Stone Poneys (also the Stone Poneys , Linda Ronstadt and the Stone Poneys , and The Stone Poneys With Linda Ronstadt ) were a folk rock trio formed in Los Angeles , consisting of Linda Ronstadt on vocals , Bobby Kimmel on rhythm guitar and vocals, and Kenny Edwards on lead guitar . The group featured Ronstadt showcasing an eclectic mix of songs, often from under-appreciated songwriters, requiring a wide array of backing musicians. Their recordings include Ronstadt's first hit song, a cover of Mike Nesmith 's " Different Drum ," recorded without the other members of the group. The band released three albums: The Stone Poneys ; Evergreen, Volume 2 ; and Linda Ronstadt, Stone Poneys and Friends, Vol. III . All three albums were reissued in CD format in the 1990s in the US. The first two albums were reissued in Australia in 2008.
110-398: Linda Ronstadt first met Bobby Kimmel as a teenager in 1960 while performing gigs in and around Tucson, Arizona , with her older brother Peter and older sister Suzi (under the name The Three Ronstadts, among others). The three Ronstadts joined with Kimmel and a local banjo player named Richard Saltus, performing locally as The New Union Ramblers. Kimmel, who was six years older than Linda,
220-420: A "live" sound. Recordings, including live, may contain editing, sound effects, voice adjustments, etc. With modern recording technology , artists can be recorded in separate rooms or at separate times while listening to the other parts using headphones ; with each part recorded as a separate track . Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of
330-458: A brown heavy paper sleeve with a large hole in the center so the record's label could be seen. The fragile records were stored on their sides. By the mid-1920s, photo album publishers sold collections of empty sleeves of heavier paper in bound volumes with stiff covers slightly larger than the 10" popular records. (Classical records measured 12".) On the paper cover in small type were the words "Record Album". Now records could be stored vertically with
440-412: A collection of pieces or songs on a single record was called an "album"; the word was extended to other recording media such as compact disc, MiniDisc , compact audio cassette, 8-track tape and digital albums as they were introduced. An album (Latin albus , white), in ancient Rome, was a board chalked or painted white, on which decrees, edicts, and other public notices were inscribed in black. It
550-403: A compilation of songs created by any average listener of music. The songs on a mixtape generally relate to one another in some way, whether it be a conceptual theme or an overall sound. After the introduction of Compact discs, the term "Mixtape" began to apply to any personal compilation of songs on any given format. The sales of Compact Cassettes eventually began to decline in the 1990s, after
660-424: A current or former member of a musical group which is released under that artist's name only, even though some or all other band members may be involved. The solo album appeared as early as the late 1940s. A 1947 Billboard magazine article heralded " Margaret Whiting huddling with Capitol execs over her first solo album on which she will be backed by Frank De Vol ". There is no formal definition setting forth
770-561: A customer buys a whole album rather than just one or two songs from the artist. The song is not necessarily free nor is it available as a stand-alone download, adding also to the incentive to buy the complete album. In contrast to hidden tracks , bonus tracks are included on track listings and usually do not have a gap of silence between other album tracks. Bonus tracks on CD or vinyl albums are common in Japan for releases by European and North American artists; since importing international copies of
880-482: A demo, and also with Jack Nitzsche , but nothing ever materialized (she and Zappa – who were both being managed by Cohen in this time period – would later make a radio commercial for Remington brand electric shavers that was rejected by the company). After the Poneys reformed, Cohen introduced Linda, Kenny, and Bobby to Nick Venet (also known as Nik Venet) at The Troubadour. Venet signed the band to Capitol Records in
990-574: A dual compilation album called Back on the Street Again (catalog number SPC-3245), with Side 1 consisting of five songs by David Clayton-Thomas that are taken from solo albums that he was recording while serving as the lead singer for Blood, Sweat and Tears . Other than the title song and "Different Drum", the Stone Poneys songs on this album are relatively obscure tracks that have hardly appeared at all on Ronstadt's compilation albums over
1100-461: A few hours to several years. This process usually requires several takes with different parts recorded separately, and then brought or " mixed " together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation , to assist in mixing different takes; other locations, such as concert venues and some "live rooms", have reverberation, which creates
1210-523: A few months of rehearsal (including in the local laundromat which had great acoustics), the trio played an open mike gig at The Troubador in West Los Angeles. That one performance resulted in a multi—album contract with Capitol Records . The Stone Poneys recorded three albums for Capitol in the mid-60s and had a major hit in 1967 with " Different Drum ", written in 1964 by soon-to-be Monkees member Michael Nesmith. Different Drum peaked at #12 on
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#17327811866241320-481: A good band, but we didn't like the singer". After this tour, Kimmel also left the band. Linda Ronstadt gamely moved forward and, effectively a solo artist already, started taking control of her career. She gathered more sophisticated material for the new album, including three songs by Tim Buckley that would become standout cuts on that album. "Tim used to live in a house that I lived in too, and we both used to move in and out ... that is, we stayed there alternately. It
