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103-776: The Sistine Chapel Choir , as it is generally called in English, or officially the Coro della Cappella Musicale Pontificia Sistina in Italian, is the Pope's personal choir. It performs at papal functions in the Sistine Chapel and in any other church in Rome where the Pope is officiating, including St. Peter's Basilica . One of the oldest choirs in the world, it was constituted as the Pope's personal choir by Pope Sixtus IV (from whom both

206-489: A motu proprio promulgated on 30 July 1555, he decreed that married men could no longer be members of the choir. Palestrina and two other married singers, Domenico Ferrabosco , and Leonardo Barré, were dismissed with pensions. Nevertheless, according to musicologist Richard Sherr, Palestrina "more than any other composer was to personify music in the Sistine Chapel." Like his predecessors and his successor, Magnansco

309-497: A cappella ). It initially consisted of between 16 and 24 singers with the men singing the bass, tenor, and alto parts and pre-adolescent boys singing the soprano parts, although from the mid-16th century, adult castrato singers began to replace the boy singers. The choir was to become the most important center of Roman music. Josquin des Prez , one of the greatest composers of the Renaissance, served as its composer and directed

412-547: A church law or the establishment of a commission), or merely to confer a special favour. More generically, this phrase (or proprio motu ; Latin allows free word order ) is used to indicate an act taken by a court without a motion from a party to the case. The term is used very rarely in legal opinions in the United States, where sua sponte is preferred, but proprio motu is used in Canada. Proprio motu

515-429: A conclave taking place to preserve the integrity of the marble floor on the Sistine Chapel, carpenters install a slightly elevated wooden floor alongside a wooden ramp in the entrance for those Cardinals who for one reason or another need to be transported in a wheelchair. The chapel is about 35 metres (118 feet) long and 14 m (46 ft) wide, with the ceiling rising to about 20 m (66 ft) above

618-425: A document in this way is that a rescript containing the clause motu proprio is valid and produces its effect even in cases where fraud would ordinarily have vitiated the document, since the pope does not rely on the reasons alleged when he grants a favour. Withholding of the truth in what, according to canonical law, style and practice, must for validity be expressed, normally renders a rescript invalid, but not if

721-509: A monarch, the term motu proprio describes the condition of a royal decree being made expressly on the sovereign's initiative, a practice more usual in some nations than in others. Relating to orders of chivalry , like the Order of Malta , the grand master according to the statutes can confer the order motu proprio , instead of in response to a nomination by a national delegation. [REDACTED]  This article incorporates text from

824-448: A painter, and was suspicious that such a large-scale project was being offered to him by enemies as a set-up for an inevitable fall. For Michelangelo, the project was a distraction from the major marble sculpture that had preoccupied him for the previous few years. The sources of Michelangelo's inspiration are not easily determined; both Joachite and Augustinian theologians were within the sphere of Julius' influence. To be able to reach

927-466: A performance by the choir, especially during Holy Week, was considered on important stop on their tour. The composer and bass singer, Giuseppe Baini , was admitted to the choir in 1795 and unanimously elected as its director in 1818, a position he held until his death in 1844. In 1828, he published an influential two-volume treatise on the life and works of Palestrina , one of the choir's most famous composers. According to music historian Richard Boursy,

1030-625: A period of disruption for the choir. It was suspended under the Roman Republic. When the Republic fell, Pope Pius IX returned to Rome, and the choir resumed its activities. However, four of its members had sung in a Te Deum on 9 February 1849 in thanksgiving for the Republican victory—Alessandro Montecchiani, Giovanni Poli, Alessandro Chiari and Domenico Mustafà . In reprisals against those suspected of supporting or sympathizing with

1133-509: A place of both religious and functionary papal activity. Today, it is the site of the papal conclave , the process by which a new pope is selected. The chapel's fame lies mainly in the frescoes that decorate its interior, most particularly the Sistine Chapel ceiling and The Last Judgment , both by Michelangelo . During the reign of Sixtus IV, a team of Renaissance painters including Sandro Botticelli , Pietro Perugino , Pinturicchio , Domenico Ghirlandaio and Cosimo Rosselli , created

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1236-673: A series of frescos depicting the Life of Moses and the Life of Christ , offset by papal portraits above and trompe-l'œil drapery below. They were completed in 1482, and on 15 August 1483 Sixtus IV celebrated the first mass in the Sistine Chapel for the Feast of the Assumption , during which the chapel was consecrated and dedicated to the Virgin Mary . Between 1508 and 1512, under the patronage of Pope Julius II , Michelangelo painted

1339-518: Is capable of achieving. This work has been and truly is a beacon of our art, and it has brought such benefit and enlightenment to the art of painting that it was sufficient to illuminate a world which for so many hundreds of years had remained in the state of darkness. And, to tell the truth, anyone who is a painter no longer needs to concern himself about seeing innovations and inventions, new ways of painting poses, clothing on figures, and various awe-inspiring details, for Michelangelo gave to this work all

