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69-581: The concept survived a number of major shifts in the style of English gardens, from the Renaissance, through Baroque formal gardens, to the English landscape garden style. The pleasure grounds of English country house gardens have typically been remade a number of times, and awareness has recently returned that even the designs of the famous 18th-century landscapists such as Capability Brown originally included large areas of pleasure gardens, which unlike

138-408: A Burlesque on Kent's Altarpiece at St. Clement Danes . According to Horace Walpole , Kent "was a painter, an architect, and the father of modern gardening. In the first character he was below mediocrity; in the second, he was a restorer of the science; in the last, an original, and the inventor of an art that realizes painting and improves nature. Mahomet imagined an Elysium, Kent created many." In

207-508: A folly , a picturesque recreation of an Ionic temple set in a theatre of trees. Between 1733 and 1736, he redesigned the garden, adding lawns sloping down to the edge of the river and a small cascade. For the first time the form of a garden was inspired not by architecture, but by an idealized version of nature. Rousham House in Oxfordshire is considered by some as the most accomplished and significant of William Kent's work. The patron

276-473: A rotunda (1720–21) designed by Vanbrugh. In the 1730s, William Kent and James Gibbs were appointed to work with Bridgeman, who died in 1738. Kent remade the lake in a more natural shape, and created a new kind of garden, which took visitors on a tour of picturesque landscapes. It eventually included a Palladian bridge (1738); a Temple of Venus (1731) in the form of a Palladian villa; a Temple of Ancient Virtues (1737), with statues of famous Greeks and Romans;

345-639: A Temple of British Worthies (1734–1735), with statues of British heroes; and a Temple of Modern Virtues, which was deliberately left in ruins, which contained a headless statue of Robert Walpole , Cobham's political rival. The garden attracted visitors from all over Europe, including Jean-Jacques Rousseau . It became the inspiration for landscape gardens in Britain and on the Continent. Stourhead , in Wiltshire (1741–1780), created by banker Henry Hoare ,

414-567: A distant view from above of the impressive ruins of Fountains Abbey . At Stowe, Capability Brown followed the new fashion between 1740 and 1753 by adding a new section to the park, called Hawkwelle Hill or the Gothic promenade, with a Gothic revival building. Walpole had decided in 1751 "to go Gothic", as he put it in a letter, and thereafter was a leading propagandist for the style, with his own house, Strawberry Hill in Twickenham , still

483-429: A landscape designer, Kent was one of the originators of the English landscape garden , a style of "natural" gardening that revolutionised the laying out of gardens and estates. His projects included Chiswick House , Stowe, Buckinghamshire , from about 1730 onwards, designs for Alexander Pope 's villa garden at Twickenham , for Queen Caroline at Richmond , and notably at Rousham House , Oxfordshire, where he created

552-471: A lot of maintenance, because the aim was to make the lawn appear like a "velvet carpet". The ornamentation included native and exotic plants that were laid out as flower carpets in various, mostly geometric, shapes and, according to Repton's advice, placed tastefully in the lawn, with round or oval flower baskets hanging mostly near the paths, as well as special individual shrubs and trees, statues, water features, small ponds or garden buildings. A fence separating

621-483: A number of Romantic elements. Always present is a pond or small lake with a pier or bridge. Overlooking the pond is a round or hexagonal pavilion , often in the shape of a monopteros , a Roman temple. Sometimes the park also has a "Chinese" pavilion . Other elements include a grotto and imitation ruins . A second style of English garden, which became popular during the 20th century in France and northern Europe,

690-476: A parenthesis; there I end it with a period and start on another theme." Brown designed 170 gardens. The most important were: Humphry Repton (21 April 1752 – 24 March 1818) was the last great English landscape designer of the eighteenth century, often regarded as the successor to Capability Brown. Repton hit upon the idea of becoming a "landscape gardener" (a term he himself coined) after failing at various ventures and, sensing an opportunity after Brown's death,

759-416: A sequence of Arcadian set-pieces punctuated with temples, cascades, grottoes, Palladian bridges and exedra , opening the field for the larger scale achievements of Capability Brown in the following generation. Smaller Kent works can be found at Shotover Park , Oxfordshire, including a faux Gothic eyecatcher and a domed pavilion. His all-but-lost gardens at Claremont , Surrey, have recently been restored. It

