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66-480: Marsh's father was Howard Marsh , a surgeon and later Master of Downing College, Cambridge . His mother, born Jane Perceval, was a granddaughter of prime minister Spencer Perceval , and a daughter of Spencer Perceval, MP , one of the twelve "apostles" recognized by the movement associated with Edward Irving and known as the Catholic Apostolic Church . Jane, a nurse, was one of the founders of

132-666: A subordinationist doctrine of Christology that regarded the Son as secondary to the Father and as God's "great Vice-regent" (5.609). Milton's God in Paradise Lost refers to the Son as "My word, my wisdom, and effectual might" (3.170). The poem is not explicitly anti-trinitarian , but it is consistent with Milton's convictions. The Son is the ultimate hero of the epic and is infinitely powerful—he single-handedly defeats Satan and his followers and drives them into Hell. After their fall,

198-637: A clerk at the Colonial Office, but many exceptions were made, possibly at a cost to Marsh's official advancement. When Churchill left government for the first time in 1915, Marsh became Assistant Private Secretary to Prime Minister H. H. Asquith in which position he served until the fall of Asquith's government in December 1916. When Churchill returned to government as Minister of Munitions in 1916, Marsh joined him there as Private Secretary and worked in that position through successive departments until

264-431: A cornerstone of literary and theological discourse. The poem follows the epic tradition of starting in medias res ( lit.   ' in the midst of things ' ), the background story being recounted later. Milton's story has two narrative arcs , one about Satan ( Lucifer ) and the other about Adam and Eve . It begins after Satan and the other fallen angels have been defeated and banished to Hell , or, as it

330-475: A heroic figure, but also as a greater sinner than Eve, as he is aware that what he is doing is wrong. After eating the fruit, Adam and Eve experience lust for the first time, which renders their next sexual encounter with one another unpleasant. At first, Adam is convinced that Eve was right in thinking that eating the fruit would be beneficial. However, they soon fall asleep and have terrible nightmares, and after they awake, they experience guilt and shame for

396-417: A heroic role in the poem, Blake himself described Satan as the "state of error", and as beyond salvation. John Carey argues that this conflict cannot be solved, because the character of Satan exists in more modes and greater depth than the other characters of Paradise Lost : in this way, Milton has created an ambivalent character, and any "pro-Satan" or "anti-Satan" argument is by its nature discarding half

462-516: A legendary Saxon or British king like the legend of King Arthur . Leonard speculates that the English Civil War interrupted Milton's earliest attempts to start his "epic [poem] that would encompass all space and time". In the 1667 version of Paradise Lost , the poem was divided into ten books. However, in the 1674 edition, the text was reorganized into twelve books. In later printing, "Arguments" (brief summaries) were inserted at

528-539: A manner reminiscent of Odysseus or Aeneas . After an arduous traversal of the Chaos outside Hell, he enters God's new material World, and later the Garden of Eden . At several points in the poem, an Angelic War over Heaven is recounted from different perspectives. Satan's rebellion follows the epic convention of large-scale warfare. The battles between the faithful angels and Satan's forces take place over three days. At

594-463: A nuanced or sympathetic character. Romanticist critics in particular, among them William Blake , Lord Byron , Percy Bysshe Shelley , and William Hazlitt , are known for interpreting Satan as a hero of Paradise Lost . This has led other critics, such as C. S. Lewis and Charles Williams , both of whom were devout Christians, to argue against reading Satan as a sympathetic, heroic figure. Despite Blake thinking that Milton intended for Satan to have

660-529: A number of acrostics in the poem. In Book 9, a verse describing the serpent which tempted Eve to eat the forbidden fruit in the Garden of Eden spells out "SATAN" (9.510), while elsewhere in the same book, Milton spells out "FFAALL" and "FALL" (9.333). Respectively, these probably represent the double fall of humanity embodied in Adam and Eve, as well as Satan's fall from Heaven. Satan , formerly called Lucifer ,

726-493: A radical, mostly because of his republican political views and heterodox theological opinions. One of Milton's most controversial arguments centred on his concept of what is idolatrous, a subject which is deeply embedded in Paradise Lost . Milton's first criticism of idolatry focused on the constructing of temples and other buildings to serve as places of worship. In Book XI of Paradise Lost , Adam tries to atone for his sins by offering to build altars to worship God. In response,

