96-572: The Spencer Davis Group were a British blues and R&B influenced rock band formed in Birmingham in 1963 by Spencer Davis (guitar), brothers Steve Winwood (vocals, keyboards, guitar) and Muff Winwood (bass guitar), and Pete York (drums). Their best known songs include the UK No. 1 hits " Keep On Running " and " Somebody Help Me " and the UK and US Top 10 hits " Gimme Some Lovin' " and " I'm
192-502: A British usage of the 1600s referring to the "intense visual hallucinations that can accompany severe alcohol withdrawal". As time went on, the phrase lost the reference to devils and came to mean a state of agitation or depression. By the 1800s in the United States, the term "blues" was associated with drinking alcohol, a meaning which survives in the phrase ' blue law ', which prohibits the sale of alcohol on Sunday. In 1827, it
288-488: A Man ". Steve Winwood left in 1967 to form rock band Traffic . After releasing a few more singles, the band ceased to be active in 1969. Davis revived the group on two more occasions, without the involvement of the Winwood brothers, first in 1973–1974 for two more albums, and again from 2006, since when they had primarily been a touring act. Davis died on 19 October 2020, effectively ending the band. The Spencer Davis Group
384-624: A Man" with the Grateful Dead in a 1989 performance at Los Angeles's Great Western Forum . Blues Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals , work songs , field hollers , shouts , chants , and rhymed simple narrative ballads from the African-American culture . The blues form
480-484: A banjo or guitar. Regional styles of country blues varied widely in the early 20th century. The (Mississippi) Delta blues was a rootsy sparse style with passionate vocals accompanied by slide guitar. The little-recorded Robert Johnson combined elements of urban and rural blues. In addition to Robert Johnson, influential performers of this style included his predecessors Charley Patton and Son House . Singers such as Blind Willie McTell and Blind Boy Fuller performed in
576-415: A break; the harmony of this two-bar break, the turnaround, can be extremely complex, sometimes consisting of single notes that defy analysis in terms of chords. Much of the time, some or all of these chords are played in the harmonic seventh (7th) form. The use of the harmonic seventh interval is characteristic of blues and is popularly called the "blues seven". Blues seven chords add to the harmonic chord
672-586: A center for electric blues from 1948 on, when Muddy Waters recorded his first success, "I Can't Be Satisfied". Chicago blues is influenced to a large extent by Delta blues , because many performers had migrated from the Mississippi region. Howlin' Wolf , Muddy Waters, Willie Dixon and Jimmy Reed were all born in Mississippi and moved to Chicago during the Great Migration. Their style
768-416: A children's comedy series for Anglia Television , and Faith in the series Gone To Seed . Musical appearances on television included the variety series The Songwriters , several Royal Variety shows, and The Good Old Days with Leonard Sachs . She made her final TV appearance in an episode of the comedy series A Many Splintered Thing (2000) with Alan Davies . Her 1970s film appearances included
864-399: A component of R&B. After World War II, new styles of electric blues became popular in cities such as Chicago , Memphis , Detroit and St. Louis . Electric blues used electric guitars , double bass (gradually replaced by bass guitar ), drums , and harmonica (or "blues harp") played through a microphone and a PA system or an overdriven guitar amplifier . Chicago became
960-486: A local club; Blackwell also became their producer . (Island was then a small independent label with UK Fontana contracted for distribution.) Muff Winwood came up with the band's name, reasoning, "Spencer was the only one who enjoyed doing interviews, so I pointed out that if we called it the Spencer Davis Group, the rest of us could stay in bed and let him do them." The group's first professional recording
1056-635: A movement known as the Great Migration . The long boom following World War II induced another massive migration of the African-American population, the Second Great Migration , which was accompanied by a significant increase of the real income of the urban blacks. The new migrants constituted a new market for the music industry. The term race record , initially used by the music industry for African-American music,
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#17327732123881152-456: A note with a frequency in a 7:4 ratio to the fundamental note. At a 7:4 ratio, it is not close to any interval on the conventional Western diatonic scale . For convenience or by necessity it is often approximated by a minor seventh interval or a dominant seventh chord . In melody , blues is distinguished by the use of the flattened third , fifth and seventh of the associated major scale . Blues shuffles or walking bass reinforce
1248-599: A part in early blues, citing Robert Johnson 's " Cross Road Blues " as a "thinly veiled reference to Eleggua , the orisha in charge of the crossroads". However, the Christian influence was far more obvious. The repertoires of many seminal blues artists, such as Charley Patton and Skip James , included religious songs or spirituals. Reverend Gary Davis and Blind Willie Johnson are examples of artists often categorized as blues musicians for their music, although their lyrics clearly belong to spirituals. The blues form
