29-459: Raja Hindustani ( transl. Raja The Indian ) is a 1996 Indian Hindi-language romantic drama film directed by Dharmesh Darshan . It tells the story of a cab driver from a small town who falls in love with a rich young woman. Aamir Khan and Karisma Kapoor play the lead roles. Released on 15 November 1996, the film's plot was inspired from the 1965 film Jab Jab Phool Khile , starring Shashi Kapoor and Nanda . The film's music
58-620: A Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: Warmadewa Dynasty Jaya Dynasty Singasari subjugates Bali 1284 Native rulers reemergence Majapahit conquers Bali 1343 Dynasty of Samprangan and Gelgel Vassalage under Majapahit 1343-c. 1527 Agung Dynasty Dynasty from Mengwi Dynasty of Panji Śakti Karangasem Dynasty Dynasty of Panji Śakti Dynasty from Klungkung Lordship of Ubud, under Gianyar suzerainty Dynasty from Tabanan Rajas of Pamecutan Rajadharma
87-415: A legislative duty, which was utilized when he would enact different decrees, such as announcing a festival or a day of rest for the kingdom. Rajadharma largely portrayed the king as an administrator above all else. The main purpose for the king executing punishment, or danda, was to ensure that all of his subjects were carrying out their own particular dharmas. For this reason, rajadharma was often seen as
116-405: A two-edged sword". The executive duty of the king was primarily to carry out punishment, or daṇḍa . For instance, a judge who would give an incorrect verdict out of passion, ignorance, or greed is not worthy of the office, and the king should punish him harshly. Another executive dharma of the king is correcting the behavior of brahmins that have strayed from their dharma, or duties, through
145-521: Is asked to reach Palankhet to inform and convince Raja to come back to Mumbai. However, she misleads him that Aarti wants to divorce him, and then Aarti that Raja now hates her. Thus they get stuck in misunderstandings and separate. Aarti gives birth to a son, whom she dearly loves. Raja later gets to know that she has his child and is under the impression she intends to keep him away from it. Fearing he can never see his son, Raja kidnaps him. The lies and deception of Shalini come out. Distraught, Aarti reveals
174-403: Is disappointingly dated, but Darshan scores with his music-catchy 'Pardesi, Pardesi'— and with his leading lady, Karisma." She went on to praise Kapoor's performance saying, "Karisma looks stunning and acts surprisingly well. She is the lifeblood of this otherwise-banal film." Raja Hindustani earned ₹ 76.34 crore worldwide, including a domestic gross of ₹ 73.84 crore. Its domestic nett
203-416: Is one of the best-selling Bollywood soundtrack albums of all time. It was the third best selling album of the 1990s after Aashiqui (1990) and Dil To Pagal Hai (1997). Alka Yagnik considers "Poochho Zara Poocho" as one of the best songs she ever rendered. The song has been copied by many a composer since. Anand-Milind lifted the tune in the "Tumse Dil Lagane Ki Sazaa Hai" part of the song and used it in
232-677: Is the dharma that applies to the king, or the raja. Dharma is that which upholds, supports, or maintains the order of the universe and is based on truth. It is of central importance in achieving order and balance within the world and does this by demanding certain necessary behaviors from people. The king served two main functions as the raja: secular and religious. The religious functions involved certain acts for propitiating gods, removing dangers, and guarding dharma, among other things. The secular functions involved helping prosperity (such as during times of famine), dealing out even-handed justice, and protecting people and their property. Once he helped
261-625: Is the fifth highest-grossing film of India since the 1990s. The soundtrack was composed by Nadeem-Shravan . Planet Bollywood ranks the film's soundtrack at 56 in its all-time top 100 greatest Bollywood soundtracks. It consisted of tracks like "Kitna Pyara Tujhe Rab Ne" (which is uncredited and unofficial translation of the Punjabi song "Kinna Sohna Tenu Rab Ne Banaya" by Nusrat Fateh Ali Khan ), "Aaye Ho Meri Zindagi Mein", which had become an immensely popular wedding song, and Sapna Awasthi , Udit Narayan and Alka Yagnik 's "Pardesi Pardesi", which
