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Scheide Library

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The Scheide Library , once a private library, is now a permanent part of the Department of Rare Books and Special Collections at the Princeton University Library . It is housed in the Harvey S. Firestone Memorial Library on the campus of Princeton University .

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48-684: In 2015, following the death of William Scheide, the library was donated to the University to become part of its permanent collection. It marks the largest donation in the university's history. The Scheide Library is the only library outside of Europe to possess all four of the first printed bibles: the Gutenberg Bible , the 1460 Bible (or Mentelin Bible), the 36-line Bible , and the 1462 Bible. Other notable holdings include manuscripts by Abraham Lincoln , J.S. Bach , and Ludwig van Beethoven ,

96-404: A certain leading. Fonts that are darker require a wider leading than those that are lighter. As well, fonts that are serif should be leaded wider than those that are sans serif . Languages can decide the leading that a printer uses as well. Leading is an important issue to consider when printing, as it can enhance readability, but it can also affect the number of pages, as larger leadings decrease

144-413: A combination of typeface styles, point sizes, line lengths, line leading, character spacing, and word spacing to produce typeset artwork in physical or digital form. In CSS , leading refers to the difference between the content height and the value of the line-height property. Half the leading is called the half-leading. User agents center glyphs vertically in an inline box, which adds half-leading on

192-490: A copy of the Declaration of Independence , and first editions of works by Shakespeare , and Milton . The library also holds significant collections of medieval manuscripts and incunabula , as well as printed books on travel and exploration, and Americana. The Scheide Library was assembled by three generations of collectors, William T. Scheide, his son, John H. Scheide, and grandson, William H. Scheide. William H. Scheide

240-686: A damaged paper copy of volume II. The largest portion of this, the New Testament, is now owned by Indiana University. The leaf carrying part of Chapter 14, all of Chapter 15, and part of Chapter 16 of the Book of Ezekiel was donated to the General Theological Seminary to repair their copy of the bible (now located at the Württembergische Landesbibliothek). The matching first volume of this copy

288-473: A few were certainly used for study. Kristian Jensen suggests that many copies were bought by wealthy and pious laymen for donation to religious institutions. The Gutenberg Bible had a profound effect on the history of the printed book. Textually, it also had an influence on future editions of the Bible. It provided the model for several later editions, including the 36 Line Bible , Mentelin's Latin Bible, and

336-457: A forged leaf, carrying part of Chapter 14, all of Chapter 15, and part of Chapter 16 of the Book of Ezekiel . It was impossible to tell when the leaf had been inserted into the volume. It was replaced in the fall of 1953, when a patron donated the corresponding leaf from a defective Gutenberg second volume which was being broken up and sold in parts. This made it "the first imperfect Gutenberg Bible ever restored to completeness." In 1978, this copy

384-466: A negative leading can enhance the message of the text and can create a more effective text. Negative leading can be affected by ascenders and descenders on certain letters. Letters with high ascenders and low descenders can interfere with one another between lines, if the leading is small enough to allow them to touch one another. Written texts with several portions that demand separate leading can lead to issue of text continuity. Written texts should have

432-483: A single physical section , called a quinternion , that could then be bound into a book. Some sections, however, had as few as four leaves or as many as twelve leaves. The 42-line Bible was printed on the size of paper known as 'Royal'. A full sheet of Royal paper measures 42 cm × 60 cm (17 in × 24 in) and a single untrimmed folio leaf measures 42 cm × 30 cm (17 in × 12 in). There have been attempts to claim that

480-502: A standard leading that does not deviate from page to page. There are instances that call for a change in leading, such as when a block quote is placed within a written text. The lines on the front of a page and the verso (back) should line up vertically, line for line. If there are several leadings contained on one page, this convention can be completely negated. Fonts can also affect the need for leading. No two fonts are exactly alike, and for that reason many have characteristics that demand

528-593: Is actually a varnish, and that means it sticks to its surface." Each unique character requires a piece of master type in order to be replicated. Given that each letter has uppercase and lowercase forms, and the number of various punctuation marks and ligatures (e.g., " fi " for the letter sequence "fi", commonly used in writing), the Gutenberg Bible needed a set of 290 master characters. It seems probable that six pages, containing 15,600 characters altogether, would be set at any one moment. The Gutenberg Bible

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576-935: Is also known for founding the Bach Aria Group , which is credited with reviving interest in Bach's cantatas. In 1984, William H. Scheide was honored with the Sir Thomas More Medal for Book Collecting, awarded by the University of San Francisco Gleeson Library and the Gleeson Library Associates, in recognition of his "Private Collecting for the Public Good." 40°20′58″N 74°39′27″W  /  40.349496°N 74.657367°W  / 40.349496; -74.657367 Gutenberg Bible The Gutenberg Bible , also known as