1344-569: A part of ragtime; Handy's signature work was the " Saint Louis Blues ". In the 1920s, the blues became a major element of African American and American popular music, also reaching white audiences via Handy's arrangements and the classic female blues performers. These female performers became perhaps the first African American "superstars", and their recording sales demonstrated "a huge appetite for records made by and for black people." The blues evolved from informal performances in bars to entertainment in theaters. Blues performances were organized by
1440-419: A recording career that began in 1926 and spanned forty years. These recordings were typically labeled " race records " to distinguish them from records sold to white audiences. Nonetheless, the recordings of some of the classic female blues singers were purchased by white buyers as well. These blueswomen's contributions to the genre included "increased improvisation on melodic lines, unusual phrasing which altered
1536-406: A separate genre arose during the black migration from the countryside to urban areas in the 1920s and the simultaneous development of the recording industry. Blues became a code word for a record designed to sell to black listeners. The origins of the blues are closely related to the religious music of Afro-American community, the spirituals . The origins of spirituals go back much further than
1632-494: A single line repeated four times. However, the most common structure of blues lyrics today was established in the first few decades of the 20th century, known as the "AAB" pattern. This structure consists of a line sung over the first four bars, its repetition over the next four, and a longer concluding line over the last bars. This pattern can be heard in some of the first published blues songs, such as " Dallas Blues " (1912) and " Saint Louis Blues " (1914). According to W.C. Handy ,
1728-697: A student at the Corona Stage School in Hammersmith , West London. White made her television debut at the age of sixteen in an episode of The Wednesday Play with Geraldine McEwan in 1965. A theatre tour of Counter Crime followed, then the musical tour of The Roar of the Greasepaint—the Smell of the Crowd starring Norman Wisdom and Willoughby Goddard , written by Leslie Bricusse and Anthony Newley in which she played one of
1824-470: A wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock developed, which blended blues styles with rock music . The term 'Blues' may have originated from "blue devils", meaning melancholy and sadness. An early use of the term in this sense is in George Colman 's one-act farce Blue Devils (1798). The phrase 'blue devils' may also have been derived from
1920-454: Is a cyclic musical form in which a repeating progression of chords mirrors the call and response scheme commonly found in African and African-American music. During the first decades of the 20th century blues music was not clearly defined in terms of a particular chord progression. With the popularity of early performers, such as Bessie Smith , use of the twelve-bar blues spread across
2016-412: Is characterized by the use of electric guitar, sometimes slide guitar, harmonica, and a rhythm section of bass and drums. The saxophonist J. T. Brown played in bands led by Elmore James and by J. B. Lenoir , but the saxophone was used as a backing instrument for rhythmic support more than as a lead instrument. Sheila White (actress) Sheila Susan White (18 October 1948 – 7 September 2018)
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#17327732123882112-728: Is often associated with solo piano, boogie-woogie was also used to accompany singers and, as a solo part, in bands and small combos. Boogie-woogie style was characterized by a regular bass figure, an ostinato or riff and shifts of level in the left hand, elaborating each chord and trills and decorations in the right hand. Boogie-woogie was pioneered by the Chicago-based Jimmy Yancey and the Boogie-Woogie Trio ( Albert Ammons , Pete Johnson and Meade Lux Lewis ). Chicago boogie-woogie performers included Clarence "Pine Top" Smith and Earl Hines , who "linked
2208-497: Is often associated with the California blues style, performed a successful transition from the early urban blues à la Lonnie Johnson and Leroy Carr to the jump blues style and dominated the blues-jazz scene at Los Angeles during the 1940s. The transition from country blues to urban blues that began in the 1920s was driven by the successive waves of economic crisis and booms that led many rural blacks to move to urban areas, in
2304-406: Is ubiquitous in jazz , rhythm and blues , and rock and roll , and is characterized by the call-and-response pattern, the blues scale , and specific chord progressions , of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch , are also an essential part of the sound. Blues shuffles or walking bass reinforce
2400-482: The American South sometimes referred to as a jitterbug or a one-string in the early twentieth century) and the banjo are African-derived instruments that may have helped in the transfer of African performance techniques into the early blues instrumental vocabulary. The banjo seems to be directly imported from West African music. It is similar to the musical instrument that griots and other Africans such as
