A Pup Named Scooby-Doo is an American animated mystery comedy series produced by Hanna-Barbera . It is the eighth incarnation of the studio's Scooby-Doo franchise and depicts younger versions of the title character and his companions as they solve mysteries, similar to the original television series . The series was developed by Tom Ruegger and premiered on September 10, 1988, airing for three seasons on ABC and during the syndicated block The Funtastic World of Hanna-Barbera until August 17, 1991.
58-512: Scrappy-Doo is a fictional character in the Scooby-Doo franchise. He is a Great Dane puppy created by Hanna-Barbera Productions in 1979 and the nephew of Scooby-Doo in various incarnations of the Scooby-Doo cartoon series. Lennie Weinrib provided his voice for one season in 1979, and from 1980 on it was performed by Don Messick (who also voiced Scooby). In the first live-action theatrical film , video games, and commercials, he
116-448: A flashback to Velma's fifth birthday, using the character designs from A Pup Named Scooby-Doo, albeit with some modifications, such as Daphne wearing purple rather than pink. Fred and Velma are the only returning characters to speak in the flashback, being voiced by Welker and Mindy Cohn . The continuity of the live-action film Scooby-Doo! The Mystery Begins establishes the team meeting in their teens. The series features songs in
174-760: A 1990 series of short stories about the Vietnam War . Fictional works that explicitly involve supernatural, magical, or scientifically impossible elements are often classified under the genre of fantasy , including Lewis Carroll 's 1865 novel Alice's Adventures in Wonderland , J. R. R. Tolkien 's The Lord of the Rings , and J. K. Rowling 's Harry Potter series. Creators of fantasy sometimes introduce imaginary creatures and beings such as dragons and fairies. Types of written fiction in prose are distinguished by relative length and include: Fiction writing
232-404: A certain point of view. The distinction between the two may be best defined from the viewpoint of the audience, according to whom a work is non-fiction if its people, settings, and plot are perceived entirely as historically or factually real, while a work is regarded as fiction if it deviates from reality in any of those areas. The distinction is further obscured by a philosophical understanding, on
290-447: A completely imaginary way or been followed by major new events that are completely imaginary (the genre of alternative history ). Or, it depicts impossible technology or technology that defies current scientific understandings or capabilities (the genre of science fiction ). Contrarily, realistic fiction involves a story whose basic setting (time and location in the world) is, in fact, real and whose events could believably happen in
348-427: A creature made out of molten cheese, a monster in the form of a giant hamburger, and the ghost of a dogcatcher. In 2013, Scooby-Doo! Adventures: The Mystery Map , a direct-to-video puppet film, was released exclusively to US Walmart stores and digital download, using character designs from A Pup Named Scooby-Doo. The What's New, Scooby-Doo? episode "A Terrifying Round with a Menacing Metallic Clown" features
406-475: A figure from history, Bonnie Prince Charlie , and takes part in the Battle of Prestonpans . Some works of fiction are slightly or greatly re-imagined based on some originally true story, or a reconstructed biography. Often, even when the fictional story is based on fact, there may be additions and subtractions from the true story to make it more interesting. An example is Tim O'Brien 's The Things They Carried ,
464-484: A less than positive view on the character. The co-founder of Ruby-Spears enterprises said, "Everyone was upset", though was unclear about whether this concerned business reasons (they had started their own company two years earlier) or personal creative reasons (considering that if Scooby had been canceled, then the last slot would have hit their show instead), starting when, in 1979, it looked a pilot of theirs would be renewed over Scooby's. Mark Evanier, who wrote said pilot,
522-458: A longtime animator for the Disney and Bill Melendez animation studios, took over as director. A Pup Named Scooby-Doo is the final television series in the franchise in which Don Messick portrayed Scooby-Doo before his death in 1997 and the first in which Fred Jones is voiced by someone other than Frank Welker , as the character was voiced by Carl Steven , though he voiced other characters in
580-700: A major impact on the creation and distribution of fiction, calling into question the feasibility of copyright as a means to ensure royalties are paid to copyright holders. Also, digital libraries such as Project Gutenberg make public domain texts more readily available. The combination of inexpensive home computers, the Internet, and the creativity of its users has also led to new forms of fiction, such as interactive computer games or computer-generated comics. Countless forums for fan fiction can be found online, where loyal followers of specific fictional realms create and distribute derivative stories. The Internet
638-529: A resemblance to Spears's and Ruby's initial idea for a feisty little dog", which was one of the early ideas for the Scooby-Doo character himself, along with the "big cowardly dog" ultimately chosen. After hearing Joe Barbera's description of the character, writer Mark Evanier , was significantly reminded of the Looney Tunes character Henery Hawk , and incorporated what he knew of said character into
