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Artek (company)

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Artek is a Finnish furniture company. It was founded in December 1935 by architect Alvar Aalto and his wife Aino Aalto , visual arts promoter Maire Gullichsen and art historian Nils-Gustav Hahl. The founders chose a non-Finnish name: the neologism Artek was meant to manifest the desire to combine art and technology. This echoed a main idea of the International Style movement, especially the Bauhaus , to emphasize the technical expertise in production and quality of materials, instead of historical-based, eclectic or frivolous ornamentation.

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98-576: The original aim of the venture was to promote the furniture and glassware of Alvar Aalto and Aino Aalto , and to produce furnishings for their buildings. Before 1935 the Aaltos' designs were manufactured by Huonekalu-ja Rakennustyötehdas Oy in Turku . That company was renamed Huonekalutehdas Korhonen Oy and moved to Littoinen , but now both companies are owned by Vitra (furniture) . Artek have their own in-house designers, such as Ben af Schulten. Originally,

196-422: A Registration Examination or a series of exams is required prior to licensure. Professionals who engaged in the design and supervision of construction projects before the late 19th century were not necessarily trained in a separate architecture program in an academic setting. Instead, they often trained under established architects. Prior to modern times, there was no distinction between architects and engineers and

294-405: A U-shape around a central inner 'garden' whose central feature is a kidney-shaped swimming pool. Adjacent to the pool is a sauna executed in a rustic style, alluding to both Finnish and Japanese precedents. The design of the house is a synthesis of numerous stylistic influences, from traditional Finnish vernacular to purist modernism, as well as influences from English and Japanese architecture. While

392-465: A black, red, or blue seat with natural (plain) legs. It remains one of Artek's most popular items. The X600 evolved from the 60. The handmade legs have the portions attached to the seat opening up into a fan, showing simultaneously the bent wood characteristic of Artek furniture and the fan motif that runs through Aalto 's architecture. The X600 is no longer in production. The Pirkka Stool was designed in 1955 by Finnish designer Ilmari Tapiovaara . It

490-403: A building or several buildings, structures, and the spaces among them. The architect participates in developing the requirements the client wants in the building. Throughout the project (planning to occupancy), the architect coordinates a design team. Structural , mechanical , and electrical engineers are hired by the client or architect, who must ensure that the work is coordinated to construct

588-604: A deep desire to humanize architecture through an unorthodox handling of form and materials that was both rational and intuitive. Influenced by the so-called International Style modernism (or functionalism, as it was called in Finland) and his acquaintance with leading modernists in Europe, including Swedish architect Erik Gunnar Asplund and many of the artists and architects associated with the Bauhaus , Aalto created designs that had

686-624: A departure from such norms with the introduction of organic references. Through Sven Markelius, Aalto became a member of the Congres Internationaux d'Architecture Moderne (CIAM), attending the second congress in Frankfurt in 1929 and the fourth congress in Athens in 1933, where he established a close friendship with László Moholy-Nagy , Sigfried Giedion , and Philip Morton Shand . It was during this time that he closely followed

784-529: A designer he is celebrated as a forerunner of midcentury modernism in design; his invention of bent plywood furniture had a profound impact on the aesthetics of Charles and Ray Eames and George Nelson . The Alvar Aalto Museum , designed by Aalto himself, is located in what is regarded as his home city, Jyväskylä . The entry for him on the Museum of Modern Art website notes his "remarkable synthesis of romantic and pragmatic ideas," adding His work reflects

882-662: A few buildings in France, Germany, Italy, and the US. Aalto's work with wood was influenced by early Scandinavian architects. His experiments and bold departures from aesthetic norms brought attention to his ability to make wood do things not previously done. His techniques in the way he cut beech wood, for example, and his ability to use plywood as a structural element while at the same time exploiting its aesthetic properties, were at once technically innovative and artistically inspired. Other examples of his boundary-pushing sensibility include

980-525: A major exhibition of Aalto's works. Although he is sometimes regarded as among the first and most influential architects of Nordic modernism , closer examination reveals that Aalto (while a pioneer in Finland) closely followed and had personal contacts with other pioneers in Sweden, in particular Gunnar Asplund and Sven Markelius . What they and many others of that generation in the Nordic countries shared

1078-544: A move to a more daring, synthetic attitude. It has been pointed out that the planning principle for Paimio Sanatorium – the splayed wings – was indebted to the Zonnestraal Sanatorium (1925–31) by Jan Duiker, which Aalto visited while it was under construction. While these early Functionalist bear hallmarks of influences from Le Corbusier , Walter Gropius , and other key modernist figures of central Europe, Aalto nevertheless started to show his individuality in

