Misplaced Pages

#670329

73-504: (Redirected from Piano Player ) Piano player may refer to: Pianist , who plays the piano Piano Player (album) , 1998 album featuring jazz pianist Bill Evans The Piano Player (Ramsey Lewis album) , 1970 The Piano Player (2002 film) , starring Dennis Hopper , Christopher Lambert & Diane Kruger The Piano Player (Maksim Mrvica album) , 2003 The Piano Teacher (film) (French: La Pianiste ), or The Piano Player ,

146-525: A Paris nightclub with Pierre Michelot on bass and Kenny Clarke was well-received, but upon Powell's return to New York, his nightclub ban due to the cabaret card system in the American city made finding work difficult. He experienced further hospital stays in the U.S. before being convinced by Edwards to move to France in the spring of 1959. Powell moved to Paris in 1959 with Altevia "Buttercup" Edwards and her son, John. The couple and child moved into

219-556: A rent party , where he mimicked Fats Waller 's playing style. He enrolled in classical music competitions but was admired by jazz musicians and shifted toward jazz after leaving DeWitt Clinton High School . The first jazz composition that he mastered was James P. Johnson 's "Carolina Shout", but at an early age Powell developed an interest in adapting Broadway songs to jazz improvisation. His father made private tape recordings of him from 1934 to 1939; for these he played classical music and jazz standards. According to Francis Paudras ,

292-655: A 1947 letter to fellow pianist and Catholic Mary Lou Williams , he lamented the challenges of his early life but felt that "God had used a spy" that "lifted me out of the depth of shame." He became increasingly frustrated with life as a musician because he felt that he was being hired to play dinner music by white audiences that did not appreciate his talent. However, he remained known in musical circles as his mother had an apartment where she allowed musicians to stay. Hotels where Black musicians could stay were still in short supply, even in New York. Powell's only daughter, Celia,

365-526: A 2001 film directed by Michael Haneke A player piano , or "automatic piano" Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Piano player . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Piano_player&oldid=1137366704 " Category : Disambiguation pages Hidden categories: Short description

438-535: A father. Around the same time as this incident, the New York Supreme Court rescinded its claim that Powell was mentally incompetent, again enabling him to tour. Jazz historian Pierre-Emmanuel Seguin suggested that the removal of guardianship was an intentional move by Goodstein to marry Powell to Edwards and continue to control his musical engagements by proxy. Powell took part in the spring 1956 Birdland Tour organized by Morris Levy , for which he

511-533: A friend of Powell's who heard the recordings, he had already developed his characteristic right-hand-focused approach to piano by that point. Bud became a friend of fellow jazz pianist Elmo Hope during his childhood. Powell and Hope performed hymns and Bach compositions for Hope's mother, who had a piano at her home, but also experimented with harmonic ideas such as flattened fifths. Powell's younger brother by seven years, Richie Powell , learned to play piano as well. The nickname "Bud," given to him by Richie,

584-587: A further live engagement with Griffin in Jullouville was released on Mythic Sound as Holidays in Edenville . Accompanied by Paudras, Powell returned to New York on August 16 and met Goodstein at JFK Airport . His engagement at Birdland with drummer Horace Arnold and bassist John Ore began on August 25 and included a repertoire of both jazz and classical music, particularly Bach. DownBeat 's Dan Morgenstern wrote an article on Powell following

657-541: A letter to then-boyfriend "Kansas" Fields that Powell was suicidal, writing, "He told us before that he wanted to die, so there's not much I can do." While in Edwards's guardianship, Powell's health declined rapidly due to self-neglect and poor living conditions, and he was hospitalized at Laennec Hospital after escaping his guardianship. Powell was examined by a doctor; he claimed to be suffering from fatigue and revealed that he suffered from nightmares and heard voices. He

730-433: A medley of Carl Philipp Emanuel Bach 's " Solfeggietto " and a composition of his own. Further productive sessions with Blue Note yielded Time Waits and The Scene Changes , becoming volumes 4 and 5 of The Amazing Bud Powell , respectively. Volumes 4 and 5 were notable for introducing new compositions to the pianist's repertoire including "Time Waits", "John's Abbey", and "Cleopatra's Dream". A November 1957 gig at