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792-431: A relationship where the husband and wife (here, Adam and Eve) depend on each other and, through each other's differences, thrive. Still, there are several instances where Adam communicates directly with God while Eve must go through Adam to God; thus, some have described Adam as her guide. Although Milton does not directly mention divorce, critics posit theories on Milton's view of divorce based upon their inferences from

858-542: A romantic and sexual relationship while still being without sin . They have passions and distinct personalities. Satan, disguised in the form of a serpent, successfully tempts Eve to eat from the Tree by preying on her vanity and tricking her with rhetoric . Adam, learning that Eve has sinned, knowingly commits the same sin. He declares to Eve that since she was made from his flesh, they are bound to one another – if she dies, he must also die. In this manner, Milton portrays Adam as

924-544: A snake, deprived of limbs and unable to talk. Thus, they share the same punishment, as they shared the same guilt. Eve appeals to Adam for reconciliation of their actions. Her encouragement enables them to approach God, and plead for forgiveness. In a vision shown to him by the Archangel Michael , Adam witnesses everything that will happen to Mankind until the Great Flood . Adam is very upset by this vision of

990-485: A structure in the name of God, the best of intentions can become immoral in idolatry. The majority of these similarities revolve around a structural likeness, but as Lyle explains, they play a greater role. By linking Saint Peter's Basilica and the Pantheon to Pandemonium—an ideally false structure—the two famous buildings take on a false meaning. This comparison best represents Milton's Protestant views, as it rejects both

1056-452: A time to work in different parts of the Garden. This allows Satan to deceive her while she is alone. To tempt her to eat the forbidden fruit, Satan tells a story about how he ate it, using the language of Renaissance love poetry. He overcomes her reason; she eats the fruit. The Son of God is the spirit who will become incarnate as Jesus Christ , though he is never named explicitly because he has not yet entered human form. Milton believed in

1122-465: Is also called in the poem, Tartarus . In Pandæmonium , the capital city of Hell, Satan employs his rhetorical skill to organise his followers; he is aided by Mammon and Beelzebub ; Belial , Chemosh , and Moloch are also present. At the end of the debate, Satan volunteers to corrupt the newly created Earth and God's new and most favoured creation, Mankind. He braves the dangers of the Abyss alone, in

1188-661: Is described as a "gentleman farmer", of Homersfield, on the Waveney , Suffolk. His mother Maria, née Haward, daughter of Charles and Maria, came from Brook, near Norwich. The Marsh family was 'old-established East Anglian farming stock', originally from Eye . He studied at St Bartholomew's Hospital ("Bart's") in London, where he signed on in December 1858, becoming a Member of the Royal College of Surgeons in June 1861. He

1254-591: Is one of "mutual dependence, not a relation of domination or hierarchy". While the author placed Adam above Eve in his intellectual knowledge and, in turn, his relation to God, he granted Eve the benefit of knowledge through experience. Hermine Van Nuis clarifies, that although there was stringency specified for the roles of male and female, Adam and Eve unreservedly accept their designated roles. Rather than viewing these roles as forced upon them, each uses their assignment as an asset in their relationship with each other. These distinctions can be interpreted as Milton's view on

1320-486: Is one of the most complex and debated characters in literary history, particularly for his perceived heroism by some readers. The poem's portrayal of Adam and Eve emphasizes their humanity, exploring their innocence before the Fall of Man and their subsequent awareness of sin. Through their story, Milton reflects on the complexities of human relationships , the tension between individual freedom and obedience to divine law, and

1386-526: Is recorded in Ted Morgan's biography of Maugham (1980). Marsh was also a consistent collector and supporter of the works of the avant-garde artists Mark Gertler , Duncan Grant , David Bomberg and Paul Nash , all of whom were also associated with the Bloomsbury Group . In addition to his work editing Churchill's writing, Marsh introduced Siegfried Sassoon to Churchill as a means of aiding

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1452-431: Is sweet, death bitter, virtue lovely, and children or gardens delightful." According to Lewis, Milton would have expected readers to not view Satan as a hero at all. Lewis argues readers far in the future romanticizing Milton's intentions is not accurate. Adam is the first human created by God. Adam requests a companion from God: Of fellowship I speak Such as I seek, fit to participate All rational delight, wherein