SECTION 10
#1732797871489696-570: A subset (written fiction that aligns to a particular genre ), or its opposite: an evaluative label for written fiction that comprises popular culture , as artistically or intellectually inferior to high culture . Regardless, fiction is commonly broken down into a variety of genres: categories of fiction, each differentiated by a particular unifying tone or style ; set of narrative techniques , archetypes , or other tropes; media content ; or other popularly defined criterion. Science fiction predicts or supposes technologies that are not realities at
754-440: A success for the next decade. Story editor Duane Poole noted, "Scrappy solved a lot of story problems. Before you had to get Shaggy and Scooby into dangerous situations—and there was no real easy way to get them there—with Scrappy, he, uh, picked them up and carried them there. He just charged in. He was just such the antithesis of what Scooby and Shaggy were. The dynamic was great fun to play." Joe Ruby and Ken Spears seemed to have
812-501: A university or a similar institution, and with the continuation of such positions determined not by book sales but by critical acclaim by other established literary authors and critics. On the other hand, he suggests, genre fiction writers tend to support themselves by book sales. However, in an interview, John Updike lamented that "the category of 'literary fiction' has sprung up recently to torment people like me who just set out to write books, and if anybody wanted to read them, terrific,
870-440: A writer who originally joined the franchise back on The New Scooby and Scrappy-Doo Show and continued to work on various iterations of the show until finally ending his tenure in the late '80s after penning the pilot episode for A Pup Named Scooby-Doo . Tom Ruegger, stated, "It's a lot easier to love Scooby than it is to love Scrappy. But I don't have the problem with Scrappy that I have heard expressed by others. I suspect this
928-434: A written work of fiction that: Literary fiction is often used as a synonym for literature , in the narrow sense of writings specifically considered to be an art form. While literary fiction is sometimes regarded as superior to genre fiction, the two are not mutually exclusive, and major literary figures have employed the genres of science fiction, crime fiction , romance , etc., to create works of literature. Furthermore,
986-430: Is a Scrappy because he exists in the cartoon, so we have to acknowledge him," Gunn stated in an interview shortly before the film's release. Ultimately, in the final film, Scrappy is revealed to be the villain, in an attempt to get revenge on Mystery Inc. after they kicked him out. Despite previously stating that he felt that "kids didn’t care", Gunn later admitted with some dismay that younger viewers had reacted poorly to
1044-508: Is a part of media studies. Examples of prominent fictionalization in the creative arts include those in the general context of World War II in popular culture and specifically Nazi German leaders such as Adolf Hitler in popular culture and Reinhard Heydrich in popular culture . For instance, American actor and comedian Charlie Chaplin portrayed the eccentric despot Adenoid Hynkel in the 1940 satirical film The Great Dictator . The unhinged, unintelligent figure fictionalized real events from
1102-446: Is also used for the development of blog fiction , where a story is delivered through a blog either as flash fiction or serial blog, and collaborative fiction , where a story is written sequentially by different authors, or the entire text can be revised by anyone using a wiki . The definition of literary fiction is controversial. It may refer to any work of fiction in a written form. However, various other definitions exist, including
1160-400: Is because I wasn't watching Scooby from the beginning, but rather, I came in and started catching up quite a while (a couple of years) after Scrappy had made his debut. Hey, they'd been messing with Scooby's cast for years! Scooby Dum. All those nasty celebrity cameo Scooby movies. I dislike those things more than I dislike Scrappy. And, for what it's worth, at least Scrappy brings some energy to
1218-439: Is characterized by a lesser degree of adherence to realistic or plausible individuals, events, or places, while the umbrella genre of realistic fiction is characterized by a greater degree. For instance, speculative fiction may depict an entirely imaginary universe or one in which the laws of nature do not strictly apply (often, the sub-genre of fantasy ). Or, it depicts true historical moments, except that they have concluded in
SECTION 20
#17327978714891276-496: Is known as fictionalization . The opposite circumstance, in which the physical world or a real turn of events seem influenced by past fiction, is commonly described by the phrase " life imitating art ". The latter phrase is popularity associated with the Anglo-Irish fiction writer Oscar Wilde . The alteration of actual happenings into a fictional format, with this involving a dramatic representation of real events or people,
1334-446: Is known as both fictionalization , or, more narrowly for visual performance works like in theatre and film, dramatization . According to the academic publication Oxford Reference , a work set up this way will have a "narrative based partly or wholly on fact but written as if it were fiction" such that "[f]ilms and broadcast dramas of this kind often bear the label 'based on a true story'." In intellectual research, evaluating this process