803-533: A memorial concert for the young bass player. In December 1961, Powell recorded two albums for Columbia Records while in France: and A Portrait of Thelonious (1965) and A Tribute to Cannonball (1979). The Tribute to Cannonball session, which was recorded first, featured Don Byas and Cannonball Adderley on tenor and alto saxophone respectively, while Pierre Michelot on bass and drummer Kenny Clarke were present on both sessions. Meanwhile, Powell formed

SECTION 10

#1732771957671

876-401: A positive review from critic Thom Jurek. It was during his Birdland gig in 1953 that, according to Gitler, Powell began to show signs of mental illness; later accounts by Gitler and Seattle Ph.D. Fredric Harris indicate that the illness could have been epilepsy . Gitler also cites 1953 and 1954 as when Powell became less talkative, more withdrawn, and less technically able as a pianist. Powell

949-417: A series of recording dates on which he first played his composition " Mediocre ". The recording was notable because Powell chose to follow its first chorus with "increasingly outré variations on the melody rather than soloing over the chords." The playing of these recording dates as a whole, however, was troubled, with a reviewer for DownBeat remarking, "his playing mirrors many of the tensions and many of

1022-676: A session that resulted in eight masters ; Max Roach and Curly Russell were his accompanists. The recordings were released in 1950, when Roost Records bought the masters and released them on a series of 78 rpm records . Musicologist Guthrie Ramsey wrote of the session that "Powell proves himself the equal of any of the other beboppers in technique, versatility, and feeling." The first Blue Note session in August 1949 included trumpeter Fats Navarro , saxophone player Sonny Rollins , bassist Tommy Potter and drummer Roy Haynes , and it introduced Powell's compositions "Bouncing with Bud" and "Dance of

1095-531: A seven-week opening gig at Cafe Montmartre in Copenhagen with Niels-Henning Ørsted Pedersen on bass. A recording session in Copenhagen in 1962 produced another album, Bouncing with Bud , and the track " Hot House " from this album was listed as one of the "Five Essential Bud Powell Recordings" by NPR contributors Peter Pullman and Simon Rentner. SteepleChase Records released a five-volume CD of

1168-692: A smaller number opt for full-time solo careers. Mozart could be considered the first concert pianist, as he performed widely on the piano. Composers Beethoven and Clementi from the Classical era were also famed for their playing, as were, from the Romantic era , Liszt , Brahms , Chopin , Mendelssohn , Rachmaninoff , and Schumann . The Romantic era also saw the emergence of pianists better known for their performances than for composing, such as Clara Schumann and Hans von Bülow . Jazz pianists almost always perform with other musicians. Their playing

1241-519: A total of eight tunes produced by Norgran Records and re-released by Verve in 1957. The album led to a re-evaluation of Powell by DownBeat 's columnists, who remarked, "Bud is in increasing control over himself... [and] may be beginning a second career. I know that everybody in jazz hopes so." Powell's long-running gig at Storyville , a jazz club in Boston , ended in January 1956. On the last night of

1314-473: A tour of the South with his band. Among the tracks released was the first recording of Monk's " 'Round Midnight ", a tune Powell requested that Williams' band play. Powell frequently clashed with Williams over what tunes the band would play, and by the mid-1940s the pianist had shifted toward the bebop scene on 52nd Street . By the end of his time with Williams, Powell was the musical director and arranger for

1387-553: A tribute to their time together in Harlem. Monk, Powell, and Hope held jam sessions together at Monk's home in San Juan Hill , but as they only had one piano, they had to alternate playing. Powell worked as a pianist for dance bands , his incubation culminating in becoming the pianist for the swing orchestra of trumpeter Cootie Williams . Powell was the pianist on a handful of Williams's recording dates in 1944 and embarked on

1460-532: A troubled return to New York hastened his early death, aged 41, in 1966. The decades following his death saw his career and life story become the inspiration for films and written works, including Bertrand Tavernier 's Round Midnight . Many Powell compositions, including " Un Poco Loco ", " Bouncing with Bud ", and " Parisian Thoroughfare " have become jazz standards . Powell was born in Harlem , New York , United States. His date of birth on his birth certificate

1533-504: Is different from Wikidata All article disambiguation pages All disambiguation pages Pianist Contemporary classical pianists focus on dedicating their careers to performing, recording, teaching, researching, and continually adding new compositions to their repertoire. In contrast to their 19th-century counterparts, they typically do not engage in the composition or transcription of music. While some classical pianists may specialize in accompaniment and chamber music ,

