The Sonobudoyo Museum ( Javanese : ꦩꦸꦱꦶꦪꦸꦩ꧀ꦱꦤꦧꦸꦢꦪ , romanized: Musiyum Sanabudaya ) is a Javanese history and culture museum and library in Yogyakarta , Indonesia . The museum contains the most complete collection of Javanese artifacts, after the National Museum in Jakarta . In addition to ceramics of the Neolithic era and bronze sculptures from the 8th century , the museum also includes collections of wayang (shadow puppets), various ancient weapons (such as keris ), and Javanese masks .
23-479: The Sonobudoyo Museum consists of two units, with Unit I located at Jalan Trikora No. 6 Yogyakarta, and Unit II located at Ndalem Condrokiranan, Wijilan, to the east of main (northern) alun-alun in the city. The museum also features nightly wayang and gamelan performances on weekdays, primarily for foreign and domestic tourists. The Java Instituut was a foundation established in 1919 in Surakarta for
46-481: A gate in Javanese architecture is usually an insulating wall ( Renteng or Baturono ), sometimes with a distinctive, traditional ornament. The wooden buildings of the complex have a traditional Javanese architectural style , decorated with flora, fauna, or nature motifs. Foreign influences ( Portuguese , Dutch , and Chinese ) are also seen. The buildings are of joglo construction. The trapezoidal joglo roof
69-691: A place for public corporal punishments and executions. Condemned criminals were publicly executed by krissing (using a keris to stab the condemned from the left shoulder blade downward into the heart) beside the enclosed banyan trees of the alun-alun lor . For especially heinous criminals, most especially traitors and vicious brigands, the condemner's head would be impaled on a pike as a macabre public warning. The alun-alun lor functioned and continues to function as centre for public spectacles, court celebrations and general non-court entertainment. The Javanese festivals of Garebegan and Sekaten great fairs were held here, as they are still held today. The alun-alun lor
92-469: Is a large, central, open lawn square common to villages, towns and cities in Indonesia . Commonly, alun-alun in modern-day Indonesia refers only to the two large open squares of kraton palace compounds. Each kraton has two alun-alun : the most important and northern alun-alun lor and the less important and commonly smaller southern alun-alun kidul . The court of Pakubuwana in Surakarta
115-484: Is a palace. Keraton is the living quarters of the royal family. Tamarind and Spanish cherry trees line the road from Krapyak Hunting House to the palace, which runs from Tugu Yogyakarta to the palace. Tugu Yogyakarta (the Gilig golong monument), on the north side of the old city, symbolizes "unification between the king ( golong ) and the people ( gilig )" (Javanese: manunggaling kawulo gusti ). It also symbolizes
138-418: Is erroneous Javanese. Possibly the accent of the Javanese speaker confused the scribe. The definition of alon alon is to progress slowly or cautiously, and well known within the modern Indonesian public sphere as the phrase "alon alon asal kelakon" : "slowly and surely as long as it's [sic: task] done"- humorously amended to the very popular contemporary "alon alon asal kelakson" : "slowly as long as you beep
161-568: Is unique as it incorporates the alun-alun kidul within the defensive wall of the kraton proper. The northern alun-alun lor functioned as the primary and most official entrance to the kraton. Javanese officials and commoners alike had to dismount carriages and horses before entering the alun-alun lor to continue to the kraton. At the two centrally located holy beringin or banyan trees, officials had their payung (ceremonial parasols indicating office) placed down by their parasol valet . Ordinary commoner Javanese seeking an audience with
184-400: Is usually covered with red or gray shingles, tiles, or zinc. It is supported by a central pillar ( soko guru ) and secondary pillars. Pillars are usually dark green or black, with yellow, llight green red or gold highlights. Other wooden building elements match the pillars in color. The stone pedestal ( Ompak ), the black color is combined with gold ornamentation. White dominates the walls of
207-642: The British, the Javanese were unprepared for the attack. Yogyakarta fell in one day, and the palace was sacked and burnt. The attack was the first of its kind on a Javanese court, and the Sultanate briefly became subject to British authority before the British government returned control of Indonesia to the Dutch. Most of the current palace was built by Sultan Hamengkubuwono VIII (who reigned from 1921 to 1939) and
230-641: The Dutch Fort Vredeburg . Strict rules govern the location of buildings surrounding the alun-alun lor . The main mosque must be sited on the west side and face east (to Mecca ). The official residence of the Regent 's "Patih" , also Bupati (town or village head) was situated on the North or South. The East is generally reserved for shops, markets, or houses of prominent families. Two enormous Pacikra or Pacikeran doors conventionally separate
253-638: The Regent would be required to sit and wait under the trees waiting for an official to leave the Kraton and ask their reason for an audience. Dutch officials such as the Resident were commonly received with great ceremony to the alun-alun lor with the kraton soldiers firing three volleys , which would be answered by a twenty-one-gun salute from the Dutch fortress, especially between the Yogyakarta kraton and