624-414: Is an entrenched practice due to the era of typewriters and, in academic settings, to allow the addition of handwritten comments and proofreading . Typewriters had a limited number of options for leading, and double spacing was chosen as a default. Double spacing increases the amount of unused white space on a page and reduces the number of lines on a page. Too much leading can cause continuity problems, as

672-422: Is printed in the blackletter type styles that would become known as Textualis (Textura) and Schwabacher . The name Textura refers to the texture of the printed page: straight vertical strokes combined with horizontal lines, giving the impression of a woven structure. Gutenberg already used the technique of justification , that is, creating a vertical, not indented, alignment at the left and right-hand sides of

720-417: Is the art and technique of setting written subject matter in type using a combination of typeface styles, point sizes, line lengths, line leading, character spacing, and word spacing to produce typeset artwork in physical or digital form. The same block of text at 100% leading: Typography (Greek: typos "form", graphein "to write") is the art and technique of setting written subject matter in type using

768-418: Is the thin strips of lead (or aluminium ) that were inserted between lines of type in the composing stick to increase the vertical distance between them. The thickness of the strip is called leading and is equal to the difference between the size of the type and the distance from one baseline to the next. For instance, given a type size of 10  points and a distance between baselines of 12 points,

816-488: Is thought to have been imported from Caselle in Piedmont, Italy based on the watermarks present throughout the volume. In Gutenberg's time, inks used by scribes to produce manuscripts were water-based. Gutenberg developed an oil-based ink that would better adhere to his metal type. His ink was primarily carbon, but also had a high metallic content, with copper, lead, and titanium predominating. Head of collections at

864-418: Is unlikely that any of Gutenberg's early publications would bear his name, the initial expense of press equipment and materials and of the work to be done before the Bible was ready for sale suggests that he may have started with more lucrative texts, including several religious documents, a German poem, and some editions of Aelius Donatus 's Ars Minor , a popular Latin grammar school book. Preparation of

912-697: The 42-line Bible , the Mazarin Bible or the B42 , was the earliest major book printed in Europe using mass-produced metal movable type . It marked the start of the " Gutenberg Revolution " and the age of printed books in the West. The book is valued and revered for its high aesthetic and artistic qualities and its historical significance. The Gutenberg Bible is an edition of the Latin Vulgate printed in

960-468: The British Library , Kristian Jensen, described it thus: "if you look [at the pages of The Gutenberg Bible] closely you will see this is a very shiny surface. When you write you use a water-based ink, you put your pen into it and it runs off. Now if you print that's exactly what you don't want. One of Gutenberg's inventions was an ink which wasn't ink, it's a varnish . So what we call printer's ink

1008-593: The 1450s by Johannes Gutenberg in Mainz , in present-day Germany . Forty-nine copies (or substantial portions of copies) have survived. They are thought to be among the world's most valuable books, although no complete copy has been sold since 1978. In March 1455, the future Pope Pius II wrote that he had seen pages from the Gutenberg Bible displayed in Frankfurt to promote the edition, and that either 158 or 180 copies had been printed. The 36-line Bible , said to be

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1056-408: The Bible probably began soon after 1450, and the first finished copies were available in 1454 or 1455. It is not known exactly how long the Bible took to print. The first precisely datable printing is Gutenberg's 31-line Indulgence which certainly existed by 22 October 1454. Gutenberg made three significant changes during the printing process. Some time later, after more sheets had been printed,

1104-518: The Bible's date comes from a letter. In March 1455, the future Pope Pius II wrote that he had seen pages from the Gutenberg Bible, being displayed to promote the edition, in Frankfurt. It is not known how many copies were printed, with the 1455 letter citing sources for both 158 and 180 copies. Scholars today think that examination of surviving copies suggests that somewhere between 160 and 185 copies were printed, with about three-quarters on paper and

1152-434: The Gutenberg Bible was stolen from Moscow State University in 2009 and subsequently recovered in an FSB sting operation in 2013. Possession of a Gutenberg Bible by a library has been equated to keeping a "trophy book". Interline spacing In typography , leading ( / ˈ l ɛ d ɪ ŋ / LED -ing ) is the space between adjacent lines of type; the exact definition varies. In hand typesetting , leading

1200-564: The binding of later books . Some fragments of the Gutenberg Bible are housed at... Today, few copies remain in religious institutions, with most now owned by university libraries and other major scholarly institutions. After centuries in which all copies seem to have remained in Europe, the first Gutenberg Bible reached North America in 1847. It is now in the New York Public Library. In the last hundred years, several long-lost copies have come to light, considerably improving

