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Philadelphia Civic Opera Company

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The Philadelphia Civic Opera Company (PCOC) was an American opera company located in Philadelphia, Pennsylvania , that was actively performing between 1924 and 1930. Founded by Philadelphia socialite Mrs. Henry M. Tracy, the company was established partially through funds provided by the city of Philadelphia and its then-mayor, W. Freeland Kendrick . The company was led by Artistic Director Alexander Smallens . Tracy served as the company's President and ran the business side of the organization while Smallens served as the company's primary conductor and made all of the artistic decisions. W. Attmore Robinson was later brought in to help Smallens with some of the artistic direction. The company performed between 10 and 15 operas every year during an annual season until it went bankrupt a year after the Wall Street Crash of 1929 .

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69-435: The PCOC performed all of their productions at Philadelphia's Metropolitan Opera House (MOH) up through the spring of 1928. The company's first performance was of Giacomo Puccini 's La bohème on November 6, 1924 with Anna Fitziu as Mimì, Romeo Boscacci as Rodolfo, Alfredo Gondolfi as Marcello, Emily Stokes Hagar as Musetta, and Smallens conducting. Occasionally the company presented more rarely heard works, including

138-503: A grain elevator , a gazebo and a bridge. Objects are usually artistic in nature, or small in scale compared to structures and buildings. Although objects may be movable, they are generally associated with a specific setting or environment. Examples of objects include monuments, sculptures and fountains. Sites are the locations of significant events, which can be prehistoric or historic in nature and represent activities or buildings (standing, ruined, or vanished). When sites are listed, it

207-472: A National Register nomination, although historians and historic preservation consultants often are employed for this work. The nomination consists of a standard registration form (NPS 10-900) and contains basic information about a property's physical appearance and the type of significance embodied in the building, structure, object, site, or district. The State Historic Preservation Office (SHPO) receives National Register nominations and provides feedback to

276-587: A crowd of 6,000 supporters, including 200 active members of the Philadelphia Police Department with German Nazi sympathies, filled the Met to hear the radical anti-Jewish preacher Father Charles Coughlin commission John F. Cassidy to lead his new pro-fascist Christian Front organization. In the late 1930s, the MOH became a ballroom and in the 1940s a sports promoter bought the venue, covered

345-563: A historic district are united historically or aesthetically, either by choice or by the nature of their development. There are several other different types of historic preservation associated with the properties of the National Register of Historic Places that cannot be classified as either simple buildings or historic districts. Through the National Park Service, the National Register of Historic Places publishes

414-597: A joint ownership agreement. At the same time, Live Nation signed a lease as a concert promoter and tenant for the building and they and the owners announced a $ 45-million renovation to bring the theatre back as a mixed use concert venue. It will also continue as the home of the Holy Ghost Church. With restoration work led by Atkin Olshin Schade Architects and Domus as the general contractor, the completely renovated Met Philadelphia reopened to

483-406: A lawsuit against the developer over the lack of progress on the building, alleging that Blumenfeld misled the congregation regarding his finances and "...never restored the Met as promised. Rather he gutted the auditorium the church had worked so hard to renovate, effectively displacing the church and left the unfinished project in shambles." In May 2017, Blumenfeld and Holy Ghost Church had reached

552-646: A policy developed early in its history. The United States Supreme Court ruled in the 1971 case Citizens to Preserve Overton Park v. Volpe that parklands could have the same protected status as " historic sites ". Listed properties are generally in one of five broad categories, although there are special considerations for other types of properties that in anyone, or into more specialized subcategories. The five general categories for National Register properties are: building, structure, site, district and object. In addition, historic districts consist of contributing and non-contributing properties. Buildings, as defined by

621-607: A series of bulletins designed to aid in evaluating and applying the criteria for evaluation of different types of properties. Although the criteria are always the same, the manner they are applied may differ slightly, depending upon the type of property involved. The National Register bulletins describe the application of the criteria for aids to navigation, historic battlefields, archaeological sites, aviation properties, cemeteries and burial places, historic designed landscapes , mining sites, post offices, properties associated with significant persons, properties achieving significance within