SECTION 20

#1732771957671

1606-657: Is more free than that of classical pianists, and they create an air of spontaneity in their performances. They generally do not write down their compositions; improvisation is a significant part of their work. Well known jazz pianists include Bill Evans , Art Tatum , Duke Ellington , Thelonious Monk , Oscar Peterson , Bud Powell , McCoy Tyner , Chick Corea , Herbie Hancock , and Brad Mehldau . Popular pianists might work as live performers (concert, theatre, etc.) or session musicians . Arrangers most likely feel at home with synthesizers and other electronic keyboard instruments. Notable popular pianists include Liberace , who at

1679-569: The Birdland nightclub, but saw his health and piano playing affected by the antipsychotic medication Largactil , which he was prescribed as treatment for schizophrenia . A 1953 trio session for Blue Note with bassist George Duvivier and drummer Art Taylor included Powell's composition " Glass Enclosure ", a composition that critics have suggested was related to his near-imprisonment in Goodstein's apartment. Ira Gitler , however, attributes

1752-471: The European Parliament for his "outstanding contribution to European cooperation and the promotion of common values". Bud Powell Earl Rudolph " Bud " Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer . A pioneer in the development of bebop and its associated contributions to jazz theory, Powell's application of complex phrasing to

1825-549: The Hotel La Louisiane , and she managed his finances and his medicine. The pianist received long-running club engagements upon arriving in Paris, and he began recording for Radiodiffusion-Télévision Française in several French cities with his trio. In December, Powell joined Art Blakey 's Jazz Messengers for a recorded concert released as Paris Jam Session (1961) and contributed two of his compositions, "Dance of

1898-465: The "desolation, melancholy, and anxiety" of this composition to his time in asylums . Powell played at Massey Hall in Toronto with The Quintet, including Charlie Parker , Dizzy Gillespie , Charles Mingus , and Max Roach , on May 15, 1953. The performance was recorded and released by Debut Records as the album Jazz at Massey Hall and was marketed as "The Greatest Jazz Concert Ever". While

1971-541: The Infidels" and " Bouncing with Bud ", to the performance. Critic Betsy Reed noted the pianist's "pungent bop solos" and the concert's atmosphere of "heated live-show informality". In 1960, Powell was joined by Oscar Pettiford and Kenny Clarke on a German tour including the Essen Jazz Festival. The Essen concert, on which Coleman Hawkins was also featured on some tunes alongside the bebop pianist,

2044-474: The Infidels". He went to the studio again, this time for Prestige , in December, with alto saxophone player Sonny Stitt to record four sides for a quartet album. Powell and Stitt did a concert together on Christmas Day at Carnegie Hall with Miles Davis on trumpet that was titled " Symphony Sid 's Christmas Party". The event was announced and produced by Sid and Leonard Feather . In January 1950, Powell

2117-423: The January 1955 and September 1956 sessions he recorded for the label with his trio. In the 1956 DownBeat critics' poll of jazz pianists, Powell took a narrow second, slightly edged out by Art Tatum ; but he placed higher than Erroll Garner , Earl Hines , John Lewis , and Count Basie . In June 1956, Powell's younger brother Richie and trumpeter Clifford Brown were killed in a car crash. Bud, saddened by

2190-707: The Three Bosses Trio with Clarke and Michelot for a regular gig at the Blue Note Club in Paris, and a compilation of recordings at the venue supplied the music for the album 'Round About Midnight at the Blue Note . Powell's performances at the club were mixed; Gitler claimed that he played his best music when other jazz musicians visited. In early 1962, Powell began a tour of Central Europe. After playing concerts in Geneva and Lausanne , he performed

2263-522: The adventurous performances at Clark Monroe's Uptown House , a venue near his home. This was where Charlie Parker first appeared as a solo act when the saxophone player briefly stayed in New York between stints with swing bands. Thelonious Monk played at Uptown House. When Monk met Powell he introduced Powell to musicians who were starting to play bebop at Minton's Playhouse . Monk was a resident pianist, and he presented Powell as his protégé. Their mutual affection grew, and Monk wrote " In Walked Bud " as