1442-546: Is composed of professional singers. The members of the boys choir ( Pueri Cantores ) are not paid when performing at papal functions, but receive a free education at their own school in Rome, known as the Schola Puerorum . Since the late 20th century, in addition to its papal duties, the choir has undertaken international tours, participated in radio and television broadcasts, and recorded for Deutsche Grammophon . Papal patronage of music, and especially singing, dates to

1545-418: Is contrary to a law or approved custom, unless it expressly states that it is derogating from these matters. A motu proprio rescript begins by giving the reasons for issuing it, and then indicates the law or regulation made or the favour granted. It is less formal than a constitution and carries no papal seal. Its content may be instructional (e.g., on the use of chant ), administrative (e.g., concerning

1648-468: Is located in a large palazzo on Via del Monte della Farina which also serves as the administrative and rehearsal base of the Sistine Choir. In addition to training in singing and music, it provides the standard Italian education curriculum for children from the ages of 9 to 13. The boys are not paid for singing at papal functions, but receive their education at the school free of charge. Bartolucci

1751-547: Is recorded as existing in 1368. According to a communication from Andreas of Trebizond to Pope Sixtus IV, by the time of its demolition to make way for the present chapel, the Cappella Maggiore was in a ruinous state with its walls leaning. The present chapel, on the site of the Cappella Maggiore , was designed by Baccio Pontelli for Pope Sixtus IV, for whom it is named, and built under the supervision of Giovannino de Dolci between 1473 and 1481. The proportions of

1854-494: Is said that when he complained to the Pope, the pontiff responded that his jurisdiction did not extend to hell, so the portrait would have to remain. Michelangelo also painted his own portrait, on the flayed skin held by St Bartholomew . The genitalia in the fresco were later covered by the artist Daniele da Volterra , whom history remembers by the derogatory nickname "Il Braghettone" ("the breeches-painter"). The Sistine Chapel's ceiling restoration began on 7 November 1984. When

1957-611: Is used to refer to a decision by the prosecutor of the International Criminal Court to initiate an investigation into a situation without a referral from the Security Council or a state party; this power is granted by article 15(1) of the Rome Statute . European Court of Justice judgments use the phrase "of its own motion" and its equivalent in other community languages . As it relates to

2060-465: The lunettes which contain the Ancestors of Christ , painted by Michelangelo as part of the scheme for the ceiling. The ceiling was commissioned by Pope Julius II and painted by Michelangelo between 1508 and 1512. The commission was originally to paint the twelve apostles on the triangular pendentives which support the vault; however, Michelangelo demanded a free hand in the pictorial content of

2163-510: The Book of Genesis . He was originally commissioned to paint only twelve figures, the Apostles . He turned down the commission because he saw himself as a sculptor, not a painter. The Pope offered to allow Michelangelo to paint biblical scenes of his own choice as a compromise. After the work was finished, there were more than three hundred figures. His figures showed the creation, Adam and Eve in

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2266-518: The Cappella Maggiore was used before it was rebuilt on the same site as the Sistine Chapel. The Cappella Maggiore derived its name, the Greater Chapel, from the fact that there was another chapel also in use by the Pope and his retinue for daily worship. At the time of Pope Sixtus IV, this was the Chapel of Pope Nicholas V , which had been decorated by Fra Angelico . The Cappella Maggiore

2369-508: The Cecilian Movement which eschewed the operatic and theatrical style of church music which had been ascendant on the 18th and 19th centuries. He was also strongly against using castrati in the choir and wished to replace them with boy singers. At Perosi's urging, a Papal decree of 3 February 1902 by Pope Leo XIII stipulated that henceforth castrati would no longer be accepted into the choir. Mustafà retired as perpetual director of

2472-560: The Council of Trent which commenced in 1545. The work was designed on a grand scale, and spans the entire wall behind the altar of the Sistine Chapel. The painting depicts the second coming of Christ on the Day of Judgment as described in the Revelation of John , Chapter 20. High on the wall is the heroic figure of Christ, with the saints clustered in groups around him. At the bottom left of

2575-491: The Curia when he was dismissed in 1997, appointed Massimo Palombella to replace Liberto as the choir's musical director. Under Bartolucci, the choir had begun participating in radio and television broadcasts as well as regular international tours, including a 17-city tour of the United States in 1986. It was a trend that continued under Palombella. The choir made its first tour of Asia in 2014 and released three studio albums on