690-536: Is only an exception to the criteria that shape listings within the National Register of Historic Places. Of the eight "exceptions" [or criteria considerations], Consideration G, for properties that have achieved significance within the past fifty years, is probably the best-known, yet also misunderstood preservation principle in America. The National Register evaluation procedures do not use the term "exclusions". The stricter National Historic Landmarks Criteria, upon which

759-528: Is required to "take into account the effect of the undertaking" on the National Register property, as well as to afford the ACHP a reasonable opportunity to comment. While Section 106 does not mandate explicitly that any federal agency director accept the advice of the ACHP, their advice has a practical influence, especially given the statutory obligations of the NHPA that require federal agencies to "take into account

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828-462: Is the locations themselves that are of historical interest. They possess cultural or archaeological value regardless of the value of any structures that currently exist at the locations. Examples of types of sites include shipwrecks , battlefields , campsites , natural features and rock shelters . Historic districts possess a concentration, association, or continuity of the other four types of properties. Objects, structures, buildings and sites in

897-565: The Academy of Music instead of the MOH. Their first performance at the Academy was Giuseppe Verdi 's Aida on October 18, 1928 with Emily Roosevelt in the title role, Paul Althouse as Radamès, Julia Claussen as Amneris, Reinhold Schmidt as the King of Egypt, Nelson Eddy as Amonasro, and Smallens conducting. The PCOC continued to perform at the Academy up until financial problems forced

966-596: The Advisory Council on Historic Preservation (ACHP) has the most significant role by Section 106 of the National Historic Preservation Act. The section requires that the director of any federal agency with direct or indirect jurisdiction of a project that may affect a property listed or determined eligible for listing in the National Register of Historic Places must first report to the Advisory Council . The director of said agency

1035-579: The Advisory Council on Historic Preservation (ACHP), to confront adverse effects of federal activities on historic preservation. To administer the newly created National Register of Historic Places, the National Park Service of the U.S. Department of the Interior, with director George B. Hartzog Jr. , established an administrative division named the Federal Office of Archaeology and Historic Preservation (OAHP). Hartzog charged OAHP with creating

1104-601: The Chicago Grand Opera Company on May 5, 1934. By 1920, while still being used as a performing venue for operas, the house began presenting silent films to the public. It remained a cinema venue after the MOH stopped presenting operas. In April 1922, J.F Rutherford gave the first radio broadcast from the Metropolitan Opera House to an estimated 50,000 people on the discourse "Millions Now Living Will never Die". On July 14, 1939,

1173-727: The National Historic Landmarks designated before the Register's creation, as well as any other historic sites in the National Park System. Approval of the act, which was amended in 1980 and 1992, represented the first time the United States had a broad-based historic preservation policy. The 1966 act required those agencies to work in conjunction with the SHPO and an independent federal agency ,

1242-603: The National Historic Preservation Act (NHPA) in 1966 established the National Register and the process for adding properties to it. Of the more than one and a half million properties on the National Register, 95,000 are listed individually. The remainder are contributing resources within historic districts . For most of its history, the National Register has been administered by the National Park Service (NPS), an agency within

1311-510: The Philadelphia La Scala Opera Company , two companies that primarily performed at the Academy of Music, also occasionally performed there during the 1920s and 1930s. The MOH was also host to many traveling productions by opera companies from other cities. The last opera production mounted at the MOH was a double billing of Cavalleria rusticana and Pagliacci under the baton of Aldo Franchetti, presented by

1380-569: The United States Department of the Interior . In February 1983, the two assistant directorates were merged to promote efficiency and recognize the interdependency of their programs. Jerry L. Rogers was selected to direct this newly merged associate directorate. He was described as a skilled administrator, who was sensitive to the need for the NPS to work with SHPOs, academia and local governments. Although not described in detail in

1449-467: The United States Department of the Interior . Its goals are to help property owners and interest groups, such as the National Trust for Historic Preservation , and coordinate, identify and protect historic sites in the United States. While National Register listings are mostly symbolic, their recognition of significance provides some financial incentive to owners of listed properties. Protection of

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1518-624: The 1966 act, SHPOs eventually became integral to the process of listing properties on the National Register. The 1980 amendments of the 1966 law further defined the responsibilities of SHPOs concerning the National Register. Several 1992 amendments of the NHPA added a category to the National Register, known as Traditional Cultural Properties: those properties associated with Native American or Hawaiian groups. The National Register of Historic Places has grown considerably from its legislative origins in 1966. In 1986, citizens and groups nominated 3,623 separate properties, sites and districts for inclusion on