Piano player - Misplaced Pages Continue

2336-523: The album Our Man in Paris (1963) and received the highest possible ratings from The Penguin Guide to Jazz , The Rolling Stone Album Guide , and The Encyclopedia of Popular Music . In July Powell recorded with his Three Bosses Trio of Michelot and Clarke, plus Gillespie, on the album Dizzy Gillespie and the Double Six of Paris (1963), but he subsequently became ill with tuberculosis and

2409-401: The album featuring Powell was described by critic Scott Yanow as "stirring" and was noted for its renditions of " Blue 'n Boogie " and " Anthropology ." A second Blue Note session attended by Powell in 1951 was a trio with Russell and Roach that included his originals " Parisian Thoroughfare " and " Un Poco Loco ". The latter was selected by literary critic Harold Bloom for his short list of

2482-419: The broader musical community for his fluency and advanced technique. A severe beating by police in 1945 and years of electroconvulsive therapy treatments adversely impacted his mental health, but his recordings and live performances with Charlie Parker , Sonny Stitt , and Max Roach during the late 1940s and early 1950s were instrumental in shaping modern jazz piano technique. Following a partial recovery in

2555-590: The concert is best known for its first half performed by the full quintet, six of the tunes from the latter half of the performance were performed by the core trio of Powell, Mingus, and Roach and subsequently released on record. Powell's manager Goodstein arranged a regular gig at his Birdland club. However, Powell's alcoholism was a constant problem, and he recruited several groupies from Utah to prevent him from buying alcohol or stealing drinks. The club tape-recorded sessions from February to September of that year, and they were produced by Michael Anderson and received

2628-433: The end of his hospitalization, he had become sterile and suffered from severe amnesia , and was unable to remember details of his life prior to hospitalization. The New York Supreme Court declared Powell mentally incompetent , making him entirely dependent upon guardians to manage his money and performance schedule. In February 1953, Powell entered the guardianship and financial management of Oscar Goodstein, owner of

2701-568: The engagement, noting, "the Bud Powell of 1964 is still a creative jazzman and pianist of the first rank." Morgenstern praised the pianist's loyalty to the bebop genre and the rapid recovery of his technique as the weeks of his long-running engagement passed. Powell recorded, albeit hesitantly, with Ore and drummer J. C. Moses in September 1964 for his album The Return of Bud Powell (1964), but disagreements between Powell and Moses plagued

2774-656: The fearful perspectives that are with him in his more difficult times." He had forgotten standards he had played fluently prior to his 1951 hospitalization and relied upon others to serve as musical directors. Additionally, Powell was still under a guardianship and therefore lacked control over the release of his recordings, leading many to be released where he was confused or unable to play. Powell and his trio recorded an album, Piano Interpretations by Bud Powell , in April 1955 that included interpretations of jazz standards " Crazy Rhythm " and George Shearing 's " Conception " among

2847-580: The first volume of his 10" album Bud Powell Trio for Roost Records with Curley Russell and Max Roach ; both musicians would play in his trio regularly during succeeding years. Charlie Parker chose Powell to be his pianist on a May 1947 quintet recording session with Miles Davis , Tommy Potter , and Max Roach ; this was the only studio session intended for release in which Parker and Powell played together. The two did reunite, however, in late 1947 with fellow saxophone player Allen Eager at Milton Greene's studio for an informal recorded jam session that

2920-531: The former's death, ended early when Parker and Powell had an argument. By mid-1954, Powell had resumed sessions for Norgran and Verve, recording alongside Duvivier, Taylor, Roach, Percy Heath , Lloyd Trotman , Art Blakey , Kenny Clarke , and Osie Johnson , in a series of albums produced for the two labels. Despite regular recording dates, the owners of Birdland maintained complete control over Powell's schedule, and they even introduced him to his later girlfriend Altevia "Buttercup" Edwards. In early 1955, he led

2993-430: The gig he met Toshiko Akiyoshi , a pianist who had recently moved to the U.S. from Japan. She became a friend of his in his later years and contributed to the liner notes of The Complete Bud Powell on Verve . In March of the same year, "Buttercup" Edwards in a paternity suit accused Powell of being the father of her son. Powell was arrested but later released on the basis that he was not biologically capable of being

Piano player - Misplaced Pages Continue

3066-487: The greatest works of twentieth-century American art. After a bout of alcoholism and narcotic use in August 1951, he was arrested on what The Complete Bud Powell on Verve author Peter Pullman describes as false marijuana charges. While incarcerated he had an emotional outburst, leading to hospitalization at Pilgrim State Hospital . Powell was interrupted by another stay in a psychiatric facility from late 1951 to mid-1952 after being arrested for possession of heroin . He

