His commissions became less frequent, as the monotonous rhythm of solemn colonnades and the laconic clarity of symmetrical compositions appeared boring to those courtiers who had found Quarenghi's designs so delightful a decade earlier. Under such circumstances, he visited Italy in 1801 and
3280-536: The engravings of buildings by Jones and Webb, "as an exemplar of what new architecture should be". On the strength of the book, Campbell was chosen as the architect for Henry Hoare I 's Stourhead house. Hoare's brother-in-law, William Benson , had designed Wilbury House , the earliest 18th-century Palladian house in Wiltshire, which Campbell had also illustrated in Vitruvius Britannicus . At
3362-686: The enthronement of Alexander I of Russia , Quarenghi was again at the height of his individuality and fashion. In 1805 the architect became a corresponding member of the Imperial Academy of Arts . His design for the Anichkov Palace Colonnade, however, incurred severe criticism from the academic establishment for the perceived erratic use of classical orders . Quarenghi defended himself in a letter to Canova proclaiming that "good sense and judgment shouldn't be enslaved by commonly accepted rules and models". Giacomo Quarenghi
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3444-520: The façade as their major consideration: long houses often only one room deep were deliberately deceitful in giving a false impression of size. During the Palladian revival period in Ireland, even modest mansions were cast in a neo-Palladian mould. Irish Palladian architecture subtly differs from the England style. While adhering as in other countries to the basic ideals of Palladio, it is often truer to them. In Ireland, Palladianism became political; both
3526-436: The forefront of the new school of design was the "architect earl", Richard Boyle, 3rd Earl of Burlington , according to Dan Cruikshank the "man responsible for this curious elevation of Palladianism to the rank of a quasi-religion". In 1729 he and Kent designed Chiswick House . This house was a reinterpretation of Palladio's Villa Capra, but purified of 16th century elements and ornament. This severe lack of ornamentation
3608-596: The grandeur of classical buildings. His surviving buildings are in Venice , the Veneto region, and Vicenza , and include villas and churches such as the Basilica del Redentore in Venice. Palladio's architectural treatises follow the approach defined by Vitruvius and his 15th-century disciple Leon Battista Alberti , who adhered to principles of classical Roman architecture based on mathematical proportions rather than
3690-527: The headquarters of the local Communist Party apparat , effectively the city hall . In 1927, a monument to Lenin was erected in front of the building, designed by the sculptor Vasily Kozlov and the architects Vladimir Shchuko and Vladimir Gelfreikh . The Smolny Institute was also the site of Sergei Kirov 's assassination in 1934. After 1991, the Smolny was used as the seat of the city mayor (governor after 1996) and city administration of Saint Petersburg. Vladimir Putin worked there from 1991 to 1997 in
3772-512: The larger order is present. Palladio used these elements extensively, for example in very simple form in his entrance to Villa Forni Cerato . It is perhaps this extensive use of the motif in the Veneto that has given the window its alternative name of the Venetian window. Whatever the name or the origin, this form of window has become one of the most enduring features of Palladio's work seen in
3854-537: The late 1720s, and added a Palladian doorcase derived from Kent's Designs of Inigo Jones (1727), which he may have brought with him from London. Palladio's work was included in the library of a thousand volumes amassed for Yale College . Peter Harrison 's 1749 designs for the Redwood Library in Newport , Rhode Island , borrow directly from Palladio's I quattro libri dell'architettura , while his plan for
3936-400: The late 18th century, particularly in the suburbs around London. Sir William Chambers built many examples, such as Parkstead House . But the grander English Palladian houses were no longer the small but exquisite weekend retreats that their Italian counterparts were intended as. They had become "power houses", in Sir John Summerson's words, the symbolic centres of the triumph and dominance of
4018-402: The later architectural styles evolved from Palladianism. According to James Lees-Milne , its first appearance in Britain was in the remodelled wings of Burlington House, London, where the immediate source was in the English court architect Inigo Jones 's designs for Whitehall Palace rather than drawn from Palladio himself. Lees-Milne describes the Burlington window as "the earliest example of