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828-419: A series of views and tableaux decorated with allegorical statues of Apollo, a wounded gladiator, a lion attacking a horse, and other subjects. He placed eyecatchers , pieces of classical architecture, to decorate the landscape, and made use of the ha-ha , a concealed ditch that kept grazing animals out of the garden while giving an uninterrupted vista from within. Finally, he added cascades modelled on those of

897-576: A sloping "Alpine Valley" of conifers , as one of the best of the new style of "forest or savage gardens". This was a style of woodland aiming at the sublime , a newly-fashionable concept in literature and the arts, or at the least to be picturesque , another new term. It really required steep slopes, even if not very high, along which paths could be made revealing dramatic views, by which contemporary viewers who had read Gothic novels like Walpole's The Castle of Otranto (1764) were very ready to be impressed. The appropriate style of garden buildings

966-406: A winding system of paths – belt walks – led through an area formed by gentle hillocks with groups of shrubs and trees to various viewing points. These could be experienced at places along the walks and offer views of buildings and the surrounding landscape, which is set out as a backdrop. English landscape garden The English landscape garden , also called English landscape park or simply

1035-463: Is annexed, a Description of their Temples, Houses, Gardens, &c. published in 1757. In 1761 he built the Great Pagoda , London, as part of Kew Gardens , a park with gardens and architecture symbolizing all parts of the world and all architectural styles. Thereafter Chinese pagodas began to appear in other English gardens, then in France and elsewhere on the continent. French observers coined

1104-501: Is based on the style of the late 19th-century English cottage garden , with abundant mixed planting of flowers, intended to appear largely unplanned. William Kent William Kent (c. 1685 – 12 April 1748) was an English architect, landscape architect , painter and furniture designer of the early 18th century. He began his career as a painter, and became Principal Painter in Ordinary or court painter , but his real talent

1173-579: Is characteristically on a smaller scale; many are in or on the edge of cities, rather than in the middle of the countryside. Such gardens usually lack the sweeping vistas of gently rolling ground and water, which in England tend to be set against a woodland background with clumps of trees and outlier groves. Instead, they are often more densely studded with "eye-catchers", such as grottoes , temples , tea-houses , belvederes , pavilions , sham ruins , bridges, and statues. The name English garden – not used in

1242-517: Is said that he was not above planting dead trees to create the mood he required. Kent's only downfall was said to be his lack of horticultural knowledge and technical skill (compared to those such as Charles Bridgeman , whose impact on Kent is often underestimated). Nevertheless, his naturalistic style of design was his major contribution to the history of landscape design. Claremont, Stowe, and Rousham are places where their joint efforts can be viewed. Stowe and Rousham are Kent's most famous works. At

1311-604: The English country house , and many examples in the United Kingdom are popular visitor attractions today. The predecessors of the landscape garden in England were the great parks created by Sir John Vanbrugh (1664–1726) and Nicholas Hawksmoor at Castle Howard (1699–1712), Blenheim Palace (1705–1722), and the Claremont Landscape Garden at Claremont House (1715–1727). These parks featured vast lawns, woods, and pieces of architecture, such as

1380-457: The English garden ( French : Jardin à l'anglaise , Italian : Giardino all'inglese , German : Englischer Landschaftsgarten , Portuguese : Jardim inglês , Spanish : Jardín inglés ), is a style of " landscape " garden which emerged in England in the early 18th century, and spread across Europe , replacing the more formal, symmetrical French formal garden which had emerged in

1449-634: The Essonne department, (1784–1786). Even at Versailles, the home of the most classical of all French gardens, a small English landscape park with a Roman temple was built and a mock village, the Hameau de la Reine (1783–1789), was created for Marie Antoinette . The new style also spread to Germany. The central English Grounds of Wörlitz , in the Principality of Anhalt , was laid out between 1769 and 1773 by Leopold III, Duke of Anhalt-Dessau , based on

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1518-531: The National Maritime Museum , Greenwich . In his own age, Kent's fame and popularity were so great that he was employed to give designs for all things, even for ladies' birthday dresses, of which he could know nothing and which he decorated with the five classical orders of architecture. These and other absurdities drew upon him the satire of William Hogarth who, in October 1725, produced

1587-616: The United Kingdom , where "landscape garden" serves – differentiates it from the formal Baroque design of the garden à la française . One of the best-known English gardens in Europe is the Englischer Garten in Munich . The dominant style was revised in the early 19th century to include more " gardenesque " features, including shrubberies with gravelled walks, tree plantations to satisfy botanical curiosity, and, most notably,

