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124-681: Reptile House was an 1980s American punk band from the Baltimore's music scene . The band included Daniel Higgs , later of Lungfish , guitarists Alex Layne, Asa Osborne and Joe Goldsborough, bass players David Rhodes and Leigh Panlilio, as well as drummers Gary Breezee and London May who went on to play in Glenn Danzig 's post- Misfits band Samhain . They recorded the 7" I Stumble as the Crow Flies on Dischord Records with Washington D.C. hardcore pioneer Ian MacKaye and also released

248-473: A Baltimore-based firm in 1849, with partners whose names remain unknown. His sons eventually joined the field, and the company, then known as W. C. Peters & Co. , published the Baltimore Olio and Musical Gazette , which contained concert news, printed music, educational and biographical essays and articles. The pianist-composer Charles Grobe was among the contributors. Baltimore was also home to

372-569: A Highwayman, sufficiently discover the mischievous Design of it; since by this Character every Body will understand One, who makes it his Business arbitrarily to levy and collect Money on the People for his own Use, and of which he always dreads to give an Account – Is not this squinting with a vengeance, and wounding Persons in Authority through the Sides of a common Malefactor? The commentator notes

496-473: A Way". In 1921, however, the duo received their greatest acclaim with the musical Shuffle Along , the first piece to bring African American jazz and humor to Broadway. The widespread acclaim for Shuffle Along led to changes in the theatre industry nationwide, producing demand for African American performers and leading to newly integrated theatrical companies across the country. When Shuffle Along came to Baltimore's Ford's Theater , Blake struggled to reserve

620-639: A boy, and after many adventures marries the son of a Carib chief. The political satire, however, was even more pointed in Polly than in The Beggar's Opera , with the result that Prime Minister Robert Walpole leaned on the Lord Chamberlain to have it banned, and it was not performed until fifty years later. As was typical practice of the time in London, a commemorative "score" of the entire opera

744-659: A broad array of music education techniques then common. Ruel Shaw, for example, used a system derived from the work of Heinrich Pestalozzi , interpreted by the American Lowell Mason . Though the Pestalozzian system was widely used in Baltimore, other techniques were tried, such as that developed by local singing master James M. Deems , based on the Italian solfeggi system. 19th-century Baltimore had

868-475: A broad scale, primarily through the comparison of low-class thieves and whores with their aristocratic and bourgeois "betters." The airs of The Beggar's Opera in part allude to well-known popular ballads, and Gay's lyrics sometimes play with their wording in order to amuse and entertain the audience. Gay used Scottish folk melodies mostly taken from the poet Allan Ramsay 's hugely popular collection The Gentle Shepherd (1725) plus two French tunes (including

992-803: A classical tradition in Baltimore. The Holliday Street Theatre and the Front Street Theatre hosted both touring and local productions throughout the early 19th century. Following the Civil War, however, a number of new theatres opened, including the Academy of Music , Ford's Grand Opera House and the Concordia Opera House, owned by the Concordia Music Society. Of these, Ford's was perhaps the most successful, home to no fewer than 24 different opera companies. By

1116-461: A composer associated with his theatre, write a formal French overture (based on two of the songs in the opera, including a fugue based on Lucy's 3rd act song "I'm Like A Skiff on the Ocean Toss'd") and also to arrange the 69 songs. Although there is no external evidence of who the arranger was, inspection of the original 1729 score, formally published by Dover Books , demonstrates that Pepusch

1240-471: A factory, and the aftermath of the Civil War lessened demand in the Southern area where Knabe's sales were concentrated. By the end of the 19th century, however, Knabe's sons, Ernest and William, had re-established the firm as one of the leading piano companies in the country. They built sales in the west and north, and created new designs that made Knabe & Co. the third best-selling piano manufacturer in

1364-690: A full-length LP, Listen To The Powersoul , on the Baltimore label Merkin Records in fall 1988. In 2010, guitarist Joe Goldsborough joined the band Gag School with drummer Kenny Sanders (formerly of Die Monster Die), multi- instrumentalist/ vocalist Ken Mosher (formerly of the Squirrel Nut Zippers ), and bassist Joe LaVoie. This article on a United States punk rock band is a stub . You can help Misplaced Pages by expanding it . Music of Baltimore Music education throughout Maryland conforms to state education standards, implemented by

