A protagonist (from Ancient Greek πρωταγωνιστής prōtagōnistḗs 'one who plays the first part, chief actor') is the main character of a story. The protagonist makes key decisions that affect the plot , primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a story contains a subplot , or is a narrative made up of several stories, then each subplot may have its own protagonist.
60-444: Prospero ( / ˈ p r ɒ s p ər oʊ / PROS -pər-o ) is a fictional character and the protagonist of William Shakespeare 's The Tempest . Twelve years before the play begins, Prospero is usurped from his position as the rightful Duke of Milan by his brother Antonio, who puts Prospero and his three-year-old daughter Miranda to sea on a "rotten carcass" of a boat to die. Prospero and Miranda survived and found exile on
120-623: A Grade II* listed building in 1951 after it reopened. The Old Vic is the crucible of many of the performing arts companies and theatres in London today. It was the name of a repertory company that was based at the theatre and formed (along with the Chichester Festival Theatre ) the core of the National Theatre of Great Britain on its formation in 1963, under Laurence Olivier . The National Theatre remained at
180-407: A gulag camp. Leo Tolstoy 's War and Peace depicts fifteen major characters involved in or affected by a war. Though many people equate protagonists with the term hero and possessing heroic qualities, it is not necessary, as even villainous characters can be protagonists. For example Michael Corleone from The Godfather (1972–1990) film series (1978–1983). In some cases, the protagonist
240-422: A hero (masculine) or heroine (feminine) protagonist is typically admired for their achievements and noble qualities. Heroes are lauded for their strength, courage, virtuousness, and honor, and are considered to be the "good guys" of the narrative. Examples include DC Comics' Superman (hero) and Katniss Everdeen from The Hunger Games (heroine). An antihero (sometimes spelled as anti-hero) or antiheroine
300-602: A certain familiar sort, and of realising the vision of Toby Robertson". Robertson was in effect fired as artistic director in 1980 while he was abroad with the company in China , Timothy West replacing him. The following season, West's first as Robertson's successor, saw Macbeth with Peter O'Toole , The Merchant of Venice with West as Shylock, and a gala performance presented to the Queen Mother to celebrate her eightieth birthday. On 22 December 1980, four days after
360-592: A merger" between the Vic and Prospect. In September Toby Robertson, director of Prospect, was asked to take artistic control of the Old Vic, and Christopher Richards, general manager of the Old Vic, became general manager of Prospect. One major problem, though, was the terms of Prospect's funding by the Arts Council of Great Britain : this was on the basis of it being a touring company, and the council – already funding
420-463: A play by a professional playwright. The Youth groups continued to produce plays with new members auditioning each September until the mid 1980s. The Old Vic was significantly restored under the ownership of Toronto department-store entrepreneur 'Honest Ed' Mirvish in 1985. In 1987, his son David Mirvish installed Jonathan Miller as artistic director of the Old Vic and the theatre enjoyed several critical successes – including an Olivier Award for
480-423: A poet named Thespis introduced the idea of one actor stepping out and engaging in a dialogue with the chorus. This was the invention of tragedy, and occurred about 536 B.C. Then the poet Aeschylus , in his plays, introduced a second actor, inventing the idea of dialogue between two characters. Sophocles then wrote plays that included a third actor. A description of the protagonist's origin cited that during
540-524: A production of the musical Candide , but suffered three straight years of financial loss. In 1990, Mirvish terminated Miller's contract over budgetary issues, earning much negative criticism in the British press. In 1997, Mirvish appointed Sir Peter Hall as artistic director and, again, enjoyed critical acclaim with such productions as The Master Builder with Alan Bates and Waiting for Godot with Ben Kingsley , but continuing financial loss. Within
600-615: A rack behind: we are such stuff As dreams are made on, and our little life Is rounded with a sleep. — The Tempest , Act 4, Scene 1 The final soliloquy and epilogue is the other candidate. Now my charms are all o'erthrown, And what strength I have's mine own, Which
660-475: A small island inhabited mostly by spirits. Prospero learned sorcery from books, and uses it to protect Miranda. Before the play begins, Prospero freed the magical spirit Ariel from entrapment within "a cloven pine". Ariel is beholden to Prospero after he is freed from his imprisonment inside the pine tree. Prospero then takes Ariel as a slave. Prospero's sorcery is sufficiently powerful to control Ariel and other spirits, as well as to alter weather and even raise
SECTION 10
