Record Collector is a British monthly music magazine focussing on rare and collectable records, and the bands who recorded them. It was founded in Sept 1979 and distributes worldwide. It is promoted as "the world’s leading authority on rare and collectable records" and claims to be currently "the UK’s longest-running music magazine".
18-481: Music journalist and publisher Sean O'Mahony , under the pen name Johnny Dean, had published an official Beatles magazine, The Beatles Book (also known as Beatles Monthly ), from 1963 to 1969. In May 1976 O'Mahony started reprinting it, enclosing it in eight pages of new information about the Beatles along with small ads, in a magazine he named The Beatles Book Appreciation Society Magazine . The interest shown in
36-472: A coffee bar before starting work in the music business in the mid-1950s. He wrote songs and contacted music publishers, while working at the same time for ABC Television . In the early 1960s he became the advertising manager of Pop Weekly , a magazine published by Robert Stigwood , through which he first came into contact with Brian Epstein . In late 1962, he established his own magazine, Beat Monthly (later Beat Instrumental ), which started featuring
54-673: A given genre of music. Each book has been written by a specialist in that field, and investigates the story behind each records in the Top 100, along with accompanying record and label images. So far, two books have been published, 100 Greatest Psychedelic Records and 100 Greatest Rock'N'Roll Records . The Rare Record Price Guide features an alphabetical list of all the artists with notable collectables, and then lists each collectible release in chronological order. It includes 78rpm records, 7”, 10” and 12” vinyl singles and EPs, vinyl LPs, and cassette and CD singles and albums. Each release format has
72-547: A minimum value, and if a particular release reaches or exceeds that, the RRPG features it, giving the entry full label, catalogue number, A-side and B-side listings (where applicable), distinctive features of the item and price information. To that it puts a fair, accurate and realistic valuation on each record, which serves as a barometer for buyers and sellers of rare records. All of its valuations are for records in excellent, or 'Mint' condition. Where there are different versions of
90-482: A valuation of each record, so that dealers and collectors had a springboard to work from. Collectors outside London found themselves limited by their situation. The mail order listings in Record Collector were important, and one of the few places for buyers and sellers to make contact with each other. At its height, this section was up to half of the publication. However, at the turn of the 21st century with
108-512: The 1970s, including those devoted to The Police and Starsky and Hutch , and in 1979 launched Record Collector magazine which (as at 2020) continues to be published each month. He also continued to write, and as John Dean wrote the songs and script for the 1999 musical film Julie and the Cadillacs . He retired from his editing responsibilities in 2003. He died on 21 July 2020, aged 88. Beat Instrumental Beat Instrumental
126-552: The Beatles as cover stars early in 1963. As the Beatles' popularity in the UK grew, O'Mahony approached Epstein with the suggestion that he produce a monthly magazine devoted to the band. This was The Beatles Book , first published in August 1963, with an initial print run of 40,000, which quickly sold out. At its peak, the magazine went on to sell some 300,000 copies each month. As Johnny Dean, O'Mahony continued to edit and write for
144-464: The database to a private "My Collection" section of the site. Sean O%27Mahony (journalist) Sean O'Mahony (1932 – 21 July 2020) was a British music writer and magazine editor. He worked as a music journalist in the 1960s under the name Johnny Dean , and was the founder and editor of Beat Instrumental , The Beatles Book , and Record Collector magazines. Born in London, he ran
162-407: The history of the artist, and detailed discographies of their UK releases. These discographies would provide all the information needed for collectors to pore over, and which enabled them to differentiate between different pressings of supposedly identical releases – catalogue numbers, release dates and distinguishing features of the records and sleeves themselves. In particular, they would also include
180-503: The late 1960s. The magazine ceased publication in 1980. Kevin Swift was among Beat Instrumental ' s reporters in 1966. During the 1970s, the features editor was Steve Turner , and Adam Sweeting also wrote for the magazine. This British magazine or academic journal–related article is a stub . You can help Misplaced Pages by expanding it . See tips for writing articles about magazines . Further suggestions might be found on
198-477: The launches of both Uncut and Loaded . Lewis left in April 2011 and was replaced by Ian McCann, formerly of NME , Black Echoes and The Independent . His debut came with an issue focused on "the 51 Best Investments in vinyl". In 2017 McCann stepped down as editor and was succeeded by Paul Lester . In 2005, Record Collector began a series of books that sought to present the top 100 most collectible records of
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#1732781052150216-403: The magazine with the full support of Epstein and the band, and also launched the parallel Monkees Monthly in early 1967. The final edition of the original Beatles Book was published in late 1969, but in 1976 O'Mahony began to republish the original issues alongside new content. The revived Beatles Book continued to be published until early 2003. O'Mahony launched several new magazines in
234-542: The majority of the listings, the records have to have been made commercially available in the UK. Exceptions include: In the April 2010 issue of Record Collector it was announced the Rare Record Price Guide was going online. The online database contains all the latest updates, a live currency converting function, more photos and the ability for users to submit their own content. Additionally, users can get total collection valuations by adding records in
252-403: The same record (for example, a limited number may have been issued in a picture sleeve), then two prices are given, to reflect that difference. The RRPG is not designed to be a complete discography of a given artist, but a reference for collectors and dealers of collectible records. Its focus is on music released from the 1950s onwards, including various artists compilations and soundtracks. For
270-577: The small ads of The Beatles Book Appreciation Society Magazine for records and memorabilia of bands other than the Beatles led O'Mahony to launch Record Collector in Sept 1979, along with a copy of the 41st issue of Beatles Monthly . With issue 7, in March 1980, the Beatles Monthly section was separated from Record Collector and continued to be sold independently. By June 1980, Record Collector
288-469: The success of selling to consumers on-line via sites such as eBay , many sellers now use this type of method and the amount of listings has greatly declined. In 2003, Record Collector became a full colour publication – marking the fact with a psychedelic special – and printing 13 issues a year. The magazine was updated steadily by editor-In-chief Alan Lewis , former editor of Sounds , NME , Black Music , founding editor of Kerrang! and involved in
306-451: Was a UK monthly pop and rock magazine. Founded by Sean O'Mahony (aka Johnny Dean) and first published in May 1963 as Beat Monthly , it became Beat Instrumental Monthly with issue 18 and Beat Instrumental from issue 37. Like the weekly Melody Maker , it was aimed at musicians, emphasising instruments, production and equipment in its interviews and moving easily to progressive rock in
324-459: Was a glossy A5 publication which ran to no more than 100 pages. With the addition of another editorial staff member – Peter Doggett , who stayed with the magazine for almost 20 years – Record Collector began to take shape and assume its own identity. Aimed at the collectors' market, early issues focused largely on the music of collectable artists from the 1950s, 1960s and 1970s. Uniquely, Record Collector features consisted of both prose pieces on
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