1656-495: The 'meagre genius of the bare and bald', criticizing Brown's smooth, serpentine curves as bland and unnatural and championing rugged and intricate designs, composed according to ' picturesque theory' that designed landscapes should be composed like landscape paintings, with a foreground, a middle ground and a background. Early in his career, Repton defended Brown's reputation during the 'picturesque controversy'. However, as his career progressed Repton came to apply picturesque theory to

1725-413: The 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature. Created and pioneered by William Kent and others, the "informal" garden style originated as a revolt against the architectural garden and drew inspiration from landscape paintings by Salvator Rosa , Claude Lorrain , and Nicolas Poussin , as well as from the classic Chinese gardens of

1794-531: The East, which had recently been described by European travellers and were realized in the Anglo-Chinese garden. The English garden usually included a lake, sweeps of gently rolling lawns set against groves of trees, and recreations of classical temples, Gothic ruins , bridges, and other picturesque architecture, designed to recreate an idyllic pastoral landscape. The work of Lancelot "Capability" Brown

1863-550: The English garden was invented by landscape designers William Kent and Charles Bridgeman , working for wealthy patrons, including Richard Temple, 1st Viscount Cobham ; Richard Boyle, 3rd Earl of Burlington ; and banker Henry Hoare . These men had large country estates, were members of the anti-royalist Whig Party, had classical educations, were patrons of the arts, and had taken the Grand Tour to Italy, where they had seen

1932-583: The Great adapted the new style in the park of her palace at Tsarskoe Selo , complete with a mock Chinese village and a Palladian bridge , modeled after that at Wilton House . A much larger park was created for her son Paul in the neighbouring estate of Pavlovsk . The Monrepos Park is sited on the rocky island of Linnasaari in the Vyborg Bay and is noted for its glacially deposited boulders and granite rocks. The continental European "English garden"

2001-552: The Palladian architecture of the houses he built. Charles Bridgeman (1690–1738) was the son of a gardener and an experienced horticulturist, who became the Royal Gardener for Queen Anne and Prince George of Denmark , responsible for tending and redesigning the royal gardens at Windsor , Kensington Palace , Hampton Court , St. James's Park and Hyde Park . He collaborated with Kent on several major gardens, providing

2070-621: The Roman ruins and Italian landscapes they reproduced in their gardens. William Kent (1685–1748) was an architect, painter and furniture designer who introduced Palladian -style architecture to England. Kent's inspiration came from Palladio 's buildings in the Veneto and the landscapes and ruins around Rome – he lived in Italy from 1709 to 1719, and brought back many drawings of antique architecture and landscapes. His gardens were designed to complement

2139-463: The architecture of Raphael and Giulio Romano as by Palladio. In country house building, major commissions for Kent were designing the interiors of Houghton Hall , Norfolk (c.1725–35), recently built by Colen Campbell for Sir Robert Walpole , but at Holkham Hall (also in Norfolk) the most complete embodiment of Palladian ideals is still to be found; there Kent collaborated with Thomas Coke ,

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2208-399: The botanical expertise which allowed Kent to realize his architectural visions. Kent created one of the first true English landscape gardens at Chiswick House for Richard Boyle, 3rd Earl of Burlington . The first gardens that he laid out between 1724 and 1733 had many formal elements of a garden à la française , including alleys forming a patte d'oie and canals, but they also featured

2277-465: The classical mausoleum designed by Hawksmoor at Castle Howard. At the centre of the composition was the house, behind which were formal and symmetrical gardens in the style of the garden à la française , with ornate carpets of floral designs and walls of hedges, decorated with statues and fountains. These gardens, modelled after the gardens of Versailles , were designed to impress visitors with their size and grandeur. The new style that became known as

2346-471: The construction of the first Chinese-style building in an English garden, in the garden of Stowe House , at a time when chinoiserie was popular in most forms of the decorative arts across Europe. The style became even more popular thanks to William Chambers (1723–1796), who lived in China from 1745 to 1747, and wrote a book, Designs of Chinese Buildings, Furniture, Dresses, Machines, and Utensils. To which

2415-562: The context called; he worked on the Gothic screens in Westminster Hall and Gloucester Cathedral . He worked on the house at 22 Arlington Street in St. James's , a district of the City of Westminster in central London from 1743, when it was commissioned by the newly elevated Prime Minister, Henry Pelham . After Kent's death, the work was completed by his assistant Stephen Wright. As