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1176-464: A new tradition (1949), in which Aalto received more attention than any other Modernist architect, including Le Corbusier . In his analysis of Aalto, Giedion gave primacy to qualities that depart from direct functionality, such as mood, atmosphere, intensity of life and even national characteristics, declaring that "Finland is with Aalto wherever he goes." More recently, however, some architecture critics and historians have questioned Aalto's influence on

1274-590: A number of key buildings after his return to Finland, most notably in several of the buildings in the new Helsinki University of Technology campus (starting in 1950), Säynätsalo Town Hall (1952), Helsinki Pensions Institute (1954), Helsinki House of Culture (1958), as well as in his own summer house, the Experimental House in Muuratsalo (1957). In the 1950s Aalto immersed himself in sculpting, exploring wood, bronze, marble, and mixed media. Among

1372-554: A number of patents: for example, he invented a new form of laminated bent-plywood furniture in 1932 (which was patented in 1933). His experimental method had been influenced by his meetings with various members of the Bauhaus design school, especially László Moholy-Nagy , whom he first met in 1930. Aalto's furniture was exhibited in London in 1935, to great critical acclaim. To cope with the consumer demand, Aalto, together with his wife Aino, Maire Gullichsen , and Nils-Gustav Hahl founded

1470-548: A profound impact on the trajectory of modernism before and after World War II. Hugo Alvar Henrik Aalto was born in Kuortane , Finland. His father, Johan Henrik Aalto, was a Finnish-speaking land-surveyor and his mother, Selma Matilda "Selly" (née Hackstedt) was a Swedish-speaking postmistress. When Aalto was 5 years old, the family moved to Alajärvi , and from there to Jyväskylä in Central Finland . He studied at

1568-457: A purist modernism would be tested in built form with the commission to design Villa Mairea (1939) in Noormarkku , the luxury home of young industrialist couple Harry and Maire Gullichsen . It was Maire Gullichsen who acted as the main client, and she worked closely not only with Alvar but also with Aino Aalto on the design, encouraging them to be more daring in their work. The building forms

1666-787: A series of tall office blocks. Aalto first presented his vision in 1961, but it went through various modifications during the early '60s. Only two fragments of the overall plan were realized: the Finlandia Hall concert hall (1976) fronting on Töölö Bay and an office building in the Kamppi district for the Helsinki Electricity Company (1975). Aalto also employed the Miesian formal language of geometric grids used in those buildings for other sites in Helsinki, including

1764-540: A student; a house for his parents at Alajärvi . Later, he continued his education, graduating in 1921. In the summer of 1922 he began military service, finishing at Hamina reserve officer training school, and was promoted to reserve second lieutenant in June 1923. In 1920, while a student, Aalto made his first trip abroad, travelling via Stockholm to Gothenburg , where he briefly found work with architect Arvid Bjerke. In 1922, he accomplished his first independent piece at

1862-640: A summer cottage, the so-called Experimental House , for himself and his second wife, now Elissa Aalto , in Muuratsalo in Central Finland. Alvar Aalto died on 11 May 1976, in Helsinki , and is buried in the Hietaniemi cemetery in Helsinki. Elissa Aalto became the director of the practice, running the office from 1976 to 1994. In 1978, the Museum of Finnish Architecture in Helsinki arranged

1960-493: A title attached to a person's name was regulated by law in some countries. Architects' fee structure was typically based on a percentage of construction value, as a rate per unit area of the proposed construction, hourly rates, or a fixed lump sum fee. Combination of these structures were also common. Fixed fees were usually based on a project's allocated construction cost and could range between 4 and 12% of new construction cost for commercial and institutional projects, depending on

2058-421: A vital part of the current design, and in some jurisdictions, design reports and records are required to include ongoing considerations of materials and contaminants, waste management and recycling, traffic control, and fire safety. Previously, architects employed drawings to illustrate and generate design proposals. While conceptual sketches are still widely used by architects, computer technology has now become

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2156-564: A warranty which specifies the expected life and other aspects of the material, product, or work. In most jurisdictions prior notification to the relevant authority must be given before commencement of the project, giving the local authority notice to carry out independent inspections. The architect will then review and inspect the progress of the work in coordination with the local authority. The architect will typically review contractor shop drawings and other submittals , prepare and issue site instructions, and provide Certificates for Payment to

2254-621: Is acclaimed for its stunning ceiling, with its undulating waves of red-hearted pine (which grows in the region ). In his roofing, he created massive spans (155-foot at the covered stadium at Otaniemi ), all without tie rods. In his stairway at Villa Mairea, he evokes the feeling of a natural forest by binding beech wood with withes into columns. Aalto claimed that his paintings were not made as individual artworks but as part of his process of architectural design, and many of his small-scale "sculptural" experiments with wood led to later larger architectural details and forms. These experiments also led to