1430-469: A group of new songs full of possibilities for rich harmonies, and much room for Stefan to play. (Bobby and Stefan had figured out how two finger-style guitarists could play together). So along with a crop of Stefan's latest songs to work with, the band quickly developed a new repertoire and a new harmony sound. The acoustic music community in Tucson was quick to embrace them. Although BK Special only formed in
1540-423: A hit song, and we need to sort of have an arranger arrange it.' So none of us actually played on the record version of that." (A live performance of "Different Drum" in the earlier style survives, however.) The original album version of "Different Drum" from 1967 had a slightly longer run time (2:46) from the single edit (2:35), owing to a repeat of the harpsichord break in the middle of the song. All versions of
1650-462: A hit, Kenny Edwards quit The Stone Poneys. That was the beginning of the end, Linda and Bobby played one more tour as The Stone Poneys with pick-up musicians, and the group disbanded at the end of the tour. After the Stone Poneys broke up, Bobby created and developed the concert series at McCabe's Guitar Shop in Santa Monica, California. It became one of the premier acoustic music venues in
1760-407: A medium such as compact disc (CD), vinyl (record), audio tape (like 8-track or cassette ), or digital . Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album ; this format evolved after 1948 into single vinyl long-playing (LP) records played at 33 + 1 ⁄ 3 rpm . The album
1870-517: A powerful lead singer and songwriter from LA who also moved there. Since Jo and Bobby had played together at parties in LA, they got the idea of forming an acoustic singing band here. They went to the 2002 Tucson Folk Festival together, and on the second day they heard Stefan George and Lavinia White. Bobby immediately approached Stefan and Lavinia and proposed that the four of them get together to play music. Stefan and Lavinia were cautious at first, but after
1980-534: A respectable 15 weeks on that chart. Their third album was titled Linda Ronstadt, Stone Poneys and Friends, Vol. III (released in April 1968); at this point, Capitol was promoting Linda Ronstadt rather than the band, and only Linda's picture was on the cover. Like its predecessor, the album had two singles: "Up to My Neck in High Muddy Water" b/w "Carnival Bear" (released under the name Linda Ronstadt and
2090-601: A semester at the University of Arizona , Linda Ronstadt decided to move to the Los Angeles area to join Bobby Kimmel and form a band . Ronstadt described Kimmel's vision of the band: "It was going to be five people. We had an electric autoharp and a girl singer, and we thought we were unique in the world. And it turned out The Jefferson Airplane and The Lovin' Spoonful had beaten us." The group trimmed down to
2200-522: A single case, or a triple album containing three LPs or compact discs. Recording artists who have an extensive back catalogue may re-release several CDs in one single box with a unified design, often containing one or more albums (in this scenario, these releases can sometimes be referred to as a "two (or three)-fer"), or a compilation of previously unreleased recordings. These are known as box sets . Some musical artists have also released more than three compact discs or LP records of new recordings at once, in
2310-433: A solo album for several reasons. A solo performer working with other members will typically have full creative control of the band, be able to hire and fire accompanists, and get the majority of the proceeds. The performer may be able to produce songs that differ widely from the sound of the band with which the performer has been associated, or that the group as a whole chose not to include in its own albums. Graham Nash of
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#17327811866242420-490: A solo artist with the No. 1 album Heart Like A Wheel . The song listing in the reissue highlighted Ronstadt's three solo performances (she also sang solo on one verse in a fourth song that was not so identified). As a result, the largely unknown first album by The Stone Poneys was more widely available in the 1970s and 1980s than the subsequent albums that featured the band's more familiar songs. In 1995, Capitol briefly issued
2530-685: A solo artist. And frankly, Linda's taste in songs was really growing away from what Bobby was writing.... So there was a spontaneous growth toward her being a solo artist." A series of club dates throughout the United States to support the second album followed. Ronstadt remembers opening for the Paul Butterfield Blues Band at the Cafe Au Go Go in Greenwich Village as one of her worst experiences with
2640-414: A studio. However, the common understanding of a "live album" is one that was recorded at a concert with a public audience, even when the recording is overdubbed or multi-tracked. Concert or stage performances are recorded using remote recording techniques. Albums may be recorded at a single concert , or combine recordings made at multiple concerts. They may include applause, laughter and other noise from
2750-406: A theme such as the "greatest hits" from one artist, B-sides and rarities by one artist, or selections from a record label , a musical genre , a certain time period, or a regional music scene. Promotional sampler albums are compilations. A tribute or cover album is a compilation of cover versions of songs or instrumental compositions. Its concept may involve various artists covering the songs of
2860-453: A trend of shifting sales in the music industry , some observers feel that the early 21st century experienced the death of the album . An album may contain any number of tracks. In the United States, The Recording Academy 's rules for Grammy Awards state that an album must comprise a minimum total playing time of 15 minutes with at least five distinct tracks or a minimum total playing time of 30 minutes with no minimum track requirement. In
2970-461: A trio that called themselves The Stone Poneys. Their (misspelled) name came from Delta blues singer Charley Patton 's 1929 song, "The Stone Pony Blues" (also known as "Pony Blues"). The band was discovered by a couple of music industry executives while rehearsing at a soul food restaurant called Olivia's, located in Ocean Park , a community between Venice Beach and Santa Monica . Olivia's