1392-492: Is most long-established in the realm of literature (written narrative fiction), the broad study of the nature, function, and meaning of fiction is called literary theory , and the narrower interpretation of specific fictional texts is called literary criticism (with subsets like film criticism and theatre criticism also now long-established). Aside from real-world connections, some fictional works may depict characters and events within their own context, entirely separate from
1450-427: Is often described as "elegantly written, lyrical, and ... layered". The tone of literary fiction can be darker than genre fiction, while the pacing of literary fiction may be slower than popular fiction. As Terrence Rafferty notes, "literary fiction, by its nature, allows itself to dawdle, to linger on stray beauties even at the risk of losing its way". Based on how literary fiction is defined, genre fiction may be
1508-407: Is the process by which an author or creator produces a fictional work. Some elements of the writing process may be planned in advance, while others may come about spontaneously. Fiction writers use different writing styles and have distinct writers' voices when writing fictional stories. The use of real events or real individuals as direct inspiration for imaginary events or imaginary individuals
1566-422: The human condition . In general, it focuses on "introspective, in-depth character studies" of "interesting, complex and developed" characters. This contrasts with genre fiction where plot is the central concern. Usually in literary fiction the focus is on the "inner story" of the characters who drive the plot, with detailed motivations to elicit "emotional involvement" in the reader. The style of literary fiction
1624-521: The 18th and 19th centuries. They were often associated with Enlightenment ideas such as empiricism and agnosticism . Realism developed as a literary style at this time. New forms of mass media developed in the late-19th and early-20th centuries, including popular-fiction magazines and early film. Interactive fiction was developed in the late-20th century through video games. Certain basic elements define all works of narrative , including all works of narrative fiction. Namely, all narratives include
1682-604: The audience's willing suspension of disbelief . The effects of experiencing fiction, and the way the audience is changed by the new information they discover, has been studied for centuries. Also, infinite fictional possibilities themselves signal the impossibility of fully knowing reality, provocatively demonstrating philosophical notions, such as there potentially being no criterion to measure constructs of reality. In contrast to fiction, creators of non-fiction assume responsibility for presenting information (and sometimes opinion) based only in historical and factual reality. Despite
1740-415: The audience, including elements such as romance , piracy , and religious ceremonies . Heroic romance was developed in medieval Europe , incorporating elements associated with fantasy , including supernatural elements and chivalry . The structure of the modern novel was developed by Miguel de Cervantes with Don Quixote in the early-17th century. The novel became a primary medium of fiction in
1798-581: The context of the real world. One realistic fiction sub-genre is historical fiction , centered around true major events and time periods in the past. The attempt to make stories feel faithful to reality or to more objectively describe details, and the 19th-century artistic movement that began to vigorously promote this approach, is called literary realism , which incorporates some works of both fiction and non-fiction. Storytelling has existed in all human cultures, and each culture incorporates different elements of truth and fiction into storytelling. Early fiction
Scrappy-Doo - Misplaced Pages Continue
1856-473: The development, admitting he had not understood how popular Scrappy was with five and six-year-olds. "I still think it was funny that Scrappy was the villain", he explained in an interview with Cinefantastique, "but there are kids out there who were really upset." Scrappy was initially seen as a "good idea" by Saturday Morning Review . Viewership seemed to react positively to Scrappy, as Scooby's ratings went up with Scrappy's arrival. The character continued to be
1914-442: The elements of character , conflict , narrative mode , plot , setting , and theme . Characters are individuals inside a work of story, conflicts are the tension or problem that drives characters' thoughts and actions, narrative modes are the ways in which a story is communicated, plots are the sequence of events in a story, settings are the story's locations in time and space, and themes are deeper messages or interpretations about
1972-474: The fictionality of a work is publicly expressed, so the audience expects the work to deviate to a greater or lesser degree from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood as not adhering to the real world, the themes and context of a work, such as if and how it relates to real-world issues or events, are open to interpretation . Since fiction
2030-574: The imperial period. Plasmatic narrative, following entirely invented characters and events, was developed through ancient drama and New Comedy . One common structure among early fiction is a series of strange and fantastic adventures as early writers test the limits of fiction writing. Milesian tales were an early example of fiction writing in Ancient Greece and Italy. As fiction writing developed in Ancient Greece, relatable characters and plausible scenarios were emphasized to better connect with