2352-518: Is epitomised by the Viipuri Library in Vyborg (1927–35), which went through a transformation from an originally classical competition entry proposal to the completed high-modernist building. His humanistic approach is in full evidence in the library: the interior displays natural materials, warm colours, and undulating lines. Due to problems related to financing, compounded by a change of site,

2450-473: Is often between the client and the contractor. This contract is legally binding and covers a wide range of aspects, including the insurance and commitments of all stakeholders, the status of the design documents, provisions for the architect's access, and procedures for the control of the works as they proceed. Depending on the type of contract used, provisions for further sub-contract tenders may be required. The architect may require that some elements be covered by

2548-504: Is required for a product workshop or special event. Aalto was also influential in bringing modern art to the attention of the Finnish people, in particular the work of his friends Alexander Milne Calder and Fernand Léger . As mentioned above, Aalto's international reputation was sealed with his inclusion in the second edition of Sigfried Giedion 's influential book on Modernist architecture, Space, Time and Architecture: The growth of

2646-443: Is suggested that various developments in technology and mathematics allowed the development of the professional 'gentleman' architect, separate from the hands-on craftsman. Paper was not used in Europe for drawing until the 15th century but became increasingly available after 1500. Pencils were used for drawing by 1600. The availability of both paper and pencils allowed pre-construction drawings to be made by professionals. Concurrently,

2744-555: Is the Pritzker Prize , sometimes termed the "Nobel Prize for architecture". The inaugural Pritzker Prize winner was Philip Johnson who was cited as having "50 years of imagination and vitality embodied in a myriad of museums, theatres libraries, houses gardens and corporate structures". The Pritzker Prize has been awarded for forty-two straight editions without interruption, and there are now 22 countries with at least one winning architect. Other prestigious architectural awards are

2842-407: Is with Aalto wherever he goes." During the 1930s Alvar spent some time experimenting with laminated wood, sculpture and abstract relief, characterized by irregular curved forms. Utilizing this knowledge, he was able to solve technical problems concerning the flexibility of wood while at the same time working out spatial issues in his designs. Aalto's early experiments with wood and his move away from

2940-786: The American Institute of Architects in 1963. He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1957. He also was a member of the Academy of Finland , and was its president from 1963 to 1968. From 1925 to 1956 he was a member of the Congrès International d'Architecture Moderne . In 1960 he received an honorary doctorate at the Norwegian University of Science and Technology (NTNU). Aalto's career spans

3038-707: The Artek company in 1935, ostensibly to sell Aalto products but which also imported pieces by other designers. Aalto became the first furniture designer to use the cantilever principle in chair designs using wood. Aalto's awards included the Prince Eugen Medal in 1954, the Royal Gold Medal for Architecture from the Royal Institute of British Architects in 1957 and the Gold Medal from

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3136-688: The Enso-Gutzeit headquarters building (1962), the Academic Bookstore (1962), and the SYP Bank building (1969). Following Aalto's death in 1976, his office continued to operate under the direction of his widow Elissa, who oversaw the completion of works already designed (to some extent), among them the Jyväskylä City Theatre and Essen opera house . Since the death of Elissa Aalto, the office has continued to operate as

3234-499: The Paimio Sanatorium (1929–33). The best known of the furniture pieces is his cantilevered birch wood Paimio Chair, which was specifically designed for tuberculosis patients to sit in for long hours each day. Aalto argued that the angle of the back of the chair was the perfect angle for the patient to breathe most easily. The design of the chair may have been influenced by Marcel Breuer's metal Wassily Chair , though Aalto

3332-717: The Royal Gold Medal , the AIA Gold Medal (US), AIA Gold Medal (Australia), and the Praemium Imperiale . Architects in the UK who have made contributions to the profession through design excellence or architectural education or have in some other way advanced the profession might, until 1971, be elected Fellows of the Royal Institute of British Architects and can write FRIBA after their name if they feel so inclined. Those elected to chartered membership of

3430-588: The Alvar Aalto Academy, giving advice on the restoration of Aalto buildings and organizing the practice's vast archives. Although Aalto was famous for his architecture, his furniture designs were admired and are still popular today. He studied with the architect-designer Josef Hoffmann at the Wiener Werkstätte (engl.: "Vienna Workshop") and worked, for a time, under Eliel Saarinen . He also drew inspiration from Gebrüder Thonet . During