#1732773174295720-567: A supporting protagonist appears, the story is told from the perspective of a character who appears to be minor. This character may be more peripheral from the events of the story and are not as involved within the "main action" of the plot. The supporting protagonist may be telling the story while viewing another character as the main influence of the plot. One example is Nick in The Great Gatsby . Euripides ' play Hippolytus may be considered to have two protagonists, though one at
780-432: A time. Phaedra is the protagonist of the first half, who dies partway through the play. Her stepson, the titular Hippolytus, assumes the dominant role in the second half of the play. In Henrik Ibsen 's play The Master Builder , the protagonist is the architect Halvard Solness. The young woman, Hilda Wangel, whose actions lead to the death of Solness, is the antagonist. In Shakespeare's play Romeo and Juliet , Romeo
840-557: A year of the appointment, Mirvish terminated Hall's contract – again to much negative comment in the press – and put the Old Vic up for sale. In 1998, the building was bought by a new charitable trust, the Old Vic Theatre Trust 2000 . In 2000, the production company Criterion Productions was renamed Old Vic Productions plc , although relatively few of its productions are at the Old Vic theatre. In 2003, actor Kevin Spacey
900-593: Is a main character in a story who lacks conventional heroic qualities and attributes such as idealism, courage, and morality. Examples include Holden Caulfield from The Catcher in the Rye , Scarlett O'Hara from Gone With the Wind , Jay Gatsby from The Great Gatsby , and Walter White from Breaking Bad . A tragic hero is the protagonist of a tragedy. Examples include Oedipus from Oedipus Rex and Prince Hamlet from Shakespeare's Hamlet . The protagonist
960-496: Is his own antagonist). Sometimes, a work will have a false protagonist , who may seem to be the protagonist, but then may disappear unexpectedly. The character Marion in Alfred Hitchcock 's film Psycho (1960) is an example. A novel may contain a number of narratives, each with its own protagonist. Alexander Solzhenitsyn 's The First Circle , for example, depicts a variety of characters imprisoned and living in
1020-406: Is most faint: now, 'tis true, I must be here confined by you, Or sent to Naples. Let me not, Since I have my dukedom got And pardon'd
1080-625: Is not a human: in Richard Adams ' novel Watership Down , a group of anthropomorphised rabbits, led by the protagonist Hazel, escape their warren after seeing a vision of its destruction, starting a perilous journey to find a new home. Old Vic The Old Vic is a 1,000-seat, nonprofit producing theatre in Waterloo, London , England. It was established in 1818 as the Royal Coburg Theatre , and renamed in 1833
1140-484: Is not always conventionally good. Contrasting the hero protagonist, a villain protagonist is a protagonist who is a villain , driving the story forward regardless of the evil qualities the main character has. These traits can include being cruel, malicious, and wicked. Examples include Humbert Humbert in Vladimir Nabokov's Lolita and Richard III in the eponymous play by William Shakespeare . When
1200-436: Is the "Cloud-capp'd towers...". Our revels now are ended: These our actors—, As I foretold you—, were all spirits and Are melted into air, into thin air; And, like
1260-419: Is the protagonist. He is actively in pursuit of his relationship with Juliet, and the audience is invested in that story. Tybalt, as an antagonist, opposes Romeo and attempts to thwart the relationship. In Shakespeare's play Hamlet , Prince Hamlet, who seeks revenge for the murder of his father, is the protagonist. The antagonist is the character who most opposes Hamlet, Claudius (though, in many ways, Hamlet
SECTION 20
#17327731742951320-685: The Old Vic include: Portrayals of Prospero for the New York Shakespeare Festival include: Portrayals of Prospero for the Globe Theatre include: Portrayals of Prospero for the Stratford Shakespeare Festival include: Other stage portrayals of Prospero include: Prospero-esque characters have included: Audio portrayals of Prospero include: Protagonist The protagonist is
1380-646: The Royal Victoria Theatre . In 1871 it was rebuilt and reopened as the Royal Victoria Palace . It was taken over by Emma Cons in 1880 and formally named the Royal Victoria Hall , although by that time it was already known as the "Old Vic". In 1898, a niece of Cons, Lilian Baylis , assumed management and began a series of Shakespeare productions in 1914. The building was damaged in 1940 during air raids and it became
1440-672: The Surrey Theatre in Bermondsey ), and John Thomas Serres , then the marine painter to the King. Serres managed to secure the formal patronage of Princess Charlotte and her husband Prince Leopold of Saxe-Coburg , and named the theatre the Royal Coburg Theatre. The theatre was a "minor" theatre (as opposed to one of the two patent theatres ) and was thus technically forbidden to show serious drama. Nevertheless, when