2088-441: The known physical universe: an independent fictional universe . The creative art of constructing such an imaginary world is known as worldbuilding . Literary critic James Wood argues that "fiction is both artifice and verisimilitude ", meaning that it requires both creative inventions as well as some acceptable degree of believability among its audience, a notion often encapsulated in the poet Samuel Taylor Coleridge 's idea of
2146-508: The more the merrier. ... I'm a genre writer of a sort. I write literary fiction, which is like spy fiction or chick lit". Likewise, on The Charlie Rose Show , he argued that this term, when applied to his work, greatly limited him and his expectations of what might come of his writing, so he does not really like it. He suggested that all his works are literary, simply because "they are written in words". Literary fiction often involves social commentary , political criticism , or reflection on
2204-493: The one hand, that the truth can be presented through imaginary channels and constructions, while, on the other hand, works of the imagination can just as well bring about significant new perspectives on, or conclusions about, truth and reality. All types of fiction invite their audience to explore real ideas, issues, or possibilities using an otherwise imaginary setting or using something similar to reality, though still distinct from it. The umbrella genre of speculative fiction
2262-400: The script. Scrappy's creation officially began in 1978, when Scooby-Doo's ratings were sinking to the point of cancellation threats from ABC . Duane Poole, a story editor for the first series Scrappy appeared in, recalled it as a lively time, with many new ideas and some new blood being hired with the desperation to revive Scooby-Doo, which had been a cash-cow in its glory days. Mel Blanc
2320-595: The series has a much different tone, as producer Tom Ruegger expanded on the humor he established with producer Mitch Schauer in The 13 Ghosts of Scooby-Doo . This results in the series being a more comedic version of Scooby-Doo that satirizes the conventions of the show's previous incarnations. The characters often do wild Tex Avery / Bob Clampett -esque takes when they encounter ghosts and monsters, which animation director and overseas supervisor Glen Kennedy often animated. The monsters themselves are also more comedic, such as
2378-490: The show, both of whom had not appeared as regular characters since the 1970s, and Scrappy-Doo was removed from the cast. The series uses the same basic formula as the original 1969 show: the Scooby-Doo Detective Agency, a forerunner of Mystery Inc., solves supernatural mysteries in the town of Coolsville, where the monsters of the week are always revealed to be bad guys in masks and costumes. However,
Scrappy-Doo - Misplaced Pages Continue
2436-447: The show. Messick and Casey Kasem , who voiced Shaggy Rogers , were the only two voice actors from other Scooby-Doo series to reprise their roles, and both received starring credits for their work. The series' format follows the trend of the "babyfication" of older cartoon characters, as its depictions of the original Scooby-Doo, Where Are You! cast are elementary-aged kids. The series reintroduces Fred Jones and Velma Dinkley to
2494-409: The similar Donkey Kong Jr. character he would voice for TV's Saturday Supercade . The next choice was Messick, who was seen as giving the best audition, but still deemed "the wrong voice". Afterwards, other well-known cartoon voice artists were considered or suggested: Daws Butler , Paul Winchell , Marilyn Schreffler , Howard Morris , Dick Beals and Marshall Efron . Ultimately, Lennie Weinrib
2552-541: The story that its audience is left to discuss and reflect upon. Traditionally, fiction includes novels, short stories, fables , legends , myths , fairy tales , epic and narrative poetry , plays (including operas , musicals , dramas, puppet plays , and various kinds of theatrical dances ). However, fiction may also encompass comic books , and many animated cartoons , stop motions , anime , manga , films , video games , radio programs , television programs ( comedies and dramas ), etc. The Internet has had
2610-448: The study of genre fiction has developed within academia in recent decades. The term is sometimes used such as to equate literary fiction to literature. The accuracy of this is debated. Neal Stephenson has suggested that, while any definition will be simplistic, there is today a general cultural difference between literary and genre fiction. On the one hand literary authors nowadays are frequently supported by patronage, with employment at
2668-748: The style of rock and roll during the chase scene in each episode, similar to the second-season episodes of Scooby-Doo, Where are You!. However, unlike previous versions of the show, the characters are often aware of the music being played and will dance along with the ghosts and monsters before continuing the chase; Glen Kennedy often animated these dance cycles. The show's theme song features lyrics by series creator Tom Ruegger and music by composer John Debney . Warner Home Video (via Hanna-Barbera and Warner Bros. Family Entertainment ) initially released all 27 episodes of A Pup Named Scooby-Doo on DVD in Region 1 in seven volume sets. They subsequently re-released