3139-745: The growing jazz scene in France. Hentoff remarked that, in his opinion, Powell's constant touring was bad for his mental health, and that he needed psychotherapy while traveling due to the "grueling" nature of nightly performances. Attorney Cohen responded that Powell was the one who wanted to tour, and wrote that the pianist was recovering from his illness. Powell continued to perform at Birdland throughout fall 1956 and recorded for RCA Victor in late 1956 and early 1957. He returned to his trio with Duvivier and Taylor but, according to later comments from Duvivier, refused to talk to his bandmates, who played entire sets entirely by ear. According to Guthrie Ramsey Jr.,

3212-425: The height of his fame was one of the highest paid entertainers in the world , as well as Elton John and Billy Joel , so nicknamed "The Piano Man", others include Richard Clayderman , who is known for his covers of popular tunes and the late Victor Borge , who performed as a comedian. A single listing of pianists in all genres would be impractical, given the multitude of musicians noted for their performances on

3285-432: The instrument. Below are links to lists of well-known or influential pianists divided by genres: Many important composers were also virtuoso pianists. The following is an incomplete list of such musicians. Some people, having received a solid piano training in their youth, decide not to continue their musical careers but choose nonmusical ones. As a result, there are prominent communities of amateur pianists all over

3358-489: The late 1940s, and the couple's daughter Celia. Powell's guardianship was transferred from Paudras to Bernard Stollman of ESP Records upon returning to New York, and with the exception of hospital visits, he remained at Barnes's home until shortly before his death in 1966. His few public performances between the end of 1964 and his death were adversely affected by his alcoholism and ongoing lung problems. Between Paudras's departure and Powell's final hospitalization in

3431-717: The loss of his brother, fell from the public view of American jazz musicians and critics, particularly after his Verve contract ended in September. In November, he began a tour of Europe with the Birdland All-Stars in addition to Miles Davis , the Modern Jazz Quartet , and Lester Young starring throughout the performances. His performances in Paris, and particularly at the Salle Pleyel , were short due to his ill health, but they influenced pianists René Urtreger and Francis Paudras and contributed to

3504-447: The mid to late 1950s, Powell's relocation to Paris in 1959 contributed to the community of African-American expatriates fleeing racism and barriers to a higher standard of living. He returned to a regular recording schedule, toured across Northern and Central Europe, and made records, before becoming ill with tuberculosis in 1963. Despite the friendship and protection of French jazz aficionado Francis Paudras , mental health crises and

3577-514: The pain, as a result, developing an addiction that would haunt him for the rest of his life. After attempts by Powell's mother and his girlfriend Frances Barnes to treat his severe headaches, he admitted himself to Bellevue Hospital . Following medical evaluation at Bellevue, he was transferred to Creedmoor State Hospital and was institutionalized with alcoholics, drug addicts, and permanently institutionalized residents. Fellow pianist and composer Elmo Hope , who visited Powell regularly while he

3650-719: The pianist's trio from a two-night April engagement at the Golden Circle, a nightclub in Stockholm . Following a summer touring Scandinavia , Powell returned to Paris in the fall of 1962 but was kept under the guardianship of Edwards. He was tracked down by biographer and pianist Francis Paudras , who believed that Powell had been abused by his common-law wife Edwards during the couple's preceding years together. Paudras noted in his biography that she had kept control over his finances and clothes and given Powell tranquilizers to make him dependent. Edwards, for her part, claimed in

3723-545: The piano influenced both his contemporaries and later pianists including Walter Davis Jr. , Toshiko Akiyoshi , and Barry Harris . Born in the midst of the Harlem Renaissance to a musical family, Powell, during the 1930s, developed an attacking, right-handed approach to the piano, which marked a break from the left-handed approach of stride and ragtime that had been prevalent. Upon joining trumpeter Cootie Williams 's band in 1943, he received attention from

SECTION 50

#1732771957671

3796-428: The reason for Powell's uncommunicativeness was a need to focus more intently on his playing and to avoid losing his way throughout song forms. In late 1957, Powell recorded volume 3 of his series The Amazing Bud Powell with Paul Chambers , Art Taylor, and trombonist Curtis Fuller for what jazz critic Scott Yanow described as an "inspiring" and "strong set". Powell's Vol. 3 composition " Bud on Bach " included