4100-428: The later works contained drawings and plans by Campbell and other 18th-century architects. These four books greatly contributed to Palladian architecture becoming established in 18th-century Britain. Campbell and Kent became the most fashionable and sought-after architects of the era. Campbell had placed his 1715 designs for the colossal Wanstead House near to the front of Vitruvius Britannicus , immediately following
4182-400: The merits of the style, while Knobelsdorff 's opera house in Berlin on the Unter den Linden , begun in 1741, was based on Campbell's Wanstead House. Later in the century, when the style was losing favour in Europe, Palladianism had a surge in popularity throughout the British colonies in North America . Thomas Jefferson sought out Palladian examples, which themselves drew on buildings from
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#17327659142444264-437: The middle of that century, both were challenged and then superseded by the Gothic Revival in the English-speaking world, whose champions such as Augustus Pugin , remembering the origins of Palladianism in ancient temples, deemed the style too pagan for true Christian worship . In the 20th and 21st centuries, Palladianism has continued to evolve as an architectural style; its pediments , symmetry and proportions are evident in
4346-411: The middle of the century Palladianism had become almost the national architectural style, epitomised by Kent's Horse Guards at the centre of the nation's capital. The Palladian style was also widely used throughout Europe, often in response to English influences. In Prussia the critic and courtier Francesco Algarotti corresponded with Burlington about his efforts to persuade Frederick the Great of
4428-412: The movement's most able proponent; in his writings, Palladio's visual inheritance became increasingly codified and moved towards neoclassicism . The most influential follower of Palladio was Inigo Jones, who travelled throughout Italy with the art collector Earl of Arundel in 1613–1614, annotating his copy of Palladio's treatise. The "Palladianism" of Jones and his contemporaries and later followers
4510-521: The onset of the English Civil War . After the Stuart Restoration , the architectural landscape was dominated by the more flamboyant English Baroque . Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Palladio's own I quattro libri dell'architettura ( The Four Books of Architecture ) and Colen Campbell 's Vitruvius Britannicus . Campbell's book included illustrations of Wanstead House ,
4592-478: The ornamental style of the Renaissance . Palladio recorded and publicised his work in the 1570 four-volume illustrated study, I quattro libri dell'architettura (The Four Books of Architecture). Palladio's villas are designed to fit with their setting. If on a hill, such as Villa Almerico Capra Valmarana (Villa Capra, or La Rotonda), façades were of equal value so that occupants could enjoy views in all directions. Porticos were built on all sides to enable
4674-573: The parts with regard to each other, and of these again to the whole; that the structure may appear an entire and complete body, wherein each member agrees with the other, and all necessary to compose what you intend to form." Palladio considered the dual purpose of his villas as the centres of farming estates and weekend retreats. These symmetrical temple-like houses often have equally symmetrical, but low, wings, or barchessas , sweeping away from them to accommodate horses, farm animals, and agricultural stores. The wings, sometimes detached and connected to
4756-439: The principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones , whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at
4838-539: The private Roman Catholic chapel of Henry Arundell at New Wardour Castle . Designs for a country house for Lord Whitworth were exhibited at Venice in 1967. His first major commission (1771–7) was the internal reconstruction of the monastery of Santa Scholastica at Subiaco . For the Venetian cardinal Rezzonico, the nephew of Pope Clement XIII , he designed a decor for a Music Room in the Campidoglio , and designs for Clement's tomb (later executed by Antonio Canova ). His work in Italy and for English clients formed enough of
4920-405: The private houses in the United States. One example of historical note is the Nova Scotia Legislature building , completed in 1819. Another example is Government House in St. John's, Newfoundland . The rise of neo-Palladianism in England contributed to its adoption in Prussia . Count Francesco Algarotti wrote to Lord Burlington to inform him that he was recommending to Frederick the Great
5002-711: The pro-Bolshevik Red Guard got nicknamed ″ Smolna ″, after the above Bolshevik headquarters in Saint Petersburg . The nickname stuck even after the defeat of the Red Guard, and the building was still so named when used by the victorious anti-Communist Finns. 59°56′47″N 30°23′47″E / 59.94639°N 30.39639°E / 59.94639; 30.39639 Giacomo Quarenghi Giacomo Quarenghi ( Italian pronunciation: [ˈdʒaːkomo kwaˈreŋɡi, -ˈrɛŋɡi] ; Russian: Джа́комо Кваре́нги , romanized : Džákomo Kvaréngi , IPA: [ˈdʐakəmə kvɐˈrʲenɡʲɪ] ; 20 or 21 September 1744 – 2 March [ O.S. 18 February] 1817)
