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Scottish Ballet

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65-770: Scottish Ballet is the national ballet company of Scotland and one of the five leading ballet companies of the United Kingdom, alongside the Royal Ballet , English National Ballet , Birmingham Royal Ballet and Northern Ballet . Founded in 1969, the company is based in Glasgow , the resident ballet company at the Glasgow Theatre Royal and from 2009 in their purpose-built ballet centre in Tramway Arts Centre, Glasgow . Scottish Ballet

130-446: A ballerina. Exclusively trained at The Royal Ballet School and dancing her entire professional career with The Royal Ballet, Margot Fonteyn was appointed prima ballerina assoluta of the company by Queen Elizabeth II in 1979. Having trained at The Royal Ballet School from 1959 to 1966, Eva Evdokimova would go on to become an international guest ballerina, being recognised as a prima ballerina assoluta following her performances with

195-618: A gym and fitness room, a pilates studio, physiotherapy suite and students common room. Facilities for academic education include four classrooms, a library with computer equipment, an art studio and audiovisual suite. All the dance studios are linked to the audiovisual suite so that classes and rehearsals can be filmed as a training tool, enabling the dancers to analyse themselves. Alongside a timetable of intensive ballet training, students also study pas de deux, solos, repertoire, character, contemporary dance, stagecraft, make-up, and body conditioning. 3rd year students get many opportunities throughout

260-613: A lifelong relationship both on and offstage and were close friends until Fonteyn's death in 1991. Nureyev is quoted as saying of the partnership that they danced with "one body, one soul". Born in Canberra , Australia, in 1952, Ross Stretton trained at the Australian Ballet School , later becoming a principal dancer with the Australian Ballet company. He then moved to America, where he danced with

325-538: A member of the Ballets Russes , one of the most renowned and influential ballet companies of the 20th century. The company disbanded in 1929 following the death of its founder Serge Diaghilev . When de Valois formed the Vic-Wells Ballet, she employed some of the company's former stars, including Alicia Markova and Anton Dolin , who joined as Principal dancers, and Tamara Karsavina , who worked with

390-583: A teacher and consultant until his death from cancer in 2005. A number of controversial issues and allegations as well as resistance to organisational change lead to Stretton's departure from the Royal Ballet: Former Birmingham Royal Ballet Principal dancer and Royal Ballet Administrative Director Kevin O'Hare succeeded Monica Mason as Director of The Royal Ballet in August 2012. Administrative Director of

455-452: Is Scotland's national dance company. Its primary aim is to provide programmes of world-class dance performance and educational activity at all scales. Scottish Ballet presents a wide range of dance to audiences across Scotland, the UK and abroad – and employs 36 professional dancers, 41 staff and a part-time freelance orchestra of up to 70 musicians. Founded by Peter Darrell and Elizabeth West as

520-843: Is a British school of classical ballet training founded in 1926 by the Anglo-Irish ballerina and choreographer Ninette de Valois . The school's aim is to train and educate outstanding classical ballet dancers, especially for the Royal Ballet (based at the Royal Opera House in London ) and the Birmingham Royal Ballet . Admission to the school is based purely on dancing talent and potential, regardless of academic ability or personal circumstances, and 90% of current students rely on financial support to attend

585-510: Is a complete list of awards won by the company and its staff since the awards were established in 1978. These include awards presented to the company for a production of a particular ballet, to individual dancers for their performance in a specific rôle, to designers for their work on a specific production and to other members of the Royal Ballet staff for achievements in dance. [REDACTED] Media related to Royal Ballet at Wikimedia Commons Royal Ballet School The Royal Ballet School

650-496: Is a former royal residence and hunting lodge built during the reign of King George II . It is the school's permanent premises and there has been extensive redevelopment of the site to provide dance and academic facilities and accommodation for students. Children attend the school between the ages of 11-16 and entry to the school is by audition only. The school receives over twenty thousand applications every year and holds auditions in major UK cities. Having an international reputation,

