Misplaced Pages

#672327

84-656: The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Vasari says that Michelangelo copied one of his engravings , in the Trial of Saint Anthony . His style shows no trace of Italian influence, but a very clear and organised Gothic , which draws from both German and Early Netherlandish painting . Recent scholarship, building on

168-592: A censer and crosier . From his family background and time at university he was no doubt familiar with the emerging bourgeoisie of trade and the professions who provided the core market for high quality engravings, but the subjects from classical mythology so popular in German prints of the next century, and already present in Italian ones, do not appear at all in his work. The generally agreed sequence of his engravings shows an increasing sophistication of technique, but

252-498: A matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving , etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography ; blocks of wood for woodcuts and wood engravings ; and linoleum for linocuts . Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix substrates and related processes are discussed below. Except in

336-641: A royal cypher ) and is not a monogram. Many of today's monograms are embroidered on items for the home like towels, bedding, robes etc. Monograms first appeared on coins, as early as 350 BC. The earliest known examples are of the names of Greek cities which issued the coins, often the first two letters of the city's name. For example, the monogram of Achaea consisted of the letters alpha (Α) and chi (Χ) joined together. Monograms have been used as signatures by artists and craft workers on paintings, sculptures and pieces of furniture, especially when guilds enforced measures against unauthorized participation in

420-486: A "UT" monogram (in the same color as the Longhorns logo, burnt orange ). The New York Yankees baseball team also uses a monogram on their ball cap insignia. The Consolidated Edison logo, with a rounded "E" nested inside a "C", has been described as a "classic emblem." Many fashion companies have a monogram for a logo, including Louis Vuitton and Fendi . The connected "CC" company logo, created by Coco Chanel ,

504-519: A brush. Then a sheet of paper , perhaps slightly damp, is placed over the block. The block is then rubbed with a baren or spoon , or is run through a printing press . If the print is in color, separate blocks can be used for each color , or a technique called reduction printing can be used. Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. Both woodcuts and linocuts can employ reduction printing. This usually involves cutting

588-527: A design directly on a plank of wood , or transfers a drawing done on paper to a plank of wood. Traditionally, the artist then handed the work to a technician, who then uses sharp carving tools to carve away the parts of the block that will not receive ink. In the Western tradition, the surface of the block is then inked with the use of a brayer ; however in the Japanese tradition, woodblocks were inked with

672-601: A distinct and difficult skill that goldsmiths had long used on metal vessels. Two of his brothers worked as goldsmiths in Colmar, while another also became a painter. Colmar is now in France but was then part of the Holy Roman Empire and German-speaking. Most unusually for a Gothic or Renaissance artist, he was sent to university, presumably with the intention of turning him into a priest or lawyer, and matriculated at

756-515: A fabric stencil technique; ink is simply pushed through the stencil against the surface of the paper, most often with the aid of a squeegee. Generally, the technique uses a natural or synthetic 'mesh' fabric stretched tightly across a rectangular 'frame,' much like a stretched canvas. The fabric can be silk, nylon monofilament, multifilament polyester, or even stainless steel. While commercial screen printing often requires high-tech, mechanical apparatuses and calibrated materials, printmakers value it for

840-449: A far more universal appreciation" than earlier engravers such as Master E. S. With Master E.S., he was the first northern printmaker not only to have his prints very widely copied by other printmakers, but to have his designs taken by painters, sculptors and artists in all media. The demons in his The Temptation of St Anthony established the hybrids of fish, bird and insect types followed by Hieronymus Bosch and other artists throughout

924-479: A goldsmith's house. A print of an elephant is a unique venture into the popular "prodigy" genre; it turns out that an elephant was indeed being toured around Germany in 1483, before drowning in a canal near Muiden . He also produced nine of the first ornament prints , initially intended to be used by craftsmen in various media, including woodcarvers and goldsmiths, as patterns for the elaborate and sophisticated designs. There are also two prints of metalwork objects,

SECTION 10

#1732771877673

1008-487: A gradient-like quality. Mokulito is a form of lithography on wood instead of limestone. It was invented by Seishi Ozaku in the 1970s in Japan and was originally called Mokurito. Josef Albers , Ralston Crawford , Gene Davis . Robert Indiana , Roy Lichtenstein , Julian Opie , Bridget Riley , Edward Ruscha , Andy Warhol . Screen printing (occasionally known as "silkscreen", or "serigraphy") creates prints by using