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#17327659142445084-439: The requirements of each individual client. When in 1746 the Duke of Bedford decided to rebuild Woburn Abbey , he chose the fashionable Palladian style, and selected the architect Henry Flitcroft , a protégé of Burlington. Flitcroft's designs, while Palladian in nature, had to comply with the Duke's determination that the plan and footprint of the earlier house, originally a Cistercian monastery, be retained. The central block
5166-410: The residents to appreciate the countryside while remaining protected from the sun. Palladio sometimes used a loggia as an alternative to the portico. This is most simply described as a recessed portico, or an internal single storey room with pierced walls that are open to the elements. Occasionally a loggia would be placed at second floor level over the top of another loggia, creating what was known as
5248-557: The revived Venetian window in England". A variant, in which the motif is enclosed within a relieving blind arch that unifies the motif, is not Palladian, though Richard Boyle seems to have assumed it was so, in using a drawing in his possession showing three such features in a plain wall. Modern scholarship attributes the drawing to Vincenzo Scamozzi . Burlington employed the motif in 1721 for an elevation of Tottenham Park in Savernake Forest for his brother-in-law Lord Bruce (since remodelled). William Kent used it in his designs for
5330-432: The son of tenant farmers on the estate of Desart Court , a Palladian House designed by Pearce. He studied architecture in Dublin, where Leinster House (built c. 1747 ) was one of the finest Palladian buildings of the time. Both Cassel's Leinster House and James Wyatt 's Castle Coole have been cited as Hoban's inspirations for the White House but the more neoclassical design of that building, particularly of
5412-513: The style was to be repeated in many houses and town halls in Britain over one hundred years. Often the terminating blocks would have blind porticos and pilasters themselves, competing for attention with, or complementing the central block. This was all very far removed from the designs of Palladio two hundred years earlier. Falling from favour during the Victorian era , the approach was revived by Sir Aston Webb for his refacing of Buckingham Palace in 1913. The villa tradition continued throughout
5494-429: The subsequent civil war , large numbers of Irish country houses , including some fine Palladian examples such as Woodstock House , were abandoned to ruin or destroyed. Palladio's influence in North America is evident almost from its first architect-designed buildings. The Irish philosopher George Berkeley , who may be America's first recorded Palladian, bought a large farmhouse in Middletown , Rhode Island , in
5576-459: The time of the Roman Republic , to develop a new architectural style for the American Republic . Examples include the Hammond–Harwood House in Maryland and Jefferson's own house, Monticello , in Virginia . The Palladian style was also adopted in other British colonies, including those in the Indian subcontinent . In the 19th century, Palladianism was overtaken in popularity by Neoclassical architecture in both Europe and in North America. By
5658-420: The villa by colonnades , were designed not only to be functional but also to complement and accentuate the villa. Palladio did not intend them to be part of the main house, but the development of the wings to become integral parts of the main building – undertaken by Palladio's followers in the 18th century – became one of the defining characteristics of Palladianism. Palladian, Serlian, or Venetian windows are
5740-416: The wings to almost the same importance as the house itself. It was the development of the flanking wings that was to cause English Palladianism to evolve from being a pastiche of Palladio's original work. Wings were frequently adorned with porticos and pediments, often resembling, as at the much later Kedleston Hall , small country houses in their own right. Architectural styles evolve and change to suit
5822-431: The world were brought about in this way, although the style did not reach the zenith of its popularity until the 18th century. An early reaction to the excesses of Baroque architecture in Venice manifested itself as a return to Palladian principles. The earliest neo-Palladians there were the exact contemporaries Domenico Rossi (1657–1737) and Andrea Tirali (1657–1737). Their biographer, Tommaso Temanza , proved to be