2496-945: The BBC in 1969, Keren Daniel in Poldark for BBC TV, Annie Miller in The Brotherhood – Pre-Raphaelites – Aka Love School for the BBC directed by Piers Haggard . Dixie, the female lead in the comedy series Don't Rock the Boat for Thames Television directed by Mark Stuart, Moyra Sheffield in Framed for ITV, written by Lynda La Plante , Sharon Nightingale in the series 1 episode Monday Night Fever of Minder , Mildred in ITV Saturday Night Theatre – The Funeral of Queen Victoria , directed by Tania Leven, Whizzkid's Guide
2592-608: The Count Basie Orchestra were also concentrating on the blues, with 12-bar blues instrumentals such as Basie's " One O'Clock Jump " and " Jumpin' at the Woodside " and boisterous " blues shouting " by Jimmy Rushing on songs such as "Going to Chicago" and " Sent for You Yesterday ". A well-known big band blues tune is Glenn Miller 's " In the Mood ". In the 1940s, the jump blues style developed. Jump blues grew up from
2688-558: The Great Mississippi Flood of 1927 : Backwater rising, Southern peoples can't make no time I said, backwater rising, Southern peoples can't make no time And I can't get no hearing from that Memphis girl of mine Although the blues gained an association with misery and oppression, the lyrics could also be humorous and raunchy: Rebecca, Rebecca, get your big legs off of me, Rebecca, Rebecca, get your big legs off of me, It may be sending you baby, but it's worrying
2784-587: The Igbo played (called halam or akonting by African peoples such as the Wolof , Fula and Mandinka ). However, in the 1920s, when country blues began to be recorded, the use of the banjo in blues music was quite marginal and limited to individuals such as Papa Charlie Jackson and later Gus Cannon . Blues music also adopted elements from the "Ethiopian airs", minstrel shows and Negro spirituals , including instrumental and harmonic accompaniment. The style also
2880-777: The Theater Owners Booking Association in nightclubs such as the Cotton Club and juke joints such as the bars along Beale Street in Memphis. Several record companies, such as the American Record Corporation , Okeh Records , and Paramount Records , began to record African-American music. As the recording industry grew, country blues performers like Bo Carter , Jimmie Rodgers , Blind Lemon Jefferson , Lonnie Johnson , Tampa Red and Blind Blake became more popular in
2976-409: The degrees of the progression. For instance, for a blues in the key of C, C is the tonic chord (I) and F is the subdominant (IV). The last chord is the dominant (V) turnaround , marking the transition to the beginning of the next progression. The lyrics generally end on the last beat of the tenth bar or the first beat of the 11th bar, and the final two bars are given to the instrumentalist as
The Spencer Davis Group - Misplaced Pages Continue
3072-656: The music industry working in artists and repertoire (A&R) at Island Records. In the same period, both the Spencer Davis Group and Traffic featured on the soundtrack of the film Here We Go Round the Mulberry Bush released in that year. After the Winwoods' departures, the Spencer Davis Group continued with the addition of guitarist Phil Sawyer (ex- Les Fleur de Lys ) and keyboardist/vocalist Eddie Hardin (ex-A Wild Uncertainty). This line-up recorded several tunes for Here We Go Round The Mulberry Bush and released
3168-468: The "AAB" pattern was adopted to avoid the monotony of lines repeated three times. The lyrics are often sung in a rhythmic talk style rather than a melody, resembling a form of talking blues . Early blues frequently took the form of a loose narrative. African-American singers voiced their "personal woes in a world of harsh reality: a lost love, the cruelty of police officers, oppression at the hands of white folk, [and] hard times". This melancholy has led to
3264-438: The 1920s, among them "the big three"— Gertrude "Ma" Rainey , Bessie Smith , and Lucille Bogan . Mamie Smith , more a vaudeville performer than a blues artist, was the first African American to record a blues song, in 1920; her second record, "Crazy Blues", sold 75,000 copies in its first month. Ma Rainey, the "Mother of Blues", and Bessie Smith each "[sang] around center tones, perhaps in order to project her voice more easily to
3360-428: The 1920s, when the record industry created the marketing categories " race music " and " hillbilly music " to sell music by blacks for blacks and by whites for whites, respectively. At the time, there was no clear musical division between "blues" and "country", except for the ethnicity of the performer, and even that was sometimes documented incorrectly by record companies. Though musicologists can now attempt to define
3456-455: The 9-bar progression in " Sitting on Top of the World ", by Walter Vinson . The basic 12-bar lyric framework of many blues compositions is reflected by a standard harmonic progression of 12 bars in a 4/4 time signature . The blues chords associated to a twelve-bar blues are typically a set of three different chords played over a 12-bar scheme. They are labeled by Roman numbers referring to