1587-459: The American premieres of Erich Wolfgang Korngold 's Der Ring des Polykrates (February 10, 1927), Manuel de Falla 's El amor brujo (March 17, 1927), Richard Strauss 's Feuersnot (December 2, 1927), and Strauss's Ariadne auf Naxos (November 1, 1928). However, the company mainly presented works from the standard opera repertory. In the autumn of 1928 the company began performing at

1656-585: The NPS history programs affiliated with both the U.S. National Park system and the National Register were categorized formally into two "Assistant Directorates". Established were the Assistant Directorate for Archeology and Historic Preservation and the Assistant Directorate for Park Historic Preservation. From 1978 until 1981, the main agency for the National Register was the Heritage Conservation and Recreation Service (HCRS) of

1725-643: The National Park Service, including National Historic Sites (NHS), National Historical Parks , National Military Parks /Battlefields, National Memorials and some National Monuments . There are also 35 listed sites in the three island countries with a Compact of Free Association with the United States, as well as one site in Morocco, the American Legation in Tangier . Listing in the National Register does not restrict private property owners from

1794-448: The National Register criteria are based, do specify exclusions, along with corresponding "exceptions to the exclusions", which are supposed to apply more narrowly. A multiple property submission (MPS) is a thematic group listing of the National Register of Historic Places that consists of related properties that share a common theme and can be submitted as a group. Multiple property submissions must satisfy certain basic criteria for

1863-686: The National Register program mandated by the 1966 law. Ernest Connally was the Office's first director. Within OAHP new divisions were created to deal with the National Register. The division administered several existing programs, including the Historic Sites Survey and the Historic American Buildings Survey , as well as the new National Register and Historic Preservation Fund . The first official Keeper of

1932-569: The National Register when they become administered by the National Park Service. These include National Historic Landmarks (NHL), National Historic Sites (NHS), National Historical Parks , National Military Parks , National Memorials , and some National Monuments . On October 15, 1966, the Historic Preservation Act created the National Register of Historic Places and the corresponding State Historic Preservation Offices (SHPO). The National Register initially consisted of

2001-601: The National Register, a total of 75,000 separate properties. Of the more than one and a half million properties on the National Register, 95,000 are listed individually. Others are listed as contributing members within historic districts . It is hereby declared to be the policy of the United States Government that special effort should be made to preserve the natural beauty of the countryside and public park and recreation lands, wildlife and waterfowl refuges, and historic sites. Any individual can prepare

2070-530: The National Register, are distinguished in the traditional sense. Examples include a house, barn, hotel, church, or similar construction. They are created primarily to shelter human activity. The term building, as in outbuilding, can be used to refer to historically and functionally related units, such as a courthouse and a jail or a barn and a house. Structures differ from buildings in that they are functional constructions meant to be used for purposes other than sheltering human activity. Examples include an aircraft,

2139-460: The National Register. After the nomination is recommended for listing in the National Register by the SHPO, the nomination is sent to the National Park Service, which approves or denies the nomination. If approved, the property is entered officially by the Keeper of the National Register into the National Register of Historic Places. Property owners are notified of the nomination during the review by

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2208-526: The National Register: religious properties (e.g., churches); buildings that have been moved; birthplaces or graves of important persons; cemeteries; reconstructed properties; commemorative properties (e.g., statues); and "properties that have achieved significance within the last fifty years". However, if they meet particular "Criteria Considerations" for their category in addition to the overall criteria, they are, in fact, eligible. Hence, despite

2277-560: The New York Metropolitan Opera. The theater was then renamed the Metropolitan Opera House. The Met, which had annually toured to Philadelphia with performances at the Academy of Music , had been the POC's biggest competition for opera audiences. In spite of two sold-out seasons of grand opera for the POC, Hammerstein ran into debt and had to sell his highly popular opera house to his competitor. The Met's first production at

2346-548: The Register was William J. Murtagh , an architectural historian . During the Register's earliest years in the late 1960s and early 1970s, organization was lax and SHPOs were small, understaffed and underfunded. However, funds were still being supplied for the Historic Preservation Fund to provide matching grants-in-aid to listed property owners, first for house museums and institutional buildings, but later for commercial structures as well. In 1979,