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1488-573: A greater role in the city's musical life than similar organization do in most other American cities. The organization Jazz in Cool Places also works within that genre, presenting performers in architecturally significant locations, such as in a club full of Tiffany windows. The Society for the Preservation of American Roots Music also puts on jazz and blues concerts at its Roots Cafe. The Beggar%27s Opera The Beggar's Opera

1612-477: A hero and an anti-hero. Harold Gene Moss, arguing that Macheath is a noble character, has written, "[one] whose drives are toward love and the vital passions, Macheath becomes an almost Christ-like victim of the decadence surrounding him." Contrarily, John Richardson in the peer-reviewed journal Eighteenth-Century Life has argued that Macheath is powerful as a literary figure precisely because he stands against any interpretation, "against expectation and illusion." He

1736-439: A large African American population, and was home to a vibrant black musical life, especially based around the region's numerous Protestant churches. The city also boasted several major music publishing firms and instrument manufacturing companies, specializing in pianos and woodwind instruments. Opera, choral and other classical performance groups were founded during this era, many of them becoming regionally prominent and established

1860-464: A local businessman. The Baltimore Afro-American was a prominent African American periodical based in Baltimore in the early-to-mid-20th century, and the city was home to other black music media. Radio figures of importance included Chuck Richards on WBAL. Baltimore's Eubie Blake was one of the most prominent ragtime musicians on the East Coast in the early 20th century, and was known for

1984-625: A major feature generally had a solo pianist or organist. The first local bar to specialize in jazz was Club Tijuana. Major music venues at this time included Ike Dixon 's Comedy Club, Skateland, Gamby's, Wendall's Tavern, The New Albert Dreamland, the Ritz, and most importantly, the Sphinx Club. The Sphinx Club became one of the first minority-owned nightclubs in the United States when it opened in 1946, founded by Charles Phillip Tilghman ,

2108-517: A more professional atmosphere for the Orchestra. Under the next music director, David Zinman , the Orchestra recorded for major record labels, and went on several international tours, becoming the first Orchestra to tour in the Soviet bloc . The Baltimore Chamber Music Society , founded by Hugo Weisgall and Rudolph Rothschild in 1950, has commissioned a number of renowned works and is known for

2232-768: A more seedy side, home to prostitution , violence, ragtime and jazz, which were perceived as unsavory. The single most important venue for outside acts was the Royal Theatre , which was one of the finest African American theaters in the country when it was opened as the Douglass Theater , and was part of the popular performing circuit that included the Earle in Philadelphia, the Howard in Washington, D.C.,

2356-400: A musical star despite being born hunchbacked and crippled at the age of five years. Later Baltimoreans in jazz include Elmer Snowden , and Ethel Ennis . After Pennsylvania Avenue declined in the 1950s, Baltimore's jazz scene changed. The Left Bank Jazz Society , an organization dedicated to promoting live jazz, began holding a weekly series of concerts in 1965, featuring the biggest names in

2480-459: A musician at an early age, hired as a house musician at a brothel, run by Aggie Shelton. He perfected his improvisational piano style, which used ragtime riffs, and eventually completed "The Charleston Rag", in 1899. With compositions like that, Blake pioneered what would eventually become known as the stride style by the end of the 1890s; stride later became more closely associated with New York City. With his own technique, characterized by playing

2604-474: A period of time, then continued to new locations. The introduction of music into Baltimore public schools in 1843 caused a slow decline in the popularity of private youth singing instruction. In response to the growing demand for printed music in schools, publishers began offering collections with evangelical tunes, directed at rural schools. Formal, adult musical institutions, like the Haydn Society and

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2728-711: A prominent Danish composer who became director of the Orchestra. Ross Jungnickel founded the Baltimore Symphony Orchestra before 1890, when the Orchestra first performed, and the Peabody Orchestra ceased to exist. Jungnickel's orchestra, however, lasted only until 1899. Traveling opera companies visited Baltimore throughout the 19th century, performing pieces like Norma , Faust and La sonnambula , with performances by well-known singers like Jenny Lind and Clara Kellogg . Institutions from outside Baltimore also presented opera within