1518-561: Is the first major character introduced in the poem. He is a tragic figure who famously declares: "Better to reign in Hell than serve in Heaven" (1.263). Following his vain rebellion against God he is cast out from Heaven and condemned to Hell. The rebellion stems from Satan's pride and envy (5.660ff.). Opinions on the character are often sharply divided. Milton presents Satan as the origin of all evil, but some readers interpret Milton's Satan as

1584-449: Is uncertain when Milton composed Paradise Lost . John Aubrey (1626–1697), Milton's contemporary and biographer, says that it was written between 1658 and 1663. However, parts of the poem had likely been in development since Milton was young. Having gone blind in 1652, Milton wrote Paradise Lost entirely through dictation with the help of amanuenses and friends. He was often ill, suffering from gout , and suffering emotionally after

1650-564: Is written in blank verse , meaning the lines are metrically regular iambic pentameter but they do not rhyme . Milton used the flexibility of blank verse to support a high level of syntactic complexity. Although Milton was not the first to use blank verse, his use of it was very influential and he became known for the style. Blank verse was not much used in the non-dramatic poetry of the 17th century until Paradise Lost . Milton also wrote Paradise Regained (1671) and parts of Samson Agonistes (1671) in blank verse. Miltonic blank verse became

1716-466: The Iliad , Odyssey , and Aeneid as heroes for their military strength and guile, which might go hand in hand with wrath, pride, or lust. Milton attributes these traits instead to Satan, and depicts the Son as heroic for his love, mercy, humility, and self-sacrifice. The poem itself therefore presents the value system of classical heroism as one which has been superseded by Christian virtue. The poem

1782-713: The British minister's request to restrict admissions in a way which would have been "a rebuff to Indian students". Marsh was father to the polymath Edward Marsh and father-in-law of the controversial general and writer, Frederick Barton Maurice . A grand daughter was the economist Joan Robinson . Paradise Lost Paradise Lost is an epic poem in blank verse by the English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse . A second edition followed in 1674, arranged into twelve books (in

1848-561: The Colonial Secretary . When Chamberlain resigned in 1903, Marsh became Private Secretary to his successor, Alfred Lyttelton . When Winston Churchill became Under-Secretary of State for the Colonies in 1905 during Henry Campbell-Bannerman 's first Government, Marsh became Churchill's Private Secretary, beginning an association and friendship that would last until Marsh's death. Marsh would be Churchill's Private Secretary for

1914-529: The Alexandra Hospital for Children with Hip Disease; Howard was a surgeon at the hospital. Marsh was educated at Westminster School , London, and Trinity College, Cambridge , where he studied classics under Arthur Woollgar Verrall . At Cambridge, he became associated with R.C. Trevelyan , Bertrand Russell , G.E. Moore , and Maurice Baring . He was a Cambridge Apostle . In 1896 he was appointed Assistant Private Secretary to Joseph Chamberlain ,

1980-503: The Christian God as his "Heav'nly Muse" (1.1). Other classical epic conventions include an in medias res opening, a journey in the underworld, large-scale battles, and an elevated poetic style. In particular, the poem often uses Homeric similes . Milton repurposes these epic conventions to create a new biblical epic, promoting a different kind of hero. Classical epic heroes like Achilles , Odysseus , and Aeneas were presented in

2046-700: The Fall in the first place. Michael is an archangel who is preeminent in military prowess. He leads in battle and uses a sword which was "giv'n him temperd so, that neither keen / Nor solid might resist that edge" (6.322–323). God sends Michael to Eden, charging him: from the Paradise of God Without remorse drive out the sinful Pair From hallowd ground th' unholie, and denounce To them and to thir Progenie from thence Perpetual banishment. [...] If patiently thy bidding they obey, Dismiss them not disconsolate; reveale To Adam what shall come in future dayes, As I shall thee enlighten, intermix My Cov'nant in

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2112-426: The Father is the creator of Heaven, Hell, the world, of everyone and everything there is, through the agency of His Son. Milton presents God as all-powerful and all-knowing, as an infinitely great being who cannot be overthrown by even the great army of angels Satan incites against him. Milton portrays God as often conversing about his plans and his motives for his actions with the Son of God. The poem shows God creating

2178-427: The Son of God tells Adam and Eve about God's judgment. Before their fall the Father foretells their "Treason" (3.207) and that Man with his whole posteritie must dye, Dye hee or Justice must; unless for him Som other able, and as willing, pay The rigid satisfaction, death for death. (3.210–212) The Father then asks whether there "Dwels in all Heaven charitie so deare?" (3.216) and the Son volunteers himself. In