5904-662: Was a style largely of façades, with the mathematical formulae dictating layout not strictly applied. A handful of country houses in England built between 1640 and 1680 are in this style. These follow the success of Jones's Palladian designs for the Queen's House at Greenwich , the first English Palladian house, and the Banqueting House at Whitehall , the uncompleted royal palace in London of Charles I . Palladian designs advocated by Jones were too closely associated with
5986-742: Was an Italian architect who was the foremost and most prolific practitioner of neoclassical architecture in Imperial Russia , particularly in Saint Petersburg . He brought into vogue an original monumental style, of Palladian inspiration , which was a reference for many architects who worked in Russia as well as the Grand Duchy of Finland . He has been described as "the last of the great architects of Italy". Born in Rota d'Imagna near Bergamo to an Italian noble family, Quarenghi
6068-650: Was completed after his death by Richard Cassels . Pearce also oversaw the building of Castletown House near Dublin, designed by the Italian architect Alessandro Galilei (1691–1737). It is perhaps the only Palladian house in Ireland built with Palladio's mathematical ratios, and one of a number of Irish mansions which inspired the design of the White House in Washington, D.C. Other examples include Russborough , designed by Richard Cassels, who also designed
6150-533: Was considered "theatrical, exuberant and Catholic." It was superseded in Britain in the first quarter of the 18th century when four books highlighted the simplicity and purity of classical architecture. These were: The most favoured among patrons was the four-volume Vitruvius Britannicus by Campbell, The series contains architectural prints of British buildings inspired by the great architects from Vitruvius to Palladio; at first mainly those of Inigo Jones, but
6232-474: Was derived from Palladio, as was Mount Airy , in Richmond County, Virginia , built in 1758–1762. A particular feature of American Palladianism was the re-emergence of the great portico which, as in Italy, fulfilled the need of protection from the sun; the portico in various forms and size became a dominant feature of American colonial architecture. In the north European countries the portico had become
6314-613: Was destined by his parents for a career in law or the church but initially was allowed to study painting in the Bergamo studio of G. Reggi, himself a student of Tiepolo . Young Quarenghi was well-educated and widely read. Travelling through Italy he visited Vicenza , Verona , Mantua and Venice , the places where he made the longest stays. He made drawings of the Greek temples at Paestum (Loukomski 1928) and finally arrived in Rome in 1763, at
6396-468: Was given a triumphant welcome. He turned his attention to watercolours , enlivening conventional architectural vistas with genre scenes from everyday city life. He also published several albums of neo-Palladian designs (1787, 1791, 1810) and provided elaborate designs for decorative vases , capitals for columns and metalwork executed for imperial residences, particularly the Winter Palace . With
6478-513: Was granted Russian nobility and the Order of St. Vladimir of the First Degree in 1814. After 1808 he lived largely in retirement as a celebrity. Of his thirteen children by two wives, a few chose to remain in Russia, while others returned to Italy. He died at age 72 in Saint Petersburg. When the 150th anniversary of his death was being marked in 1967, the remains of Quarenghi were moved from
6560-637: Was later demolished by the Soviet government. In 1783 Quarenghi settled with his family in Tsarskoe Selo , where he would supervise the construction of the Alexander Palace , the most ambitious of his undertakings to date. Appointed to the post of Catherine II 's court architect, Quarenghi went on to produce a prodigious number of designs for the Empress, her successors and members of her court: houses, summerhouses, bridges, theatres, hospices,
6642-629: Was modelled on Kedleston Hall , while the architectural historian Pilar Maria Guerrieri identifies its influences in Lutyens' Delhi . In South Africa, Federico Freschi notes the " Tuscan colonnades and Palladian windows" of Herbert Baker 's Union Buildings . By the 1770s, British architects such as Robert Adam and William Chambers were in high demand, but were now drawing on a wide variety of classical sources, including from ancient Greece , so much so that their forms of architecture became defined as neoclassical rather than Palladian. In Europe,
6724-414: Was to be a feature of English Palladianism. In 1734 Kent and Burlington designed Holkham Hall in Norfolk . James Stevens Curl considers it "the most splendid Palladian house in England". The main block of the house followed Palladio's dictates, but his low, often detached, wings of farm buildings were elevated in significance. Kent attached them to the design, banished the farm animals, and elevated
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