715-489: Is shown below. The company also has an Executive, Artistic and Music staff, including the following: Sir Frederick Ashton was the founder choreographer of the Royal Ballet. Previously a dancer with the Ballet Rambert , Ashton started his career as a choreographer under the direction of Dame Marie Rambert , before joining the Royal Ballet as its associate choreographer when the company was founded in 1931. He created

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780-479: The Joffrey Ballet and as a principal dancer with American Ballet Theatre before retiring as a dancer in 1990. He was appointed regisseur of American Ballet Theatre, becoming assistant director of the company in 1993. After returning to Australia, he was artistic director of the Australian Ballet from 1997 to 2001. Following Sir Anthony Dowell 's retirement as artistic director of the Royal Ballet in 2001,

845-729: The Palace Theatre in Manchester receiving an £80 million refurbishment, to allow it to receive productions by both the Royal Ballet and Royal Opera. The proposals would have established the Palace Theatre as a designated base for the Royal Opera House companies in the North of England. The proposals were approved by the then Secretary of State for Culture, Olympics, Media and Sport , Andy Burnham MP , and

910-664: The Western Theatre Ballet in Bristol in 1957, the company moved to Glasgow in 1969 and was renamed Scottish Theatre Ballet, changing to Scottish Ballet in 1974. A year later its home theatre became the Theatre Royal, Glasgow when Scottish Opera bought it and transformed it as the first national opera house in Scotland. The Company performs across Scotland, the UK and abroad, with strong classical technique at

975-425: The 21st century to collaborate on the same stage – world class dancers, choreographers, designers, and musicians. I will aim to use all the traditional and new platforms now available to engage our audiences in our classic repertoire, and The Royal Ballet's unique heritage. I want to continue to invigorate audiences with new work and emerging talents and I am thrilled that Wayne McGregor and Christopher Wheeldon – two of

1040-669: The Associate Programme which encourages aspiring young dancers to train for a career in the industry. Scottish Ballet also has close links with Royal Conservatoire of Scotland, partnering the BA Modern Ballet and M.Mus. (Pianist for Dance) degree courses. Scottish Ballet was the first dance company in Europe to offer live audio description for the visually impaired, and maintains a programme of regular audio described performances throughout Scotland. Scottish Ballet won

1105-615: The English theatrical producer and theatre owner Lilian Baylis . Baylis owned the Old Vic and Sadler's Wells theatres and in 1925 she engaged de Valois to stage dance performances at both venues. Sadler's Wells reopened in 1931 and the Vic-Wells Ballet and Vic-Wells Ballet School were established in premises at the theatre. These would become the predecessors of today's Royal Ballet, Birmingham Royal Ballet and Royal Ballet School . Prior to her return to Britain, Ninette de Valois had been

1170-601: The Kirov Ballet in the late 1970s. The title was later recognised officially by the German Senate. Phyllis Spira began training at the Royal Ballet School in 1959, joining the Royal Ballet touring company in 1960. Choosing to shun an international ballet career, she returned to her native South Africa, where she danced the majority of her career with CAPAB ballet, today's Cape Town City Ballet . She

1235-616: The Old Vic theatre and acquired Sadler's Wells theatre in 1925. In 1928, she engaged de Valois to stage dance performances at both theatres and she re-opened Sadler's Wells theatre in 1931, with de Valois' school moving into studios on the site as the Sadler's Wells Ballet School, teaching both boys and girls. At the same time, the Vic-Wells Ballet Company was formed using students of the school and other notable dancers of

1300-488: The Royal Ballet School. The Sadler's Wells Royal Ballet returned to Sadler's Wells Theatre in 1970, while continuing to tour the country. In 1987, however, the company was invited to become the resident ballet company at the Birmingham Hippodrome . It relocated to Birmingham in 1990, being renamed Birmingham Royal Ballet and it ceased to be part of the Royal Ballet in 1997 when it was made independent of

1365-426: The Royal Ballet School. The first was Alicia Markova who, having been mentored by Ninette de Valois as a member of Serge Diaghilev 's Ballets Russes , was invited to become one of the founder dancers of the Royal Ballet. She was designated the company's first Prima ballerina, and was later recognised as a Prima ballerina assoluta. Margot Fonteyn trained at the Royal Ballet School and spent her entire career with