2678-765: The Deutsche Grammophon label between 2015 and 2017. June 2012 marked the first time in its history that the Sistine Choir performed jointly in a papal function with another choir from outside the Vatican. The occasion was a Papal Mass celebrated in St Peter's Basilica by Pope Benedict sung by the Sistine Choir and the Westminster Abbey Choir . The two choirs also sang together at Westminster Abbey in May 2015 and again in 2018. Cecilia Bartoli become

2781-482: The Domus Sanctae Marthae during a papal conclave, but to continue to vote in the Sistine Chapel. Canopies for each cardinal-elector were once used during conclaves—a sign of equal dignity. After the new Pope accepts his election, he would give his new name; at this time, the other Cardinals would tug on a rope attached to their seats to lower their canopies. Until reforms instituted by Saint Pius X ,

2884-641: The Garden of Eden , and the Great Flood . The painted area is about 40 m (131 ft) long by 13 m (43 ft) wide. This means that Michelangelo painted well over 5,000 square feet (460 m ) of frescoes. The Last Judgement was painted by Michelangelo from 1535 to 1541, between two important historic events: the Sack of Rome by mercenary forces of the Holy Roman Empire in 1527, and

2987-473: The 4th century when, according to 9th-century written accounts, Pope Sylvester I constituted company of singers, under the name of schola cantorum . The schola was reorganized by Pope Gregory I during his reign (590–604). The purpose of the Gregorian schola was to teach both singing techniques and the existing plainsong repertory, which at the time was passed down by oral tradition. Under Pope Gregory

3090-688: The Allegri Miserere was considered one of the choir's most famous pieces and was performed during the Tenebrae service on the Wednesday and Friday of every Holy Week. The score was closely guarded, and its publication was forbidden by the choir on pain of excommunication , although Emperor Leopold I , King John V of Portugal , and the composer Giovanni Battista Martini were known to have authorized copies. According to multiple biographies of Mozart and based largely on accounts by his father,

3193-495: The Cappella Maggiore, necessitating the building of very large buttresses to brace the exterior walls. The accretion of other buildings has further altered the exterior appearance of the chapel. The building is divided into three stories of which the lowest is a very tall basement level with several utilitarian windows and a doorway giving onto the exterior court. Internally, the basement is robustly vaulted to support

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3296-586: The Continuo Arts Symphonic Chorus for a Requiem entitled "Requiem For My Mother", composed by Stephen Edwards. On April 29, 2016, The Edge ( U2 ) became the first rock artist to stage a contemporary music concert at the chapel as part of a conference on regenerative medicines entitled Cellular Horizons. The Edge performed " Walk On ", " Yahweh ", " Ordinary Love ", by U2 as well as a Leonard Cohen cover of "If It Be Your Will" backed by an Irish Choir. In 2017, Cecilia Bartoli became

3399-492: The Pope under house arrest. Travel to Italy, especially for those from the countries at war with Napoleon, became difficult. The number of foreign visitors who once flocked to Rome to hear the choir in the 18th century drastically declined. Following Napoleon's defeat at Waterloo and the renewed interest in Italian history and culture fueled by the writers of the Romantic Era , foreign travelers returned to Rome, and hearing

3502-672: The Republicans, Montecchiani was dismissed from the choir, while Chiari, Poli and Mustafà were made to undergo "spiritual exercises" before resuming their activities with the choir. Further disruption came in 1870 when the Capture of Rome permanently ended the Papal States and caused the suspension of the First Vatican Council . The choir finally received a perpetual director in 1878 when Pius IX appointed Mustafà to

3605-545: The Sistine Chapel in 1983. The tapestries continue to be used at occasional ceremonies of particular importance. The full-size preparatory cartoons for seven of the 10 tapestries are known as the Raphael Cartoons and are in London. At this point, the decorative scheme displayed a consistent iconographical pattern. The tier of Popes, which, in the scheme intended by Pope Julius, would have appeared immediately below

3708-403: The Sistine Chapel. In November 1550, Julius III ousted Magnansco as maestro di cappella and replaced him with Girolamo Maccabei . Julius III was also keen to reduce the size of the choir which had been bloated by the patronage system and contained many members who were singers in name only. In an undated motu proprio c.1553, he decreed that no new singers would be taken on until the choir

3811-666: The Twelve Apostles, would have emphasised the apostolic succession . It has been argued that the present scheme shows the two Biblical Testaments merged in order to reveal the Old predicting and framing the New, synthesizing the logic of the Christian Bible. This was disrupted by a further commission to Michelangelo to decorate the wall above the altar with The Last Judgment , 1537–1541. The painting of this scene necessitated

3914-411: The artist. The problem lies in the analysis and understanding of the techniques utilised by Michelangelo, and the technical response of the restorers to that understanding. A close examination of the frescoes of the lunettes convinced the restorers that Michelangelo worked exclusively in " buon fresco "; that is, the artist worked only on freshly laid plaster and each section of work was completed while