2852-564: A rarefied European outlook on American music, responded with the tunebook Beauties of Psalmody , which denigrated the new techniques, especially fuguing . Cole continued publishing tunebooks up to 1842, and soon began operating his own singing school. Besides Cole, Baltimore was home to other major music publishers as well. These included Wheeler Gillet, who focused on dignified, European-style music like Cole did, and Samuel Dyer, who collected more distinctly American-styled songs. The tunebooks published in Baltimore included instructional notes, using

2976-472: A reactionary call for libertarian values in response to the growing power of the Whig party. It may also have been influenced by the then-popular ideology of John Locke that men should be allowed their natural liberties; these democratic strains of thought influenced the populist movements of the time, of which The Beggar's Opera was a part. The character of Macheath has been considered by critics as both

3100-553: A rich tradition of symphonic music, chamber concerts, oratorios, documented in large part by the Baltimore Afro-American , a local periodical. Inspired by A. Jack Thomas , who had been appointed conductor of the city's municipally supported African American performance groups, Charles L. Harris led the Baltimore Colored Chorus and Symphony Orchestra from 1929 to 1939, when a strike led to

3224-639: A rough boundary between East and West Baltimore, with the East producing The Swallows and The Cardinals, as well as The Sonnets, The Jollyjacks , The Honey Boys , The Magictones, and The Blentones , while the West was home to The Orioles and The Plants, as well as The Twilighters , and The Four Buddies . It was The Orioles, however, who first developed the city's vocal harmony sound. Originally known as The Vibra-Naires , The Orioles were led by Sonny Til when they recorded " It's Too Soon to Know ", their first hit and

3348-543: A seat for his mother, because Ford's remained strictly segregated by race. Baltimore had developed a local jazz scene by 1917, when the local black periodical, the Baltimore Afro-American noted its popularity in some areas. Two years later, black bandleader T. Henderson Kerr boasted that his act included "no jazz, no shaky music, no vulgar or suggestive dancing". Local jazz performers played on Baltimore Street, in an area known as The Block , located between Calvert and Gay Streets. Jazz audiences flocked to music venues in

3472-640: A series of controversial concerts featuring mostly 20th-century composers. The Baltimore Women's String Symphony Orchestra was led by Stephen Deak and Wolfgang Martin from 1936 to 1940, a time when women were barred from the Baltimore Symphony Orchestra, though they were allowed in the Baltimore Colored Symphony Orchestra . In the early 20th century, Baltimore was home to several African American classically oriented music institutions which drew on

3596-624: A song that is considered the first doo wop recording of any kind. Doo wop would go on to have a formative influence on the development of rock and roll , and The Orioles can be considered the earliest rock and roll band as a result. The Orioles would continue recording until 1954, launching hits like "In the Chapel in the Moonlight", "Tell Me So" and "Crying in the Chapel". Baltimore is less well known for its soul music than other major African-American urban areas, such as Philadelphia . However, it

3720-462: A tavern where he is surrounded by women of dubious virtue who, despite their class, compete in displaying perfect drawing-room manners, although the subject of their conversation is their success in picking pockets and shoplifting. Macheath discovers, too late, that two of them (Jenny Diver, Suky Tawdry) have contracted with Peachum to capture him, and he becomes a prisoner in Newgate prison. The prison

3844-506: A time. African American vocal music, specifically doo-wop , also established an early home in Baltimore. More recently, Baltimore was home to a number of well-known rock, pop, R&B, punk, and hip hop performers. Most of the major musical organizations in Baltimore were founded by musicians who trained at the Peabody Institute's Conservatory of Music . These include Baltimore Choral Arts , Baltimore Opera Company (BOC), and

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3968-416: A translation into German by Elisabeth Hauptmann ) adapted the work into Die Dreigroschenoper ( The Threepenny Opera ) in 1928, sticking closely to the original plot and characters but with a new libretto, and mostly new music by Kurt Weill . The original idea of the opera came from Jonathan Swift , who wrote to Alexander Pope on 30 August 1716 asking "...what think you, of a Newgate pastoral among

4092-481: A unique style of piano-playing that eventually became the basis for stride , a style perfected during World War I in Harlem. Blake was the most well known figure in the local scene, and helped make Baltimore one of the ragtime centers of the East Coast, along with Philadelphia and Washington, D.C. He then joined a medicine show, performing throughout Maryland and Pennsylvania before moving to New York in 1902 to play at