2244-486: The angel Michael explains that Adam does not need to build physical objects to experience the presence of God. Joseph Lyle points to this example, explaining: "When Milton objects to architecture, it is not a quality inherent in buildings themselves he finds offensive, but rather their tendency to act as convenient loci to which idolatry, over time, will inevitably adhere." Even if the idea is pure in nature, Milton thought it would unavoidably lead to idolatry simply because of

2310-424: The beginning of Paradise Lost and throughout the poem, there are several references to the rise and eventual fall of Solomon's temple. Critics elucidate that "Solomon's temple provides an explicit demonstration of how an artefact moves from its genesis in devotional practice to an idolatrous end." This example, out of the many presented, distinctly conveys Milton's views on the dangers of idolatry. Even if one builds

2376-497: The beginning of each book. Milton's previous work had been printed by Matthew Simmons who was favoured by radical writers. However he died in 1654 and the business was then run by Mary Simmons . Milton had not published work with the Simmons printing business for twenty years. Mary was increasingly relying on her son Samuel to help her manage the business and the first book that Samuel Simmons registered for publication in his name

2442-536: The biblical Adam, before Milton's Adam leaves Paradise he is given a glimpse of the future of mankind by the Archangel Michael, which includes stories from the Old and New Testaments . Eve is the second human created by God. God takes one of Adam's ribs and shapes it into Eve. Whether Eve is actually inferior to Adam is a vexed point. She is often unwilling to be submissive. Eve may be the more intelligent of

2508-461: The brute Cannot be human consort. (8.389–392) God approves his request then creates Eve. God appoints Adam and Eve to rule over all the creatures of the world and to reside in the Garden of Eden. Adam is more gregarious than Eve and yearns for her company. He is completely infatuated with her. Raphael advises him to "take heed lest Passion sway / Thy Judgment" (5.635–636). But Adam's great love for Eve contributes to his disobedience to God. Unlike

2574-530: The early death of his second wife, Katherine Woodcock, in 1658, and their infant daughter. The image of Milton dictating the poem to his daughters became a popular subject for paintings, especially in the Romantic period. The Milton scholar John Leonard also notes that Milton "did not at first plan to write a biblical epic". Since epics were typically written about heroic kings and queens (and with pagan gods), Milton originally envisioned his epic to be based on

2640-474: The early years of the twentieth century chose Downing College: Marsh attributed this to the college's reputation for excellent teaching of law, a subject favoured by India's burgeoning mercantile classes. Government pressure was part of a wider political strategy to limit anti-colonial activism in British universities. After consulting with fellow members of the college governing body Marsh politely rejected

2706-473: The evidence. Satan's ambivalence, Carey says, is "a precondition of the poem's success – a major factor in the attention it has aroused". C. S. Lewis argues in his A Preface to Paradise Lost that it is important to remember what society was like when Milton wrote the poem. In particular, during that time period, there were certain "stock responses" to elements that Milton would have expected every reader to have. As examples, Lewis lists "love

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2772-559: The fall of David Lloyd George 's Coalition Government in 1922. When Churchill became Chancellor of the Exchequer in 1924, Marsh joined him there as Private Secretary and remained at the Treasury until the fall of Stanley Baldwin 's second government in 1929, when Marsh was returned to work at the Colonial Office. He then served as Private Secretary to every Secretary of State for the Colonies from 1929 until his retirement in 1937. Marsh

2838-504: The final battle, the Son of God single-handedly defeats the entire legion of angelic rebels and banishes them from Heaven. Following this purge, God creates the World , culminating in his creation of Adam and Eve. While God gave Adam and Eve total freedom and power to rule over all creation, he gave them one explicit command: not to eat from the tree of the knowledge of good and evil on penalty of death. Adam and Eve are presented as having

2904-508: The final book a vision of Salvation through the Son is revealed to Adam by Michael. The name Jesus of Nazareth, and the details of Jesus' story are not depicted in the poem, though they are alluded to. Michael explains that "Joshua, whom the Gentiles Jesus call", prefigures the Son of God, "his name and office bearing" to "quell / The adversarie Serpent, and bring back [...] long wander[e]d man / Safe to eternal Paradise of rest". God