3869-572: The recording session. After a severe illness prevented Powell from completing scheduled nights at Birdland, he was fired on October 11. Paudras and Barry Harris arranged for Powell to return to France to recover, but Powell – who feared the medical checkups that were scheduled prior to leaving – went missing by hitching rides, possibly in search of his old friend Elmo Hope, who took him to his home shortly after Powell went missing. Paudras returned to France on October 27 without Powell, who decided to stay in New York with Frances Barnes, his girlfriend from

3942-628: The summer of 1966, several recording sessions were made with Powell, but with the exception of the album Ups 'n Downs , the recordings from these dates were not released. A Charlie Parker tribute concert at Carnegie Hall in March 1965 and a May performance at the New York Town Hall revealed his poor health and its effect on his ability to play. However, his Town Hall performance received positive feedback from attendee Dan Morgenstern , who noted, "his final selection, ' I Remember Clifford ',

4015-484: The trumpeter's band. After a performance with Williams's band, Powell wandered near Broad Street Station and was apprehended, drunk, by the private railroad police. He was beaten up by them and incarcerated briefly by the city police, but as his headaches persisted, he moved to his family's second home in Willow Grove, Pennsylvania . He suffered constant pain from his head wounds and turned to alcohol to relieve

4088-605: The two sessions included his compositions "Tempus Fugit" and "Celia", an up-tempo version of the jazz standard " Cherokee ", " Get Happy ", and " All God’s Chillun Got Rhythm ". The first session was described by critic John White as "feverish" while the later session was "restrained but moving". Powell joined Charlie Parker and Fats Navarro at Birdland for One Night in Birdland , a live album performed shortly before Navarro's death from tuberculosis in July 1950. The live engagement

4161-702: The world that play at quite a high level and give concerts not to earn money but just for the love of music. The International Piano Competition for Outstanding Amateurs , held annually in Paris , attracts about one thousand listeners each year and is broadcast on French radio. Jon Nakamatsu , the Gold Medal winner of the Van Cliburn International Piano Competition for professional pianists in Fort Worth, Texas (1997)

4234-496: Was a corruption of "brother". Older brother William played trumpet and violin and brought Bud, by now 15 years old, into his band. With this experience, Bud began a professional career; his first gig was as an accompanist for jazz singer Valaida Snow . Powell also appeared in performances at Coney Island and Canada Lee 's Chicken Coop and played with a group known as the Sunset Royals. In his youth Powell listened to

4307-459: Was a pianist who had "made records" led to his dismissal as a fantasist , and in psychiatric interviews, he expressed feelings of persecution founded in racism . He received electroconvulsive therapy while institutionalized, but was released after eleven months. Jackie McLean , a young alto saxophone player who admired the pianist's ability and helped protect him, befriended Powell around 1947. Powell may have been religious at this time; in

4380-644: Was again hospitalized. After treatment, he was transferred to Bouffémont Sanitorium – later renamed the Jacques-Arnaud Medical Center – to recover, and he performed several recitals for the students and staff during his stay. A benefit concert was held to raise funds for his hospital stay; Johnny Griffin , Donald Byrd , Sonny Criss , and Jean-Luc Ponty performed. Jef Gilson played Powell's most recent composition. Powell completed further recording dates, including two with Paudras on makeshift brushes , during his last year in France;

4453-423: Was at the moment of his victory technically an amateur: he never attended a music conservatory or majored in music, and worked as a high school German teacher at the time; it was only after the competition that he started pursuing a career as a classical pianist. The German pianist Davide Martello is known for traveling around conflict zones to play his moving piano. Martello has previously been recognized by

SECTION 60

#1732771957671

4526-407: Was back in the studio with Stitt to record more of their joint album, but it was Powell's trio recording the following month that contributed to his famous album Jazz Giant (1950). Part of the album had been recorded with bassist Ray Brown on a daytime release from hospital in 1949, while the 1950 session was recorded with Curley Russell. Roach was present on drums for both sessions. Tracks from

4599-504: Was born in 1948; Powell named one of his compositions after her. Following her father's death in 1966 she worked as a movie consultant for Round Midnight and founded the Mythic Sound record label. After a brief hospitalization in early 1949, Powell made several recordings over the next two and a half years, most of them for Blue Note , Mercury , Norgran , and Clef. He also recorded that summer for two independent producers,