4216-557: A well-known soprano, as artistic director. In the following decade the Company modernized, receiving new funding from, among other sources, the Ford Foundation , which led to professionalization and the hiring of a full-time production manager and the stabilization on a program consisting of three operas every season; this schedule has since been expanded to four performances. In 1976, the Company commissioned Inês de Castro for

4340-463: Is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch . It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative . The lyrics of the airs in

4464-572: Is home to a number of non-profit music organization, most famously including the Left Bank Jazz Society , which hosts concerts and otherwise promotes jazz in Baltimore. Another organization to grace its way into the Baltimore scene is Vivre Musicale Archived 2013-02-06 at the Wayback Machine . The latter organization's mission is to give young artists performance opportunities in and out of Baltimore. These non-profits play

4588-640: Is now thought to have been modeled on the gentleman highwayman, Claude Duval, although interest in criminals had recently been raised by Jack Sheppard's escapes from Newgate . The Beggar's Opera has had an influence on all later British stage comedies, especially on nineteenth century British comic opera and the modern musical. Peachum, a fence and thief-catcher, justifies his actions. Mrs Peachum, overhearing her husband's blacklisting of unproductive thieves, protests regarding one of them: Bob Booty (the nickname of Robert Walpole ). The Peachums discover that Polly, their daughter, has secretly married Macheath,

4712-525: Is ready to be hanged. The narrator (the Beggar), notes that although in a properly moral ending Macheath and the other villains would be hanged, the audience demands a happy ending, and so Macheath is reprieved, and all are invited to a dance of celebration, to celebrate his wedding to Polly. The Beggar's Opera was met with widely varying reactions. Its popularity was documented in The Craftsman with

4836-560: Is recaptured and hanged, his fortune might be subject to Peachum's claims. Lockit and Peachum discover Macheath's hiding place. They decide to split his fortune. Meanwhile, Polly visits Lucy to try to reach an agreement, but Lucy tries to poison her. Polly narrowly avoids the poisoned drink, and the two girls find out that Macheath has been recaptured owing to the inebriated Mrs Diana Trapes. They plead with their fathers for Macheath's life. However, Macheath now finds that four more pregnant women each claim him as their husband. He declares that he

4960-503: Is run by Peachum's associate, the corrupt jailer Lockit. His daughter, Lucy Lockit, has the opportunity to scold Macheath for having agreed to marry her and then broken this promise. She tells him that to see him tortured would give her pleasure. Macheath pacifies her, but Polly arrives and claims him as her husband. Macheath tells Lucy that Polly is crazy. Lucy helps Macheath to escape by stealing her father's keys. Her father learns of Macheath's promise to marry her and worries that if Macheath

5084-449: The Academy of Music there. Returning to Baltimore, Blake played at The Saloon, a venue owned by Alfred Greenfield patronized by "colorful characters and 'working' girls"; The Saloon was the basis for his well-known "Corner of Chestnut and Low". He then played at Annie Gilly's sporting house, another rough establishment, before becoming well known enough to play throughout the city and win a number of national piano concerts. In 1915, Blake

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5208-597: The American Bicentennial , composed by Thomas Pasatieri with a libretto by Bernard Stambler ; the opera's debut was a great success and an historic moment for American opera. The Baltimore Symphony Orchestra of the 19th century had floundered in 1899, was replaced by a new orchestra organized by the Florestan Club , which included author H. L. Mencken ; the Club ensured that the orchestra would be

5332-496: The Baltimore City Public School System . Music is taught to all age groups, and the city is also home to several institutes of higher education in music. The Peabody Institute 's Conservatory is the most renowned music education facility in the area, and has been one of the top nationally for decades. The city is also home to a number of other institutes of higher education that have music programs,

5456-562: The Baltimore Symphony Orchestra (BSO). These organizations all have excellent reputations and sponsor numerous performances throughout the year. Baltimore has produced a number of well-known modern composers of classical and art music, most famously including Philip Glass , a minimalist composer and Christopher Rouse , a Pulitzer winner. Glass grew up in the 1940s, working in his father's record store in East Baltimore, selling African American records, then known as race music . He