1092-412: A metal plate. Where the etching technique uses a needle to make lines that retain ink, traditional aquatint relies on powdered rosin which is acid resistant in the ground to create a tonal effect. The rosin is applied in a light dusting by a fan booth, the rosin is then cooked until set on the plate. At this time the rosin can be burnished or scratched out to affect its tonal qualities. The tonal variation

1176-426: A mezzotint, the surface of a copper printing plate is roughened evenly all over with the aid of a tool known as a rocker; the image is then formed by smoothing the surface with a tool known as a burnisher. When inked, the roughened areas of the plate will hold more ink and print more darkly, while smoother areas of the plate hold less or no ink, and will print more lightly or not at all. It is, however, possible to create

1260-532: A number of different positions. Some personal monograms have become famous symbols in their own right and instantly recognizable to many, such as J.R.R. Tolkien 's monogram. Some companies and organizations adopt a monogram for a logo, usually with the letters of their acronym . For example, as well as having an official seal , and the Texas Longhorns logo, the University of Texas at Austin uses

1344-485: A painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition . Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then destroyed so that no more prints can be produced. Prints may also be printed in book form, such as illustrated books or artist's books . Printmaking techniques are generally divided into

1428-430: A small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting more away and printing the next color on top. This allows the previous color to show through. This process can be repeated many times over. The advantages of this process is that only one block is needed, and that different components of an intricate design will line up perfectly. The disadvantage

1512-452: A surviving few paintings in oil and fresco. Schongauer was born about 1450–53 in Colmar , Alsace , the third of four or five sons of Caspar Schongauer, a goldsmith and patrician from Augsburg who moved to Colmar about 1440; Caspar became a master of the goldsmith's guild in 1445, which probably required a residence of five years. He presumably taught his son the art of engraving, which is

1596-484: A table, paper is placed on the ink, and the back of the paper is drawn on, transferring the ink to the paper. Monoprints can also be made by altering the type, color, and viscosity of the ink used to create different prints. Traditional printmaking techniques, such as lithography, woodcut, and intaglio, can be used to make monoprints. Mixed-media prints may use multiple traditional printmaking processes such as etching, woodcut, letterpress, silkscreen, or even monoprinting in

1680-399: A traditional printing press. Images can be printed to a variety of substrates including paper, cloth, or plastic canvas. Dye-based inks are organic (not mineral ) dissolved and mixed into a liquid. Although most are synthetic, derived from petroleum , they can be made from vegetable or animal sources. Dyes are well suited for textiles where the liquid dye penetrates and chemically bonds to

1764-596: A treatment very much in the Netherlandish style. It has been cut down at the top and sides to fit the elaborate later carved frame. The Musée d´Unterlinden in Colmar possesses the largest collection. Two double-sided shutters (probably made to surround a sculpted central section) from the "Orlier Altarpiece", dated c. 1470–75, show the Annunciation on the outer faces and a Nativity and Saint Anthony with donor portrait within. These are regarded as largely

SECTION 20

#1732771877673

1848-565: A type of relief print , is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, and by the 5th century was used in China for printing text and images on paper. Woodcuts of images on paper developed around 1400 in Europe, and slightly later in Japan. These are the two areas where woodcut has been most extensively used purely as a process for making images without text. The artist either draws

1932-426: A unique and recognizable quality of line that is characterized by its steady, deliberate appearance and clean edges. Other tools such as mezzotint rockers, roulettes (a tool with a fine-toothed wheel) and burnishers (a tool used for making an object smooth or shiny by rubbing) are used for texturing effects. To make a print, the engraved plate is inked all over, then the ink is wiped off the surface, leaving ink only in

2016-400: Is a form of printmaking that uses a matrix such as a woodblock, litho stone, or copper plate, but produces impressions that are unique. Multiple unique impressions printed from a single matrix are sometimes known as a variable edition. There are many techniques used in monoprinting, including collagraph , collage , hand-painted additions, and a form of tracing by which thick ink is laid down on

2100-407: Is a technique invented in 1798 by Alois Senefelder and based on the chemical repulsion of oil and water . A porous surface, normally limestone , is used; the image is drawn on the limestone with a greasy medium. Acid is applied, transferring the grease-protected design to the limestone, leaving the image 'burned' into the surface. Gum arabic , a water-soluble substance, is then applied, sealing