2726-407: The table. He actually does have a personality, even though many find it obnoxious. [...] So, since I tend to love the characters with whom I work, I can say that I learned to love Scrappy, despite all his limitations." Casper Kelly, one of the writers of The Scooby-Doo Project also admitted to having Scrappy as being in his first memory of Scooby, as well as enjoying when the monsters were real over
2784-481: The then ongoing Second World War in a way that presented fascist individuals as humorously irrational and pathetic. Many other villains take direct inspiration from real people while having fictional accents, appearances, backgrounds, names, and so on. A Pup Named Scooby-Doo Along with most of Hanna-Barbera's production staff, Ruegger departed from the studio after the first season to create Tiny Toon Adventures for Warner Bros. Animation , and Don Lusk ,
2842-509: The time of the work's creation: Jules Verne 's novel From the Earth to the Moon was published in 1865, but only in 1969 did astronauts Neil Armstrong and Buzz Aldrin become the first humans to land on the Moon. Historical fiction places imaginary characters into real historical events. In the 1814 historical novel Waverley , Sir Walter Scott 's fictional character Edward Waverley meets
2900-516: The traditional fake monster format. In 1999, celebrating Scooby-Doo's thirtieth anniversary, several newspapers printed articles, some of which mentioned Scrappy. In an episode of the 2011 series Scooby-Doo! Mystery Incorporated , Scrappy appeared in a brief cameo when Fred and Daphne visited a museum celebrating their exploits, to which Fred claimed "we all promised each other that we would never speak of him". In 2020, Casper Kelly stated that many writers did not actually hate Scrappy, implying that it
2958-535: The traditional view that fiction and non-fiction are opposites, some works (particularly in the modern era) blur this boundary, particularly works that fall under certain experimental storytelling genres—including some postmodern fiction , autofiction , or creative nonfiction like non-fiction novels and docudramas —as well as the deliberate literary fraud of falsely marketing fiction as nonfiction. Furthermore, even most works of fiction usually have elements of, or grounding in, truth of some kind, or truth from
SECTION 50
#17327978714893016-459: The villain from the beginning of the film. Concept art for Scrappy turning into a monster was drawn in 2001. According to the DVD commentary, choosing the villain of the movie was a problematic part of the production, as the makers did not feel comfortable simply giving the role to an "anonymous monster", and that the ending was in "bits and pieces" and the "confinements forced them to be creative." "There
3074-726: Was a joke and mandate. Fiction Fiction is any creative work , chiefly any narrative work, portraying individuals , events, or places that are imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with history , fact , or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose – often referring specifically to novels , novellas , and short stories . More broadly, however, fiction encompasses imaginary narratives expressed in any medium , including not just writings but also live theatrical performances , films , television programs , radio dramas , comics , role-playing games , and video games . Typically,
3132-538: Was chosen. Scrappy was first included in an early draft of what would become Scooby-Doo (2002), in around March 2000. Though he did not physically appear, and was only mentioned by Shaggy and Scooby offhand and was heavily implied to have been put to sleep for undisclosed reasons. James Gunn first acknowledged his involvement in April 2000. Other original ideas for the villain included the Old Man Smithers,
3190-472: Was closely associated with history and myth . Greek poets such as Homer , Hesiod , and Aesop developed fictional stories that were told first through oral storytelling and then in writing. Prose fiction was developed in Ancient Greece , influenced by the storytelling traditions of Asia and Egypt. Distinctly fictional work was not recognized as separate from historical or mythological stories until
3248-528: Was hired impromptu to write Scrappy-Doo into a new pilot to renew interest in Scooby. As a result, Scooby was renewed over theirs, which was upsetting for them. "Scrappy would charge in and solve things, so he was useful, in that way. A lot of people made derogatory comments about it at the studio and you know you don't want to be saddled with something based on, you know, network [...] but I think I liked working with it most of those cartoons." Said Charles M. Howell,
3306-411: Was the first choice to voice Scrappy, given his connection to Henery Hawk, but wanted too much money to voice the part. Frank Welker , the voice of Fred Jones , auditioned to voice Scrappy as a dual role during the character's development (one of several voice actors considered for the role) and coined the catchphrase "Puppy Power" during his audition. He would later change this to "Monkey Muscle" for
3364-483: Was voiced by Scott Innes , and portrayed by Rowan Atkinson when disguised as Mondavarious. He was created to save the show's ratings which by 1979 had begun to sink to the point of cancellation threats from ABC , who were considering choosing between Scooby-Doo and an unnamed pilot from Ruby-Spears Enterprises which Mark Evanier had also written. Though Scrappy officially debuted in the fall of 1979, there may have been hints of his existence in 1969, as he "...bore
#488511