5580-695: The Drexel Ragtime Syncopators , starting a dance fad known as the "Shimme She Wabble She". As the Drexel Jazz Syncopators , they remained popular into the 1920s. The Royal Theatre was the most important jazz venue in Baltimore for much of the 20th century, and produced one of the city's musical leaders in Rivers Chambers, who led the Royal's band from 1930 to 1937. Chambers was a multi-instrumentalist who founded

5704-791: The Independent Order of Odd Fellows in Battle Monument Square , marking the anniversary of the Emancipation Proclamation . Another African American celebration occurred five years later, celebrating the right to vote, guaranteed to African Americans by the Fifteenth Amendment to the United States Constitution . Many bands played, including brass and cornet bands. Baltimore's Eubie Blake , born in 1883, became

5828-653: The New Weird America movement, and thus is the city itself. In 2009, Baltimore produced its own indigenous rock opera theatrical company, the all-volunteer Baltimore Rock Opera Society , which operates out of Charles Village. The group has so far put on two rock operas, one in 2009 and the other in 2011. They both have featured original scores. Baltimore's indigenous music media includes The City Paper , The Baltimore Sun , and Music Monthly , which frequently advertise local music shows and other events. The Baltimore Blues Society also distributes one of

5952-749: The Regal in Chicago and the Apollo Theater in New York; like the Apollo, the audience at the Royal Theater was known for cruelly receiving those performers who didn't live up to their standards. Music venues were segregated, though not without resistance - a 1910 tour featuring Bert Williams resulted in an African American boycott of a segregated theater, hoping the threat of lost business from

6076-535: The Rivers Chambers Orchestra after leaving The Royal, and became a "favorite of Maryland's high society". As bandleader of The Royal, Chambers was succeeded by the classically trained Tracy McCleary , whose band, the Royal Men of Rhythm , included Charlie Parker at one point. Many of The Royal's band members would join with touring acts when they came through Baltimore; many had day jobs in

6200-538: The University of South Dakota is in possession of a drum and several clarinets made by Eisenbrandt. He is also known to have made a cornet which uses a key mechanism that he had patented. Eisenbrandt died in 1861, and his son, H. W. R. Eisenbrandt, continued the business until at least 1918. The Peabody Orchestra , formed in 1866, was the first professional orchestra in Baltimore. The Orchestra premiered many works in its early years, including some by Asger Hamerik ,

6324-612: The jazz label was led by John Ridgely , and known as either the John Ridgely Jazzers or the Ridgely 400 Society Jazz Band , which included pianist Rivers Chambers . Ridgely organized the band in 1917, and they played daily at the Maryland Theater in the 1920s. The two most popular of the early jazz performers in Baltimore, however, were Ernest Purviance and Joseph T. H. Rochester , who worked together, as

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6448-540: The "apex of the Baltimore (hardcore) scene" in 1983 and 1984. The 1980s also saw the development of a local new wave scene led by the bands Ebeneezer & the Bludgeons, Thee Katatonix, The Vamps, AR-15, Alter Legion, and Null Set. Later in the decade, emo bands like Reptile House , and Grey March had some success and recorded with Ian MacKaye in DC. Some early Baltimore punk musicians moved on to other local bands by

6572-584: The 1780s. Little is known about the cultural lives of the Native Americans who formerly lived along the Chesapeake Bay, prior to the founding of Baltimore. In the colonial era, opera and theatrical music were a major part of Baltimorean musical life, and Protestant churches were another important avenue for music performance and education. Baltimore rose to regional performance as an industrial and commercial center, and also become home to some of

6696-530: The 1830s. Singing masters began incorporating secular music into their curriculum, and divested themselves from sponsoring churches, in the early part of the 1830s. Attendance increased drastically, especially after the founding of two important institutions: the Academy, established in 1834 by Ruel Shaw , and the Musical Institute , founded by John Hill Hewitt and William Stoddard . The Academy and

6820-622: The 1870s with St. Francis Academy . Charles Albert Tindley , born in 1851 in Berlin, Maryland , would become the first major composer of gospel music , a style that drew on African American spirituals , Christian hymns and other folk music traditions. Tindley's earliest musical experience likely included tarrying services, a musical tradition of the Eastern Shore of Maryland , wherein Christian worshipers prayed and sang throughout