1248-466: The book was printed on larger paper measuring 44.5 cm × 30.7 cm (17.5 in × 12.1 in), but this assertion is contradicted by the dimensions of existing copies. For example, the leaves of the copy in the Bodleian Library, Oxford , measure 40 cm × 28.6 cm (15.7 in × 11.3 in). This is typical of other folio Bibles printed on Royal paper in

1296-789: The column. To do this, he used various methods, including using characters of narrower widths, adding extra spaces around punctuation, and varying the widths of spaces around words. Initially the rubrics—the headings before each book of the Bible—were printed, but this practice was quickly abandoned at an unknown date, and gaps were left for rubrication to be added by hand. A guide of the text to be added to each page, printed for use by rubricators, survives. The spacious margin allowed illuminated decoration to be added by hand. The amount of decoration presumably depended on how much each buyer could or would pay. Some copies were never decorated. The place of decoration can be known or inferred for about 30 of

1344-561: The direction of Professor Toshiyuki Takamiya , the HUMI team has made digital reproductions of 11 sets of the bible in nine institutions, including both full-text facsimiles held in the collection of the British Library . The last sale of a complete Gutenberg Bible took place in 1978, which sold for $ 2.4 million. This copy is now in Austin, Texas. The price of a complete copy today is estimated at $ 25−35 million. A two-volume paper edition of

1392-403: The eighteenth century. Leading can be used to enhance the legibility of a page or block of text. In The Elements of Typographic Style , Robert Bringhurst recommends more leading for longer measures, and for typefaces with darker weight, larger x-height, a vertical axis, or no serifs. The typographer Matthew Butterick recommends leading between 20% and 45% of the font size. Double spacing

1440-458: The eyes of the reader are required to travel a greater distance between lines of text. Text set "solid" (no leading) appears cramped, with ascenders almost touching descenders from the previous line. The lack of white space between lines makes it difficult for the eye to track from one line to the next, makes rivers more obvious, and hampers readability . Leading can be affected by a series of issues, all of which can be rectified or used to

1488-466: The fifteenth century. Most fifteenth-century printing papers have a width-to-height ratio of 1:1.4 (e.g. 30:42 cm) which, mathematically, is a ratio of 1 to the square root of 2 or, simply, 2 {\textstyle {\sqrt {2}}} . Many suggest that this ratio was chosen to match the so-called Golden Ratio , 1 + 5 2 {\textstyle {\tfrac {1+{\sqrt {5}}}{2}}} , of 1:1.6; in fact

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1536-879: The first and third Eggestein Bibles. The third Eggestein Bible was set from the copy of the Gutenberg Bible now in Cambridge University Library . The Gutenberg Bible also had an influence on the Clementine edition of the Vulgate commissioned by the Papacy in the late sixteenth century. Joseph Martini, a New York book dealer, found that the Gutenberg Bible held by the library of the General Theological Seminary in New York had

1584-406: The first volume ending with The Book of Psalms . Copies on vellum were heavier and for this reason were sometimes bound in three or four volumes. The Bible seems to have sold out immediately, with some initial purchases as far away as England and possibly Sweden and Hungary. At least some copies are known to have sold for 30 florins (equivalent to about 100 grams or 3.5 ounces of gold ), which

1632-489: The high standards achieved in the production of the Gutenberg Bible, some describing it as one of the most beautiful books ever printed. The quality of both the ink and other materials and the printing itself have been noted. The paper size is 'double folio', with two pages printed on each side (four pages per sheet). After printing the paper was folded once to the size of a single page. Typically, five of these folded sheets (ten leaves, or twenty printed pages) were combined to

1680-653: The history of engraving," was partly responsible for the illumination of the copy held by the Princeton University library. However, all that can be said for certain is that the same model book was used for some of the illustrations in this copy and for some of the Master's illustrated playing cards. Although many Gutenberg Bibles have been rebound over the years, nine copies retain fifteenth-century bindings . Most of these copies were bound in either Mainz or Erfurt . Most copies were divided into two volumes,

1728-503: The leading would be 2 points. The term is still used in modern page-layout software such as QuarkXPress , the Affinity Suite, and Adobe InDesign . Consumer-oriented word-processing software often talks of line spacing or, more accurately, interline spacing . The word comes from lead strips that were put between set lines of lead type, hence the pronunciation "ledding" and not "leeding". The practice became popular in