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1430-714: The Royal Ballet Upper School and began her career with the Royal Ballet. After dancing with the company for four years, she was later appointed prima ballerina assoluta of La Scala Theatre Ballet in Milan . Other prima ballerina assoluta have also appeared with the Royal Ballet as guest dancers, including: the French ballerina Yvette Chauvire and the Georgian ballerina Nina Ananiashvili . The Royal Ballet has six ranks of dancers: The Royal Ballet also has

1495-493: The Royal Ballet in 1979, aged 60. In 1970 after Frederick Ashton retired as artistic director of the Royal Ballet, there were many calls for Nureyev to be announced as his successor. However, Kenneth MacMillan was given the position, and Nureyev left the Royal Ballet as a Principal soon after to be a guest dancer internationally, later becoming artistic director of the Paris Opera Ballet in 1983. Fonteyn and Nureyev had

1560-416: The Royal Ballet, was Fleur de Peux , a solo work created in 2000 on Viviana Durante. This led to further commissions by the Royal Ballet, including Symbiont(s) in 2001, Qualia in 2003 and Engram in 2005. He also created the ballet brainstate in 2001, as a collaboration between the Royal Ballet and his own company, Random Dance . McGregor was appointed Resident Choreographer of the Royal Ballet in 2006,

1625-511: The Royal Opera House established its schools' matinee programme. Today the Royal Ballet remains the resident ballet company at the Royal Opera House, conducting its own tours internationally, and it continues to be the parent company of the Royal Ballet School, which is now based at White Lodge, Richmond Park and premises in Floral Street , which are adjacent to and have direct access to the Royal Opera House. During its formative years,

1690-405: The Royal Opera House in 1986. His numerous ballets have since been staged by leading dance companies worldwide and feature strongly in the programming of the Royal Ballet today. Ashton created over 100 original ballet works and numerous other productions, some of the most notable including: Sir Kenneth MacMillan (11 December 1929 – 29 October 1992) was a British ballet dancer and choreographer. He

1755-483: The Royal Opera House, with Sir Peter Wright as artistic director. Birmingham Royal Ballet retains close relationships with both the Royal Ballet and The Royal Ballet School, which is the official school of the company. In 1964 the Royal Ballet established "Ballet for All" under the direction of Peter Brinson. Between 1964 and 1979 "Ballet for All" toured throughout the country, presenting around 150 performances per annum and reaching around 70,000 people each year. In 1976

1820-770: The Sadler's Wells Ballet would become one of the first ballet companies outside the Soviet Union to stage full productions of ballets by Marius Petipa and Lev Ivanov , which were central to the repertory of the Imperial Russian Ballet . To stage these ballets with her newly formed company, de Valois employed Nicholas Sergeyev , a former régisseur of the Imperial. He staged productions of Petipa's The Sleeping Beauty ; Petipa and Ivanov's Swan Lake and The Nutcracker ; Petipa and Cecchetti 's production of Coppélia ; and Petipa's Giselle . Created with

1885-704: The Stef Stefanou Award for Outstanding Company in the 2023 National Dance Awards. Scottish Ballet presents a broad repertoire, ranging from new versions of the classics ( The Nutcracker , Cinderella ), 20th century modern ballet repertoire (work by George Balanchine, Frederick Ashton), work by living choreographers (William Forsythe, Hans van Manen, Siobhan Davies) and new commissions (David Dawson, Helen Pickett, Annabelle Lopez Ochoa). Current repertoire: In June 2009 Scottish Ballet moved to new, purpose-built premises in Glasgow's Southside, next to

1950-597: The Tramway Theatre, which had been designed by Malcolm Fraser Architects. Royal Ballet The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden , London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois . It became

2015-406: The ages of 16–19. In October 1956, a Royal Charter was granted officially linking the ballet company and school and they became The Royal Ballet School and Royal Ballet Company. A second smaller company still performed at Sadler's Wells and toured around the UK and this became the Sadler's Wells Royal Ballet. de Valois retired as Director in 1970. In 1990, the Sadler's Wells company moved to become