6944-426: The 1920s to the 1950s, and was an early home for Eubie Blake and Noble Sissle , among others. Baltimore had long been a major stop on the black touring circuit, and jazz musicians frequently played on Pennsylvania Avenue on the way to or from engagements in New York. Pennsylvania Avenue attracted African Americans from as far away as North Carolina, and was known for its vibrant entertainment and nightlife, as well as

7068-501: The 20th century, Baltimore produced notable acts in the fields of rock, R&B and hip hop. Local music in Baltimore can be traced back to 1784, when concerts were advertised in the local press. These concert programs featured compositions by locals Alexander Reinagle and Raynor Taylor , as well as European composers like Frantisek Kotzwara , Ignaz Pleyel , Carl Ditters von Dittersdorf , Giovanni Battista Viotti and Johann Sebastian Bach . Opera first came to Baltimore in 1752, with

7192-588: The 20th century. Doctrinal disputes did not prevent musical cooperation, which included both sacred and secular music. Church choirs frequently worked together, even across denominational divides, and church-goers often visited other establishments to see visiting performers. Organists were a major part of African American church music in Baltimore, and some organists became well known, Baltimore's including Sherman Smith of Union Baptist, Luther Mitchell of Centennial Methodist and Julia Calloway of Sharon Baptist. Many churches also offered music education, beginning as early as

7316-515: The Baltimore area. Frank Zappa , Tori Amos , Cass Elliot ( The Mamas & the Papas ), and Adam Duritz ( Counting Crows vocalist) are also from Baltimore. Notable Baltimore-area rock acts from the 1970s and 1980s include Crack The Sky , The Ravyns, Kix , Face Dancer , Jamie LaRitz, and DC Star. Also, Epic recording Artist Tony Sciuto "Island Nights" who was also a member of Australia's Little River Band, Player and ABC Fullhouse's (Jesse and

7440-553: The Beggar's last remark: "That the lower People have their Vices in a Degree as well as the Rich, and are punished for them," implying that rich People are not so punished. Criticism of Gay's opera continued long after its publication. In 1776, John Hawkins wrote in his History of Music that due to the opera's popularity, "Rapine and violence have been gradually increasing" solely because the rising generation of young men desired to imitate

7564-558: The Days of My Youth", in which the "fa la la chorus is written as "viol."; and the final reprieve dance, Macheath's "Thus I Stand Like A Turk", which includes two sections of 16 measures of "dance" marked "viol." (See the 1729 score, formerly published by Dover). The absence of the original performing parts has allowed producers and arrangers free rein. The tradition of personalised arrangements, dating back at least as far as Thomas Arne 's later 18th century arrangements, continues today, running

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7688-414: The Euterpe Musical Association, grew in popularity following the Civil War. Early in the 20th century, Baltimore's most famous musical export was the duo of Eubie Blake and Noble Sissle , who found national fame in New York. Blake in particular became a ragtime legend, and innovator of the stride style. Later, Baltimore became home to a vibrant jazz scene, producing a number of famous performers, such as

7812-449: The Institute quickly became rivals, and both gave successful performances. Some Baltimore singing masters used new terminology to describe their programs, as the term singing school was falling out of favor; Alonzo Cleaveland founded the Glee School during this era, focusing entirely on secular music. In contrast, religious musical instruction by the middle of the 19th century remained based around itinerant singing masters who taught for

7936-437: The Italian opera style and the English public's fascination with it." Instead of the grand music and themes of opera, the work uses familiar tunes and characters that were ordinary people. Some of the songs were by opera composers like Handel , but only the most popular of these were used. The audience could hum along with the music and identify with the characters. The story satirised politics, poverty and injustice, focusing on

8060-434: The Peabody Conservatory, which helped attract new talent. The Orchestra claims that Joseph Meyerhoff , President of the Orchestra beginning in 1965, and his music director, Sergiu Comissiona began the modern history of the BSO and "ensured the creation of an institution, which has become the undisputed leader of the arts community throughout the State of Maryland". Meyerhoff and Comissiona established regular performances and