3080-430: A way of promoting the album. Albums have been issued that are compilations of older tracks not originally released together, such as singles not originally found on albums, b-sides of singles, or unfinished " demo " recordings. Double albums during the seventies were sometimes sequenced for record changers . In the case of a two-record set, for example, sides 1 and 4 would be stamped on one record, and sides 2 and 3 on
3190-414: A while and a number of casual living room sessions at Bobby's house, they warmed to the idea and finally 4 Corners was formed. At the beginning of 2003, the quartet began rehearsing seriously. 4 Corners sang together for 3 1/2 years and released two CDs before Jo left the group in the summer of 2006. After Jo left 4 Corners, Bobby, Stefan and Lavinia decided to try to go on as a trio. Bobby had written
3300-538: Is an American musician and songwriter who currently performs with the acoustic folk group I Hear Voices. He has been recording and performing in concert for over 50 years and was a founding member of the Stone Poneys , along with Linda Ronstadt and the late Kenny Edwards . Bobby Kimmel moved to Tucson as a child for his asthmatic condition. His father was a studio musician in New York City, and become
3410-580: Is any vocal content. A track that has the same name as the album is called the title track. A bonus track (also known as a bonus cut or bonus) is a piece of music which has been included as an extra. This may be done as a marketing promotion, or for other reasons. It is not uncommon to include singles, B-sides , live recordings , and demo recordings as bonus tracks on re-issues of old albums, where those tracks were not originally included. Online music stores allow buyers to create their own albums by selecting songs themselves; bonus tracks may be included if
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3520-555: Is not necessarily just in MP3 file format, in which higher quality formats such as FLAC and WAV can be used on storage media that MP3 albums reside on, such as CD-R-ROMs , hard drives , flash memory (e.g. thumbdrives , MP3 players , SD cards ), etc. The contents of the album are usually recorded in a studio or live in concert, though may be recorded in other locations, such as at home (as with JJ Cale's Okie , Beck's Odelay , David Gray's White Ladder , and others), in
3630-402: Is recorded on both the "A" and "B" side of the tape, with cassette being "turned" to play the other side of the album. Compact Cassettes were also a popular way for musicians to record " Demos " or "Demo Tapes" of their music to distribute to various record labels, in the hopes of acquiring a recording contract . Compact cassettes also saw the creation of mixtapes , which are tapes containing
3740-520: The iPod , US album sales dropped 54.6% from 2001 to 2009. The CD is a digital data storage device which permits digital recording technology to be used to record and play-back the recorded music. Most recently, the MP3 audio format has matured, revolutionizing the concept of digital storage. Early MP3 albums were essentially CD-rips created by early CD- ripping software, and sometimes real-time rips from cassettes and vinyl. The so-called "MP3 album"
3850-404: The 1960s classic " Let's Get Together ". (The album was released on the heels of the successful reissue of the version by The Youngbloods in 1969). In 1974, prior to the release of Heart Like A Wheel , Capitol issued a Linda Ronstadt compilation titled Different Drum , which featured five Stone Poney tracks and five songs from Ronstadt's first three solo albums. Aside from the title track,
3960-524: The 1970s. Appraising the concept in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said most "are profit-taking recaps marred by sound and format inappropriate to phonographic reproduction (you can't put sights, smells, or fellowship on audio tape). But for Joe Cocker and Bette Midler and Bob-Dylan -in-the-arena, the form makes a compelling kind of sense." Among
4070-443: The 25-minute mark. The album Dopesmoker by Sleep contains only a single track, but the composition is over 63 minutes long. There are no formal rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as "albums". If an album becomes too long to fit onto a single vinyl record or CD, it may be released as a double album where two vinyl LPs or compact discs are packaged together in
4180-477: The Cashbox Top 100 chart on February 12, 1968. The first two Stone Poney albums mostly featured Bobby's original songs. The band toured nationally and played popular music TV shows including The Tonight Show Starring Johnny Carson. They toured briefly as the opening act for The Doors when " Light My Fire " was a huge hit and Jim Morrison was a pop music phenom. About the time "Different Drum" became
4290-496: The Hollies described his experience in developing a solo album as follows: "The thing that I go through that results in a solo album is an interesting process of collecting songs that can't be done, for whatever reason, by a lot of people". A solo album may also represent the departure of the performer from the group. A compilation album is a collection of material from various recording projects or various artists, assembled with
4400-528: The Los Angeles club circuit, with Ronstadt usually performing on stage in a miniskirt and bare feet. They worked intimate clubs like The Troubadour in Hollywood , where they were opening for such musicians as Odetta and Oscar Brown Jr. ; The Insomniac in Hermosa Beach , where they often appeared with The Chambers Brothers ; and The Bitter End in Greenwich Village . One night at The Troubadour,
4510-688: The Stone Poneys) which stalled at No. 93 on the Hot 100 ; and "Some of Shelly's Blues" b/w "Hobo" (released under the nameStone Poneys, Featuring Linda Ronstadt) which, like the album, did not chart in the US, but did reach No. 94 in Canada . "Some of Shelly's Blues" was another Michael Nesmith song. The album ended with the Laura Nyro song, "Stoney End", which turned out to have been aptly named (although