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2080-576: The aid of choreographic notation written in St Petersburg at the turn of the 20th century, these works have been included in the repertoire of the Royal Ballet ever since. The company now uses Peter Wright's 1984 production of The Nutcracker , which uses some of Sergeyev's notation. Sergeyev's revivals of these ballets in London are regarded as the foundation point of the traditional classical ballet repertoire, and led to their being restaged throughout

2145-519: The board of the Royal Opera House announced Stretton as his successor, with a three-year contract; however, he resigned the post after 13 months, in September 2002. Stretton's appointment and subsequent departure from the Royal Ballet generated an unprecedented level of media attention for the Royal Ballet in recent years, due to controversy caused by his management of the company. Following his resignation, Stretton returned to Australia where he worked as

2210-417: The company as an advisor. The Founder Musical Director was the conductor and composer Constant Lambert who had considerable artistic as well as musical influence over the early years of the company. After losing the link with the Old Vic theatre, in 1939 the company was renamed Sadler's Wells Ballet and the school became Sadler's Wells Ballet School. Both continued at Sadler's Wells Theatre until 1946, when

2275-566: The company is the Royal Ballet School , and it also has a sister company, the Birmingham Royal Ballet , which operates independently. The Prima ballerina assoluta of the Royal Ballet is the late Dame Margot Fonteyn . Ninette de Valois , an Irish-born dancer founded the Academy of Choreographic Art, in 1926, a dance school for girls. Her intention was to form a repertory ballet company and school, leading her to collaborate with

2340-537: The company since 2009, O'Hare retired from dancing in 2000 and subsequently worked with the Royal Shakespeare Company and as Company Manager of Birmingham Royal Ballet. This is a great honour for me. Under Monica Mason's inspired leadership The Royal Ballet has had a great ten years. I am equally ambitious for the Company and dance in general. I plan to bring together the most talented artists of

2405-465: The company was invited to become the resident ballet company of the newly re-opened Royal Opera House in Covent Garden, under the direction of David Webster . The company relocated to the opera house the same year in 1946, with their first production at the venue being The Sleeping Beauty . Following the relocation of the company, the school moved to its own premises in 1947. A sister company

2470-471: The company. As a gift for her 60th birthday, she was appointed Prima ballerina assoluta by Queen Elizabeth II . Phyllis Spira joined the Royal Ballet School in 1959, graduating into the Royal Ballet touring company. She later returned to her native South Africa, where she was appointed Prima ballerina assoluta by the President in 1984. The most recent is Alessandra Ferri , who completed her training at

2535-429: The conflicting demands of creating ballets with administration. He continued as Principal Choreographer to the Royal Ballet until his death in 1992. His full-length works include: MacMillan's one-act ballets include: Prior to his appointment as Resident Choreographer of the Royal Ballet, Wayne McGregor has already established himself as an award-winning dancer, choreographer and director. His first choreography for

2600-640: The current director of The Royal Ballet , Kevin O'Hare . Graduates of the school have also achieved employment in musical theatre , contemporary and jazz dance , television and film. In 1926, the Irish -born dancer Ninette de Valois founded the Academy of Choreographic Art , a dance school for girls and the predecessor of today's Royal Ballet School. Her intention was to form a repertory ballet company and school, leading her to collaborate with theatrical producer and theatre owner Lilian Baylis . Baylis owned

2665-557: The era. Both the school and the ballet company developed quickly and after ballet performances ceased at the Old Vic, the ballet company was renamed the Sadler's Wells Ballet. In 1946, the company moved to become the resident ballet company at the newly re-opened Royal Opera House in Covent Garden and as a result, in 1947 the school moved from Sadler's Wells to premises in Barons Court, with academic education being introduced for younger students. Following rapid expansion, in 1955

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2730-484: The first person to hold the post in sixteen years, and the first to be selected from the world of contemporary dance . McGregor's works for the Royal Ballet include: First performing together with the Royal Ballet in Giselle on 21 February 1962, Margot Fonteyn and Rudolf Nureyev would form what has been called the greatest ballet partnership of all time. The partnership would lead to both dancers being noted amongst