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#1732771817023276-404: The basic design of the old city of Yogyakarta, was completed in 1755–1756; another building was added by a later Sultan of Yogyakarta. The complex consists of a courtyard covered with sand from the south coast, a main building, and a secondary building. The buildings are separated by a wall with a regol in semar tinandu style. The palace door is made of thick teak. Behind (or in front of)
299-426: The building and the complex. The floor, usually white marble or patterned tiles, is higher than the sandy courtyard. Some buildings have a higher main floor. Other buildings have a square stone ( Selo Gilang ) for the sultan's throne. Each building is classified by use. The main-class building (used by the sultan) has more ornamentation than the lower-class buildings, which have little or no ornamentation. A kraton
322-1020: The business of the Java Instituut , the Kunstambacht School or Sekolah Kerajinan Seni Ukir (Carving Arts and Crafts School) was opened. Towards the end of 1974, the Sonobudoyo Museum was handed over to the Ministry of Education and Culture and became directly responsible to the Directorate General in 2000. The Sonobudoyo Museum joined the Provincial Office of Culture and Tourism of Yogyakarta in 2001. Alun-alun An alun-alun ( Javanese , correctly hyphenated but occurs occasionally without hyphen; also found as aloen-aloen , aloon aloon , and erroneously alon-alon ) or Square ( English )
345-573: The final unity of the creator (Khalik) and his subjects. The Gate Donopratoro (gate to the Kedaton quarter) represents "a good person is someone who is generous and knows how to control his lust", and the two Dwarapala statues (Balabuta and Cinkarabala) represent good and evil. The palace's artifacts are believed to have the power to repulse evil. The palace hosts gamelan (music), Javanese dance , macapat (poetry), and wayang (shadow puppetry) performances. The Kraton Ngayogyakarta Hadiningrat
368-409: The high defensive perimeter wall surrounding the kraton and the alun-alun . The gladak or pradah compound for stables , porters , and draught horses was stationed outside the north gate of the alun-alun , presumably for practicality for disembarking officials and to keep the smell of horses and manure as far as possible from the kraton. The alun-alun lor also historically functioned for
391-404: The horn" referencing Jakarta 's infamous gridlock traffic. Kraton Ngayogyakarta Hadiningrat The Royal Palace of Yogyakarta ( Indonesian : Keraton Ngayogyakarta Hadiningrat , Javanese : ꦏꦿꦠꦺꦴꦤ꧀ꦔꦪꦺꦴꦒꦾꦏꦂꦠꦲꦢꦶꦤꦶꦔꦿꦠ꧀ , romanized: Kadhaton Ngayogyakarta Adiningrat ) is a palace complex in the city of Yogyakarta , Yogyakarta Special Region , Indonesia . It is the seat of
414-486: The reigning Sultan of Yogyakarta and his family. The complex is a center of Javanese culture and contains a museum displaying royal artifacts. It is guarded by the Yogyakarta Kraton Guards ( Indonesian: Prajurit Keraton Ngayogyakarta Hadiningrat ). The complex was built in 1755–1756 ( AJ 1682) for Hamengkubuwono I , the first Sultan of Yogyakarta . It was one of the monarch's first acts after
437-548: The signing of the Treaty of Giyanti , which recognized the creation of the Sultanate of Yogyakarta under the Dutch East India Company . A banyan forest, protected from flooding due to its location between two rivers, was chosen as the site for the palace. On 20 June 1812, Sir Stamford Raffles led a 1,200-strong British and Irish force to attack the walled royal city of Yogyakarta. Although they outnumbered
460-546: The study of the cultures of Java , Madura , Bali , and Lombok . In 1924, the Java Instituut held a congress in Surakarta to establish a museum with collections from the regions of Java, Madura, Bali, and Lombok. On November 6, 1935, the Sonobudoyo Museum was inaugurated and opened to the public, with the word sono meaning "place" and budoyo meaning "culture" in Javanese . In 1939, in order to support and complement
483-536: The yard and enjoy take-out food. Most alun-aluns function as public open spaces, large gathering spots for ceremonies, and recreation spots. At the Yogyakarta Palace and Surakarta Palace, the South Square has two famous banyan trees in the middle. Jakarta , notably does not have alun-alun unlike most cities, this is because it was designed for Dutch colonists. The transliteration of "alon alon"
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#1732771817023506-540: Was rebuilt after earthquakes in 1876 and 2006. The palace's chief architect was Sultan Hamengkubuwono I , who founded the Yogyakarta Sultanate . His architectural expertise was appreciated by the Dutch scientist Theodoor Gautier Thomas Pigeaud and Lucien Adam , who considered him a worthy successor of Pakubuwono II (founder of the Surakarta Sunanate ). The palace layout, which followed
529-542: Was the only place where the Sultan or Susuhunan would conduct dialogue with his people, and functioned to show his humanity and humility. The alun-lun kidul was more of a generic ground, principally for everyday mustering troops or servants and for exiting officials, servants and workers attending to mundane everyday business. In modern Yogyakarta and Surakarta, alun-alun lor is now surrounded by shops and malls, often hosting micro-enterprise stalls and for children to picnic in
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