3528-537: The Artek portfolio. Artek currently operates three stores: a main store and a 2nd Cycle showroom in Helsinki, and a store in Tokyo. From the very beginning of his career Alvar Aalto experimented with materials, especially wood, and even applied for patents for the bending of wood as applied in his furniture designs and as acoustic screens in his buildings. The Aaltos designed several different types of furniture and lamps for

3626-1002: The Finnish Parliament building in 1923 and 1924, the extension to the University of Helsinki in 1931, and the building to house the League of Nations in Geneva, Switzerland, in 1926–27. Aalto's first church design to be completed, Muurame church , illustrates his transition from Nordic Classicism to Functionalism. This was the period when Aalto was most prolific in his writings, with articles for professional journals and newspapers. Among his most well-known essays from this period are "Urban culture" (1924), "Temple baths on Jyväskylä ridge" (1925), "Abbé Coignard's sermon" (1925), and "From doorstep to living room" (1926). The shift in Aalto's design approach from classicism to modernism

3724-651: The Finnish paper manufacturer UPM . The pavilion was first used at the Milan Triennale in 2007, after which it was temporally in use outside the Design Museum, Helsinki . Artek operates a third store, located in Helsinki, for its 2nd Cycle program which began in 2006. The program collects used Artek and Huonekalutehdas Korhonen Oy furniture and resells them. Often made available are rare and discontinued items; repairs and refurbishing work are done as necessary but minor wear or cosmetic blemishes are part of

3822-730: The Industrial Exposition in Tampere . In 1923, he returned to Jyväskylä , where he opened an architectural office under the name 'Alvar Aalto, Architect and Monumental Artist'. At that time he wrote articles for the Jyväskylä newspaper Sisä-Suomi under the pseudonym Remus. During this time, he designed a number of small single-family houses in Jyväskylä, and the office's workload steadily increased. On 6 October 1924, Aalto married architect Aino Marsio . Their honeymoon in Italy

3920-781: The Jyväskylä Lyceum school, where he completed his basic education in 1916, and took drawing lessons from local artist Jonas Heiska . In 1916, he then enrolled to study architecture at the Helsinki University of Technology . His studies were interrupted by the Finnish Civil War , in which he fought. He fought on the side of the White Army and fought at the Battle of Länkipohja and the Battle of Tampere . He built his first piece of architecture while

4018-705: The RIBA after 1971 may use the initials RIBA but cannot use the old ARIBA and FRIBA. An honorary fellow may use the initials Hon. FRIBA, and an international fellow may use the initials Int. FRIBA. Architects in the US who have made contributions to the profession through design excellence or architectural education or have in some other way advanced the profession are elected Fellows of the American Institute of Architects and can write FAIA after their name. Architects in Canada who have made outstanding contributions to

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4116-677: The Reconstruction Office. After the war, he returned to MIT, where he designed the student dormitory Baker House , completed in 1949. The dormitory flanked the Charles River , and its undulating form provided maximum view and ventilation for each resident. This was the first building of Aalto's redbrick period. Originally used in Baker House to signify the Ivy League university tradition, Aalto went on to use it in

4214-546: The Turku Fair of 1928–29. Aalto's biographer, Göran Schildt, claimed that Bryggman was the only architect with whom Aalto cooperated as an equal. With an increasing quantity of work in the Finnish capital, the Aaltos' office moved again in 1933 to Helsinki. The Aaltos designed and built a joint house-office (1935–36) for themselves in Munkkiniemi , Helsinki, but later (1954–56) had a purpose-built office erected in

4312-784: The Viipuri Library project lasted eight years. During that time, Aalto designed the Standard Apartment Building (1928–29) in Turku, the Turun Sanomat Building (1929–30), and the Paimio Sanatorium (1929–32), which he designed in collaboration with his first wife Aino Aalto . A number of factors contributed to Aalto's shift towards modernism: his increased familiarity with international trends, facilitated by his travels throughout Europe;

4410-536: The ability to practice independently of supervision. The term building design professional (or design professional) , by contrast, is a much broader term that includes professionals who practice independently under an alternate profession, such as engineering professionals, or those who assist in the practice of architecture under the supervision of a licensed architect, such as intern architects . In many places, independent, non-licensed individuals may perform design services outside of professional restrictions, such as

4508-416: The appeal of the 2nd Cycle products. Alvar Aalto Hugo Alvar Henrik Aalto ( pronounced [ˈhuːɡo ˈɑlʋɑr ˈhenrik ˈɑːlto] ; 3 February 1898 – 11 May 1976) was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware , as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of