2795-522: The former Barons Court site now houses the London Academy of Music and Dramatic Art . The school relocated to new, purpose-built premises in Covent Garden in January 2003. The complex is a four-storey building with six dance studios, including a studio theatre with retractable raked seating for an audience of 200. The building also houses changing rooms and showers for male and female students,

2860-424: The level of a typical secondary school, both at Key Stage 3 and Key Stage 4, with all students sitting GCSE examinations. The Royal Ballet School's Covent Garden base was established in 1955, when the younger students were moved to White Lodge. The school remained at existing studios in Barons Court, London, with academic studies introduced for the first time. Later in 2003, the school relocated to new premises, and

2925-479: The majority of the company's early works and staged their first performance at the Royal Opera House, a production of The Sleeping Beauty in 1946. Ashton was appointed artistic director of the Royal Ballet from 1963 to 1970, when he retired from the post. He continued to work as a choreographer internationally, with his final work being the Nursery Suite , for a gala performance by the Royal Ballet School at

2990-432: The most famous ballet dancers of all time and came at the peak of what is now widely regarded as the most successful period in the Royal Ballet's history. On 12 March 1963, the couple premiered Sir Frederick Ashton 's Marguerite and Armand , the first ballet created for them and one that become their signature piece. Performed to a piece of piano music by Franz Liszt , the ballet starts with Marguerite on her deathbed, and

3055-525: The resident ballet company at the Birmingham Hippodrome , in Birmingham , where it was renamed Birmingham Royal Ballet . In January 2003, The Royal Ballet School's older students (aged 16–19) moved to a newly constructed studio complex in Floral Street, adjacent to the Royal Opera House in Covent Garden, where The Royal Ballet remains the resident ballet company. A bridge was constructed between

3120-514: The resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company. The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of

3185-489: The rest of the UK. Scottish Ballet's many recent awards include the 2004 TMA Award for Outstanding Achievement in Dance in recognition of its modernisation programme and dynamic performances. Scottish Ballet's current artistic director Christopher Hampson joined the company in 2012. The company provides dance classes and a variety of education initiatives, including work with children and adults of all ages and abilities, and

3250-537: The root of all of its work. Its broad repertory includes new versions of the classics, seminal pieces from the 20th century modern ballet canon, signature pieces by living choreographers and new commissions. As a national company, Scottish Ballet performs at theatres in Aberdeen, Edinburgh, Glasgow and Inverness and in smaller venues throughout Scotland. The company's long history of touring internationally includes visits to China, Hong Kong, Malaysia, Portugal, Ireland and

3315-459: The school also receives applications from other countries. As a boarding school , the majority of students live on site, although there are a small number of day-students. In dance, students study classical ballet, character dance, contemporary, gymnastics, Irish, Morris and Scottish dancing. Later in their training, students study ballet repertoire, solos and pas de deux and boys undertake upper body conditioning. The school offers academic study at

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3380-568: The school and the Opera House, linking the school with the theatre and The Royal Ballet Company's own studios. The designer of the bridge received an architectural award and it is known as the Bridge of Aspiration . The Royal Ballet School's younger students moved to White Lodge, Richmond Park in Richmond, London in 1955 when the school was split for the first time. The Georgian building

3445-485: The school secured the premises at White Lodge in Richmond Park, London. This was established at the time as the Royal Ballet 'Lower School', a residential boarding school for children aged 11–16, combining general education and vocational ballet training. The Royal Ballet School 'Upper School' was established at the school's existing premises in Barons Court with students studying ballet on a full-time basis between

3510-511: The school. The school is based at two sites, White Lodge, Richmond Park (for students aged 11–16) and Covent Garden (for students from 16 to 19 years old) based in purpose-built studios on Floral Street , adjacent to the Royal Opera House . The Royal Ballet School has produced dancers and choreographers of international renown, including Dame Margot Fonteyn , Dame Beryl Grey , Sir Kenneth MacMillan , Dame Darcey Bussell , Alessandra Ferri , Viviana Durante , and Sergei Polunin , as well as

