The Red Hot Peppers were a recording jazz band led by Jelly Roll Morton from 1926–1930. They were a seven- or eight-piece band formed in Chicago which recorded for Victor and featured some of the best New Orleans-style freelance musicians available, including cornetist George Mitchell , trombonist Kid Ory , clarinetists Omer Simeon and Johnny Dodds , banjoists Johnny St. Cyr and Bud Scott , double bass player John Lindsay , and drummers Andrew Hilaire and Baby Dodds .
5-510: Recordings made by the group in Chicago in 1926–27, such as " Black Bottom Stomp ", "Smoke-House Blues" and " Doctor Jazz " set a standard for small group jazz that is still unrivaled. Morton's skills as a composer and arranger are apparent in the structure of the pieces, which combines clarity with variety and manages to maintain a balance between ensemble and solo playing while allowing for a substantial solo from every band member. The quality of
10-461: A database edited by the University of California, Santa Barbara . Black Bottom Stomp "Black Bottom Stomp" is a jazz composition. It was composed by Jelly Roll Morton in 1925 and was originally entitled "Queen of Spades". It was recorded in Chicago by Morton and His Red Hot Peppers , for Victor Records on September 15, 1926. The recording has many features that are typical of
15-488: The New Orleans style : John Szwed notes that in "Black Bottom Stomp," "Morton practiced what he preached, managing to incorporate in one short piece the 'Spanish tinge,' stomps, breaks, stoptime, backbeat, two-beat, four-beat, a complete suspension of the rhythm section during the piano solo, riffs, rich variations of melody, and dynamics of volume, all of the elements of jazz as he understood it." The harmonic basis
20-415: The recordings is further enhanced by the band's careful rehearsals, which were uncommon in early jazz performances. A number of Morton's best piano solos can also be heard on these recordings. In 1928, Morton moved to New York, where he continued to make recordings under the name Red Hot Peppers, but collaborated with musicians from his regular band or from other orchestras. By 1930, the name Red Hot Peppers
25-539: Was no longer used. Recordings made by the Red Hot Peppers constituted a significant contribution to the race records industry, at its height in the 1920s and 1930s. The masterful blend of composition and improvisation demonstrated by Morton and his colleagues set a precedent for early jazz. A partial discography for the Red Hot Peppers is available from the Discography of American Historical Recordings,
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