48-398: Sylvia Fine Kaye (August 29, 1913 – October 28, 1991) was an American lyricist , composer, and producer. Many of her compositions and productions were performed by her husband, comedian Danny Kaye . Fine was a Peabody Award -winner and was nominated for two Academy Awards and two Emmys during her career. She won an Emmy award in 1976 for a children's special. Sylvia Fine
96-532: A singer in a choir , as a player in a youth orchestra , or as a performer on a solo instrument (e.g., piano , pipe organ , or violin ). Teens aspiring to be composers can continue their postsecondary studies in a variety of formal training settings, including colleges, conservatories, and universities. Conservatories , which are the standard musical training system in countries such as France and Canada, provide lessons and amateur orchestral and choral singing experience for composition students. Universities offer
144-404: A $ 1 million gift from Sylvia Kaye. Lyricist A lyricist is a writer who writes lyrics (the spoken words), as opposed to a composer , who writes the song's music which may include but not limited to the melody , harmony , arrangement and accompaniment. A lyricist's income derives from royalties received from original songs. Royalties may range from 50 percent of the song, if it
192-467: A breeze, to avant-garde music from the 20th century that uses graphic notation , to text compositions such as Aus den Sieben Tagen , to computer programs that select sounds for musical pieces. Music that makes heavy use of randomness and chance is called aleatoric music , and is associated with contemporary composers active in the 20th century, such as John Cage , Morton Feldman , and Witold Lutosławski . The nature and means of individual variation of
240-426: A composition professor , ensemble experience, and graduate courses in music history and music theory, along with one or two concerts featuring the composition student's pieces. A master's degree in music (referred to as an M.Mus. or M.M.) is often a required minimum credential for people who wish to teach composition at a university or conservatory. A composer with an M.Mus. could be an adjunct professor or instructor at
288-412: A culture eventually developed whereby faithfulness to the composer's written intention came to be highly valued (see, for example, Urtext edition ). This musical culture is almost certainly related to the high esteem (bordering on veneration) in which the leading classical composers are often held by performers. The historically informed performance movement has revived to some extent the possibility of
336-432: A given place is referred to as performance practice , whereas interpretation is generally used to mean the individual choices of a performer. Although a musical composition often has a single author, this is not always the case. A work of music can have multiple composers, which often occurs in popular music when a band collaborates to write a song, or in musical theatre , where the songs may be written by one person,
384-441: A performer of Western popular music creates a "cover" of an earlier song, there is little expectation of exact rendition of the original; nor is exact faithfulness necessarily highly valued (with the possible exception of "note-for-note" transcriptions of famous guitar solos ). In Western art music, the composer typically orchestrates their compositions, but in musical theatre and pop music, songwriters may hire an arranger to do
432-473: A range of composition programs, including bachelor's degrees, Master of Music degrees, and Doctor of Musical Arts degrees. As well, there are a variety of other training programs such as classical summer camps and festivals, which give students the opportunity to get coaching from composers. Bachelor's degrees in composition (referred to as B.Mus. or B.M) are four-year programs that include individual composition lessons, amateur orchestra/choral experience, and
480-453: A sequence of courses in music history, music theory, and liberal arts courses (e.g., English literature), which give the student a more well-rounded education. Usually, composition students must complete significant pieces or songs before graduating. Not all composers hold a B.Mus. in composition; composers may also hold a B.Mus. in music performance or music theory. Master of Music degrees (M.mus.) in composition consists of private lessons with
528-512: A song, with each having an input into both words and tune. Usually a lyricist fills in the words to a tune already fully written out. Dorothy Fields worked in this way. Lyricists have often added words to an established tune, as Johnny Burke did with the Erroll Garner jazz standard " Misty ". Some partnerships work almost totally independently, for example, Bernie Taupin would write lyrics and hand them over to Elton John , who composed
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#1732798433134576-467: A tendency to cluster in specific cities throughout history. Based on over 12,000 prominent composers listed in Grove Music Online and using word count measurement techniques, the most important cities for classical music can be quantitatively identified. Paris has been the main hub for western classical music in all periods. It was ranked fifth in the 15th and 16th centuries but first in