4606-564: The architect must report back to the client, who may have reservations or recommendations which might introduce further variables into the design. Architects also deal with local and federal jurisdictions regarding regulations and building codes . The architect might need to comply with local planning and zoning laws such as required setbacks, height limitations, parking requirements, transparency requirements (windows), and land use . Some jurisdictions require adherence to design and historic preservation guidelines. Health and safety risks form

4704-500: The architect must undergo specialised training consisting of advanced education and a practicum (or internship) for practical experience to earn a license to practice architecture. Practical, technical, and academic requirements for becoming an architect vary by jurisdiction though the formal study of architecture in academic institutions has played a pivotal role in the development of the profession . Throughout ancient and medieval history, most architectural design and construction

4802-561: The architect's "soft paternalism": "Conceived as a fragmented mass to break up the feeling of bureaucracy, it succeeds all too well in being humane and killing the pensioner with kindness. The forms are familiar – red brick and ribbon-strip windows broken by copper and bronze elements – all carried through with a literal-mindedness that borders on the soporific." During his lifetime, Aalto faced criticisms from his fellow architects in Finland, most notably Kirmo Mikkola and Juhani Pallasmaa . By

4900-426: The architect's services during each construction stage may be extensive (detailed document preparation and construction review) or less involved (such as allowing a contractor to exercise considerable design-build functions). Architects typically put projects to tender on behalf of their clients, advise them on the award of the project to a general contractor , facilitate and administer a contract of agreement, which

4998-494: The building's design, construction, and maintenance. Virtual reality (VR) presentations are becoming more common for visualizing structural designs and interior spaces from the point-of-view perspective. Since modern buildings are known to release carbon into the atmosphere, increasing controls are being placed on buildings and associated technology to reduce emissions, increase energy efficiency, and make use of renewable energy sources. Renewable energy sources may be designed into

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5096-556: The changes in style from ( Nordic Classicism ) to purist International Style Modernism to a more personal, synthetic, and idiosyncratic Modernism. Aalto's wide field of design activity ranges from large-scale projects such as city planning and architecture to more intimate, human-scale work in interior design, furniture and glassware design, and painting. It has been estimated that during his entire career Aalto designed over 500 individual buildings, approximately 300 of which were built. The vast majority of them are in Finland. He also has

5194-465: The company Artek that same year. Aalto glassware (Aino as well as Alvar) is manufactured by Iittala . Aalto's 'High Stool' and ' Stool E60 ' (manufactured by Artek ) are currently used in Apple Stores across the world to serve as seating for customers. Finished in black lacquer, the stools are used to seat customers at the 'Genius Bar' and also in other areas of the store at times when seating

5292-411: The construction. In many jurisdictions mandatory certification or assurance of the completed work or part of the work is required. This demand for certification entails a high degree of risk; therefore, regular inspections of the work as it progresses on site is required to ensure that the design is in compliance itself as well as following all relevant statutes and permissions. Recent decades have seen

5390-463: The contractor (see also Design-bid-build ) which is based on the work done as well as any materials and other goods purchased or hired in the future. In the United Kingdom and other countries, a quantity surveyor is often part of the team to provide cost consulting. With large, complex projects, an independent construction manager is sometimes hired to assist in the design and management of

5488-696: The decorations of the Festival hall modelled on the Rucellai Sepulchre in Florence by Leon Battista Alberti . After winning the architecture competition for the Southwest Finland Agricultural Cooperative building in 1927, the Aaltos moved their office to Turku . They had made contact with the city's most progressive architect, Erik Bryggman before moving. They began collaborating with him, most notably on

5586-401: The design becomes more advanced and detailed, specifications and detail designs are made of all the elements and components of the building. Techniques in the production of a building are continually advancing which places a demand on the architect to ensure that he or she remains up to date with these advances. Depending on the client's needs and the jurisdiction's requirements, the spectrum of

5684-429: The design of houses or other smaller structures. In the architectural profession, technical and environmental knowledge, design, and construction management require an understanding of business as well as design. However, design is the driving force throughout the project and beyond. An architect accepts a commission from a client. The commission might involve preparing feasibility reports , building audits, and designing

5782-494: The design takes place. The extent and nature of these expectations will vary. Foresight is a prerequisite when designing buildings as it is a very complex and demanding undertaking. Any design concept during the early stage of its generation must take into account a great number of issues and variables, including the qualities of the space(s), the end-use and life-cycle of these proposed spaces, connections, relations, and aspects between spaces, including how they are put together, and

5880-468: The design undertaking. The architect may make early proposals to the client which may rework the terms of the brief. The "program" (or brief) is essential to producing a project that meets all the needs of the owner. This becomes a guide for the architect in creating the design concept. Design proposal(s) are generally expected to be both imaginative and pragmatic. Much depends upon the time, place, finance, culture, and available crafts and technology in which