2484-569: The end of the Seven Years' War in 1763, French noblemen were able to voyage to England and see the gardens for themselves, and the style began to be adapted in French gardens. The new style also had the advantage of requiring fewer gardeners, and was easier to maintain, than the French garden. One of the first English gardens on the continent was at Ermenonville , in France, built by marquis René Louis de Girardin from 1763 to 1776 and based on

2553-631: The eye and create beautiful compositions, with an understatement criticizing the formal compositions of the gardens at the Palace of Versailles of Louis XIV of France . His observations on the Chinese garden were cited by the essayist Joseph Addison in an essay in 1712, who used them to attack the English gardeners who, instead of imitating nature, tried to make their gardens in the French style, as far from nature as possible. The novelty and exoticism of Chinese art and architecture in Europe led in 1738 to

2622-510: The garden of Villa Aldobrandini and Villa di Pratolino in Italy, to add movement and drama. Stowe Gardens , in Buckinghamshire , (1730–1738), was an even more radical departure from the formal French garden. In the early 18th century, Richard Temple, 1st Viscount Cobham , had commissioned Charles Bridgeman to design a formal garden, with architectural decorations by John Vanbrugh . Bridgeman's design included an octagonal lake and

2691-684: The ideals of Jean Jacques Rousseau , who was buried within the park. Rousseau and the garden's founder had visited Stowe a few years earlier. Other early examples were the Désert de Retz , Yvelines (1774–1782); the Gardens of the Château de Bagatelle in the Bois de Boulogne , west of Paris (1777–1784); The Folie Saint James , in Neuilly-sur-Seine , (1777–1780); and the Château de Méréville , in

2760-400: The landscape seem even larger. "He sought to create an ideal landscape out of the English countryside." He created artificial lakes and used dams and canals to transform streams or springs into the illusion that a river flowed through the garden. He compared his own role as a garden designer to that of a poet or composer. "Here I put a comma, there, when it's necessary to cut the view, I put

2829-431: The landscaped parks, have rarely survived without major changes. The type of garden known as the pleasure ground in the shape of an ornamented area of lawn right next to the house was already known in England during the Renaissance , and continued to be an essential part of the garden. Encouraged by the landscape architect, Humphry Repton , this division of the grounds of a country house spread to Germany around 1800 and

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2898-450: The later development of the English landscape garden was Lancelot "Capability" Brown (1716–1783), who began his career in 1740 as a gardener at Stowe Gardens under Charles Bridgeman , then succeeded William Kent in 1748. Brown's contribution was to simplify the garden by eliminating geometric structures, alleys, and parterres near the house and replacing them with rolling lawns and extensive views out to isolated groups of trees, making

2967-766: The latter, Kent elaborated on Bridgeman's 1720s design for the property, adding walls and arches to catch the viewer's eye. At Stowe, Kent used his Italian experience, particularly with the Palladian Bridge. At both sites Kent incorporated his naturalistic approach. His stately furniture designs complemented his interiors: he designed furnishings for Hampton Court Palace (1732), Lord Burlington's Chiswick House (1729), London, Thomas Coke's Holkham Hall , Norfolk, Robert Walpole's pile at Houghton Hall , for Devonshire House in London, and at Rousham. The royal barge he designed for Frederick, Prince of Wales can be seen at

3036-751: The main example of this style is Łazienki Park in Warsaw . The garden scheme owes its shape and appearance mainly to the last king of the country Stanisław August Poniatowski . In another part of the Polish–Lithuanian Commonwealth the Sofiyivka Park (Zofiówka), now Ukraine , was designed by Count Stanisław Szczęsny Potocki so as to illustrate the Odyssey and the Iliad . The style also spread rapidly to Russia , where in 1774 Catherine

3105-524: The models of Claremont , Stourhead and Stowe Landscape Gardens . Another notable example was The Englischer Garten in Munich , Germany , created in 1789 by Sir Benjamin Thompson (1753–1814). In the Netherlands the landscape-architect Lucas Pieters Roodbaard (1782–1851) designed several gardens and parks in this style. The style was introduced to Sweden by Fredrik Magnus Piper . In Poland

3174-559: The most extreme example of 18th-century "Gothick" style. According to some writers, especially French ones, the Far East inspired the origins of the English landscape garden, via Holland. In 1685, the English writer, formerly a diplomat at The Hague , Sir William Temple wrote an essay Upon the garden of Epicurus (published in 1690), including a passage which contrasted European symmetrical and formal gardens with asymmetrical compositions from China, for which he introduced (as Chinese)