2184-501: Is called a "ghost print" or "cognate". Stencils, watercolor, solvents, brushes, and other tools are often used to embellish a monotype print. Monotypes are often spontaneously executed and with no preliminary sketch. Monotypes are the most painterly method among the printmaking techniques, a unique print that is essentially a printed painting. The principal characteristic of this medium is found in its spontaneity and its combination of printmaking, painting, and drawing media. Monoprinting

2268-408: Is controlled by the level of acid exposure over large areas, and thus the image is shaped by large sections at a time. Contemporary printmakers also sometimes using airbrushed asphaltum or spray paint , as well as other non toxic techniques, to achieve aquatint due to rosin boxes posing a fire hazard. Goya used aquatint for most of his prints. Mary Cassatt , Francis Seymour Haden , Master of

2352-474: Is not technically a monogram, since the letters are not combined. Royal monograms often appear on coins, frequently surmounted by a crown. Countries that have employed this device in the past include Bulgaria , Great Britain , Russia , Sweden and many German states . Today, several Danish coins carry the monogram of Margrethe II , while the current Norwegian 1 Krone coin has the "H5" monogram of Harald V on

2436-601: Is one of the most recognizable monograms internationally. The victor is a monogram of the Latin victor or Spanish vítor painted on Spanish and Hispanic universities to celebrate a student receiving a doctorate . Athletes have also been known to brand merchandise with their monogram logo; notably Tiger Woods and Roger Federer . A notable example of a royal monogram is the H7 monogram of King Haakon VII of Norway . While in exile during World War II, Haakon VII spearheaded

2520-404: Is part of the intaglio family. In pure etching, a metal plate (usually copper, zinc, or steel) is covered with a waxy or acrylic ground . The artist then draws through the ground with a pointed etching needle, exposing the metal. The plate is then etched by dipping it in a bath of etchant (e.g. nitric acid or ferric chloride ). The etchant "bites" into the exposed metal, leaving behind lines in

2604-422: Is placed on the surface, and the image is transferred to the paper by the pressure of the printing press. Lithography is known for its ability to capture fine gradations in shading and very small detail. Photo-lithography captures an image by photographic processes on metal plates; printing is more or less carried out in the same way as stone lithography. Halftone lithography produces an image that illustrates

Martin Schongauer - Misplaced Pages Continue

2688-645: Is that once the artist moves on to the next layer, no more prints can be made. Another variation of woodcut printmaking is the cukil technique, made famous by the Taring Padi underground community in Java, Indonesia. Taring Padi Posters usually resemble intricately printed cartoon posters embedded with political messages. Images—usually resembling a visually complex scenario—are carved unto a wooden surface called cukilan, then smothered with printer's ink before pressing it unto media such as paper or canvas. The process

2772-519: Is the process of creating artworks by printing , normally on paper , but also on fabric , wood , metal , and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer ); however, there is some cross-over between traditional and digital printmaking, including risograph . Prints are created by transferring ink from

2856-425: Is then transferred onto a sheet of paper by pressing the two together, usually using a printing-press. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque color. The inks used may be oil based or water based. With oil based inks, the paper may be dry, in which case the image has more contrast, or

2940-525: Is thought to have begun signing engravings in the early 1470s. The rarest survives in three impressions, and unlike most other printmakers of the century, examples have probably survived of all the engravings he made. The great majority of his subjects are religious, but there are a handful of comic scenes of ordinary life such as the early Peasant Family Going to Market or the Two Apprentices Fighting , which may reflect his background in

3024-611: Is thought to have trained as a painter with Colmar's main local master Caspar Isenmann (d. 1472), a neighbour of his parents, who was greatly influenced by the Early Netherlandish painting of Rogier van der Weyden and others, and had perhaps studied in the Netherlands, and Schongauer's few surviving pictures reflect this. This was probably around 1466 and 1469; he was recorded as back in Colmar in 1469. His older brother Ludwig Schongauer had probably preceded him in

3108-601: Is used. In the 20th century, true engraving was revived as a serious art form by artists including Stanley William Hayter whose Atelier 17 in Paris and New York City became the magnet for such artists as Pablo Picasso , Alberto Giacometti , Mauricio Lasansky and Joan Miró . Albrecht Dürer , Rembrandt , Francisco Goya , Wenceslaus Hollar , Whistler , Otto Dix , James Ensor , Edward Hopper , Käthe Kollwitz , Pablo Picasso , Cy Twombly , Lucas van Leyden Etching