624-686: A university, but it would be difficult in the 2010s to obtain a tenure track professor position with this degree. To become a tenure track professor, many universities require a doctoral degree . In composition, the key doctoral degree is the Doctor of Musical Arts , rather than the PhD ; the PhD is awarded in music, but typically for subjects such as musicology and music theory . Doctor of Musical Arts (referred to as D.M.A., DMA, D.Mus.A. or A.Mus.D) degrees in composition provide an opportunity for advanced study at
672-492: A very difficult time breaking through and getting the credit they deserve." During the Medieval eras, most of the art music was created for liturgical (religious) purposes and due to the views about the roles of women that were held by religious leaders, few women composed this type of music, with the nun Hildegard von Bingen being among the exceptions. Most university textbooks on the history of music discuss almost exclusively
720-450: Is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who work in the tradition of Western classical music . Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms ' songwriter ' or ' singer-songwriter ' are more often used, particularly in popular music genres. In other contexts,
768-638: Is especially used to indicate composers of Western classical music , or those who are composers by occupation. Many composers are, or were, also skilled performers of music. The term is descended from Latin , compōnō ; literally "one who puts together". The earliest use of the term in a musical context given by the Oxford English Dictionary is from Thomas Morley 's 1597 A Plain and Easy Introduction to Practical Music , where he says "Some wil [ sic ] be good descanters [...] and yet wil be but bad composers". "Composer"
816-404: Is termed "interpretation". Different performers' interpretations of the same work of music can vary widely, in terms of the tempos that are chosen and the playing or singing style or phrasing of the melodies. Composers and songwriters who present their music are interpreting, just as much as those who perform the music of others. The standard body of choices and techniques present at a given time and
864-604: The Baroque music era, many composers were employed by aristocrats or as church employees. During the Classical period , composers began to organize more public concerts for profit, which helped composers to be less dependent on aristocratic or church jobs. This trend continued in the Romantic music era in the 19th century. In the 20th century, composers began to seek employment as professors in universities and conservatories. In
912-627: The Christian hymn -singing tradition, many of the popular pieces have words written to fit existing melodies. The Christmas carol " What Child Is This? " had its words set to an old English folk tune that had been a lover's lament, " Greensleeves ". The English composer Ralph Vaughan Williams set existing poems, such as those by William Cowper and Charles Wesley , to traditional folk tunes to create hymns, many of which he published in The English Hymnal . A different way this happened
960-531: The Renaissance music era, composers typically worked for aristocratic employers. While aristocrats typically required composers to produce a significant amount of religious music, such as Masses , composers also penned many non-religious songs on the topic of courtly love : the respectful, reverential love of a great woman from afar. Courtly love songs were very popular during the Renaissance era. During
1008-400: The orchestration of the accompaniment parts and writing of the overture is done by an orchestrator, and the words may be written by a third person. A piece of music can also be composed with words, images, or, in the 20th and 21st centuries, computer programs that explain or notate how the singer or musician should create musical sounds. Examples of this range from wind chimes jingling in
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#17327984331341056-427: The 17th to 20th centuries inclusive. London was the second most meaningful city: eighth in the 15th century, seventh in the 16th, fifth in the 17th, second in the 18th and 19th centuries, and fourth in the 20th century. Rome topped the rankings in the 15th century, dropped to second in the 16th and 17th centuries, eighth in the 18th century, ninth in the 19th century but back at sixth in the 20th century. Berlin appears in
1104-500: The 1970s, [Fine] embarked on a separate career as a television producer and teacher. She began teaching musical comedy at the University of Southern California in 1971 and at Yale in 1975. She produced and narrated the course as a 90-minute PBS program Musical Comedy Tonight (eventually a three-part series), earning her a Peabody Award in 1979. In 1975 she was executive producer for the television special "Danny Kaye: Look in at
1152-422: The 20th century, composers also earned money from the sales of their works, such as sheet music publications of their songs or pieces or as sound recordings of their works. In 1993, American musicologist Marcia Citron asked, "Why is music composed by women so marginal to the standard 'classical' repertoire?" Citron "examines the practices and attitudes that have led to the exclusion of women composers from