5978-452: The design, ensuring that aspects such as structural supports and air conditioning elements are coordinated. The control and planning of construction costs are also part of these consultations. Coordination of the different aspects involves a high degree of specialized communication, including advanced computer technology such as building information modeling (BIM), computer-aided design (CAD), and cloud-based technologies. Finally, at all times,

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6076-416: The design. The architect, once hired by a client, is responsible for creating a design concept that meets the requirements of that client and provides a facility suitable to the required use. The architect must meet with and ask questions to the client, to ascertain all the requirements (and nuances) of the planned project. Often, the full brief is not clear in the beginning. It involves a degree of risk in

6174-401: The design. The design must also balance increasing concerns with environmental sustainability . The architect may introduce (intentionally or not), aspects of mathematics and architecture , new or current architectural theory , or references to architectural history . A key part of the design is that the architect often must consult with engineers, surveyors, and other specialists throughout

6272-754: The early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards. His architectural work, throughout his entire career, is characterized by a concern for design as Gesamtkunstwerk —a total work of art in which he, together with his first wife Aino Aalto , would design not only the building but the interior surfaces, furniture, lamps, and glassware as well. His furniture designs are considered Scandinavian Modern , an aesthetic reflected in their elegant simplification and concern for materials, especially wood, but also in Aalto's technical innovations, which led him to receiving patents for various manufacturing processes, such as those used to produce bent wood. As

6370-598: The edges by significant buildings such as the National Museum and the main railway station, both by Eliel Saarinen . In his town plan, Aalto proposed a line of separate marble-clad buildings fronting the bay, which would house various cultural institutions, including a concert hall, opera, museum of architecture, and headquarters for the Finnish Academy . The scheme also extended into the Kamppi district with

6468-593: The exception of high-status projects. In most developed countries only those qualified with an appropriate license, certification, or registration with a relevant body (often a government) may legally practice architecture. Such licensure usually requires a university degree, successful completion of exams, and a training period. Representation of oneself as an architect through the use of terms and titles were restricted to licensed individuals by law, although in general, derivatives such as architectural designer were not legally protected. To practice architecture implies

6566-458: The firm (i.e. staff architect, partner, or shareholder, etc.), and the size and location of the firm. A number of national professional organizations exist to promote career and business development in architecture. A wide variety of prizes is awarded by national professional associations and other bodies, recognizing accomplished architects, their buildings, structures, and professional careers. The most lucrative award an architect can receive

6664-413: The historical canon. The Italian Marxist architecture historians Manfredo Tafuri and Francesco Dal Co contend that Aalto's "historical significance has perhaps been rather exaggerated; with Aalto we are outside of the great themes that have made the course of contemporary architecture so dramatic. The qualities of his works have a meaning only as masterful distractions, not subject to reproduction outside

6762-554: The house is clearly intended for a wealthy family, Aalto nevertheless argued that it was also an experiment that would prove useful in the design of mass housing. His increased fame led to offers and commissions outside Finland. In 1941, he accepted an invitation as a visiting professor to the Massachusetts Institute of Technology in the US. During the Second World War , he returned to Finland to direct

6860-409: The impact of proposals on the immediate and wider locality. The selection of appropriate materials and technology must be considered, tested, and reviewed at an early stage in the design to ensure there are no setbacks (such as higher-than-expected costs) which could occur later in the project. The site and its surrounding environment, as well as the culture and history of the place, will also influence

6958-411: The industry standard. Furthermore, design may include the use of photos, collages, prints, linocuts, 3D scanning technology, and other media in design production. Increasingly, computer software is shaping how architects work. BIM technology allows for the creation of a virtual building that serves as an information database for the sharing of design and building information throughout the life-cycle of

7056-414: The introduction of linear perspective and innovations such as the use of different projections to describe a three-dimensional building in two dimensions, together with an increased understanding of dimensional accuracy, helped building designers communicate their ideas. However, development was gradual and slow-going. Until the 18th century, buildings continued to be designed and set out by craftsmen, with

7154-456: The last decade of Aalto's life, his work was seen as unfashionably individualistic at a time when the opposing tendencies of rationalism and constructivism – often championed under left-wing politics – argued for anonymous, aggressively non-aesthetic architecture. Of Aalto's late works, Mikkola wrote, "Aalto has moved to [a] baroque line..." Aalto has been commemorated in a number of ways: Göran Schildt has written and edited many books on Aalto,