4017-436: The book enhanced not only the reputation of Palestrina but also that of Baini and the choir itself, adding to the mystique it still held in the first half of the 19th century. Following Baini's death the choir remained without a permanent director ("perpetual director" in the choir's terminology) for over 30 years. The revolutions of 1848 in the Italian states and the establishment of the short-lived Roman Republic ushered in

4120-459: The canopies were of different colours to designate which Cardinals had been appointed by which Pope. Paul VI abolished the canopies altogether, since, under his papacy, the population of the College of Cardinals had increased so much to the point that they would need to be seated in rows of two against the walls, making the canopies obstruct the view of the cardinals in the back row. In the wake of

4223-587: The cardinals a space in which they could hear mass, and in which they could eat, sleep, and pass time attended by servants. From 1455, conclaves have been held in the Vatican Palace ; until the Great Schism , they were held in the Dominican convent of Santa Maria sopra Minerva . Since 1996, John Paul II 's Apostolic Constitution Universi Dominici gregis requires the cardinals to be lodged in

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4326-415: The cardinals send up black smoke—created by burning the ballots along with wet straw and chemical additives—it means that no successful election has yet occurred. The first papal conclave to be held on the Sistine Chapel was the conclave of 1492 , which took place from 6 to 11 August of the same year and in which Pope Alexander VI , also known as Rodrigo Borja, was elected. The conclave also provided for

4429-580: The ceiling down to its paint-impregnated plaster. After treatment, only that which was painted "buon fresco" would remain. The only reproduction of the Sistine Chapel ceiling was painted by Gary Bevans at English Martyrs' Catholic Church in Goring-by-Sea , Worthing , West Sussex, England. A full-size architectural and photographic replica of the entire building was commissioned by the Mexican Government and funded by private donors. It

4532-471: The ceiling in 1508 . Of the present scheme of frescos, the earliest part is that of the side walls. They are divided into three main tiers. The central tier of the walls has two cycles of paintings, which complement each other, The Life of Moses and The Life of Christ . They were commissioned in 1480 by Pope Sixtus IV and executed by Domenico Ghirlandaio , Sandro Botticelli, Pietro Perugino, Cosimo Rosselli and their workshops. They originally ran all round

4635-399: The ceiling, Michelangelo needed a support; the first idea was by Julius' favoured architect Donato Bramante , who wanted to build for him a scaffold to be suspended in the air with ropes. However, Bramante did not successfully complete the task, and the structure he built was flawed. He had perforated the vault in order to lower strings to secure the scaffold. Michelangelo laughed when he saw

4738-481: The chapel into two parts. Originally these made equal space for the members of the Papal Chapel within the sanctuary near the altar and the pilgrims and townsfolk without. However, with growth in the number of those attending the Pope, the screen was moved giving a reduced area for the faithful laity. The transenna is surmounted by a row of ornate candlesticks, once gilt, and has a wooden door, where once there

4841-439: The chapel is a flattened barrel vault springing from a course that encircles the walls at the level of the springing of the window arches. This barrel vault is cut transversely by smaller vaults over each window, which divide the barrel vault at its lowest level into a series of large pendentives rising from shallow pilasters between each window. The barrel vault was originally painted brilliant-blue and dotted with gold stars, to

4944-541: The chapel was consecrated and dedicated to the Virgin Mary . The Sistine Chapel has maintained its function to the present day and continues to host the important services of the Papal Calendar, unless the Pope is travelling. There is a permanent choir, the Sistine Chapel Choir , for whom much original music has been written, the most famous piece being Gregorio Allegri 's Miserere . One of

5047-521: The chapel's ceiling, a project that changed the course of Western art and is regarded as one of the major artistic accomplishments of human civilization. In a different political climate, after the Sack of Rome , he returned and, between 1535 and 1541, painted The Last Judgment for Popes Clement VII and Paul III . The fame of Michelangelo's paintings has drawn multitudes of visitors to the chapel since they were revealed five centuries ago. While known as

5150-404: The chapel. The building had six tall arched windows down each side and two at either end, several of which have been blocked. Above the vault is a third story with wardrooms for guards. At this level, an open projecting gangway was constructed, which encircled the building supported on an arcade springing from the walls. The gangway has been roofed as it was a continual source of water leaking into

5253-402: The choir and the careers of its castrati singers came to a close beginning in 1898 when Lorenzo Perosi was appointed joint perpetual director of the choir. At the time Perosi was only 26, but already had a considerable reputation as a composer of sacred music. Mustafà had thought that Perosi would carry on the musical traditions of the choir that had guided him. However, Perosi was an adherent of

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5356-408: The choir and the chapel in which it performs take their names). Although it was established in the late 15th century, its roots go back to the 4th century and the reign of Pope Sylvester I . The choir's composition and numbers have fluctuated over the centuries. However, the modern choir comprises twenty men ( tenors and basses ) and thirty boys ( sopranos and altos ). The men's choir ( Cantori )