3192-534: The Merovingian period until the 14th century in the Frankish Empire and its successors, of signing a document or charter with a special type of monogram or royal cypher. Monograms of the names of monarchs are used as part of the insignia of public organizations in kingdoms, such as on police badges. This indicates a connection to the ruler. However, the royal cypher , so familiar on pillar boxes ,

3276-407: The University of Leipzig in 1465, but seems to have left after a year. At this time university students often began at the age of twelve or thirteen. He was traditionally thought to have been trained as an engraver by Master E. S. , but scholars now doubt this, partly because Schongauer's prints took some time to develop the technical advances that a pupil of Master E. S. would have been taught. He

3360-484: The obverse . The only countries using the Euro to have a royal monogram as their national identifying mark are Belgium and Monaco . In Thailand, royal monograms appear on the individual flag for each major royal family member. An individual's monogram may appear in stylized form on stationery, luggage, clothing, or other personalized items. These monograms may have two or three letters. A basic 3-letter monogram has

3444-448: The "Do It Yourself" approach, and the low technical requirements, high quality results. The essential tools required are a squeegee, a mesh fabric, a frame, and a stencil. Unlike many other printmaking processes, a printing press is not required, as screen printing is essentially stencil printing. Screen printing may be adapted to printing on a variety of materials, from paper, cloth, and canvas to rubber, glass, and metal. Artists have used

Martin Schongauer - Misplaced Pages Continue

3528-1204: The Elder, and the lost original may have been by his father, Thoman Burgkmair , who very plausibly met Schongauer in Augsburg, where Schongauer is recorded as at least visiting. Another of Schongauer's pupils, the painter Urbain Huter , has long been considered as the main author of the Buhl Altarpiece , a work very close in design and execution both to Schongauer's own engravings and to the production of Schongauer's painting workshop. Some engravers whose prints are often copies of Schongauer's, and whose original compositions are close to his style, are assumed to have been pupils of his. These include Master i.e, attributed with 55 prints by Lehrs, 31 copies of his master, Master BM, and Master A G, attributed with 34 prints, 13 copies of his master. One hundred and sixteen engravings are generally recognised as by his hand. Many of his pupils' plates as well as his own are signed, M†S, as are many copies probably by artists with no connection to him. He

3612-537: The Elder, the Augsburg -based painter and designer of woodcuts (but not engravings), who was with him from 1488 to 1490. The painted portrait of Schongauer, with his coat of arms at top left, is unusual for a fifteenth-century artist, but the panel now in Munich appears to be made well after his death, and is perhaps a copy of a drawing or painting made at the date on the painting, 1483. It is attributed to Hans Burgkmair

3696-757: The Flight into Egypt , Death of the Virgin and Christ Carrying the Cross . There are a number of series of engravings which show this development, from the twelve "crowded and turbulent" scenes in the Passion series, perhaps of about 1480, through the Twelve Apostles , and the circular coats of arms with wild men , to the late circular Evangelist's symbols and the Wise and Foolish Virgins , perhaps of around 1490. By

3780-461: The Housebook , Richard Spare , William Lionel Wyllie A variant of engraving, done with a sharp point, rather than a v-shaped burin . While engraved lines are very smooth and hard-edged, drypoint scratching leaves a rough burr at the edges of each line. This burr gives drypoint prints a characteristically soft, and sometimes blurry, line quality. Because the pressure of printing quickly destroys

3864-844: The Norwegian resistance to the German occupation , and H7 became a symbol used by the Norwegian populace to mark solidarity and loyalty to the King, and adherence to the Norwegian resistance movement . The act of drawing or creating a H7 symbol in German-occupied Norway was punishable by imprisonment. Similarly, in Poland during the war, the "PW" monogram was used as a resistance symbol, known as 'The Anchor' (Polish: Kotwica ), due to its characteristic shape. Its meaning varied, as

3948-492: The burr, drypoint is useful only for very small editions; as few as ten or twenty impressions. To counter this, and allow for longer print runs, electro-plating (here called steelfacing) has been used since the nineteenth century to harden the surface of a plate. The technique appears to have been invented by the Housebook Master , a south German fifteenth-century artist, all of whose prints are in drypoint only. Among