7252-562: The late 1920s and 1930s, he worked closely with Aino Aalto on his furniture designs, a focus due in part to his decision to design many of the individual furniture pieces and lamps for the Paimio Sanatorium. Of particular significance was the Aaltos' experimentation in bent plywood chairs, most notably the so-called Paimio chair, designed for tuberculosis patients, and the Model 60 stacking stool . The Aaltos, together with visual arts promoter Maire Gullichsen and art historian Nils-Gustav Hahl, founded

7350-423: The most well-known being the three-volume biography, usually referred to as the definitive biography on Aalto. Other books Aalto research Archives Resources Catalogs Buildings and reviews Architect An architect is a person who plans, designs, and oversees the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and

7448-421: The notable works from this period is his 1960 memorial to the Battle of Suomussalmi . Located on the battlefield, it consists of a leaning bronze pillar on a pedestal. Foremost among Aalto's work from the early 1960s until his death in 1976 were his projects in Helsinki, in particular the huge town plan for the void in the centre of Helsinki adjacent to Töölö Bay and the vast railway yards , an area marked on

7546-467: The opportunity to experiment with concrete prefabrication in the Standard Apartment Building; the cutting-edge Le Corbusier -inspired formal language of the Turun Sanomat Building; and Aalto's application of both in the Paimio Sanatorium and in the ongoing design for the library. Although the Turun Sanomat Building and Paimio Sanatorium are comparatively pure modernist works, they carried the seeds of his questioning of such an orthodox modernist approach and

7644-511: The profession through contributions to research, scholarship, public service, or professional standing to the good of architecture in Canada or elsewhere may be recognized as Fellows of the Royal Architectural Institute of Canada and can write FRAIC after their name. In Hong Kong, those elected to chartered membership may use the initial HKIA, and those who have made a special contribution after nomination and election by

7742-497: The project's size and complexity. Residential projects ranged from 12 to 20%. Renovation projects typically commanded higher percentages such as 15–20%. Overall billings for architectural firms range widely, depending on their location and economic climate. Billings have traditionally been dependent on local economic conditions, but with rapid globalization, this is becoming less of a factor for large international firms. Salaries could also vary depending on experience, position within

7840-687: The proposed building by local or national renewable energy providers. As a result, the architect is required to remain abreast of current regulations that are continually being updated. Some new developments exhibit extremely low energy use or passive solar building design . However, the architect is also increasingly being required to provide initiatives in a wider environmental sense. Examples of this include making provisions for low-energy transport, natural daylighting instead of artificial lighting, natural ventilation instead of air conditioning, pollution, and waste management, use of recycled materials, and employment of materials which can be easily recycled. As

7938-556: The remote reality [sic] in which they have their roots." At the heart of their critique was the perception of Aalto's work as unsuited to the urban context: "Essentially, his architecture is not appropriate to urban typologies." At the other end of the political spectrum (though similarly concerned with the appropriateness of Aalto's formal language), the American cultural theorist and architectural historian Charles Jencks singled out his Pensions Institute as an example of what he termed

8036-742: The rise of specialisations within the profession. Many architects and architectural firms focus on certain project types (e.g. healthcare, retail, public housing, and event management), technological expertise, or project delivery methods. Some architects specialise in building code, building envelope , sustainable design , technical writing , historic preservation(US) or conservation (UK), and accessibility . Many architects elect to move into real-estate (property) development , corporate facilities planning, project management , construction management, chief sustainability officers interior design, city planning, user experience design , and design research. Although there are variations in each location, most of

8134-552: The same neighbourhood – now the former is a "home museum" and the latter the premises of the Alvar Aalto Academy. In 1926, the young Aaltos designed and had built for themselves a summer cottage in Alajärvi , Villa Flora. Aino and Alvar had two children, a daughter, Johanna "Hanni" (married surname Alanen; born 1925), and a son, Hamilkar Aalto (born 1928). Aino Aalto died of cancer in 1949. In 1952, Aalto married architect Elissa Mäkiniemi (died 1994). In 1952, he designed and built

8232-530: The space within the site surrounding the buildings that have human occupancy or use as their principal purpose. Etymologically, the term architect derives from the Latin architectus , which derives from the Greek ( arkhi - , chief + tekton , builder), i.e., chief builder. The professional requirements for architects vary from location to location. An architect's decisions affect public safety, and thus

8330-475: The studio was set up ostensibly to assist Aalto's architects' office with interior designs for his buildings. Since Aalto's passing in 1976 the company has sold design objects by other Finnish designers, such as Juha Leiviskä , Ilmari Tapiovaara , and Eero Aarnio . Other non-Finnish designers affiliated with Vitra, like the Bouroullec brothers, work with Artek as well if their designs are found to fit within