Stone Poneys - Misplaced Pages Continue
4620-456: The Stone Poneys. The first album, simply called The Stone Poneys , was more folk than rock and featured relatively few lead vocals by Ronstadt; it received little notice. The band again broke up briefly between the first two albums; but, as related by Kenny Edwards, Nick Venet told the band: "'We can make another record, we can make this happen. If we're going to do anything with this, we've got to make something that sounds commercial and get on
4730-508: The Tucson Folk Festival where they had a featured spot. In July 2013 the group traveled to Santa Monica, CA to play McCabe's Guitar Shop, the club Bobby opened in 1969, and had become one of the premier acoustic venues in the country. Numbers in parentheses indicate the date of release, and also the highest position on Billboard charts Album An album is a collection of audio recordings (e.g., music ) issued on
4840-591: The United Kingdom, the criteria for the UK Albums Chart is that a recording counts as an "album" if it either has more than four tracks or lasts more than 25 minutes. Sometimes shorter albums are referred to as mini-albums or EPs . Albums such as Tubular Bells , Amarok , and Hergest Ridge by Mike Oldfield , and Yes's Close to the Edge , include fewer than four tracks, but still surpass
4950-413: The album can be cheaper than buying a domestically released version, Japanese releases often feature bonus tracks to incentivize domestic purchase. Commercial sheet music is published in conjunction with the release of a new album (studio, compilation, soundtrack, etc.). A matching folio songbook is a compilation of the music notation of all the songs included in that particular album. It typically has
5060-526: The album's artwork on its cover and, in addition to sheet music, it includes photos of the artist. Most pop and rock releases come in standard Piano/Vocal/Guitar notation format (and occasionally Easy Piano / E-Z Play Today). Rock-oriented releases may also come in Guitar Recorded Versions edition, which are note-for-note transcriptions written directly from artist recordings. Vinyl LP records have two sides, each comprising one-half of
5170-511: The album. If a pop or rock album contained tracks released separately as commercial singles , they were conventionally placed in particular positions on the album. During the sixties, particularly in the UK, singles were generally released separately from albums. Today, many commercial albums of music tracks feature one or more singles, which are released separately to radio, TV or the Internet as
5280-479: The amount of participation a band member can solicit from other members of their band, and still have the album referred to as a solo album. One reviewer wrote that Ringo Starr 's third venture, Ringo , "[t]echnically... wasn't a solo album because all four Beatles appeared on it". Three of the four members of the Beatles released solo albums while the group was officially still together. A performer may record
5390-510: The audience, comments by the performers between pieces, improvisation, and so on. They may use multitrack recording direct from the stage sound system (rather than microphones placed among the audience), and can employ additional manipulation and effects during post-production to enhance the quality of the recording. Notable early live albums include the double album of Benny Goodman , The Famous 1938 Carnegie Hall Jazz Concert , released in 1950. Live double albums later became popular during
5500-477: The band's first manager, Herb Cohen , told Kimmel in front of Ronstadt: "Well, I can get your chick singer recorded, but I don't know about the rest of the group". Linda Ronstadt called this "the beginning of the end", although this occurred even before they were signed to Capitol Records and Ronstadt insisted that she would not record without the band. The Stone Poneys broke up briefly in this time period, and Cohen tried to connect Ronstadt with Frank Zappa to make
5610-560: The band: "Here we were rejected by the hippest element in New York as lame. We broke up right after that. We couldn't bear to look at each other." During work on the band's third album, in early 1968, Kenny Edwards departed for India . After "Different Drum" hit the charts, Bob Kimmel and Linda Ronstadt rounded up some more musicians, and the reformed Stone Poneys began touring with The Doors . Doors frontman Jim Morrison didn't endear himself to Ronstadt; she recalled: "We thought they were
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#17327811866245720-419: The beginning of 2012, Bobby retired BK Special after almost ten years together to focus on a lifelong dream of forming a quartet with a purely vocal concept and almost no instrumental presence. Bobby joined with Tucson musicians Kathy Harris, Bobby Ronstadt and Suzy Ronstadt to form I Hear Voices! and realize that dream. I Hear Voices! released their self-titled CD in the summer of 2013 during their appearance at
5830-406: The best selling live albums are Eric Clapton 's Unplugged (1992), selling over 26 million copies, Garth Brooks ' Double Live (1998), over 21 million copies, and Peter Frampton 's Frampton Comes Alive! (1976), over 11 million copies. In Rolling Stone ' s 500 Greatest Albums of All Time , 18 albums were live albums. A solo album , in popular music , is an album recorded by
5940-446: The cassette tape throughout the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s before sharply declining during the 1990s. The cassette had largely disappeared by the first decade of the 2000s. Most albums are recorded in a studio , although they may also be recorded in a concert venue , at home, in the field, or a mix of places. The time frame for completely recording an album varies between
6050-425: The country. By the time he left 7 years later, McCabe's was a notable concert venue attracting artists such as Jackson Browne , Odetta , Emmylou Harris , Bill Monroe , Jennifer Warnes , Doc & Merle Watson, The New Grass Revival, David Grisman , Tom Waits , Chet Atkins and Shep Cooke had all headlined there - and many others. In the mid-1970s, Bobby also teamed up with Shep Cooke (also from Tucson and who