4672-409: Was briefly married to Audrey Hill, but they separated and divorce proceedings were never finalized. Powell and Charlie Parker developed a rivalry that resulted in feuding and bitterness on the bandstand, likely caused at least in part by the pianist's worsening physical and mental health. One of his few New York engagements during this time, with Parker and Kenny Dorham in March 1955 shortly before

4745-449: Was extremely moving ... Powell hasn't lost his marvelous touch and sound, and everything he played revealed a sense of balance and proportion." His last studio recordings, with Rashied Ali on drums, also went unreleased by the ESP label due to Powell being in "terrible shape". Several musicians visited Powell while he was ill, including Toshiko Akiyoshi and Art Taylor . Akiyoshi noted in

4818-849: Was hospitalized, became concerned by Creedmoor's forced administration of tranquilizers and sleeping pills and their negative impact upon Powell's health. Hope arranged for his medical care to be transferred to a jazz aficionado who let him play piano regularly and even perform a concert to show his lucidity. After the concert, he was released and resumed playing in Manhattan. In 1945–1946 Powell recorded with Frank Socolow , Sarah Vaughan , Dexter Gordon , J. J. Johnson , Sonny Stitt , Fats Navarro , and Kenny Clarke . Powell became known for his sight-reading and his skill at fast tempos. In an incident in 1945, Monk falsely confessed to using drugs Powell had used in order to protect his friend from losing his cabaret card . In January 1947, Powell recorded

4891-531: Was incorrectly listed as 1922, but he was born in 1924. Zachary, his grandfather, was a flamenco guitarist and Spanish-American War veteran. His father William was a stride pianist. Powell began to take classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named William Rawlins. As Powell was an altar boy at a Catholic church in Harlem, he also learned to play church organ. At 10 years of age, Powell showed interest in swing music , and he first appeared in public at

4964-484: Was joined by bassist Joe Benjamin and drummer Roy Haynes . Nat Hentoff , writing for DownBeat , noted that during the Tour, Powell's style appeared to have become calmer and more lucid, contrasting with the turbulence of his playing in previous years. According to pianists Barry Harris and Michael Weiss and writer Peter Pullman, who analyzed all of Powell's recordings on Verve, his playing improved dramatically between

5037-441: Was noted for its "brilliant...all-star lineup [that] clearly inspired" the musicians in the quintet. A trio recording with Buddy Rich on drums and a big band session with Sarah Vaughan and Norman Leyden 's Orchestra concluded Powell's recording schedule in 1950. Powell was once again recorded at Birdland for the live album Summit Meeting at Birdland (1978) with Dizzy Gillespie on trumpet and Parker on saxophone. The half of

5110-476: Was recorded live at the Grugahalle and released as The Essen Jazz Festival Concert (1988) on CD . The album received high marks from jazz critic Scott Yanow as a "fine example" of his piano playing. In July of that year, Powell joined Charles Mingus' band for a filmed concert at Antibes alongside Eric Dolphy and Booker Ervin . Pettiford's death in 1960 was a major blow for Powell, and he played in

5183-457: Was released under Eager's name. In November 1947, Powell had an altercation with a customer at a bar in Harlem. In the ensuing fight, Powell was hit over his eye with a bottle. He was taken to Harlem Hospital, where he was found to be "incoherent and rambunctious", and so was moved to Bellevue, which had a record of his previous confinement there and at a psychiatric hospital. He spent eleven months at Creedmore. Attempts to tell hospital staff he

5256-543: Was released under the care of Paudras, who incrementally took him off Largactil, an antipsychotic that may have contributed to his fatigue. Powell made a series of record dates throughout spring and early summer 1963, including a Frank Sinatra -sponsored and Duke Ellington -produced trio recording with Gilbert Rovere and "Kansas" Fields in February and an album with tenor saxophonist Dexter Gordon in May. The latter became

5329-435: Was transferred to Creedmoor Hospital in 1952 and was not permanently released until 1953. Although Powell's only daughter with Frances Barnes, Celia, had been born around the time of his hospitalization, his alleged mental incompetency made him legally unable to recognize her as his daughter. Creedmoor again administered electroconvulsive therapy on Powell, and his ability to practice piano was restricted by hospital staff. By

#670329