5459-425: The choir from 1486 to 1494. In April 1545, the members of the choir sent a delegation to the choir's maestro di cappella at the time, Ludovico Magnasco, petitioning for a new constitution. It was argued that new constitution was needed because all previous copies had been destroyed in the 1527 sack of Rome . Written largely "from memory" with a few additions, it was completed on 17 November 1545. Five years later,

5562-533: The choir in January 1903 leaving Perosi the sole director. The remaining castrati gradually died, retired, or were pensioned off. Moreschi, the youngest of the six remaining castrati choristers photographed in 1898, remained on the choir's books until his retirement in 1913. The ascendance to the papacy of Perosi's mentor and fellow Cecilianist, Pius X in August 1903 further cemented his position. Under his direction

5665-419: The choir's musical arrangements, adding some of his own works to the repertoire, including his Missa de Angelis , and further increased the emphasis on Palestrina's music, on which he was an authority. He also strengthened the adult choir, created a dedicated rehearsal space for them, and established a school for the choir's boy singers. The choir school, known as the Schola Puerorum , was established in 1963 and

5768-710: The choir, most of whom became opera singers as adults include: Sistine Chapel The Sistine Chapel ( / ˈ s ɪ s t iː n / SIST -een ; Latin : Sacellum Sixtinum ; Italian : Cappella Sistina [kapˈpɛlla siˈstiːna] ) is a chapel in the Apostolic Palace , the pope's official residence in Vatican City . Originally known as the Cappella Magna ('Great Chapel'), it takes its name from Pope Sixtus IV , who had it built between 1473 and 1481. Since that time, it has served as

5871-499: The course of study was said to be nine years. When Innocent IV fled to Lyon in the 13th century, he provided for the schola' s continuance in Rome by turning property over to it. When Pope Clement V moved the papacy from Rome to Avignon in 1309, he formed his own choir in Avignon. Gregory XI brought the papal court back to Rome in 1377 bringing with him his choir which consisted largely of French singers and amalgamated it with what

5974-414: The deleterious effect that Vatican II and subsequent developments had had on church music: The fault lies above all with the pseudo-intellectuals who have engineered this denigration of the liturgy, and thus of music, overthrowing and despising the heritage of the past with the idea of obtaining who knows what advantage for the people. In 2010 Pope Benedict XVI , who had been Bartolucci's sole supporter on

6077-455: The design of Piermatteo Lauro de' Manfredi da Amelia . The pavement is in opus alexandrinum , a decorative style using marble and coloured stone in a pattern that reflects the earlier proportion in the division of the interior and also marks the processional way from the main door, used by the Pope on important occasions such as Palm Sunday . A screen or transenna in marble by Mino da Fiesole , Andrea Bregno , and Giovanni Dalmata divides

6180-498: The faithful Pars dynamica (trial procedure) Canonization Election of the Roman Pontiff Academic degrees Journals and Professional Societies Faculties of canon law Canonists Institute of consecrated life Society of apostolic life In law, motu proprio ( Latin for 'on his own impulse') describes an official act taken without a formal request from another party . Some jurisdictions use

6283-586: The first woman to perform alongside the all-male Sistine Chapel Choir. Bartoli performed Beata Viscera by medieval composer Pérotin . Motu proprio Jus novum ( c.  1140 -1563) Jus novissimum ( c.  1563 -1918) Jus codicis (1918-present) Other Sacraments Sacramentals Sacred places Sacred times Supra-diocesan/eparchal structures Particular churches Juridic persons Philosophy, theology, and fundamental theory of Catholic canon law Clerics Office Juridic and physical persons Associations of

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6386-911: The first woman to perform inside the Sistine Chapel in November 2017 when she sang with the Sistine Choir in Pérotin 's Beata Viscera . In September of that year, the choir made its first visit to the United States in 30 years, performing at St. Patrick's Cathedral in New York, the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C., and the Detroit Opera House . More controversial

6489-473: The functions of the Sistine Chapel is as a venue for the election of each successive pope in a conclave of the College of Cardinals . On the occasion of a conclave, a chimney is installed in the roof of the chapel, from which smoke arises as a signal. If white smoke, which is created by burning the ballots of the election, appears, a new Pope has been elected. If no candidate receives the required two-thirds vote,

6592-476: The hangings was carried out in Brussels, and took four years under the hands of the weavers in the shop of Pieter van Aelst . Raphael's tapestries were looted during the Sack of Rome in 1527 and were either burnt for their precious metal content or were scattered around Europe. In the late 20th century, a set was reassembled from several further sets that had been made after the first set, and displayed again in