4032-573: The case of monotyping , all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by hand. A print that copies another work of art, especially

4116-625: The church in Colmar it was made for, but moved to the Dominican church nearby in 1973, is dated 1473 (his only dated painting). Its style corresponds with the earliest of his engravings, which have been placed in a broadly agreed sequence based on their technique and style, both of which show considerable development. In some cases a terminus ante quem is provided by copies in various media that can be dated. The economics of fifteenth-century printmaking are unclear, and though his prints spread his fame widely across Europe, he may have relied more on

4200-421: The creation of the print. They may also incorporate elements of chine colle, collage, or painted areas, and may be unique, i.e. one-off, non-editioned, prints. Mixed-media prints are often experimental prints and may be printed on unusual, non-traditional surfaces. Istvan Horkay , Ralph Goings , Enrique Chagoya Digital prints refers to images printed using digital printers such as inkjet printers instead of

4284-460: The crevices hold ink. A non-toxic form of etching that does not involve an acid is Electroetching . John Martin , Ludwig von Siegen , John Smith , Wallerant Vaillant , Carol Wax An intaglio variant of engraving in which the image is formed from subtle gradations of light and shade. Mezzotint—from the Italian mezzo ("half") and tinta ("tone")—is a "dark manner" form of printmaking, which requires artists to work from dark to light. To create

SECTION 50

#1732771877673

4368-424: The engraved lines. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the engraved lines, making a print. The process can be repeated many times; typically several hundred impressions (copies) could be printed before the printing plate shows much sign of wear, except when drypoint , which gives much shallower lines,

4452-565: The exotic plants in the Rest on the Flight into Egypt , have suggested to some scholars that he also visited Spain, and possibly Portugal. He returned to Colmar and had established a workshop by 1471, when payments were made for an altarpiece for the Dominican church there, which is now in the museum and regarded as a workshop production. His Madonna of the Rose Bower , long displayed in

4536-399: The fiber. Because of the deep penetration, more layers of material must lose their color before the fading is apparent. Dyes, however, are not suitable for the relatively thin layers of ink laid out on the surface of a print. Pigment is a finely ground, particulate substance which, when mixed or ground into a liquid to make ink or paint, does not dissolve, but remains dispersed or suspended in

4620-566: The first quality". For the large Christ Carrying the Cross , the largest engraving yet made, the equivalent figures are about seventy and fifteen. Only a few of his paintings survived, the most notable being the Madonna in the Rose Garden painted for St Martin's Church, Colmar and today displayed in the Dominican church nearby. This is a German subject, associated in particular with Cologne and Stephan Lochner , but Schongauer gives it

4704-585: The first three letters of the Greek name of Jesus, is usually written as a cypher, but sometimes as a monogram. Perhaps the most significant Christogram is the Chi Rho , formed from the first two letters of Χριστος. The symbol was used by the Roman emperor Constantine I (r. 306–337) as part of a military standard . Signum manus (sometimes also known as Chrismon ) refers to the medieval practice, current from

4788-712: The following basic categories: A type of printmaking outside of this group is viscosity printing . Contemporary printmaking may include digital printing , photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family. For example, Rembrandt's prints are usually referred to as "etchings" for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Albrecht Dürer , Hans Burgkmair , Ugo da Carpi , Hiroshige , Hokusai , Frans Masereel , Gustave Baumann , Ernst Ludwig Kirchner , Eric Slater Antonio Frasconi Woodcut,

4872-467: The grapes in the basket, the wheat carried by Joseph, and the flask of water in the niche in the wall, can be treated as allusions to the theology of the subject, in the tradition of Netherlandish painting. A watercolour and gouache study of paeony leaves and flowers (now Getty Museum ) surfaced in 1988; it relates to the flowers in the Madonna in the Rose Garden . The Breisach frescos remain on

4956-427: The image by only roughening the plate selectively, so working from light to dark. Mezzotint is known for the luxurious quality of its tones: first, because an evenly, finely roughened surface holds a lot of ink, allowing deep solid colors to be printed; secondly because the process of smoothing the texture with burin, burnisher and scraper allows fine gradations in tone to be developed. The mezzotint printmaking method

5040-625: The income from his "major vocation" of painting. He died in Breisach in 1491, perhaps before reaching the age of forty. He had been engaged since 1488 in painting a large Last Judgment in the cathedral there, and was recorded as a citizen there in June 1489. This was the largest mural painting north of the Alps, and was incomplete at his death. The following year Dürer, on his wanderjahre , travelled to Colmar to meet him, only to find he had died. Dürer