6160-418: The effective end of The Stone Poneys as a band: Almost immediately, they started to become known as "Linda Ronstadt and The Stone Poneys". Also, unlike the other 45s, which had been released solely under the name of the band, the "Different Drum" single also included in small letters: "Featuring Linda Ronstadt". As Edwards recalls: "From the record company's point of view, immediately they wanted to push Linda as
6270-624: The field – as with early blues recordings, in prison, or with a mobile recording unit such as the Rolling Stones Mobile Studio . Most albums are studio albums —that is, they are recorded in a recording studio with equipment meant to give those overseeing the recording as much control as possible over the sound of the album. They minimize external noises and reverberations and have highly sensitive microphones and sound mixing equipment. Band members may record their parts in separate rooms or at separate times, listening to
6380-464: The folk and blues musicians such as Doc Watson , Lightnin Hopkins , Merle Travis , and Mississippi John Hurt , as well as contemporaries like Dick Rosmini , Steve Mann and Ry Cooder . Phonorecords from his father's music store at this time contributed invaluably to his musical education. At that point, Kimmel fully turned his attention toward folk music. He began playing both bass and guitar in
6490-437: The folk music clubs around Tucson in the early 1960s. He started performing with his friend Linda Ronstadt. During that period he played bass in a folk group with Linda and her older brother and sister Peter and Suzie. In 1963, Bobby left Tucson for Los Angeles to further his music career. Quickly he called Linda to join him in LA. Linda agreed, together they formed The Stone Poneys with LA guitarist Kenny Edwards . After
6600-500: The form of a prototype. Compact Cassettes became especially popular during the 1980s after the advent of the Sony Walkman , which allowed the person to control what they listened to. The Walkman was convenient because of its size, the device could fit in most pockets and often came equipped with a clip for belts or pants. The compact cassette used double-sided magnetic tape to distribute music for commercial sale. The music
6710-480: The form of boxed sets, although in that case the work is still usually considered to be an album. Material (music or sounds) is stored on an album in sections termed tracks. A music track (often simply referred to as a track) is an individual song or instrumental recording. The term is particularly associated with popular music where separate tracks are known as album tracks; the term is also used for other formats such as EPs and singles . When vinyl records were
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#17327811866246820-493: The four Stone Poneys tracks were remixed tracks from the third Stone Poneys' album, all featuring Ronstadt solo: "Hobo," "Up to My Neck in High Muddy Water", "Some Of Shelly's Blues", and "Stoney End". Eight years after the release of the band's first album (in March 1975), it was reissued by Capitol under the name The Stone Poneys Featuring Linda Ronstadt , as a result of the multi-platinum success Linda Ronstadt had in 1974-75 as
6930-517: The group recorded their first album in the fall of 1966, The Stone Poneys , which was released in January 1967. The album is notable for its precise strong-voiced harmony vocals. The disc's one and only single release "Sweet Summer Blue and Gold" received no airplay and failed to chart anywhere. (The first album is now mainly known by the name of the 1975 reissue, The Stone Poneys Featuring Linda Ronstadt ). The second album, Evergreen, Volume 2
7040-524: The initial release of "Everybody Has His Own Ideas" besides the original 45; otherwise, the only Stone Poneys music made available on CD has been the songs on the original three albums, which has left many songs such as "Carnival Bear", from a 1968 single that never appeared on any of the albums, without any available issue. Even the three song "fragments" that open the third album – which total barely 1½ minutes – have never been reissued as full songs. Bobby Kimmel Bobby Kimmel (born September 1, 1940)
7150-502: The last gig in late 1968) reasonably good friends but a little disillusioned about 'the big time'." (*There was never a Tonight Show Stone Poneys appearance aired. Ronstadt first appeared on the late night talk show in 1969. Her second appearance wasn't until 1983.) Despite the lack of big hits, Linda Ronstadt was becoming increasingly well known following the success of "Different Drum", and in 1969 she officially went solo with her album Hand Sown...Home Grown . However, beginning in
7260-588: The later '30s, record companies began releasing albums of previously released recordings of popular music in albums organized by performer, singers or bands, or by type of music, boogie-woogie , for example. When Columbia introduced the Long Playing record format in 1948, it was natural the term album would continue. Columbia expected that the record size distinction in 78s would continue, with classical music on 12" records and popular music on 10" records, and singles on 78s. Columbia's first popular 10" LP in fact
7370-482: The lead act in the stable of folk-rock performers that Venet was signing and producing in this time period. The three albums by The Stone Poneys were produced by Nick Venet. The band's original songs were credited to Bob Kimmel and Kenny Edwards, although subsequent CD reissues removed Edwards' name from most of the credits. BMI's website now credits all original Kimmel-Edwards songs to Kimmel alone, resulting in "Back Home" being Edwards's lone songwriting credit with
7480-492: The longer 12-inch 78s, playing around 4–5 minutes per side. For example, in 1924, George Gershwin recorded a drastically shortened version of his new seventeen-minute composition Rhapsody in Blue with Paul Whiteman and His Orchestra. The recording was issued on both sides of a single record, Victor 55225 and ran for 8m 59s. By 1910, though some European record companies had issued albums of complete operas and other works,