2415-426: The Register, as well as those located in and contributing to the period of significance of National Register Historic Districts, became eligible for the federal tax benefits. Owners of income-producing properties listed individually in the National Register of Historic Places or of properties that are contributing resources within a National Register Historic District may be eligible for a 20% investment tax credit for

2484-527: The SHPO and state's historic review commission. If an owner objects to a nomination of private property, or in the case of a historic district, a majority of owners, then the property cannot be listed in the National Register of Historic Places. For a property to be eligible for the National Register of Historic Places, it must meet at least one of its four main criteria. Information about architectural styles , association with various aspects of social history and commerce and ownership are all integral parts of

2553-465: The church spent approximately $ 5M USD to stabilize the building. In October 2012, Holy Ghost Headquarters Church and developer Eric Blumenfeld entered into a development partnership with Blumenfeld eventually purchasing the building for $ 1. Some interior demolition work began in September 2013 but was halted because the developer had not obtained necessary permits. In February 2015, the church filed

2622-767: The company to disband in 1930. With the onset of the Great Depression , the PCOC, like many other American arts organizations, began experiencing serious financial concerns. Although numerous efforts to assuage the company's problems were made, the company was forced to declare bankruptcy in April 1930. One last effort to revive the company was made the following Fall when the company gave its last performance, Ruggero Leoncavallo 's Pagliacci , on October 30, 1930 with Aroldo Lindi as Canio, Helen Jepson as Nedda, and John Charles Thomas as Tonio. One reason for its collapse

2691-482: The course of just a few months in 1908, it was the ninth opera house built by impresario Oscar Hammerstein I . It was initially the home of Hammerstein's Philadelphia Opera Company , and called the "Philadelphia Opera House". Hammerstein sold the house to the Metropolitan Opera of New York City in 1910, when it was renamed. The Met used the theatre through 1920, after which various opera companies used

2760-538: The effect of the undertaking". In cases where the ACHP determines federal action will have an "adverse effect" on historic properties, mitigation is sought. Typically, a Memorandum of Agreement (MOA) is created by which the involved parties agree to a particular plan. Many states have laws similar to Section 106. In contrast to conditions relating to a federally designated historic district, municipal ordinances governing local historic districts often restrict certain kinds of changes to properties. Thus, they may protect

2829-523: The forbidding language, these kinds of places are not actually excluded as a rule. For example, the Register lists thousands of churches. There is a misconception that there is a strict rule that a property must be at least 50 years old to be listed in the National Register of Historic Places. In reality, there is no hard rule. John H. Sprinkle Jr., deputy director of the Federal Preservation Institute, stated: [T]his "rule"

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2898-401: The future. Thus, additions to an MPS can occur over time. The nomination of individual properties in an MPS is accomplished in the same manner as other nominations. The name of the "thematic group" denotes the historical theme of the properties. It is considered the "multiple property listing". Once an individual property or a group of properties is nominated and listed in the National Register,

2967-543: The group of properties to be included in the National Register. The process begins with the multiple property documentation form which acts as a cover document rather than the nomination to the National Register of Historic Places. The purpose of the documentation form is to establish the basis of eligibility for related properties. The information of the multiple property documentation form can be used to nominate and register related historic properties simultaneously, or to establish criteria for properties that may be nominated in

3036-542: The house for its productions through March 1910. The company's last performance at the house was of Giuseppe Verdi 's Rigoletto on March 23, 1910, with Giovanni Polese in the title role, Lalla Miranda as Gilda, Orville Harrold as the Duke of Mantua, and Giuseppe Sturani conducting. On April 26, 1910, Arthur Hammerstein , with his father's power of attorney, sold the Philadelphia Opera House to

3105-410: The house through 1934. For over five more decades it remained in constant use in turn as a movie theater , a ballroom , a sports venue, mechanic training center, and a church . The building then fell into serious disrepair and was unused and vacant from 1988 until 1995, when it became the "Holy Ghost Headquarters Revival Center at the Met". The church stabilized much of the building, eventually paving