6695-442: The individual singing first to choose the starting pitch. This instruction was given after an apostolic visitation of the choir in 1630: Quando si ha da cominciare a cantare ciascuno lasci cominciare il più vecchio, quale se non intonata bene dovere essere puntato con rigore. On February 19, 2014, Canadian violinist Rosemary Siemens became the first solo instrumentalist to perform at the Sistine Chapel. The historic performance

6798-547: The last remaining castrati were phased out, and a stable 30-voice boys choir was added. The choir's music focused once again on Gregorian chant and the polyphonic music of the Renaissance period, especially that of Palestrina . Perosi served as the choir's director until his death in 1956, although his tenure was periodically interrupted by bouts of mental illness. Perosi was succeeded by Domenico Bartolucci who had served as his deputy since 1952. Bartolucci reorganised

6901-624: The location of papal conclaves , the primary function of the Sistine Chapel is as the chapel of the Papal Chapel ( Cappella Pontificia ), one of the two bodies of the papal household , called until 1968 the Papal Court ( Pontificalis Aula ). At the time of Pope Sixtus IV in the late 15th century, the Papal Chapel comprised about 200 people, including clerics, officials of the Vatican and distinguished laity. There were 50 occasions during

7004-583: The main floor. Its exterior is unadorned by architectural or decorative details, as is common in many Italian churches of the Medieval and Renaissance eras. It has no exterior façade or exterior processional doorways, as the ingress has always been from internal rooms within the Apostolic Palace (Papal Palace), and the exterior can be seen only from nearby windows and light-wells in the palace. Subsidence and cracking of masonry also have affected

7107-698: The obliteration of two episodes from the Lives —the Nativity of Jesus and the Finding of Moses ; several of the Popes ; and two sets of Ancestors . The southern wall is decorated with the Stories of Moses , painted in 1481–1482. Starting from the altar, they include: The northern wall houses the Stories of Jesus , dating to 1481–1482. They include: Michelangelo was commissioned by Pope Julius II in 1508 to repaint

7210-402: The painting the dead are raised from their graves and ascend to be judged. To the right are those who are assigned to Hell and are dragged down by demons. The Last Judgement was an object of a bitter dispute between Cardinal Carafa and Michelangelo. Because he depicted naked figures, the artist was accused of immorality and obscenity. A censorship campaign (known as the "Fig-Leaf Campaign")

7313-482: The perfection that can be given to such details. Since the chapel's inception, the Sistine Chapel Choir has sung without the accompaniment of musical instruments as instruments were not permitted to be played inside the chapel. This was problematic as there was no way of giving the musical starting pitch to the choir. Instead of allowing an instrument to give the starting pitch, the solution was to allow

7416-405: The plaster was still in its fresh state. In other words, they believed Michelangelo did not work " a secco "; he did not come back later and add details onto the dry plaster. The restorers, by assuming that the artist took a universal approach to the painting, have taken a universal approach to the restoration. A decision was made that all of the shadowy layer of animal glue and "lamp black", all of

7519-418: The post. Mustafà, who had entered the choir in 1845, had been a virtuoso soprano castrato in his prime and was also a composer and skilled conductor. During the 19th century, the ever-increasing popularity of opera made it difficult for the choir to attract highly skilled singers who could make more money on the operatic stage. As early as 1830, Mendelssohn complained of the quality of the singing. The problem

7622-478: The present chapel appear to closely follow those of the original. After its completion, the chapel was decorated with frescoes by a number of the most famous artists of the High Renaissance , including Sandro Botticelli , Domenico Ghirlandaio , Pietro Perugino , and Michelangelo . The first mass in the Sistine Chapel was celebrated on 15 August 1483, the Feast of the Assumption , at which ceremony

7725-415: The present day. The Pope's Master of Ceremonies Biagio da Cesena said "it was most disgraceful that in so sacred a place there should have been depicted all those nude figures, exposing themselves so shamefully, and that it was no work for a papal chapel but rather for the public baths and taverns." In response Michelangelo worked da Cesena's semblance into the scene as Minos , judge of the underworld. It

7828-403: The rescript is issued motu proprio . Consequently, canonists traditionally called the clause the "mother of repose". The designation motu proprio indicates that the validity of the document is independent of the validity of whatever reasons may have been adduced in a request for its issuance. However, a motu proprio has no effect in so far as it harms the acquired right of another or

7931-414: The restoration was completed, the chapel was re-opened to the public on 8 April 1994. The part of the restoration in the Sistine Chapel that has caused the most concern is the ceiling, painted by Michelangelo. The emergence of the brightly coloured Ancestors of Christ from the gloom sparked a reaction of fear that the processes being employed in the cleaning were too severe and removed the original intent of