7590-483: The mid-1930s, record companies had adopted the album format for classical music selections that were longer than the roughly eight minutes that fit on both sides of a classical 12" 78 rpm record. Initially the covers were plain, with the name of the selection and performer in small type. In 1938, Columbia Records hired the first graphic designer in the business to design covers, others soon followed and colorful album covers cover became an important selling feature. By
7700-487: The mid-1960s to the late 1970s when the Compact Cassette format took over. The format is regarded as an obsolete technology, and was relatively unknown outside the United States, the United Kingdom, Canada and Australia. Stereo 8 was created in 1964 by a consortium led by Bill Lear of Lear Jet Corporation , along with Ampex , Ford Motor Company , General Motors , Motorola , and RCA Victor Records . It
7810-490: The mid-1970s, Kenny Edwards recorded and toured with Linda for about 10 years. In 2007, Linda Ronstadt reconnected with Bob Kimmel in Tucson and sang harmony vocals on one of Kimmel's songs, "Into the Arms of Love" that was included on a CD released that year by his new band, BK Special. On the first two albums, most of the songs were written by Bob Kimmel and Kenny Edwards. Under the guidance of producer Nik Venet and Capitol,
7920-443: The other parts of the track with headphones to keep the timing right. In the 2000s, with the advent of digital recording , it became possible for musicians to record their part of a song in another studio in another part of the world, and send their contribution over digital channels to be included in the final product. Recordings that are done in one take without overdubbing or multi-tracking are termed "live", even when done in
8030-414: The other. The user would stack the two records onto the spindle of an automatic record changer, with side 1 on the bottom and side 2 (on the other record) on top. Side 1 would automatically drop onto the turntable and be played. When finished, the tone arm's position would trigger a mechanism which moved the arm out of the way, dropped the record with side 2, and played it. When both records had been played,
8140-464: The practice of issuing albums was not widely taken up by American record companies until the 1920s. By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of these bound books were wider and taller than
8250-406: The primary medium for audio recordings a track could be identified visually from the grooves and many album covers or sleeves included numbers for the tracks on each side. On a compact disc the track number is indexed so that a player can jump straight to the start of any track. On digital music stores such as iTunes the term song is often used interchangeably with track regardless of whether there
8360-523: The principal double bass player in the Tucson Symphony Orchestra. He also owned and operated a retail music shop near the university. Kimmel's early musical influence was jazz, especially "West Coast" jazz. He also listened to the "harder" East Coast jazz. His passion for jazz continued all throughout his high school years, and it was not until he discovered the guitar (at age 17) that his musical direction changed. He became aware of
8470-562: The radio." For the second album, Evergreen, Volume 2 , the songs were in more of a rock vein; and Ronstadt was moved firmly into the lead vocalist position, with only occasional harmony vocals. The album includes the band's only hit song, " Different Drum ". The original recording by The Stone Poneys of "Different Drum" was quite similar to the recorded version by The Greenbriar Boys from their 1966 album Better Late than Never! ; but as Kenny Edwards recalls: "That's when Nik Venet sort of took an executive position and went, 'This could be
8580-454: The real band, only backing musicians for Linda Ronstadt; however, they were still being billed as Stone Poneys, and many of the musicians still view themselves as "ex-Stone Poneys". Shep Cooke fondly remembers his time with the band: "We rehearsed like crazy, finished the third Stone Poney album, toured the entire country for 2½ months, played on Joey Bishop 's and Johnny Carson 's TV shows*, went crazy for lack of sleep, and parted company (after
8690-404: The record industry as a standard format for the "album". Apart from relatively minor refinements and the important later addition of stereophonic sound capability, it has remained the standard format for vinyl albums. The term "album" was extended to other recording media such as 8-track tape , cassette tape , compact disc , MiniDisc , and digital albums, as they were introduced. As part of
8800-623: The record not touching the shelf, and the term was applied to the collection. In the early nineteenth century, "album" was occasionally used in the titles of some classical music sets, such as Robert Schumann 's Album for the Young Opus 68, a set of 43 short pieces. With the advent of 78 rpm records in the early 1900s, the typical 10-inch disc could only hold about three minutes of sound per side, so almost all popular recordings were limited to around three minutes in length. Classical-music and spoken-word items generally were released on
8910-485: The recording session. Capitol record company executives were understandably furious, and the single was immediately pulled from the market. Thus, this disk has become one of the rarest Linda Ronstadt collectables, bringing as much as $ 144 (in a 2007 eBay auction). In the early 1970s, the Pickwick record label licensed several Stone Poneys tracks from their Capitol albums. Five of these songs were included as Side 2 on
9020-451: The recording, and lyrics or librettos . Historically, the term "album" was applied to a collection of various items housed in a book format. In musical usage, the word was used for collections of short pieces of printed music from the early nineteenth century. Later, collections of related 78s were bundled in book-like albums (one side of a 78 rpm record could hold only about 3.5 minutes of sound). When LP records were introduced,