1500-521: The "Old Vic" its later billing as "Queen Victoria's Own Theayter". In 1841, David Osbaldiston took over as lessee, and was succeeded on his death in 1850 by his lover and the theatre's leading lady, Eliza Vincent , until her death in 1856. Under their management, the theatre remained devoted to melodrama. In 1858, sixteen people were crushed to death inside the theatre after mass panic caused while an actor's clothing caught fire. In 1867, Joseph Arnold Cave took over as lessee. In 1871 he transferred
1560-538: The Artistic Director. Michael devised the Five Year plan during his tenure. The plan was to produce Shakespeare's First Folio in five years, starting the plan with Hamlet, starring Richard Burton and Claire Bloom as Hamlet and Ophelia respectively, and ending the plan with Hamlet, starring John Neville and Judi Dench in the leading roles. Michael remained at the Old Vic company until 1962. In 1963,
1620-628: The George Inn Courtyard as part of the Southwark Shakespeare Festival the same year and was the company's debut production at the Old Vic Theatre itself. In the autumn of 1977 a new round of auditions took place and the existing group expanded into two. One group concentrated on a famous scripted play whilst the other would devise a play through improvisation from which the material was scripted into
1680-713: The London Borough of Southwark . The group was founded by Tom Vaughan of the Old Vic Theatre, Raymond Rivers of Morley College and Barry Anderson of the Southbank Education Institute. The Inner London Education Authority (ILEA) was the enterprise's main funding body. During the early spring term of 1977 auditions consisting of improvisational scenes run by the Youth Theatre's first professional directors Lucy Parker and Frederick Proud took place and around 40 applicants were chosen to form
1740-647: The National Theatre and the Royal Shakespeare Company in London – could not accept a case for another theatre company in the capital and repeatedly refused requests to fund any London seasons staged by Prospect. Therefore, any London-based productions would have to succeed financially without Arts Council support. Prospect's first season at the Old Vic recouped its costs but left no surplus to fund future productions. Further stagings by visiting companies were box office failures and stretched
1800-497: The Old Vic company was dissolved and the new National Theatre Company , under the artistic direction of Sir Laurence Olivier , was based at the Old Vic until its own building was opened on the South Bank near Waterloo Bridge in 1976. In July 1974 the Old Vic presented a rock concert for the first time. National Theatre director Peter Hall arranged for the progressive folk-rock band Gryphon to première Midnight Mushrumps ,
1860-515: The Old Vic until new premises were constructed on the South Bank , opening in 1976. The Old Vic then became the home of Prospect Theatre Company , at that time a highly successful touring company which staged such acclaimed productions as Derek Jacobi 's Hamlet . However, with the withdrawal of funding for the company by the Arts Council of Great Britain in 1980 for breaching its touring obligations, Prospect disbanded in 1981. The theatre underwent complete refurbishment in 1985. In 2003, Kevin Spacey
Prospero - Misplaced Pages Continue
1920-722: The Victoria Theatre during the years 1940 to 1943. In 1944, the company was re-established in London with Ralph Richardson and Laurence Olivier as its stars, performing mainly at the New Theatre (now the Noël Coward Theatre) until the Old Vic was ready to reopen in 1950. In 1946, an offshoot of the company was established in Bristol as the Bristol Old Vic . In 1953, Michael Benthall became
1980-562: The baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve And, like this insubstantial pageant faded, Leave not
2040-461: The character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist . The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. The term protagonist comes from Ancient Greek πρωταγωνιστής ( prōtagōnistḗs ) 'actor who plays
2100-564: The chief or first part', combined of πρῶτος ( prôtos , 'first') and ἀγωνιστής ( agōnistḗs , 'actor, competitor'), which stems from ἀγών ( agṓn , 'contest') via ἀγωνίζομαι ( agōnízomai , 'I contend for a prize'). The earliest known examples of a protagonist are found in Ancient Greece . At first, dramatic performances involved merely dancing and recitation by the chorus. Then in Poetics , Aristotle describes how
2160-462: The company out of the theatre for the first half of 1979, leaving the theatre to sink further into debt. The company returned in July with Jacobi's Hamlet (toured afterwards to Denmark, Australia and China, the first English theatre company to tour that country), followed by Romeo and Juliet , and The Government Inspector with Ian Richardson . The following season, however, proved controversial:
2220-471: The company. By the middle of the summer in 1977 the 'Old Vic Youth Theatre’ had performed two plays for the paying public. First was ‘The Kitchen’ by Arnold Wesker which also incorporated improvised scenes alongside the actual script and was staged in the Emma Cons Hall at Morley College. The Youth Theatre's second production, ‘A Midsummer Night’s Dream’ by William Shakespeare was first performed at
2280-578: The culture at work. Additionally, a Guardians Network has been formed to bring together the group of organisations from all sectors (not just the arts) who have implemented the principles of a Guardian Programme. Since 2015, Matthew Warchus has been Artistic Director of The Old Vic. His debut season opened in September 2015 with Warchus's production of a new play about education, Future Conditional by Tamsin Oglesby. He also has directed productions at
2340-538: The dead: "Graves at my command have waked their sleepers, oped, and let 'em forth, by my so potent Art." - Act V, scene 1. On the island, Prospero becomes master of the monster Caliban , the son of a malevolent witch named Sycorax , and forces Caliban into submission by punishing him with magic if he does not obey. The Tempest is believed to be the last play Shakespeare wrote alone. In this play there are two candidate soliloquies by Prospero which critics have taken to be Shakespeare's own "retirement speech". One speech
2400-600: The deceiver, dwell In this bare island by your spell; But release me from my bands With the help of your good hands: Gentle breath of yours my sails Must fill, or else my project fails, Which
2460-466: The early period of Greek drama, the protagonist served as the author, the director, and the actor and that these roles were only separated and allocated to different individuals later. There is also a claim that the poet did not assign or create the protagonist as well as other terms for actors such as deuteragonist and tritagonist primarily because he only gave actors their appropriate part. However, these actors were assigned their specific areas at
Prospero - Misplaced Pages Continue
2520-509: The face of poor box office returns achieved by productions staged by other visiting companies; against this, Prospect staged a highly successful season which opened in May 1977, including Hamlet with Derek Jacobi , Antony and Cleopatra with Alec McCowen and Dorothy Tutin ; and Saint Joan with Eileen Atkins . In July the Governors of the Old Vic announced "a marriage that was all but
2580-592: The fantasia inspired by Hall's own 1974 Old Vic production of The Tempest starring John Gielgud for which Gryphon had supplied the music. For two years prior to the departure of the National Theatre Company , Toby Robertson , director of the Prospect Theatre Company , sustained a campaign that the Old Vic should make Prospect its resident company. For the Old Vic, Robertson's overtures proved increasingly hard to resist in
2640-524: The gala performance, the Arts Council withdrew its funding from the company, sealing its inevitable demise. The company gave a final season at the Old Vic in 1981, staging The Merchant of Venice , then gave a final tour of Europe, giving its last performance in Rome on 14 June before disbanding. The 'Old Vic Youth Theatre’ was an acting company for young people between the ages of 12 and 20 mainly from
2700-618: The lease to Romaine Delatorre, who raised funds for the theatre to be rebuilt in the style of the Alhambra Music Hall . Jethro Thomas Robinson was engaged as the architect. In September 1871 the old theatre closed, and the new building opened as the Royal Victoria Palace in December of the same year, with Cave staying on as manager. By 1873, however, Cave had left and Delatorre's venture failed. In 1880, under
2760-603: The ownership of Emma Cons (for whose memory there are plaques outside and inside the theatre) it became the Royal Victoria Hall and Coffee Tavern and was run on "strict temperance lines"; by this time it was already known as the "Old Vic". The "penny lectures" given in the hall led to the foundation of Morley College . An endowment from the estate of Samuel Morley led to the creation of the Morley Memorial College for Working Men and Women on
2820-483: The premises, which were shared; lectures were given back stage, and in the theatre dressing rooms. The adult education college moved to its own premises nearby in the 1920s. On 24 November 1923, the theatre participated in a pioneering radio event, when the first set of the opera La Traviata was broadcast live by the BBC , using transmitters in London, Manchester and Glasgow, via a specially installed relay transmitter on
2880-649: The proposed programming, including the double bill of The Padlock and Miss in Her Teens , to mark the bicentenary of David Garrick 's death, and a revival of What the Butler Saw , were deemed by the Arts Council unsuitable for touring repertory. An internal report by Prospect now questioned "whether Prospect can any longer satisfy the triple task of filling the Vic, of satisfying the Arts Council Director of Touring's requirements for product of