5124-400: The initial letter of the organization's name and/or the letters v,c,f or e,f,v, together with an exclamation mark if the society is still active. A Japanese rebus monogram is a monogram in a particular style, which spells a name via a rebus , as a form of Japanese wordplay or visual pun . Today they are most often seen in corporate logos or product logos. Printmaking Printmaking

SECTION 60

#1732771877673

5208-430: The initial of the individual's last name (surname) set larger, or with some special treatment in the center, while the first name initial appears to the left of it and the middle name initial appears to the right of it. There is a difference in how this is written for men and women. For example, if the individual's name is Mary Ann Jones, and Jones is the surname, then the arrangement of letters would be thus: M J A , with

5292-465: The initial of their shared surname. For example, the monogram M J A might be used for Michael and Alice Jones. However, monogramming etiquette for the married couple varies according to the item being monogrammed. Linens , for example, typically list the woman's given initial first, followed by the couple's shared surname initial and then the man's given initial ( A J M ). Monograms can often be found on custom dress shirts where they can be located in

5376-616: The initials were useful for many different slogans, such as 'Poland Fights', 'Warsaw Uprising', 'Polish Army', and others. Like the Norwegian example above, its use was punished by the Nazi occupation authorities. Another example is the monogram of La Liga Filipina . The monogram sees the letters L and F as well as two hexagons. In the Germanosphere , certain student societies ( Studentenverbindung ) use monograms known as Zirkel ("circle", as in "circle of friends"), consisting of

5460-439: The liquid. Pigments are categorized as either inorganic (mineral) or organic (synthetic). Pigment-based inks have a much longer permanence than dye-based inks. Giclée (pron.: /ʒiːˈkleɪ/ zhee-KLAY or /dʒiːˈkleɪ/), is a neologism coined in 1991 by printmaker Jack Duganne for digital prints made on inkjet printers. Originally associated with early dye-based printers it is now more often refers to pigment-based prints. The word

5544-406: The most crowded and detailed, but highly organized, compositions are placed rather early, with "late-Gothic complexity" giving way to simpler compositions with more empty space and "an almost classical orderliness and decorum". But some of the busy early prints were his most popular and influential, as shown by the number of copies of them. These include The Temptation of St Anthony , the [Rest on]

5628-514: The most famous artists of the old master print, Albrecht Dürer produced three drypoints before abandoning the technique; Rembrandt used it frequently, but usually in conjunction with etching and engraving. Honoré Daumier , Vincent van Gogh , George Bellows , Pierre Bonnard , Edvard Munch , Emil Nolde , Pablo Picasso , Odilon Redon , Henri de Toulouse-Lautrec , Salvador Dalí , M. C. Escher , Willem de Kooning , Joan Miró , Stow Wengenroth , Elaine de Kooning , Louise Nevelson Lithography

5712-419: The most popular printmaking medium. Its great advantage was that, unlike engraving which requires special skill in metalworking, etching is relatively easy to learn for an artist trained in drawing. Etching prints are generally linear and often contain fine detail and contours. Lines can vary from smooth to sketchy. An etching is opposite of a woodcut in that the raised portions of an etching remain blank while

5796-464: The next century. Major print rooms possess good collections of Schongauer's prints, most of which are relatively common for fifteenth-century prints, although impressions vary in quality a good deal. The different watermarks found suggest that impressions were printed over considerable periods, with most made when the copper plates were showing signs of wear. The Rest on the Flight into Egypt survives in some sixty impressions, though only seven are "of

5880-400: The paper may be damp, in which case the image has a 10 percent greater range of tones. Unlike monoprinting , monotyping produces a unique print, or monotype, because most of the ink is removed during the initial pressing. Although subsequent reprintings are sometimes possible, they differ greatly from the first print and are generally considered inferior. A second print from the original plate

5964-497: The plate against a steady burin . He also developed a burin technique producing deeper lines on the plate, which meant that more impressions could be taken before the plate became worn. According to Arthur Mayger Hind , Schongauer was one of the first German engravers to "rise above the Gothic limitations both of setting and type" and that he "actualises an idea of beauty which in its nearer approach to more absolute ideals appeals to