290-434: The "capstone" of the other varnas' dharma both due to the king's goal of securing the happiness and prosperity of his people as well as his ability to act as the "guarantor" of the whole social structure through the enforcement of daṇḍa . In contemporary India, an idea pervades various levels of Hindu society: the "Ramarajya", or a kind of Hindu Golden Age in which through his strict adherence to rajadharma as outline in
319-466: The 1974 film Sagina , was briefly used in the movie. The song was picturised on Aamir Khan. In Sagina, the song was filmed on Dilip Kumar and sung by Kishore Kumar . In this film, Kishore Kumar's original vocals were retained. Raja Raja ( / ˈ r ɑː dʒ ɑː / ; from Sanskrit : राजन् , IAST rājan- ) is a noble or royal Sanskrit title historically used by some Indian rulers and monarchs and highest-ranking nobles. The title
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#1732783481012348-493: The Vibhore to reach his goal by giving the devotion of his power in order to reduce the poverty from his kingdom. Protection of his subjects was seen as the first and foremost duty of the king. This was achieved by punishing internal aggression, such as thieves among his people, and meeting external aggression, such as attacks by foreign entities. Moreover, the king possessed executive, judicial, and legislative dharmas, which he
377-517: The film. The soundtrack Karisma Kapoor was complimented for her looks and performance as Aarti: a rich, beautiful, sensitive, young woman full of dreams and desires. It is Kapoor's biggest commercial success till date and is regarded as one of her best performances; it was a major turning point in her career. She won the Filmfare Best Actress Award for her role. The chemistry between the lead pair of Aamir Khan and Karisma Kapoor
406-428: The king's power had to be employed subject to the requirements of the various ashramas and varnas' dharma, failure to "enforce the code" transferred guilt on to the ruler, and according to Drekmeier some texts went so far as to justify revolt against a ruler who abused his power or inadequately performed his dharma. In other words, dharma as both the king's tool of coercion and power, yet also his potential downfall, "was
435-410: The root of all dharma and was the highest goal. The whole purpose of the king was to make everything and everyone prosper. If they were not prospering, the king was not fulfilling his dharma. He had to carry out his duties as laid down in the science of government and "not act at his sweet will." Indeed, in the major writings on dharma (i.e. dharmasastra , etc.), the dharma of the king was regarded as
464-537: The services of available driver, Raja Hindustani. Ultimately, they bond and fall in love after an accidental passionate romantic kiss. Bakshrath arrives to take Aarti back to Mumbai and rejects Raja as his son-in-law, but they disobey him and marry. He later accepts their love, bringing them to Mumbai. To gain total control of Bakshrath's assets, Shalini sets a trap that causes Raja and Aarti to get separated. Upon knowing her pregnancy, Aarti decides to inform and reunite with Raja. The doctor advises her not to travel. Shalini
493-403: The song "Mausam Ki Tarah Tum Bhi Badal To Na Jaaoge" from Jaanwar (1999). Both songs were picturized on Karisma Kapoor and had in common, singer and lyricist: Alka Yagnik and Sameer. The director of the later movie is Suneel Darshan, who is an elder sibling to Dharmesh Darshan. Again, the same portion of the song was used by Himesh Reshammiya in the "Tujhe Apna Dil Dene Ka Hai Mazaa" part of
522-491: The song "Pyaar Kar" from the film Humraaz (2002). One of the riffs used in the background score of the film was later on used by Nadeem-Shravan in the chorus of the song "Tum Dil Ki Dhadkan Mein", from the film Dhadkan (2000). Dhadkan was also directed by Dharmesh Darshan, with the movie's soundtrack composed by Nadeem-Shravan, and lyrics written by Sameer. The song, "Saala Main To Sahab Ban Gaya" , from
551-452: The truth to Raja, and they unite. Juhi Chawla was first offered the lead actress role, but she refused. Pooja Bhatt and Aishwarya Rai were also among those actresses who were considered for the role. Palankhet was a fictional location created for the film, and is a portmanteau of two real hill stations' names: Palampur and Ranikhet . Film critic Anupama Chopra , while reviewing Raja Hindustani for India Today wrote, "the film