3552-613: The African American community. Kentucky-born Sylvester Weaver was in 1923 the first to record the slide guitar style, in which a guitar is fretted with a knife blade or the sawed-off neck of a bottle. The slide guitar became an important part of the Delta blues . The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues. Country blues performers often improvised, either without accompaniment or with only
3648-533: The African call-and-response tradition that transformed into an interplay of voice and guitar, the blues form itself bears no resemblance to the melodic styles of the West African griots . Additionally, there are theories that the four-beats-per-measure structure of the blues might have its origins in the Native American tradition of pow wow drumming. Some scholars identify strong influences on
3744-738: The Level ; Young Belle in Little Me ; Ruby in the London production of Dames at Sea ; Samantha in Queen Daniella with Danny La Rue and Sonia Walsk; and the British production of They're Playing Our Song . Between 1967 and 1970 White was in a relationship with Alan Whitehead , the drummer of chart-topping group Marmalade. Although engaged for two years they never married. Between 1973 and 1980 relationship with Francisco Martinez Montes,
3840-705: The US on Atco during 1966, but due to lack of promotion, neither of them gained airplay or entered the American charts. For the German market, the group released a medley of "Det war in Schöneberg, im Monat Mai" and "Mädel ruck ruck ruck an meine grüne Seite" (the first is from a 1913 Berlin operetta , the second is a Swabian traditional) as a tribute single for that audience, Davis having studied in West Berlin in
3936-557: The US, where they were now signed to United Artists Records , both going Top 10 there. In 1966, the group starred in The Ghost Goes Gear , a British musical comedy film , directed by Hugh Gladwish, and also featuring Sheila White and Nicholas Parsons . It was not well received and Winwood later considered it a career mistake. Steve Winwood left the group in April 1967 to form Traffic ; his brother, Muff, moved into
The Spencer Davis Group - Misplaced Pages Continue
4032-636: The age of 81, while being treated for pneumonia. The Spencer Davis Group – particularly its incarnation with Steve Winwood – proved to be influential, with many of the band's songs being recorded by other artists over the years. Among them are Chicago 's cover of "I'm a Man"; The Allman Brothers Band 's version of Davis's and Hardin's "Don't Want You No More" (both 1969); Three Dog Night 's recording of "Can't Get Enough of It" (1970); and The Blues Brothers ' "Gimme Some Lovin'" (1980). The Grateful Dead also covered Spencer Davis Group material in live performance on occasion, and Spencer Davis himself performed "I'm
4128-458: The album Funky in 1969 (only released in the USA on Date Records, a subsidiary of CBS, in 1970) before splintering. Fenwick wrote all the songs and his 1971 solo album Keep America Beautiful, Get a Haircut also featured Murray and Olsson. The group broke up on 19 July 1969. The group reunited in 1973 with Davis, Fenwick, Hardin and York, and newcomer Charlie McCracken on bass. The group released
4224-630: The albums Gluggo (1973) and Living in a Back Street (1974) before once again disbanding. Davis continued working, however, producing some jazz -oriented albums in the late 1970s and early 1980s. On 7th July 1988 Spencer Davies appeared with Peter York (Drums), Colin Hodgkinson (Bass), Zoot Money (Keyboards) and Miller Anderson (guitar) for an "R & B Reunion" at Birmingham Town Hall, introduced by Robin Valk and recorded for broadcast on BRMB Radio, Birmingham's independent local radio station. For
4320-420: The back of a room". Smith would "sing a song in an unusual key, and her artistry in bending and stretching notes with her beautiful, powerful contralto to accommodate her own interpretation was unsurpassed". In 1920, the vaudeville singer Lucille Hegamin became the second black woman to record blues when she recorded "The Jazz Me Blues", and Victoria Spivey , sometimes called Queen Victoria or Za Zu Girl, had
4416-554: The beginning of the 20th century. They are now lost. Other recordings that are still available were made in 1924 by Lawrence Gellert . Later, several recordings were made by Robert W. Gordon , who became head of the Archive of American Folk Songs of the Library of Congress . Gordon's successor at the library was John Lomax . In the 1930s, Lomax and his son Alan made a large number of non-commercial blues recordings that testify to
4512-441: The blues are also closely related to the religious music of the African-American community, the spirituals . The first appearance of the blues is often dated to after the ending of slavery , with the development of juke joints occurring later. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music
4608-662: The blues from the melodic structures of certain West African musical styles of the savanna and sahel. Lucy Durran finds similarities with the melodies of the Bambara people , and to a lesser degree, the Soninke people and Wolof people , but not as much of the Mandinka people . Gerard Kubik finds similarities to the melodic styles of both the west African savanna and central Africa, both of which were sources of enslaved people. No specific African musical form can be identified as