3575-410: The school. The programme includes new works and heritage pieces from the Royal Ballet repertory and culminates in a grand défilé, in which every student of the school appears on stage in a choreographed curtain call. The Royal Ballet School is unique in having trained four of only a small number of dancers in history to have been recognised as prima ballerina assoluta , the ultimate honorary title for

3640-403: The special ranks of " guest artist " and " principal guest artist ". The title of guest artist is given to a visiting dancer who has been cast in a role for a specific ballet or limited season. The title of principal guest artist is sometimes given to guest artists who perform with the company on a longer-term basis. The Royal Ballet employs approximately 100 dancers and a complete list as of 2013

3705-402: The story is told in flashback until the moment Armand arrives to hold her for the last time before she dies. Ashton had planned the piece specifically for Fonteyn, and it was critically acclaimed as Fonteyn's dramatic peak, with fifty photographers attending the dress rehearsal and twenty-one curtain calls at the premiere performance. The final performance of the ballet starring Fonteyn and Nureyev

3770-629: The world. Sergeyev is considered to have made one of the most significant contributions to the popularity of ballet worldwide. His choreographic notation and other materials relating to it have been preserved in the Sergeyev Collection , part of the theatre collection of the Harvard University Library . The Royal Ballet is one of the few ballet companies in the world to have employed four dancers considered to be prima ballerina assoluta , including three who studied at

3835-399: The world’s leading choreographers – have agreed to join me and Jeanetta Laurence, Associate Director to become part of the senior artistic team. Both Wayne and Christopher share my exciting ambitions for the Company." In 2008 the Royal Opera House and Manchester City Council began the planning stages of a new development known as Royal Opera House, Manchester . The proposal would have seen

3900-452: The year to train with The Royal Ballet and Birmingham Royal Ballet. Each year The Royal Ballet School presents its Summer Performances, featuring students from all age groups in a wide variety of classical and contemporary works. The highlight of the school's dance year is the annual matinée at the Royal Opera House, which showcases graduate students before they embark on their professional careers as well as featuring students from all years of

3965-409: Was accepted by a number of public bodies. An independent report suggested that the cost of the project would be £100 million with another £16 million needed annually for running costs of the new site. In 2010 it was announced that the project was being shelved as part of larger arts-funding cuts. The Royal Ballet company is a multiple Laurence Olivier Award winning company. The following

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4030-478: Was appointed prima ballerina assoluta by the State President of South Africa in 1984. Most recently, Royal Ballet School graduate Alessandra Ferri was appointed prima ballerina assoluta of La Scala Theatre Ballet in 1992. Another British ballerina, Alicia Markova , was also tutored by Royal Ballet School founder Ninette de Valois, and would go on to be a leading ballerina with the Ballets Russes ,

4095-564: Was artistic director of the Royal Ballet in London between 1970 and 1977. Although a talented dancer, MacMillan is best known for his choreography, and particularly for his work with the Royal Ballet. He also worked with the American Ballet Theatre (1956–7) and the Deutsche Oper, Berlin (1966–69). He succeeded Frederick Ashton as Director of the Royal Ballet in 1970 and resigned after seven years, frustrated at balancing

4160-444: Was established to continue performances at Sadler's Wells, called the Sadler's Wells Theatre Ballet, under the direction of John Field . In 1955, the sister company temporarily lost its link with Sadler's Wells and returned to the Royal Opera House as a touring unit of the main company. In 1956, a Royal Charter was granted for both companies and the school; they were subsequently renamed the Royal Ballet, Sadler's Wells Royal Ballet and

4225-499: Was staged at a gala at the London Coliseum in 1977 and it was not performed again until 2003. Against the wishes of Frederick Ashton that it not be performed by any other dancers than Fonteyn and Nureyev, it was revived as part of a Royal Ballet triple-bill, starring Nureyev's protegee Sylvie Guillem and the Royal Ballet star Jonathan Cope. The Fonteyn-Nureyev partnership lasted for many years until Fonteyn's retirement from

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