3174-480: The last fifty years, rural historic landscapes, traditional cultural properties and vessels and shipwrecks. Properties are not protected in any strict sense by the Federal listing. States and local zoning bodies may or may not choose to protect listed historic places. Indirect protection is possible, by state and local regulations on the development of National Register properties and by tax incentives. By contrast,

3243-835: The multiple property documentation form, combined with the individual National Register of Historic Places nomination forms, constitute a multiple property submission. Examples of MPS include the Lee County Multiple Property Submission , the Warehouses in Omaha , the Boundary Markers of the Original District of Columbia and the Illinois Carnegie Libraries . Before the term "Multiple Property Submission"

3312-797: The nine buildings included in the University of Connecticut Historic District in Storrs, Connecticut (listed in 1989, demolished in 2017), and the Terrell Jacobs Circus Winter Quarters in Peru, Indiana (listed in 2012, demolished in 2021). In France , designation of monument historique is similar to NRHP listing. In the French program, however, permanent restrictions are imposed upon designated monuments, for example requiring advance approval for any renovation of

3381-553: The nominating individual or group. After preliminary review, the SHPO sends each nomination to the state's historic review commission, which then recommends whether the State Historic Preservation Officer should send the nomination to the Keeper of the National Register . For any non-Federally owned property, only the State Historic Preservation Officer may officially nominate a property for inclusion in

3450-639: The nomination. Each nomination contains a narrative section that provides a detailed physical description of the property and justifies why it is significant historically with regard either to local, state, or national history. The four National Register of Historic Places criteria are the following: The criteria are applied differently for different types of properties; for instance, maritime properties have application guidelines different from those of buildings. The National Park Service names seven categories of properties that "are not usually considered for" and "ordinarily ... shall not be considered eligible for"

3519-403: The now-defunct Save America's Treasures grants, which apply specifically to properties entered in the Register with national significance or designated as National Historic Landmarks . The NHPA did not distinguish between properties listed in the National Register of Historic Places and those designated as National Historic Landmarks concerning qualification for tax incentives or grants. This

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3588-569: The opera house in 1907, and construction began the following year. When it opened as the Philadelphia Opera House in 1908, it was the largest theater of its kind in the world, seating more than 4,000 people. The opera house officially opened on November 17, 1908, with a production of Georges Bizet 's Carmen for the opening of the POC's first season. The cast included Maria Labia in the title role, Charles Dalmorès as Don José, Andrés de Segurola as Escamillo, Alice Zeppilli as Micaëla, and Cleofonte Campanini conducting. The POC continued to use

3657-523: The orchestra pit with flooring so basketball, wrestling, and boxing could take place. This venture closed after attendance waned following a decline in the quality of the surrounding neighborhood. In 1954, the building was sold and became a church. In 1954 the building was purchased by the Rev. Theo Jones who then had a large congregation. During this time the Philadelphia Orchestra chose

3726-463: The preservation of income-producing historic properties. The National Park Service was given the responsibility to ensure that only rehabilitations that preserved the historic character of a building would qualify for federal tax incentives. A qualifying rehabilitation is one that the NPS deems consistent with the Secretary of the Interior's Standards for Rehabilitation. Properties and sites listed in

3795-792: The properties that were demolished or otherwise destroyed after their listing are the Jobbers Canyon Historic District in Omaha, Nebraska (listed in 1979, demolished in 1989), Pan-Pacific Auditorium in Los Angeles, California (listed in 1978, destroyed in a fire in 1989), Palace Amusements in Asbury Park, New Jersey (listed in 2000, demolished in 2004), The Balinese Room in Galveston, Texas (listed in 1997, destroyed by Hurricane Ike in 2008), seven of

3864-475: The property is not guaranteed. During the nomination process, the property is evaluated in terms of the four criteria for inclusion on the National Register of Historic Places. The application of those criteria has been the subject of criticism by academics of history and preservation, as well as the public and politicians. A property listed in the National Register, or located within a National Register Historic District , may qualify for tax incentives derived from

3933-498: The property more than a National Register listing does. The Department of Transportation Act , passed on October 15, 1966, the same day as the National Historic Preservation Act, included provisions that addressed historic preservation. The DOT Act is much more general than Section 106 NHPA in that it refers to properties other than those listed in the Register. The more general language has allowed more properties and parklands to enjoy status as protected areas by this legislation,