4704-578: The blues in the same year in Missouri ; and W.C. Handy , who first heard the blues in Tutwiler, Mississippi , in 1903. The first extensive research in the field was performed by Howard W. Odum , who published an anthology of folk songs from Lafayette County, Mississippi , and Newton County, Georgia , between 1905 and 1908. The first non-commercial recordings of blues music, termed proto-blues by Paul Oliver , were made by Odum for research purposes at
4800-468: The blues is usually dated after the Emancipation Act of 1863 , between 1860s and 1890s, a period that coincides with post- emancipation and later, the establishment of juke joints as places where African-Americans went to listen to music, dance, or gamble after a hard day's work. This period corresponds to the transition from slavery to sharecropping, small-scale agricultural production, and
4896-530: The blues narrowly in terms of certain chord structures and lyric forms thought to have originated in West Africa, audiences originally heard the music in a far more general way: it was simply the music of the rural south, notably the Mississippi Delta . Black and white musicians shared the same repertoire and thought of themselves as " songsters " rather than blues musicians. The notion of blues as
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#17327732123884992-411: The blues, usually dating back to the middle of the 18th century, when the slaves were Christianized and began to sing and play Christian hymns , in particular those of Isaac Watts , which were very popular. Before the blues gained its formal definition in terms of chord progressions, it was defined as the secular counterpart of spirituals. It was the low-down music played by rural blacks. Depending on
5088-485: The boogie-woogie wave and was strongly influenced by big band music. It uses saxophone or other brass instruments and the guitar in the rhythm section to create a jazzy, up-tempo sound with declamatory vocals. Jump blues tunes by Louis Jordan and Big Joe Turner , based in Kansas City, Missouri , influenced the development of later styles such as rock and roll and rhythm and blues. Dallas-born T-Bone Walker , who
5184-453: The early 1960s. During late 1966 and early 1967, the group achieved two more hits with " Gimme Some Lovin' ", which went Top 5, and " I'm a Man ", which went Top 10. Both of them sold over one million copies, and were awarded gold record status . "Gimme Some Lovin'" was written by Davis and the Winwood brothers, while "I'm a Man" was written by Steve Winwood and the group's producer Jimmy Miller . These tracks proved to be their breakthrough in
5280-479: The emphasis and impact of the lyrics, and vocal dramatics using shouts, groans, moans, and wails. The blues women thus effected changes in other types of popular singing that had spin-offs in jazz, Broadway musicals , torch songs of the 1930s and 1940s, gospel , rhythm and blues , and eventually rock and roll ." Urban male performers included popular black musicians of the era, such as Tampa Red , Big Bill Broonzy and Leroy Carr . An important label of this era
5376-429: The expansion of railroads in the southern United States. Several scholars characterize the development of blues music in the early 1900s as a move from group performance to individualized performance. They argue that the development of the blues is associated with the newly acquired freedom of the enslaved people. According to Lawrence Levine, "there was a direct relationship between the national ideological emphasis upon
5472-597: The first two series of the sitcom Dear Mother...Love Albert . She received glowing reviews for her performance as Messalina , the third wife of the Emperor Claudius ( Derek Jacobi ) in the BBC classic serial I, Claudius (1976), and in EastEnders she played Carol Hanley , the biological mother of Sharon Watts ( Letitia Dean ). Her many other television credits include the TV musical Pickwick for
5568-410: The four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans. Many elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa . The origins of
5664-417: The genre took its shape from the idiosyncrasies of individual performers. However, there are some characteristics that were present long before the creation of the modern blues. Call-and-response shouts were an early form of blues-like music; they were a "functional expression ... style without accompaniment or harmony and unbounded by the formality of any particular musical structure". A form of this pre-blues
5760-751: The hell out of me. Hokum blues celebrated both comedic lyrical content and a boisterous, farcical performance style. Tampa Red and Georgia Tom 's " It's Tight Like That " (1928) is a sly wordplay with the double meaning of being " tight " with someone, coupled with a more salacious physical familiarity. Blues songs with sexually explicit lyrics were known as dirty blues . The lyrical content became slightly simpler in postwar blues, which tended to focus on relationship woes or sexual worries. Lyrical themes that frequently appeared in prewar blues, such as economic depression, farming, devils, gambling, magic, floods and drought, were less common in postwar blues. The writer Ed Morales claimed that Yoruba mythology played