3243-454: The new style was making woodland more interesting and ornamental, leading to the establishment of the woodland garden as a distinct type. This took several forms, one of which was helped by the developing Gothic revival . Horace Walpole , a great promoter of the English landscape garden style, praised Painshill in Surrey, whose varied features included a shrubbery with American plants, and

3312-867: The nineteenth century. Repton published four major books on garden design: Sketches and Hints on Landscape Gardening (1795), Observations on the Theory and Practice of Landscape Gardening (1803), An Inquiry into the Changes of Taste in Landscape Gardening (1806) and Fragments on the Theory and Practice of Landscape Gardening (1816). These drew on material and techniques used in the Red Books. These works greatly influenced other landscape-designers including John Claudius Loudon , John Nash , Jean-Charles Adolphe Alphand , Hermann Ludwig Heinrich Pückler-Muskau and Frederick Law Olmsted . One aspect of

3381-632: The other "architect earl", and had for an assistant Matthew Brettingham , whose own architecture would carry Palladian ideals into the next generation. Walpole's son Horace described Kent as below mediocrity as a painter, a restorer of science as an architect and the father of modern gardening and inventor of an art. A theatrically Baroque staircase and parade rooms in London, at 44 Berkeley Square , are also notable. Kent's domed pavilions were erected at Badminton House (Gloucestershire) and at Euston Hall (Suffolk). Kent could provide sympathetic Gothic designs, free of serious antiquarian tendencies, when

3450-426: The outer perimeter of the estate to its main building, the park, the pleasure ground and the flower gardens. Usually there was also a flower-bedecked terrace on the house itself so that the transition from the open countryside to the house was in several stages. The pleasure ground was an ornately designed garden area. It consisted of an ornamental lawn at several levels immediately next to the house. This lawn required

3519-405: The owner, James Rushworth plans to hire Repton to make further improvements. The German landscape gardener, Hermann, Prince of Pückler-Muskau , explained the meaning of this term in his 1834 publication Andeutungen über Landschaftsgärtnerei ("Ideas On Landscape Gardening") as follows: Pückler-Muskau's description refers to one of the three elements of the English landscape garden that are, from

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3588-478: The painted ceilings, and Burlington House . Kent started practising as an architect relatively late in life, in the 1730s. He is remembered as an architect of the revived Palladian style in England. Burlington gave him the task of editing The Designs of Inigo Jones ... with some additional designs in the Palladian/Jonesian taste by Burlington and Kent, which appeared in 1727. As he rose through

3657-445: The pleasure ground from the rest of the park area was intended, on the one hand, to make the separation between the idealized nature of the English landscape garden and the artistic design of the ornamental garden visible. On the other hand, the enclosure was made for pragmatic reasons, in order to keep grazing cattle or wild animals away from the ornamental garden. Around the outside of the pleasure ground, and sometimes partly through it,

3726-435: The practice of landscape design. He believed that the foreground should be the realm of art (with formal geometry and ornamental planting), that the middle ground should have a parkland character of the type created by Brown and that the background should have a wild and 'natural' character. Repton re-introduced formal terraces, balustrades , trellis work and flower gardens around the house in a way that became common practice in

3795-406: The return of flowers, in skirts of sweeping planted beds. This is the version of the landscape garden most imitated in Europe in the 19th century. The outer areas of the "home park" of English country houses retain their naturalistic shaping. English gardening since the 1840s has been on a more restricted scale, closer and more allied to the residence. The canonical European English park contains

3864-793: The royal architectural establishment, the Board of Works, Kent applied this style to several public buildings in London, for which Burlington's patronage secured him the commissions: the Royal Mews at Charing Cross (1731–33, demolished in 1830), the Treasury buildings in Whitehall (1733–37), and the Horse Guards building in Whitehall (designed shortly before his death and built 1750–1759). These neo-antique buildings were inspired as much by

3933-665: The summer of 1714 (a tour that led Kent to an appreciation of the architectural style of Andrea Palladio 's palaces in Vicenza ), and Cardinal Pietro Ottoboni in Rome, for whom he apparently painted some pictures, though no records survive. During his stay in Rome, he painted the ceiling of the church of San Giuliano dei Fiamminghi ( Church of St. Julian of the Flemings ) with the Apotheosis of St. Julian . The most significant meeting

4002-606: The term sharawadgi , in fact probably a mangled Japanese word for "irregularity". Temple had never visited the Far East, but he was in contact with the Dutch and their discourse on irregularity in design, had spoken to a merchant who had been in the Far East for a long time, and read the works of European travellers there. He noted that Chinese gardens avoided formal rows of trees and flower beds, and instead placed trees, plants, and other garden features in irregular ways to strike