4002-572: The public on December 3, 2018, with a Bob Dylan concert. One year later Sirius XM radio hosted at the Met the smallest Phish performance in two decades on December 3, 2019. National Register of Historic Places The National Register of Historic Places ( NRHP ) is the United States federal government 's official list of sites, buildings, structures, districts , and objects deemed worthy of preservation for their historical significance or "great artistic value". The enactment of

4071-615: The rehabilitation of the historic structure. The rehabilitation may be of a commercial, industrial, or residential property, for rentals. The tax incentives program is operated by the Federal Historic Preservation Tax Incentives program, which is managed jointly by the National Park Service, individual State Historic Preservation Offices and the Internal Revenue Service . Some property owners may also qualify for grants, like

4140-444: The renamed theater was on December 13, 1910. The Met performed regularly at the MOH for the next decade, giving well over a hundred performances at the house. The Metropolitan Opera's last performance at the MOH was Eugene Onegin on April 20, 1920, with Giuseppe de Luca in the title role and Claudia Muzio as Tatyana. While the Met owned the MOH, it also rented the venue to other opera companies for their performances. The theater

4209-413: The state of Colorado, for example, does not set any limits on owners of National Register properties. Until 1976, federal tax incentives were virtually non-existent for buildings on the National Register. Before 1976 the federal tax code favored new construction rather than the reuse of existing, sometimes historical, structures. In 1976, the tax code was altered to provide tax incentives that promote

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4278-476: The superior acoustics of the Met for several of its recordings. After 1988 however church membership decreased and the building began to deteriorate. The building would eventually be declared imminently dangerous by city building authorities but was saved from demolition in 1996 when it was purchased by the Reverend Mark Hatcher for his Holy Ghost Headquarters Revival Center. Between 1997 and 2013

4347-514: The total value of expenses incurred in preserving the property. Properties can be nominated in a variety of forms, including individual properties, historic districts and multiple property submissions (MPS). The Register categorizes general listings into one of five types of properties: district, site, structure, building or object. National Register Historic Districts are defined geographical areas consisting of contributing and non-contributing properties. Some properties are added automatically to

4416-418: The use of their property. Some states and municipalities, however, may have laws that become effective when a property is listed in the National Register. If federal money or a federal permitting process is involved, Section 106 of the National Historic Preservation Act of 1966 is invoked. Section 106 requires the federal agency involved to assess the effect of its actions on historic resources. Statutorily,

4485-552: The way for the latest renovation of the opera house in 2017–2018. The opera house has been included in the National Register of Historic Places since 1972. The Metropolitan Opera House was built by Hammerstein to be the home of his then new opera company, the Philadelphia Opera Company (POC). Hammerstein hired architect William H. McElfatrick of the firm J.B. McElfatrick & Son to design

4554-501: Was deliberate, as the authors of the act had learned from experience that distinguishing between categories of significance for such incentives caused the lowest category to become expendable. Essentially, this made the Landmarks a kind of "honor roll" of the most significant properties of the National Register of Historic Places. As of 1999, 982 properties have been removed from the Register, most often due to being destroyed. Among

4623-671: Was introduced in 1984, such listings were known as "Thematic Resources", such as the Operating Passenger Railroad Stations Thematic Resource , or "Multiple Resource Areas". A listing on the National Register of Historic Places is governmental acknowledgment of a historic district, site, building, or property. However, the Register is mostly "an honorary status with some federal financial incentives". The National Register of Historic Places automatically includes all National Historic Landmarks as well as all historic areas administered by

4692-551: Was noted: Metropolitan Opera House (Philadelphia) The Metropolitan Opera House is a historic opera house and current pop concert venue located in Philadelphia , Pennsylvania . It has been used for many different purposes over its history. Now known as The Met , the theatre reopened in December 2018, after a complete renovation, as a concert venue. It is managed by Live Nation Philadelphia . Built over

4761-592: Was the home of the Philadelphia-Chicago Grand Opera Company between 1911 and 1914. The Philadelphia Operatic Society also used the house during and after the Met's tenure, through 1924. After the Met returned to performing at the Academy of Music for the 1920-1921 opera season, the MOH became the home of the Philadelphia Civic Opera Company until 1928. The Philadelphia Grand Opera Company and

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