2940-631: The re-building of the then-derelict Sadler's Wells Theatre, and established a ballet company under the direction of Dame Ninette de Valois . For a few years the drama and ballet companies rotated between the two theatres, with the ballet becoming permanently based at Sadler's Wells in 1935. Baylis died in November 1937. The Old Vic was damaged badly during the Blitz , and the war-depleted company spent all its time touring, based in Burnley , Lancashire at
3000-518: The repertoire were "sensational and violent" melodramas demonstrating the evils of drink, "churned out by the house dramatist", confirmed teetotaller Douglas Jerrold . When Davidge left to take over the Surrey Theatre in 1833, the theatre was bought by Daniel Egerton and William Abbot , who tried to capitalise on the abolition of the legal distinction between patent and minor theatres, enacted in Parliament earlier that year. On 1 July 1833,
3060-564: The roof of the adjacent Royal Victoria Tavern. With Emma Cons's death in 1912 the theatre passed to her niece Lilian Baylis , who emphasised the Shakespearean repertoire. The first radio broadcasts from the theatre were made as early as October 1923, by the British Broadcasting Company . The Old Vic Company was established in 1929, led by Sir John Gielgud . Between 1925 and 1931, Lilian Baylis championed
SECTION 50
#17327731742953120-419: The stage with the protagonist always entering from the middle door or that the dwelling of the deuteragonist (second most important character) should be on the right hand, and the tritagonist (third most important character), the left. In Ancient Greece, the protagonist is distinguished from the term "hero", which was used to refer to a human who became a semi-divine being in the narrative. In literary terms,
3180-525: The theatre during his tenure as artistic director. In the wake of the scandal, The Old Vic released a statement apologising for "not creating an environment or culture where people felt able to speak freely", and announced a "commitment to a new way forward". In 2018, the Old Vic announced that it had established the Guardians Programme, a group of trained staff who offer a confidential outlet for colleagues to share concerns about behaviour or
3240-414: The theatre passed to George Bolwell Davidge in 1824 he succeeded in bringing legendary actor Edmund Kean south of the river to play six Shakespeare plays in six nights. The theatre's role in bringing high art to the masses was confirmed when Kean addressed the audience during his curtain call saying "I have never acted to such a set of ignorant, unmitigated brutes as I see before me." More popular staples in
3300-484: The theatre such as the world premiere of the musical Groundhog Day by Tim Minchin and Danny Rubin , Present Laughter by Noël Coward and from the Christmas 2017 season directed Jack Thorne 's new version of A Christmas Carol which has returned to the theatre every Christmas season since raising £1.5million for food poverty and deprivation-focused charities. He announced his resignation in May 2024, leaving
3360-501: The theatre was renamed the Royal Victoria Theatre, under the "protection and patronage" of Victoria, Duchess of Kent , mother to Princess Victoria , the 14-year-old heir presumptive to the British throne. The duchess and the princess visited only once, on 28 November of that year, but enjoyed the performance, of light opera and dance, in the "pretty...clean and comfortable" theatre. The single visit scarcely justified
3420-471: The theatre's finances to breaking point. Yet Prospect continued to draw audiences to the Old Vic where other companies failed. In December 1978, the governors of the Old Vic agreed to a five-year contract with Prospect, announcing to the press on 23 April that henceforth they would be styled "Prospect Productions Ltd., trading as the Old Vic Company". Unfortunately Prospect's touring commitments kept
3480-409: Was appointed artistic director, which received considerable media attention. Spacey served as artistic director until 2015; two years after he stepped down, he was accused (but later found not liable) of sexually harassing and assaulting several people. In 2015, Matthew Warchus succeeded Spacey as artistic director. The theatre was founded in 1818 by James King and Daniel Dunn (formerly managers of
3540-522: Was appointed as new artistic director of the Old Vic Theatre Company. Spacey said he wanted to inject new life into the British theatre industry, and bring British and American theatrical talent to the stage. Spacey served as artistic director until 2015. In November 2017, amid a series of rape and sexual misconduct allegations against Spacey , 20 people contacted the Old Vic with claims that he had sexually harassed or assaulted them at
3600-917: Was to please. Now I want Spirits to enforce, art to enchant, And my ending is despair, Unless I be relieved by prayer, Which pierces so that it assaults Mercy itself and frees all faults. As you from crimes would pardon'd be, Let your indulgence set me free. Portrayals of Prospero in Royal Shakespeare Company productions include: Portrayals of Prospero at
#294705