9130-497: The records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them. In the 1930s, record companies began issuing collections of 78s by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight compositions per album. By
9240-452: The release and distribution Compact Discs . The 2010s saw a revival of Compact Cassettes by independent record labels and DIY musicians who preferred the format because of its difficulty to share over the internet . The compact disc format replaced both the vinyl record and the cassette as the standard for the commercial mass-market distribution of physical music albums. After the introduction of music downloading and MP3 players such as
9350-651: The second 45 (following "One for One") from the new album. The band's version of "Different Drum" hit the Billboard pop chart on November 11, 1967 and stayed in the Hot 100 for 17 weeks, getting as high as No. 13. The song also reached No. 12 on the Cash Box survey. The song has been a staple on oldies radio ever since and remains one of Linda Ronstadt's most popular recordings. Its parent record slid up Billboard's main album chart to No. 100 and lasted for
9460-413: The session: "[T]here was a scuffle and some noise just outside the door. When we opened it, there was a sad and for some, tearful scene in which it became clear that Kenny [Edwards] and Bobby [Kimmel] had not been notified of the session, and had heard about it indirectly and showed up full of anger at the betrayal. Capitol really did try to break the group up.” The very success of "Different Drum" spelled
9570-433: The song reissued after that time have been the single edit although listed with the longer run time. This was not the only instance of the male band members being pushed out of the recording studio. Ironically, one of the few songs on the second album to feature harmony vocals, "Back on the Street Again" was a duet by Ronstadt and songwriter Steve Gillette (though Ronstadt's voice was clearly on top); Gillette remembers from
9680-422: The song was not written for The Stone Poneys). After "Different Drum" became a hit, Mike Curb pulled out two of the recordings he had produced back in 1965, " So Fine " and "Everybody Has His Own Ideas", and decided to release them in 1968 as a 45 on his label Sidewalk , which was a Capitol subsidiary. The single was put out without the knowledge of Capitol – or Mercury either, for that matter, who had paid for
9790-513: The studio and also on the road. One of the first was an old friend from Tucson , Shep Cooke. He had already turned down Ronstadt's invitation to join Stone Poneys twice (in 1966 and also in early 1967); when she asked him again in late 1967: "Something told me I'd better not decline a third time. 'Different Drum' was climbing up the charts, and I couldn't refuse. So I joined the Stone Poneys in November 1967." Another latter-day member of Stone Poneys
9900-457: The summer of 1966. Ronstadt recalls of the signing: "Capitol wanted me as a solo, but Nick convinced them I wasn't ready, that I would develop. It was true." In a late 1966 article in Billboard , Venet discussed the formation of a new record label under Capitol called FolkWorld specifically to promote folk-rock artists. Although the FolkWorld concept was never realized, The Stone Poneys became
10010-413: The summer of 2006, by the end of that year, they were already talking about recording their first CD. They followed through, and in March 2007 the trio went into Duncan Stitt's A Writer's Room studio to begin recording. They recorded 12 songs live in the studio over the next couple of weeks. Somewhere toward the end of the mixing process, and before Stefan's return, Bobby got a call from Linda Ronstadt who
10120-475: The three Stone Poneys albums as individual CD releases. These releases were removed from the catalog within a few years. In 2008, the Australian label Raven released The Stone Poneys , a 27-track "two-fer" CD featuring the first two Stone Poneys albums plus four tracks from their third album. Linda Ronstadt has claimed dissatisfaction with the arrangements of the three Stone Poneys albums many times over
10230-774: The trio's three-part vocals. One of the songs Bobby played was his own Into The Arms Of Love, and Linda started singing a pretty harmony part under her breath. Bobby asked if she would sing that part on the CD and Linda said, "Sure." That was it. By the time Stefan came back from Germany, the CD was nearly mixed - and Linda had agreed to sing on it. The band quickly cleaned up whatever remained to be done, Linda came into Duncan's studio and added her vocal part, Stefan mastered it with Craig Schumacher at Wave Lab, and off it went to be manufactured. In 2010, BK Special released their second CD Hope Spring, containing eight original songs by Bobby Kimmel. Both BK Special CDs remain in print and available. At
10340-556: The two singles from the album were released under different names, though Linda Ronstadt now had the burden of the Capitol recording contract: "See, The [Stone] Poneys were taken off the books after the second album. Since it was a hit, they made royalties off it. But I didn't. I paid all by myself for the third album, which was expensive, and it put me severely in the red by the time I started recording my first solo album." By late 1967, Linda Ronstadt began recruiting musicians to assist in
10450-464: The user would pick up the stack, turn it over, and put them back on the spindle—sides 3 and 4 would then play in sequence. Record changers were used for many years of the LP era, but eventually fell out of use. 8-track tape (formally Stereo 8: commonly known as the eight-track cartridge, eight-track tape, or simply eight-track) is a magnetic tape sound recording technology popular in the United States from
10560-404: The years, but Capitol has continually made money through reissues of the early material in numerous configurations. Also, in addition to their hit song "Different Drum", several of the other Stone Poneys tracks have been featured in many of Linda Ronstadt's compilation albums over the years, such as "Hobo", "Some of Shelly's Blues" and "Stoney End". The now deleted Linda Ronstadt Box Set included