5856-454: The huge variety of proto-blues styles, such as field hollers and ring shouts . A record of blues music as it existed before 1920 can also be found in the recordings of artists such as Lead Belly and Henry Thomas . All these sources show the existence of many different structures distinct from twelve- , eight- , or sixteen-bar . The social and economic reasons for the appearance of the blues are not fully known. The first appearance of
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#17327732123885952-434: The individual, the popularity of Booker T. Washington's teachings, and the rise of the blues." Levine stated that "psychologically, socially, and economically, African-Americans were being acculturated in a way that would have been impossible during slavery, and it is hardly surprising that their secular music reflected this as much as their religious music did." There are few characteristics common to all blues music, because
6048-592: The low rate of literacy among rural African Americans at the time. Reports of blues music in southern Texas and the Deep South were written at the dawn of the 20th century. Charles Peabody mentioned the appearance of blues music at Clarksdale, Mississippi , and Gate Thomas reported similar songs in southern Texas around 1901–1902. These observations coincide more or less with the recollections of Jelly Roll Morton , who said he first heard blues music in New Orleans in 1902; Ma Rainey , who remembered first hearing
6144-525: The music industry during the 1920s and 1930s. Other chord progressions, such as 8-bar forms, are still considered blues; examples include " How Long Blues ", " Trouble in Mind ", and Big Bill Broonzy 's " Key to the Highway ". There are also 16-bar blues , such as Ray Charles 's instrumental "Sweet 16 Bars" and Herbie Hancock 's " Watermelon Man ". Idiosyncratic numbers of bars are occasionally used, such as
6240-495: The propulsive left-hand rhythms of the ragtime pianists with melodic figures similar to those of Armstrong's trumpet in the right hand". The smooth Louisiana style of Professor Longhair and, more recently, Dr. John blends classic rhythm and blues with blues styles. Another development in this period was big band blues. The " territory bands " operating out of Kansas City , the Bennie Moten orchestra, Jay McShann , and
6336-475: The psychedelia-sounding "Time Seller" single in July 1967; the b-side , "Don't Want You No More", also received radio airplay . This was followed by "Mr. Second-Class" in late 1967, which received heavy airplay on Radio Caroline (a pirate radio ship off the British coast), and the album With Their New Face On in 1968. At that time Ray Fenwick had replaced Phil Sawyer. The group's last minor hit, "After Tea",
6432-458: The religious community a musician belonged to, it was more or less considered a sin to play this low-down music: blues was the devil's music. Musicians were therefore segregated into two categories: gospel singers and blues singers, guitar preachers and songsters. However, when rural black music began to be recorded in the 1920s, both categories of musicians used similar techniques: call-and-response patterns, blue notes, and slide guitars. Gospel music
6528-726: The role of Rosie Noggett, sister of Timothy Lea ( Robin Askwith ), in all four Confessions films, Villain (1971) with Richard Burton , Alfie Darling (1975) with Joan Collins , Silver Dream Racer (1980) with David Essex , and the Walt Disney comedy Unidentified Flying Oddball (1979). White's extensive theatre credits as a West End leading lady included Mary Pickford in The Biograph Girl for Harold Fielding , directed by Victor Spinetti ; Eileen Wells in On
6624-456: The savannah, are conspicuously absent. According to the historian Paul Oliver , "the roots of the blues were not to be found in the coastal and forest regions of Africa. Rather... the blues was rooted in ... the savanna hinterland, from Senegambia through Mali, Burkina Faso, Northern Ghana, Niger, and northern Nigeria". Additionally, ethnomusicologist John Storm Roberts has argued that "The parallels between African savanna-belt string-playing and
6720-509: The second half of the concert Chris Farlow joined the group. The band re-formed in 2006, although only Davis and Hardin remained from the 1960s group line-ups. The Spencer Davis Group continued to tour the US and Europe, but with two differing line-ups; only Spencer Davis himself was present in both formations of the band. Hardin remained with the UK version of the band until his death in 2015. Davis died in California on 19 October 2020, at
6816-515: The single direct ancestor of the blues. However the call-and-response format can be traced back to the music of Africa . That blue notes predate their use in blues and have an African origin is attested to by "A Negro Love Song", by the English composer Samuel Coleridge-Taylor , from his African Suite for Piano , written in 1898, which contains blue third and seventh notes . The Diddley bow (a homemade one-stringed instrument found in parts of
6912-632: The songs "It's a Fine Life" and " I'd Do Anything ". Following her appearance in Oliver! , she briefly settled in France recording pop songs, performing in cabaret and making television appearances. She also starred in the French film Papa the Little Boats ( Papa les p'tits bateaux [ fr ] , 1971) directed by Nelly Kaplan . In 1969 and 1970, White starred opposite Rodney Bewes in