2970-852: The first three Georgian Poetry anthologies were impressive, ranging between 15,000 and 19,000 copies apiece. Marsh and the critic J. C. Squire were the group's most important patrons, and it was in Marsh's London rooms that Siegfried Sassoon and Rupert Brooke met for the only time, in June 1914. In 1931, he won a literary contest with a new stanza for Paradise Lost , which repairs the omission of how "Adam and Eve Brush Their Teeth" . In 1939, he produced his memoirs, titled A Number of People. An edited collection of letters, Ambrosia and Small Beer, appeared in 1964, recording two decades of correspondence with his friend and biographer, Christopher Hassall . Marsh advised Somerset Maugham about his writing between 1935 and 1953 with hundreds of pages of criticism. This

3036-452: The first time. Realising that they have committed a terrible act against God, they engage in mutual recrimination. Meanwhile, Satan returns triumphantly to Hell, amid the praise of his fellow fallen angels. He tells them about how their scheme worked and Mankind has fallen, giving them complete dominion over Paradise. As he finishes his speech, however, the fallen angels around him become hideous snakes, and soon enough, Satan himself turns into

3102-480: The former's career. He was also a close friend and lover of Ivor Novello . Frederick Howard Marsh Frederick Howard Marsh (7 March 1839 – 24 June 1915) was a surgeon and academic. From 1907 until his death he was Master of Downing College, Cambridge . Marsh was born in 1839 in a small village in eastern England, near Bungay , on the Suffolk / Norfolk border. His father, Edward Brunning Marsh,

3168-414: The future, so Michael also tells him about Mankind's potential redemption from original sin through Jesus Christ (whom Michael calls "King Messiah "). Adam and Eve are cast out of Eden, and Michael says that Adam may find "a paradise within thee, happier far". Adam and Eve now have a more distant relationship with God, who is omnipresent but invisible (unlike the tangible Father in the Garden of Eden). It

3234-425: The importance of mutuality between husband and wife. When examining the relationship between Adam and Eve, some critics apply either an Adam-centered or Eve-centered view of hierarchy and importance to God. David Mikics argues, by contrast, these positions "overstate the independence of the characters' stances, and therefore miss the way in which Adam and Eve are entwined with each other". Milton's narrative depicts

3300-414: The manner of Virgil 's Aeneid ) with minor revisions throughout. It is considered to be Milton's masterpiece , and it helped solidify his reputation as one of the greatest English poets of all time. The poem concerns the biblical story of the fall of man : the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden . At the heart of Paradise Lost are

3366-403: The nature of humans. That is, instead of directing their thoughts towards God, humans will turn to erected objects and falsely invest their faith there. While Adam attempts to build an altar to God, critics note Eve is similarly guilty of idolatry, but in a different manner. Harding believes Eve's narcissism and obsession with herself constitutes idolatry. Specifically, Harding claims that "under

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3432-907: The next ten years, until Churchill left the Government in 1915. As Randolph Churchill put it, from December 1905, "Marsh was to accompany Churchill to every Government department he occupied: to the Board of Trade , the Home Office , the Admiralty , the Duchy of Lancaster , the Ministry of Munitions , the War Office , back to his original Colonial Office and the Treasury ." The moves were somewhat irregular as Marsh remained, until 1937, officially

3498-493: The poem and from his tracts on divorce written earlier in his life. Other works by Milton suggest he viewed marriage as an entity separate from the church. Discussing Paradise Lost , Biberman entertains the idea that "marriage is a contract made by both the man and the woman". These ideas imply Milton may have thought that both man and woman should have equal access to marriage and to divorce. Milton's 17th-century contemporaries by and large criticised his ideas and considered him

3564-506: The possibility of redemption . Despite their transgression, the poem ends on a note of hope, as Adam and Eve leave Paradise with the promise of salvation through Christ . Milton's epic has been praised for its linguistic richness, theological depth, and philosophical ambition. However, it has also sparked controversy, particularly for its portrayal of Satan, who some readers interpret as a heroic or sympathetic figure. Paradise Lost continues to inspire scholars, writers, and artists, remaining

3630-469: The serpent's influence, Eve's idolatry and self-deification foreshadow the errors into which her 'Sons' will stray". Much like Adam, Eve falsely places her faith in herself, the Tree of Knowledge, and to some extent the Serpent, all of which do not compare to the ideal nature of God. Milton made his views on idolatry more explicit with the creation of Pandæmonium and his allusion to Solomon's temple . In