4071-498: The term Jardin Anglo-Chinois (Anglo-Chinese garden) for this style of garden. Descriptions of English gardens were first brought to France by Jean-Bernard, abbé Le Blanc , who published accounts of his voyage in 1745 and 1751. A treatise, and tour guide, on the English garden, Observations on Modern Gardening , written by Thomas Whately and published in London in 1770, was translated into French and German in 1771. After

4140-470: Was Gothic rather than Neoclassical , and exotic planting was more likely to be evergreen conifers rather than flowering plants, replacing "the charm of bright, pleasant scenery in favour of the dark and rugged, gloomy and dramatic". A leading example of the style was Studley Royal in North Yorkshire , which had the great advantage, at what was known as "The Surprise View", of suddenly revealing

4209-529: Was General James Dormer , who commissioned Bridgeman to begin the garden in 1727, then brought in Kent to recreate it in 1737. Bridgeman had built a series of garden features including a grotto of Venus on the slope along the River Cherwell , connected by straight alleys. Kent turned the alleys into winding paths, built a gently turning stream, used the natural landscape features and slopes, and created

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4278-410: Was ambitious to fill the gap and sent circulars round his contacts in the upper classes advertising his services. To help clients visualize his designs, Repton produced 'Red Books' (so called for their binding) with explanatory text and watercolors with a system of overlays to show 'before' and 'after' views. In 1794 Richard Payne Knight and Uvedale Price simultaneously published vicious attacks on

4347-476: Was between Kent and Richard Boyle, 3rd Earl of Burlington . Kent left Rome for the last time in the autumn of 1719, met Lord Burlington briefly at Genoa , Kent journeying on to Paris, where Lord Burlington later joined him for the final journey back to England before the end of the year. As a painter, he displaced Sir James Thornhill in decorating the new staterooms at Kensington Palace , London; for Burlington, he helped to decorate Chiswick House , especially

4416-529: Was born in Bridlington , East Riding of Yorkshire , and baptised on 1 January 1686, as William Cant. His parents were William and Esther Cant (née Shimmings). Kent's career began as a sign and coach painter, and he was encouraged to study art, design and architecture by his employer. A group of Yorkshire gentlemen sent Kent for a period of study in Rome, and he set sail on 22 July 1709 from Deal, Kent , arriving at Livorno on 15 October. By 18 November he

4485-468: Was employed inter alia by Prince Pückler-Muskau and Peter Joseph Lenné , who made use of it in their designs at Muskau , Glienicke and Babelsberg . The first pleasure ground in Prussia is probably that laid out at Glienicke Palace by Lenné in 1816. Jane Austen makes use of the pleasure grounds in her 1814 novel Mansfield Park when describing a visit by the young people to Sotherton Court where

4554-780: Was for design in various media. Kent introduced the Palladian style of architecture into England with the villa at Chiswick House , and also originated the 'natural' style of gardening known as the English landscape garden at Chiswick, Stowe Gardens in Buckinghamshire, and Rousham House in Oxfordshire . As a landscape gardener he revolutionised the layout of estates, but had limited knowledge of horticulture . He complemented his houses and gardens with stately furniture for major buildings including Hampton Court Palace , Chiswick House, Devonshire House and Rousham. Kent

4623-520: Was in Florence , staying there until April 1710 before finally setting off for Rome. In 1713 he was awarded the second medal in the second class for painting in the annual competition run by the Accademia di San Luca for his painting of A Miracle of S. Andrea Avellino . He also met several important figures including Thomas Coke, later 1st Earl of Leicester , with whom he toured Northern Italy in

4692-499: Was one of the first 'picturesque' gardens, inspired to resemble the paintings of Claude Lorrain . Hoare had travelled to Italy on the Grand Tour and had returned with a painting by Claude Lorrain. Hoare dammed a stream on his estate, created a lake, and surrounded the lake with landscapes and architectural constructions representing the different steps of the journey of Aeneas in the Aeneid by Virgil . The most influential figure in

4761-518: Was particularly influential. By the end of the 18th century the English garden was being imitated by the French landscape garden , and as far away as St. Petersburg, Russia, in Pavlovsk , the gardens of the future Emperor Paul . It also had a major influence on the forms of public parks and gardens which appeared around the world in the 19th century. The English landscape garden was usually centred on

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