8034-518: The scheme. He painted a series of nine pictures showing God's Creation of the World , God's Relationship with Mankind , and Mankind's Fall from God's Grace . On the large pendentives he painted twelve Biblical and Classical men and women who prophesied that God would send Jesus Christ for the salvation of mankind, and around the upper parts of the windows, the Ancestors of Christ . In 1515, Raphael

8137-422: The secular welfare of the choir to a "cardinal protector". During their first trip to Italy , the 14-year-old Mozart and his father Leopold arrived in Rome on 11 April 1770. It was Holy Week , and that evening they attended a performance of Allegri 's Miserere in the Sistine Chapel. Allegri, who had been a singer in the Sistine Chapel Choir, had composed the piece in 1638. A complex nine-part choral work,

8240-399: The singers rebelled against Magnasco and appealed to Pope Julius III . They accused him of appointing singers without papal permission and without an audition. The most egregious of such appointments was Ottavio Gemelli who was later suspended for thievery. They also complained that Magnasco held back the salaries of several singers without justification and prohibited others from even entering

8343-401: The spring of 1481. Beneath the cycles of The Life of Moses and The Life of Christ , the lower level of the walls is decorated with frescoed hangings in silver and gold. Above the narrative frescos, the upper tier is divided into two zones. At the lower level of the windows is a Gallery of Popes painted at the same time as the Lives . Around the arched tops of the windows are areas known as

8446-401: The structure, and believed it would leave holes in the ceiling once the work was ended. He asked Bramante what was to happen when the painter reached the perforations, but the architect had no answer. The matter was taken before the Pope, who ordered Michelangelo to build a scaffold of his own. Michelangelo created a flat wooden platform on brackets built out from holes in the wall, high up near

8549-582: The term sua sponte for the same concept. In Catholic canon law , it refers to a document issued by the pope on his own initiative and personally signed by him. Such a document may be addressed to the whole church, to part of it, or to some individuals. The first Catholic motu proprio was promulgated by Pope Innocent VIII in 1484. It continues to be a common form of papal rescript , especially when establishing institutions, making minor changes to law or procedure, and when granting favours to persons or institutions. An important effect of issuing

8652-423: The top of the windows. Contrary to popular belief, he did not lie on this scaffolding while he painted, but painted from a standing position. Michelangelo used bright colours, easily visible from the floor. On the lowest part of the ceiling he painted the ancestors of Christ. Above this he alternated male and female prophets, with Jonah over the altar. On the highest section, Michelangelo painted nine stories from

8755-476: The vault of the chapel. The general proportions of the chapel use the length as the unit of measurement. This has been divided by three to get the width and by two to get the height. Maintaining the ratio, there were six windows down each side and two at either end. Defined proportions were a feature of Renaissance architecture and reflected the growing interest in the Classical heritage of Rome. The ceiling of

8858-462: The vault, or ceiling, of the chapel. The work was completed between 1508 and late 1512. He painted the Last Judgment over the altar , between 1535 and 1541, on commission from Pope Paul III Farnese. Michelangelo was intimidated by the scale of the commission, and made it known from the outset of Julius II's approach that he would prefer to decline. He felt he was more of a sculptor than

8961-476: The walls, but have since been replaced on both end walls. The project was perhaps supervised by Perugino, who arrived at the chapel prior to the Florentines. It is probable that the commission of Ghirlandaio, Botticelli and Roselli was part of a reconciliation project between Lorenzo de' Medici , the de facto ruler of Florence , and Pope Sixtus IV . The Florentines started to work in the Sistine Chapel in

9064-433: The wax, and all of the overpainted areas were contamination of one sort or another: smoke deposits, earlier restoration attempts, and painted definition by later restorers in an attempt to enliven the appearance of the work. Based on this decision, according to Arguimbau's critical reading of the restoration data that have been provided, the chemists of the restoration team decided upon a solvent that would effectively strip

9167-480: The year on which it was prescribed by the Papal Calendar that the whole Papal Chapel should meet. Of these 50 occasions, 35 were masses, of which 8 were held in basilicas, in general St. Peter's , and were attended by large congregations. These included the Christmas Day and Easter masses, at which the Pope himself was the celebrant . The other 27 masses could be held in a smaller, less public space, for which

9270-523: The young Mozart wrote down the score from memory after hearing it at the 11 April performance. He later declaimed it to one of the choir's singers who recognized it immediately, a feat which caused a sensation at the time. The Napoleonic Wars in the early 19th century almost led to the disintegration of the choir. The armies of the Papal states were defeated by the French forces who occupied Rome and placed

9373-456: Was a high-ranking cleric and not a musician. He had been the Bishop of Castro del Lazio and was the Bishop of Assisi from 1543. The situation changed in 1586 when Pope Sixtus V issued a Papal bull which reorganized the choir's structure and finances. It established the College of Singers as a legal entity, required that the maestro di cappella be a singer elected by his peers, and entrusted