6048-433: The plate. The remaining ground is then cleaned off the plate, and the printing process is then just the same as for engraving . Although the first dated etching is by Albrecht Dürer in 1515, the process is believed to have been invented by Daniel Hopfer ( c.  1470–1536 ) of Augsburg, Germany, who decorated armor in this way, and applied the method to printmaking. Etching soon came to challenge engraving as

6132-404: The surface of the stone not covered with the drawing medium. The stone is wetted, with water staying only on the surface not covered in grease-based residue of the drawing; the stone is then 'rolled up', meaning oil ink is applied with a roller covering the entire surface; since water repels the oil in the ink, the ink adheres only to the greasy parts, perfectly inking the image. A sheet of dry paper

6216-437: The surname initial set larger in the center, the M for Mary to the left and the A for Ann to the right. Traditionally, individual monograms for men are based on the order of the name. The name Kyle George Martin would be written ( KGM ). Married or engaged couples may use two-letter monograms of their entwined initials, for example on wedding invitations . Married couples may also create three-letter monograms incorporating

6300-421: The technique to print on bottles, on slabs of granite, directly onto walls, and to reproduce images on textiles which would distort under pressure from printing presses. Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image

6384-477: The time of his pair showing the Annuciation with each figure occupying its own sheet, often thought to be his last prints, the background is only represented by a simple groundline. He went beyond Master E. S. in the system of depicting volume by means of cross-hatching (lines in two directions) which was further developed by Dürer , and was the first engraver to curve parallel lines, probably by rotating

6468-455: The trade. A famous example of a monogram serving as an artist's signature is the "AD" used by Albrecht Dürer . Over the centuries, monograms of the name of Jesus Christ have been used as Christian symbols . The IX monogram consists of the initial Greek letters of the name "Jesus Christ," "I" for Ιησούς, ( Jesus in Greek) and "X" for Χριστος ( Christ in Greek). The "IHS" Christogram, denoting

6552-413: The west and south walls of the cathedral, though "in ruinous condition". Monogram A monogram is a motif made by overlapping or combining two or more letters or other graphemes to form one symbol . Monograms are often made by combining the initials of an individual or a company, used as recognizable symbols or logos . A series of uncombined initials is properly referred to as a cypher (e.g.

6636-469: The work of Max Lehrs , attributes 116 engravings to him, with many also being copied by other artists (including his monogram), as was common in the period. His prolific contemporary Israhel van Meckenem did close copies of 58 engravings, exactly half of Schongauer's output, and took motifs or figures from more, as well as apparently engraving some drawings that are now lost. There are some fine drawings, including ones dated and signed with his monogram, and

6720-581: The work of the master, while the twenty-four panels from the doors of an altarpiece for the Dominican church are regarded as mainly painted by the workshop, no doubt to his designs. A Nativity in Berlin is attributed to him. The small Holy Family in the Kunsthistorisches Museum in Vienna is close in style to his engravings, and not much larger than some. Many everyday details, such as

6804-457: The workshop. His earlier engravings also show clear influences from several Early Netherlandish painters, suggesting that he followed the traditional pattern of a wanderjahre travelling at the end of his training. One drawing, dated 1469, is a copy of the figure of Christ in Rogier van der Weyden 's Beaune Altarpiece , presumably made in front of the painting. Various details of costume, and

6888-460: Was an admirer who collected his drawings and no doubt prints. His own print of the Flight into Egypt , in his Life of the Virgin series, includes the same two exotic trees as Schongauer's, as an hommage . In Germany Dürer, whose prints became known over the decade following, was seen as the next leader of the tradition Schongauer had dominated for twenty years. His pupils included Hans Burgkmair

6972-402: Was developed in Germany in the 1430s from the engraving used by goldsmiths to decorate metalwork. Engravers use a hardened steel tool called a burin to cut the design into the surface of a metal plate, traditionally made of copper. Engraving using a burin is generally a difficult skill to learn. Gravers come in a variety of shapes and sizes that yield different line types. The burin produces

7056-516: Was invented by Ludwig von Siegen (1609–1680). The process was used widely in England from the mid-eighteenth century, to reproduce oil paintings and in particular portraits. Norman Ackroyd , Jean-Baptiste Le Prince , William Daniell , Francisco Goya , Thomas Rowlandson A technique used in Intaglio etchings. Like etching, aquatint technique involves the application of acid to make marks in

#672327