8428-1038: The style of Nordic Classicism. For example, the manor-like house for his mother's cousin Terho Manner in Töysa (1923), a summer villa for the Jyväskylä chief constable (also from 1923) and the Alatalo farmhouse in Tarvaala (1924). During this period he completed his first public buildings, the Jyväskylä Workers' Club in 1925, the Jyväskylä Defence Corps Building in 1926 and the Seinäjoki Civil Guard House building in 1924–29. He entered several architectural competitions for prestigious state public buildings, in Finland and abroad. This included two competitions for

8526-469: The title used varied depending on geographical location. They often carried the title of master builder or surveyor after serving a number of years as an apprentice (such as Sir Christopher Wren ). The formal study of architecture in academic institutions played a pivotal role in the development of the profession as a whole, serving as a focal point for advances in architectural technology and theory. The use of "Architect" or abbreviations such as "Ar." as

8624-493: The tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family , who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of

8722-608: The vertical placement of rough-hewn logs at his pavilion at the Lapua expo, a design element that evoked a medieval barricade. At the orchestra platform at Turku and the Paris expo at the World Fair, he used varying sizes and shapes of planks. Also at Paris (and at Villa Mairea ), he utilized birch boards in a vertical arrangement. His Vyborg Library , built in what was then Viipuri (it became Vyborg after Soviet annexation in 1944),

8820-486: The work of the main force driving the new modernism, Le Corbusier , visiting him in his Paris office several times in the following years. It was not until the completion of the Paimio Sanatorium (1932) and Viipuri Library (1935) that Aalto first achieved world attention in architecture. His reputation grew in the US following the invitation to hold a retrospective exhibition of his works at MOMA in New York in 1938. (This

8918-412: The world's architects are required to register with the appropriate jurisdiction. Architects are typically required to meet three common requirements: education, experience, and examination. Basic educational requirement generally consist of a university in architecture. The experience requirement for degree candidates is usually satisfied by a practicum or internship (usually two to three years). Finally,

9016-546: Was Aalto's first trip there, though Aino had previously made a study trip there. The latter trip together sealed an intellectual bond with the culture of the Mediterranean region that remained important to Aalto for life. On their return they continued with several local projects, notably the Jyväskylä Worker's Club, which incorporated a number of motifs which they had studied during their trip, most notably

9114-399: Was a classical education and an approach to classical architecture that historians now call Nordic Classicism . It was a style that had been a reaction to the previous dominant style of National Romanticism before moving, in the late 1920s, towards Modernism. Upon returning to Jyväskylä in 1923 to establish his own architect's office, Aalto designed several single-family homes designed in

9212-456: Was carried out by artisans —such as stone masons and carpenters—who rose to the role of master builders. Until modern times, there was no clear distinction between architect and engineer. In Europe, the titles architect and engineer were primarily geographical variations that referred to the same person, often used interchangeably. "Architect" derives from Greek ἀρχιτέκτων ( arkhitéktōn , "master builder," "chief tektōn ). It

9310-662: Was generally negative towards metal furniture. The degree of bending of the wood tested the technical limits of that time. The chair is part of the permanent collections at the MoMA in New York City and the Finnish Design Museum. The Model No. 60 stool , designed circa 1932–1933, demonstrated Alvar Aalto's interest in basic functional, utilitarian forms. It was constructed of bent laminated birch, and originally came in all natural (plain) or curled birch, or with

9408-590: Was his first visit to the States.) The exhibition, which later went on a 12-city tour of the country, was a landmark: Aalto was the second-ever architect – after Le Corbusier – to have a solo exhibition at the museum. His reputation grew in the US following the critical reception of his design for the Finnish Pavilion at the 1939 New York World's Fair , described by Frank Lloyd Wright as a "work of genius". It could be said that Aalto's international reputation

9506-482: Was originally meant for users to rest on after using a Sauna; its pine and birch construction make the stool resistant to moisture, while the split seat design is meant to allow for ventilation. Notably the pine seat has a concave bend for ergonomics, but it is bent via a method distinct from Alvar Aalto's designs. It remains in production. In 2007, Japanese architect Shigeru Ban designed an exhibition pavilion for Artek, built from reconstituted waste material provided by

9604-492: Was sealed with his inclusion in the second edition of Sigfried Giedion's influential book on Modernist architecture, Space, Time, and Architecture: The growth of a new tradition (1949), in which Aalto received more attention than any other Modernist architect, including Le Corbusier . In his analysis of Aalto, Giedion gave primacy to qualities that depart from direct functionality, such as mood, atmosphere, intensity of life, and even national characteristics, declaring that "Finland

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