10670-569: The years: "Song About the Rain", "I've Got to Know" (also known as "I'd Like to Know") and "New Hard Times". Apparently somewhat later, Pickwick released Stoney End (catalog number SPC-3298) under the name Linda Ronstadt & The Stone Poneys . The only song included on both of the Pickwick albums is "Different Drum"; the other tracks on this album are mostly familiar songs like "One for One" and "Some of Shelly's Blues", as well as their recording of
10780-592: Was Frank Sinatra's first album, the four-record eight-song The Voice of Frank Sinatra , originally issued in 1946. RCA's introduction of the smaller 45 rpm format later in 1948 disrupted Columbia's expectations. By the mid-1950s, 45s dominated the singles market and 12" LPs dominated the album market and both 78s and 10" LPs were discontinued. In the 1950s albums of popular music were also issued on 45s, sold in small heavy paper-covered "gate-fold" albums with multiple discs in sleeves or in sleeves in small boxes. This format disappeared around 1960. Sinatra's "The Voice"
10890-703: Was Kit Alderson, who would later help train Joaquin Phoenix and Reese Witherspoon in the guitar and autoharp , respectively, for their work in the 2005 Johnny Cash / June Carter Cash biopic film Walk the Line . By November 1968, a different group of musicians were billing themselves as The Stone Poneys. Joining Ronstadt was guitarist John Forsha – who was also a session player on the band's first two albums – drummer John Ware , bassist John Keski, steel guitarist Herb Steiner, and drummer Bill Martin. Purists might contend that these Stone Poneys were not
11000-496: Was a further development of the similar Stereo-Pak four-track cartridge created by Earl "Madman" Muntz . A later quadraphonic version of the format was announced by RCA in April 1970 and first known as Quad-8, then later changed to just Q8. The Compact Cassette was a popular medium for distributing pre-recorded music from the early 1970s to the early 2000s. The first "Compact Cassette" was introduced by Philips in August 1963 in
11110-571: Was arranging tours in Japan by American folk artists. Working in tandem with his Japanese partner Hiroshi Asada, they booked tours for three years, including tours by Jesse Colin Young , LA session guitarist Larry Carlton , The New Grass Revival and a bluegrass all-star band featuring David Grisman , Tony Rice , Richard Greene , Bill Keith , Peter Rowan and Todd Phillips. Kimmel went on several of these tours as road manager. Bobby moved back to Tucson in 2001 and connected with his friend Jo Wilkinson,
11220-468: Was famous for its food and performers, including The Doors . In 1965, they recorded the Johnny Otis song " So Fine " and several others. Mike Curb , who at that time was working for Mercury , produced the sessions. The record company wanted them to change the group's name to "The Signets" and sing surf music , which the trio chose not to do. Instead, The Stone Poneys became a leading attraction on
11330-414: Was from this that in medieval and modern times, album came to denote a book of blank pages in which verses, autographs, sketches, photographs and the like are collected. This in turn led to the modern meaning of an album as a collection of audio recordings issued as a single item. The first audio albums were actually published by the publishers of photograph albums. Single 78 rpm records were sold in
11440-599: Was impressed with the strong voice and enthusiasm of the fourteen-year-old. He relocated to Southern California around 1961 and wrote regularly to cajole Linda into joining him throughout her high school years at Catalina High School . Kimmel had already met and befriended Kenny Edwards shortly before Linda's arrival in Los Angeles , and they had started writing folk-rock songs together. in December 1964, after dropping out of Tucson's Catalina High School, and completing
11550-414: Was in Tucson and wanted to visit. They went out to dinner, and during the evening Bobby was raving about how excited he was with the way the CD was turning out. Linda said, "I'd love to hear some of it." Since they were near Bobby's house, Linda stopped by and Bobby played her a few of the rough mixes. Linda was immediately impressed with the sound Duncan had achieved on the all-acoustic CD, and really liked
11660-399: Was issued in 1952 on two extended play 45s, with two songs on each side, in both packagings. The 10-inch and 12-inch LP record (long play), or 33 + 1 ⁄ 3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. A single LP record often had the same or similar number of tunes as a typical album of 78s, and it was adopted by
11770-513: Was on the final Stone Poneys tour) Andrew Gold , and LA musician Kit Alderson. They formed The Floating House Band, an acoustic singing trio. They recorded an album for Takoma Records , which was owned by folk guitarist John Fahey . In the late 70s, Bobby went out on the road playing upright bass with Doc & Merle Watson. They played the New Orleans Jazz & Heritage Festival . Bobby's last music business endeavor in Los Angeles
11880-493: Was released in June 1967. On this album, Linda Ronstadt sang lead vocals on almost all songs. The exception was the title track, which has a psychedelic rock feel. Kenny Edwards was the vocalist on "Part One", while "Part Two" was an instrumental that featured fine sitar work (also by Edwards). The band hit pay dirt with Michael Nesmith 's " Different Drum " (written and copyrighted in 1965 prior to Nesmith joining The Monkees ),
11990-411: Was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era . Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by
12100-413: Was the house he wrote about in 'Morning Glory', which I call 'The Hobo'. That was the 'fleeting house.'" Buckley was among those in the group photograph that appeared on the back cover of the third album. Although their final album still appears to be in the name of the band, the album name, Linda Ronstadt, Stone Poneys and Friends, Vol. III was purposefully vague, without a specific artist's name. Even
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