7008-446: The songs "can't be sung without a full heart and a troubled spirit", conditions that have inspired countless blues songs. Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, when Hart Wand 's " Dallas Blues " became the first copyrighted blues composition. In lyrics, the phrase is often used to describe a depressed mood. Early traditional blues verses often consisted of
7104-406: The southeastern "delicate and lyrical" Piedmont blues tradition, which used an elaborate ragtime-based fingerpicking guitar technique. Georgia also had an early slide tradition, with Curley Weaver , Tampa Red , "Barbecue Bob" Hicks and James "Kokomo" Arnold as representatives of this style. The lively Memphis blues style, which developed in the 1920s and 1930s near Memphis, Tennessee ,
7200-533: The suggestion of an Igbo origin for blues, because of the reputation the Igbo had throughout plantations in the Americas for their melancholic music and outlook on life when they were enslaved. Other historians have argued that there is little evidence of Sub-Sahelian influence in the blues as "elaborate polyrhythm, percussion on African drums (as opposed to European drums), [and] collective participation" which are characteristic of West-Central African music below
7296-507: The techniques of many blues guitarists are remarkable. The big kora of Senegal and Guinea are played in a rhythmic-melodic style that uses constantly changing rhythms, often providing a ground bass overlaid with complex treble patterns, while vocal supplies a third rhythmic layer. Similar techniques can be found in hundreds of blues records". The lyrics often relate troubles experienced within African American society. For instance Blind Lemon Jefferson 's "Rising High Water Blues" (1927) tells of
7392-450: The trance-like rhythm and call-and-response, and they form a repetitive effect called a groove . Characteristic of the blues since its Afro-American origins, the shuffles played a central role in swing music . The simplest shuffles, which were the clearest signature of the R&;B wave that started in the mid-1940s, were a three-note riff on the bass strings of the guitar. When this riff
7488-447: The trance-like rhythm and form a repetitive effect known as the groove . Blues music is characterized by its lyrics , bass lines , and instrumentation . Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern , consisting of a line sung over
7584-559: The urchins alongside Elaine Paige , with choreography by Gillian Lynne . White's major break came playing the part of Eileen in the musical On the Level at the Saville Theatre . She was taken out of the chorus and the song "Bleep – Bleep" was written especially for her as a solo feature. This led to her being cast as Bet, Nancy 's best friend in the film version of Lionel Bart 's musical Oliver! (1968). She accompanied Shani Wallis as Nancy and Mark Lester as Oliver in
7680-506: Was a cover version of " Dimples ", released as a single in 1964. In late 1965, they gained their first No. 1 single with " Keep On Running ", written by reggae musician Jackie Edwards . In 1966, they followed this with another Jackie Edwards-written No. 1 hit " Somebody Help Me " and the Top 20 hit " When I Come Home ", this song a collaboration between Edwards and Steve Winwood. "Keep On Running" and "Somebody Help Me" were issued as singles in
7776-540: Was a formally trained musician, composer and arranger who helped to popularize the blues by transcribing and orchestrating blues in an almost symphonic style, with bands and singers. He became a popular and prolific composer, and billed himself as the "Father of the Blues"; however, his compositions can be described as a fusion of blues with ragtime and jazz, a merger facilitated using the Cuban habanera rhythm that had long been
7872-511: Was a free-born black woman from Pennsylvania who was working as a schoolteacher in South Carolina, instructing both slaves and freedmen, and wrote that she "came home with the blues" because she felt lonesome and pitied herself. She overcame her depression and later noted a number of songs, such as "Poor Rosy", that were popular among the slaves. Although she admitted being unable to describe the manner of singing she heard, Forten wrote that
7968-561: Was an English film, television and stage actress. Sheila White was born in London. She began her career at the age of 12 as a member of Terry's Juveniles in the pantomime Cinderella at the Golders Green Hippodrome , starring Arthur Askey . This led to three years in the London production of The Sound of Music at the Palace Theatre , playing firstly Brigitta and then Louisa von Trapp. She then became
8064-399: Was closely related to ragtime , which developed at about the same time, though the blues better preserved "the original melodic patterns of African music". The musical forms and styles that are now considered the blues as well as modern country music arose in the same regions of the southern United States during the 19th century. Recorded blues and country music can be found as far back as