1776-695: The number of lines per page was increased from 40 to 42, presumably to save paper. Therefore, pages 1 to 9 and pages 256 to 265, presumably the first ones printed, have 40 lines each. Page 10 has 41, and from there on the 42 lines appear. The increase in line number was achieved by decreasing the interline spacing , rather than increasing the printed area of the page. Finally, the print run was increased, necessitating resetting those pages which had already been printed. The new sheets were all reset to 42 lines per page. Consequently, there are two distinct settings in folios 1–32 and 129–158 of volume I and folios 1–16 and 162 of volume II. The most reliable information about

1824-568: The number of lines per page. In this way the leading of a page can have a profound effect on the written text. This block of text has default leading: Typography (Greek: typos "form", graphein "to write") is the art and technique of setting written subject matter in type using a combination of typeface styles, point sizes, line lengths, line leading, character spacing, and word spacing to produce typeset artwork in physical or digital form. The same block of text set with 50% leading: Typography (Greek: typos "form", graphein "to write")

1872-405: The others on vellum . In a legal paper, written after completion of the Bible, Johannes Gutenberg refers to the process as Das Werk der Bücher ("the work of the books"). He had introduced the printing press to Europe and created the technology to make printing with movable types finally efficient enough to facilitate the mass production of entire books. Many book-lovers have commented on

1920-403: The printer's advantage. Negative leading applies only to digital type. An example of negative leading is (12/10) where 2 points are removed from the default leading. A negative leading could be viewed as a hindrance to readability. It would cause the text to be harder to read, as lines would be forced together, lessening room between lines and hindering readability. However, for short bursts of text

1968-400: The ratios are, plainly, not at all similar (equating to a difference of about 12 per cent). The ratio of 1:1.4 was a long established one for medieval paper sizes. A single complete copy of the Gutenberg Bible has 1,288 pages (4×322 = 1288) (usually bound in two volumes); with four pages per folio-sheet, 322 sheets of paper are required per copy. The Bible's paper consists of linen fibers and

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2016-796: The second printed Bible, is also sometimes referred to as a Gutenberg Bible, but may be the work of another printer. The Gutenberg Bible, an edition of the Vulgate , contains the Latin version of the Hebrew Old Testament and the Greek New Testament . It is mainly the work of St Jerome who began his work on the translation in AD 380, with emendations from the Parisian Bible tradition, and further divergences. While it

2064-647: The surviving copies. It is possible that 13 of these copies received their decoration in Mainz, but others were worked on as far away as London. The vellum Bibles were more expensive, and perhaps for this reason tend to be more highly decorated, although the vellum copy in the British Library is completely undecorated. There has been speculation that the " Master of the Playing Cards ", an unidentified engraver who has been called "the first personality in

2112-501: The top and bottom. For example, if a piece of text is "12pt" high and the line-height value is "14pt", 2pt of extra space should be added: 1pt above and 1pt below the text (this applies to empty boxes as well, as if the empty box contained zero-height text). The leading may be increased to align the bottom line of text on a page in a process known as feathering, carding, or vertical justification. In metal typesetting some fonts have default increased or decreased leading. To achieve this,

2160-453: The understanding of how the Bible was produced and distributed. In 1921 a New York rare book dealer, Gabriel Wells , bought a damaged paper copy, dismantled the book and sold sections and individual leaves to book collectors and libraries. The leaves were sold in a portfolio case with an essay written by A. Edward Newton , and were referred to as "Noble Fragments". In 1953 Charles Scribner's Sons , also book dealers in New York, dismembered

2208-540: Was about three years' wages for a clerk . Although this made them significantly cheaper than manuscript Bibles, most students, priests or other people of moderate income would not have been able to afford them. It is assumed that most were sold to monasteries, universities and particularly wealthy individuals. At present only one copy is known to have been privately owned in the fifteenth century. Some are known to have been used for communal readings in monastery refectories; others may have been for display rather than use, and

2256-603: Was sold for US$ 2.2 million to the Württembergische Landesbibliothek in Stuttgart , Germany. As of 2009 , 49 Gutenberg Bibles are known to exist, but of these only 21 are complete. Others have pages or even whole volumes missing. In addition, there are a substantial number of fragments, some as small as individual leaves, which are likely to represent about another 16 copies. Many of these fragments have survived because they were used as part of

2304-508: Was subsequently discovered in Mons, Belgium, having been bequeathed by Edmond Puissant to the city in 1934. The only copy held outside Europe and North America is the first volume of a Gutenberg Bible (Hubay 45) at Keio University in Tokyo. The Humanities Media Interface Project (HUMI) at Keio University is known for its high-quality digital images of Gutenberg Bibles and other rare books. Under

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