580-400: The use of strict punishment. These two examples demonstrated how the king was responsible for enforcing the dharmas of his subjects, but also was in charge of enforcing rulings in more civil disputes. Such as if a man is able to repay a creditor but does not do so out of mean-spiritedness, the king should make him pay the money and take five percent for himself. The judicial duty of the king
609-411: The witnesses were honest and truthful by way of testing them. If the king conducted these trials according to dharma, he would be rewarded with wealth, fame, respect, and an eternal place in heaven , among other things. However, not all cases fell upon the shoulders of the king. It was also the king's duty to appoint judges that would decide cases with the same integrity as the king. The king also had
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#1732783481012638-590: The year, and the fourth highest-grossing film in India of the 1990s behind Hum Aapke Hain Koun..! , Dilwale Dulhania Le Jayenge and Kuch Kuch Hota Hai . The film's music became popular and album sold over 11 million copies and is one of the best-selling Bollywood soundtrack albums of all time. It was the third best selling album of the 1990s after Aashiqui (1990) and Dil To Pagal Hai (1997).. The music composers Nadeem Shravan got their 4th Filmfare Award for
667-430: Was ₹ 43.15 crore, and its adjusted worldwide gross is equivalent to ₹ 394 crore. Box Office India declared it an "All-Time Blockbuster". Domestically, it was the fourth highest-grossing film of the 1990s, after Hum Aapke Hain Koun (1994) ( ₹ 116 crore), Dilwale Dulhaniya Le Jayenge (1995) ( ₹ 86.49 crore) and Kuch Kuch Hota Hai (1998) ( ₹ 80.12 crore). Adjusted for inflation, Raja Hindustani
696-454: Was a major chartbuster at the time and which also led to the film's success. Udit Narayan won his 3rd Filmfare Award for Best Male Playback Singer for this song. The album became the best-selling Bollywood soundtrack of the year by a wide margin. Aniket Joshi of Planet Bollywood gave the album a rating of 9.5 out of 10 stating, " Raja Hindustani is a must for lovers of good ever lasting melody." The soundtrack album sold 11 million copies and
725-424: Was composed by Nadeem-Shravan , with lyrics by Sameer . It went on to win five Filmfare Awards , including the awards for Best Film , Best Actors, Best Music and seven Screen Awards . Raja Hindustani was the third most commercially successful Hindi film of the 1990s in terms of net gross. Made on a budget of ₹ 5.75 crore, the film went on to gross ₹ 76.34 crore worldwide, becoming the highest-grossing film of
754-421: Was deciding any disputes that arose in his kingdom and any conflicts that arose between dharmashastra and practices at the time or between dharmashastra and any secular transactions. When he took the judgment seat, the king was to abandon all selfishness and be neutral to all things. The king would hear cases such as thefts, and would use dharma to come to a decision. He was also responsible for making sure that
783-626: Was historically used in the Indian subcontinent and Southeast Asia . The title has a long history in South Asia and Southeast Asia , being attested from the Rigveda , where a rājan- is a ruler , see for example the daśarājñá yuddhá , the "Battle of Ten Kings". While most of the Indian salute states (those granted a gun salute by the British Crown ) were ruled by
812-600: Was praised and there was a much talked-about kissing scene. The film was remade in Kannada as Naanu Naane in 2002, starring Upendra and Sakshi Shivanand in lead roles and was later dubbed in Telugu as Prema Bandham. Aarti Sehgal is a beautiful young girl. Her evil stepmother Shalini wants to gain her father Bakshrath's wealth. Aarti arrives in Palankhet for a vacation to discover memories of her late mother and hires
841-484: Was responsible for carrying out. If he did so wisely, the king believed that he would be rewarded by reaching the pinnacle of the abode of the Sun , or heaven. However, if the king carried out his office poorly, he feared that he would suffer hell or be struck down by a deity. As scholar Charles Drekmeier notes, "dharma stood above the king, and his failure to preserve it must accordingly have disastrous consequences". Because
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