8160-760: Was formed in 1963 in Birmingham after the Welsh guitarist Spencer Davis encountered vocalist and organist Steve Winwood (then aged 14 and still at school), and his bass playing brother Muff Winwood performing at a pub, the Golden Eagle , as the Muff Woody Jazz Band. He recruited them and Pete York on drums to form the Rhythm and Blues Quartette, which performed regularly in the city. In 1964, they signed their first recording contract after Chris Blackwell of Island Records saw them at an appearance in
8256-457: Was heard in slave ring shouts and field hollers , expanded into "simple solo songs laden with emotional content". Blues has evolved from the unaccompanied vocal music and oral traditions of slaves imported from West Africa and rural blacks into a wide variety of styles and subgenres, with regional variations across the United States. Although blues (as it is now known) can be seen as a musical style based on both European harmonic structure and
8352-416: Was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues subgenres include country blues , Delta blues and Piedmont blues , as well as urban blues styles such as Chicago blues and West Coast blues . World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to
8448-440: Was in the sense of a sad state of mind that John James Audubon wrote to his wife that he "had the blues". In Henry David Thoreau 's book Walden , he mentions "the blues" in the chapter reflecting on his time in solitude. He wrote his account of his personal quest in 1845, although it was not published until 1854. The phrase "the blues" was written by Charlotte Forten , then aged 25, in her diary on December 14, 1862. She
8544-581: Was influenced by jug bands such as the Memphis Jug Band or the Gus Cannon's Jug Stompers . Performers such as Frank Stokes , Sleepy John Estes , Robert Wilkins , Kansas Joe McCoy , Casey Bill Weldon and Memphis Minnie used a variety of unusual instruments such as washboard , fiddle , kazoo or mandolin . Memphis Minnie was famous for her virtuoso guitar style. Pianist Memphis Slim began his career in Memphis, but his distinct style
8640-670: Was nevertheless using musical forms that were compatible with Christian hymns and therefore less marked by the blues form than its secular counterpart. The American sheet music publishing industry produced a great deal of ragtime music. By 1912, the sheet music industry had published three popular blues-like compositions, precipitating the Tin Pan Alley adoption of blues elements: "Baby Seals' Blues", by Baby Franklin Seals (arranged by Artie Matthews ); "Dallas Blues", by Hart Wand ; and " The Memphis Blues ", by W.C. Handy . Handy
8736-420: Was played over the bass and the drums, the groove "feel" was created. Shuffle rhythm is often vocalized as " dow , da dow , da dow , da" or " dump , da dump , da dump , da": it consists of uneven, or "swung", eighth notes. On a guitar this may be played as a simple steady bass or it may add to that stepwise quarter note motion from the fifth to the sixth of the chord and back. Hart Wand 's " Dallas Blues "
8832-430: Was published in 1912; W.C. Handy 's " The Memphis Blues " followed in the same year. The first recording by an African American singer was Mamie Smith 's 1920 rendition of Perry Bradford 's " Crazy Blues ". But the origins of the blues were some decades earlier, probably around 1890. This music is poorly documented, partly because of racial discrimination in U.S. society, including academic circles, and partly because of
8928-638: Was released at the same time by the German band The Rattles , providing competition that led finally to a temporary stop to all activities of the band. The song was originally recorded by the Dutch group After Tea , which included guitarist/singer Fenwick among its members. After one further single ("Short Change"), Eddie Hardin and Pete York left to form the duo Hardin & York. They were replaced by future Elton John band member Dee Murray on bass and Dave Hynes on drums. Nigel Olsson , another future Elton John band member, replaced Hynes, and this line-up produced
9024-507: Was replaced by the term rhythm and blues . This rapidly evolving market was mirrored by Billboard magazine's Rhythm & Blues chart . This marketing strategy reinforced trends in urban blues music such as the use of electric instruments and amplification and the generalization of the blues beat, the blues shuffle , which became ubiquitous in rhythm and blues (R&B). This commercial stream had important consequences for blues music, which, together with jazz and gospel music , became
9120-444: Was smoother and had some swing elements. Many blues musicians based in Memphis moved to Chicago in the late 1930s or early 1940s and became part of the urban blues movement. City or urban blues styles were more codified and elaborate, as a performer was no longer within their local, immediate community, and had to adapt to a larger, more varied audience's aesthetic. Classic female urban and vaudeville blues singers were popular in
9216-555: Was the Chicago-based Bluebird Records . Before World War II, Tampa Red was sometimes referred to as "the Guitar Wizard". Carr accompanied himself on the piano with Scrapper Blackwell on guitar, a format that continued well into the 1950s with artists such as Charles Brown and even Nat "King" Cole . Boogie-woogie was another important style of 1930s and early 1940s urban blues. While the style
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