1200-628: The Metropolitan opera." She produced and edited Assignment Children, a UNICEF film that starred her husband. In the last three years of her life, she had been writing a book about her life with Kaye, Fine and Danny , for Knopf Books. Fine and Kaye had a daughter, Dena (born December 17, 1946). They separated in September 1947, attributing the separation to "two people working very hard." They reunited seven months later, and remained married until his death in 1987. In 1992, her daughter Dena Kaye
1248-466: The Western world, before the Romantic period of the 19th century, composition almost always went side by side with a combination of either singing, instructing and theorizing . Even in a conventional Western piece of instrumental music, in which all of the melodies , chords , and basslines are written out in musical notation, the performer has a degree of latitude to add artistic interpretation to
1296-696: The age of 78 in her Manhattan apartment in 1991. She is buried with her husband at Kensico Cemetery in Valhalla, New York . The careers of Fine and Kaye are documented in The Danny Kaye and Sylvia Fine Collection at the Library of Congress . The materials preserved in the collection include manuscripts, scores, scripts, photographs, sound recordings, and video clips. The Sylvia and Danny Kaye Playhouse at Hunter College in New York opened in 1988, with
1344-528: The definition of composition is broad enough for the creation of popular and traditional music songs and instrumental pieces and to include spontaneously improvised works like those of free jazz performers and African percussionists such as Ewe drummers . During the Middle Ages, most composers worked for the Catholic church and composed music for religious services such as plainchant melodies. During
1392-503: The guidance of faculty composition professors. Some schools require DMA composition students to present concerts of their works, which are typically performed by singers or musicians from the school. The completion of advanced coursework and a minimum B average are other typical requirements of a D.M.A program. During a D.M.A. program, a composition student may get experience teaching undergraduate music students. Some composers did not complete composition programs, but focused their studies on
1440-552: The highest artistic and pedagogical level, requiring usually an additional 54+ credit hours beyond a master's degree (which is about 30+ credits beyond a bachelor's degree). For this reason, admission is highly selective. Students must submit examples of their compositions. If available, some schools will also accept video or audio recordings of performances of the student's pieces. Examinations in music history, music theory, ear training/dictation, and an entrance examination are required. Students must prepare significant compositions under
1488-405: The increased use by composers of more detailed scoring in the form of dynamics, articulation et cetera; composers became uniformly more explicit in how they wished their music to be interpreted, although how strictly and minutely these are dictated varies from one composer to another. Because of this trend of composers becoming increasingly specific and detailed in their instructions to the performer,
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1536-532: The lyrics and music for the show. Although the pair had never met before, they discovered some things in common. They were both born in Brooklyn, and Kaye had once worked for Fine's father, watching his office while the dentist went to lunch. Dr. Fine had fired his future son-in-law for doing woodworking with his dental drills . He proposed on the telephone while working in Florida; Fine was in New York. She made
1584-400: The mid-20th century was Nadia Boulanger . Philips states that "[d]uring the 20th century the women who were composing/playing gained far less attention than their male counterparts." Women today are being taken more seriously in the realm of concert music, though the statistics of recognition, prizes, employment, and overall opportunities are still biased toward men. Famous composers have
1632-419: The mind of the musician"—and subsequently written and passed through written documents . In the development of European classical music , the function of composing music initially did not have much greater importance than that of performing it. The preservation of individual compositions did not receive enormous attention and musicians generally had no qualms about modifying compositions for performance. In
1680-400: The music are varied, depending on the musical culture in the country and the time period it was written. For instance, music composed in the Baroque era , particularly in slow tempos, often was written in bare outline, with the expectation that the performer would add improvised ornaments to the melody line during a performance. Such freedom generally diminished in later eras, correlating with
1728-518: The music to go with it, with minimum interaction between the two writers. The collaboration of John Lennon and Paul McCartney is widely considered the most successful songwriting partnership in history, with their songs making up the majority of The Beatles' catalog. Other famous collaborations include Leiber and Stoller , the Rolling Stones lead singer Mick Jagger with Keith Richards , and Richard Carpenter with John Bettis . In