3696-471: The standard for those attempting to write English epics for centuries following the publication of Paradise Lost and his later poetry. When Miltonic verse became popular, Samuel Johnson mocked Milton for inspiring bad blank verse imitators. Alexander Pope 's final, incomplete work was intended to be written in the form, and John Keats , who complained that he relied too heavily on Milton, adopted and picked up various aspects of his poetry. Milton used

3762-403: The themes of free will and the moral consequences of disobedience. Milton seeks to "justify the ways of God to men," addressing questions of predestination , human agency , and the nature of good and evil . The poem begins in medias res , with Satan and his fallen angels cast into Hell after their failed rebellion against God . Milton's Satan, portrayed with both grandeur and tragic ambition,

3828-551: The truth otherwise, and that God "deserved no such return / From me, whom He created what I was". Raphael is an archangel who is sent by God to Eden in order to strengthen Adam and Eve against Satan. He tells a heroic tale about the War in Heaven that takes up most of Book 6 of Paradise Lost . Ultimately, the story told by Raphael, in which Satan is portrayed as bold and decisive, does not prepare Adam and Eve to counter Satan's subtle temptations – and may even have caused

3894-529: The two. When she first met Adam she turned away, more interested in herself. She had been looking at her reflection in a lake before being led invisibly to Adam. Recounting this to Adam she confesses that she found him less enticing than her reflection (4.477–480). Eve delivers an autobiography in Book 4. In Book 9, Milton stages a domestic drama between Adam and Eve, which results in Eve convincing Adam to separate for

3960-572: The womans seed renewd; So send them forth, though sorrowing, yet in peace. (11.103–117) He is also charged with establishing a guard for Paradise. When Adam sees him coming he describes him to Eve as not terrible, That I should fear, nor sociably mild, As Raphael, that I should much confide, But solemn and sublime, whom not to offend, With reverence I must meet, and thou retire. (11.233–237) Milton first presented Adam and Eve in Book IV with impartiality. The relationship between Adam and Eve

4026-449: The world in the way Milton believed it was done, that is, God created Heaven, Earth, Hell, and all the creatures that inhabit these separate planes from part of Himself, not out of nothing. Thus, according to Milton, the ultimate authority of God over all things that happen derives from his being the "author" of all creation. Satan tries to justify his rebellion by denying this aspect of God and claiming self-creation, but he admits to himself

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4092-446: Was Paradise Lost in 1667. Key to the ambitions of Paradise Lost as a poem is the creation of a new kind of epic , one suitable for English, Christian morality rather than polytheistic Greek or Roman antiquity. This intention is indicated from the very beginning of the poem, when Milton uses the classical epic poetic device of an invocation for poetic inspiration. Rather than invoking the classical muses , however, Milton addresses

4158-599: Was appointed Professor of Surgery at Cambridge University in belated succession to Sir George Murray Humphry (who had died in 1896). Marsh resigned from his post at Bart's and relocated to Cambridge, becoming a fellow of King's College . Four years later he relocated again, half a mile to the south, becoming Master of Downing College, Cambridge . As Master of Downing College Marsh resisted government pressure to restrict access for students from India , then an important British Colony . Approximately one third of all Indian students attending Cambridge University during

4224-577: Was appointed house surgeon at the hospital in 1862, working under Frederic Skey . He obtained his F.R.C.S. diploma in 1866 and in 1868 was appointed Administrator of Chloroform. He held a succession of progressively more senior appointments as assistant surgeon before eventually becoming a full surgeon in 1891. By this time he had already, since 1868, worked as a surgeon at the Hospital for Sick Children in Great Ormond Street (as it

4290-420: Was knighted upon his retirement and became Sir Edward Marsh. A classical scholar and translator, Marsh edited five anthologies of Georgian Poetry between 1912 and 1922, and he became Rupert Brooke 's literary executor , editing his Collected Poems in 1918. Later in life he published verse translations of La Fontaine and Horace , and a translation of Eugène Fromentin 's novel Dominique . The sales of

4356-585: Was then known) where he became full surgeon in 1879 and consulting surgeon in 1888. Also in the late 1860s Marsh became surgeon to the Queen Square House of Relief for Children with Chronic Disease of the Joints, an establishment founded "in great part through the exertions of Miss Perceval". Howard Marsh married Jane Perceval, daughter of Spencer Perceval , and the grand daughter of an assassinated British prime minister , in 1870. In 1903 Marsh

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