9476-400: Was an ornate door of gilded wrought iron. The sculptors of the transenna also provided the cantoria or projecting choir gallery. The first stage in the decoration of the Sistine Chapel was the painting of the ceiling in blue, studded with gilt stars, and with decorative borders around the architectural details of the pendentives. This was entirely replaced when Michelangelo came to work on

9579-629: Was commissioned by Pope Leo X to design a series of ten tapestries to hang around the lower tier of the walls. The tapestries depict events from the Life of St. Peter [four tapestries] the Life of St. Paul [six tapestries], the founders of the Christian Church in Rome as described in the Gospels and the Acts of the Apostles . Work began in mid-1515. Due to their large size, manufacture of

9682-460: Was deeply opposed to the changes in liturgy and church music brought about by Vatican II (1962-65) which resulted in the introduction of folk and popular music to the liturgy, a trend continued under Pope John Paul II . In 1997, at the instigation of Piero Marini, the master of pontifical ceremonies, Bartolucci was replaced as director of the choir with Giuseppe Liberto . In a 2006 interview with L'Espresso , Bartolucci discussed what he considered

9785-591: Was exacerbated as the supply of castrato singers, the mainstays of the virtuoso soprano parts, began to dry up. With the unification of Italy in 1871, the castration of boy singers was made illegal. In a group photograph of the choir taken in 1898 (see upper-left), there were six castrati choristers left, apart from Mustafa who had retired from singing— Domenico Salvatori (1855–1909), Alessandro Moreschi (1858–1922), Giovanni Cesari (1843–1904), Vincenzo Sebastianelli (1851–1919), Gustavo Pesci (1833–1913), and Giuseppe Ritarossi (1841–1902). Domenico Mustafà's leadership of

9888-539: Was for an event entitled Spiritual Elevation as part of the Fondazione Pro Musical e Arte Sacra where Siemens was a featured guest soloist alongside vocalist Mary Zilba and harpist Mark Edward Spencer. Siemens, Zilba, and Spencer performed a medley that included the hymns " Amazing Grace " and " Be Thou My Vision ". The historic performance took place in concert with the Continuo Arts Symphonic Chorus, led by conductor Candace Wicke. Siemens also joined

9991-511: Was left of the old schola cantorum . Pope Sixtus IV , who reigned from 1471 to 1484, established the Cappella Musicale Pontificia as his permanent personal choir. It sang in the chapel of the Apostolic Palace which Sixtus had renovated to become his private chapel, originally called the Cappella Magna and later known as the Sistine Chapel . The choir was and remains all-male and sang without musical accompaniment (

10094-430: Was on view at Mexico City from 1 June to 15 July 2016. It took 2.6 million high definition photographs to reproduce the totality of the frescoes and tapestries. A video of the history of the chapel is shown to the visitors before entering the building; inside, a light-and-sound demonstration explains the content of each of the frescoes. Without having seen the Sistine Chapel one can form no appreciable idea of what one man

10197-408: Was organized by Carafa and Monsignor Sernini ( Mantua 's ambassador) to remove the frescoes. From this campaign drew support for the more natural state of the figures. In response, phallic imagery began permeating throughout Vatican City, beginning the trend of the crude drawings in places such as in graffiti art in bathrooms, textbooks, and other public places to be easily found. This trend continues to

10300-401: Was reduced by attrition to 24 members, after which new members were required to pass a strict audition. However, Julius III defied his own reforms when in January 1555, he appointed his favourite composer, Giovanni Pierluigi da Palestrina , to the choir without an audition. Palestrina's time in the choir, which he also conducted, was cut short when the austere Paul IV ascended to the papacy. In

10403-548: Was suspended in July when the Vatican opened an investigation into alleged money laundering, fraud and embezzlement involving both Nardella and Palombella and related to the choir's foreign tours. In a motu proprio issued by Pope Francis on 19 January 2019, the Sistine Chapel Choir was placed under the administration of the Office of Pontifical Liturgical Celebrations. Mons. Guido Marini, the master of ceremonies for papal liturgies,

10506-499: Was tasked with drafting new statutes for the choir. Nardella was replaced by Archbishop Guido Pozzo as the choir's administrator, but for a time Palombella retained his post as the choir's musical director. In July 2019 Palombella resigned as director of the choir. Marcos Pavan, who leads the Pueri Cantores (the boys section of the choir) was named as interim director. Past members of the choir include: Former boy singers of

10609-558: Was the choir's performance at the Met Gala in May 2018 where many of the celebrity guests dressed in costumes that according to The National Catholic Register were "deemed by many to be a sacrilegious mockery of the Church." The affair also sparked complaints from some of the boys' parents. In June of that year the choir's planned multi-city tour of the United States was abruptly cancelled. The choir's administrator, Michelangelo Nardella,

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