1776-435: The orchestration. In some cases, a pop songwriter may not use notation at all, and, instead, compose the song in their mind and then play or record it from memory. In jazz and popular music, notable recordings by influential performers are given the weight that written scores play in classical music. The study of composition has traditionally been dominated by the examination of methods and practice of Western classical music, but
1824-408: The performer elaborating seriously the music as given in the score, particularly for Baroque music and music from the early Classical period . The movement might be considered a way of creating greater faithfulness to the original in works composed at a time that expected performers to improvise . In genres other than classical music, the performer generally has more freedom; thus for instance when
1872-479: The received ' canon ' of performed musical works." She argues that in the 1800s, women composers typically wrote art songs for performance in small recitals rather than symphonies intended for performance with an orchestra in a large hall, with the latter works being seen as the most important genre for composers; since women composers did not write many symphonies, they were deemed to be not notable as composers. According to Abbey Philips, "women musicians have had
1920-430: The role of male composers. As well, very few works by women composers are part of the standard repertoire of classical music. In Concise Oxford History of Music , " Clara Shumann [ sic ] is one of the only female composers mentioned", but other notable women composers of the common practice period include Fanny Mendelssohn and Cécile Chaminade , and arguably the most influential teacher of composers during
1968-416: The term 'composer' can refer to a literary writer, or more rarely and generally, someone who combines pieces into a whole. Across cultures and traditions composers may write and transmit music in a variety of ways. In much popular music, the composer writes a composition , and it is then transmitted via oral tradition . Conversely, in some Western classical traditions music may be composed aurally—i.e. "in
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2016-440: The top ten rankings only in the 18th century and was ranked third most important city in both the 19th and 20th centuries. New York City entered the rankings in the 19th century (in fifth place) and stood at second rank in the 20th century. The patterns are very similar for a sample of 522 top composers. Professional classical composers often have a background in performing classical music during their childhood and teens, either as
2064-568: The trip to Fort Lauderdale where they were married on January 3, 1940. She took a direct role in managing her husband's career and wrote many of his songs for him, both in film and recordings. Those for the film The Court Jester were co-written with Sammy Cahn . She was an associate producer of some of the films. Fine received a Peabody Award in 1980, and during her career she was also nominated for two Oscars and two Emmys . She began working in television production with her husband's 1960s television shows. The New York Times reported, "In
2112-422: The work, by such means as by varying their articulation and phrasing , choosing how long to make fermatas (held notes) or pauses, and — in the case of bowed string instruments, woodwinds or brass instruments — deciding whether to use expressive effects such as vibrato or portamento . For a singer or instrumental performer, the process of deciding how to perform music that has been previously composed and notated
2160-568: Was born in Brooklyn , New York, the youngest of three children of a Jewish dentist, and raised in East New York . She attended Thomas Jefferson High School and studied music at Brooklyn College , where she wrote the music for the school's alma mater, with lyrics from the poet Robert Friend . She was working as an audition pianist when she met Danny Kaye; both were working on a short-lived Broadway show, The Straw Hat Revue . Fine wrote
2208-409: Was quoted in a newspaper article, recalling Fine's advice to her and the influence it had in her life. Both Fine and Kaye were determined not to influence their daughter's choices as she grew up. In a 1954 interview, Kaye stated that "Whatever she (Dena) wants to be she will be without interference from her mother nor from me." Dena grew up to become a journalist. Sylvia Fine Kaye died of emphysema at
2256-487: Was the combination of unrelated words and tune, such as " The Star-Spangled Banner ", the national anthem of the United States, with words written by Francis Scott Key strictly as a poem, later set to the tune of an old drinking song. In opera, the librettist is responsible for all text, whether spoken or sung in recitative or aria . Composer A composer is a person who writes music . The term
2304-673: Was written primarily with the composer, or less if they wrote the song in collaboration. Songs are automatically copyrighted as soon as they are in tangible forms, such as a recording or sheet music . However, before a song is published or made public, its author or publisher should register it with the Copyright Office at the United States Library of Congress to better protect against copyright infringement . Songwriting collaborations can take different forms. Some composers and lyricists work closely together on
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