8184-462: The Rippers) was raised in Medfield Heights (Hampden)area. Sciuto also has written songs for Tina Turner, Don Johnson, B.J Thomas and more. Baltimore's hardcore punk scene has been overshadowed by that of Washington, D.C., but included locally renowned bands like Law & Order, Bollocks, OTR, and Fear of God; many of these bands played at bars like the Marble Bar, Terminal 406, and the illegal space Jules' Loft, which author Steven Blush described as

8308-414: The Theatre in Lincoln's-Inn Fields with general Applause, to the great Mortification of the Performers and Admirers of the Outlandish Opera in the Haymarket." (17 February 1728) Two weeks after opening night, an article appeared in The Craftsman , the leading opposition newspaper, ostensibly protesting at Gay's work as libellous and ironically assisting him in satirising the Walpole establishment by taking

8432-416: The addition of songs. The managers of the Maryland Company had some trouble finding qualified musicians to play in the theatre's orchestra. The Maryland Company and the American Company performed sporadically in Baltimore until the early 1790s, when the Philadelphia Company of Alexander Reinagle and Thomas Wignell began dominating, based out of their Holliday Street Theater . Formal singing schools were

8556-439: The area and elsewhere, such as the amusement parks around Baltimore; some of the more prominent venues included the Richmond Market Armory, the Old Fifth Regiment Armory, the Pythian Castle Hall and the Galilean Fisherman Hall. By the 1930s, however, The Ritz was the largest club on Pennsylvania Avenue, and was home to Sammy Louis ' band, who toured to great acclaim throughout the region. The first group in Baltimore to self-apply

8680-455: The beginning of the 20th century, with an aging and shrinking audience, though the city continued producing local performers and hosting a vibrant jazz scene. Baltimore in the middle of the 20th century was home to a major doo wop scene, which began with The Orioles , who are considered one of the first doo wop groups to record commercially. By the 1950s, Baltimore was home to numerous African American vocal groups, and talent scouts scoured

8804-449: The carol " Quelle est cette odeur agréable? " for his song "Fill Every Glass"), to serve his hilariously pointed and irreverent texts. Macheath's satire on modern society ("The modes of the court so common are grown") is also sung to Henry Purcell's Lillibullero . Pepusch composed an overture and arranged all the tunes shortly before the opening night at Lincoln's Inn Fields on 28 January 1728. However, all that remains of Pepusch's score are

8928-512: The character Macheath. Hawkins blamed Gay for tempting these men with "the charms of idleness and criminal pleasure," which Hawkins saw Macheath as representing and glorifying. In 1729, Gay wrote a sequel, Polly , set in the West Indies : Macheath, sentenced to transportation, has escaped and become a pirate, while Mrs Trapes has set up in white-slaving and shanghais Polly to sell her to the wealthy planter Mr Ducat. Polly escapes dressed as

9052-473: The city for the next big stars. Many bands emerged from the city, including The Cardinals and The Plants . Some doo wop groups were connected with street gangs, and some members were active in both scenes, such as Johnny Page of The Marylanders . Competitive music and dance was a part of African American street gang culture, and with the success of some local groups, pressure mounted, leading to territorial rivalries among performers. Pennsylvania Avenue served as

9176-593: The city, including the Chicago Lyric Opera and the Metropolitan Opera . In the early 19th century, choral associations became common in Maryland, and Baltimore, buoyed by the immigration of numerous Germans. These groups were formed for the purpose of instruction in choral music, eventually performing oratorios . The popularity of these choral associations helped to garner support among

9300-634: The company's dissolution. Thomas had been one of the first black bandleaders in the U.S. Army, was director of the music department at Morgan College , and was the founder of Baltimore's interracial Aeolian Institute for higher musical education. Charles L. Harris, as leader of the Baltimore Colored City Band , took his group to black neighborhoods across Baltimore, playing marches, waltzes and other music, then switch to jazz-like music with an upbeat tempo, meant for dancing. Some of Harris' musicians also played in early jazz clubs, though

9424-511: The country, like Tee Loggins from Louisiana. Other performers with his Orchestra included trumpeter Roy McCoy , saxophonist Elmer Addison and guitarist Buster Brown , who was responsible for the Orchestra's most characteristic song, "They Cut Down That Old Pine Tree", which the Rivers Chambers Orchestra would continue to play for more than fifty years. Baltimore's early jazz pioneers included Blanche Calloway , one of

9548-467: The country. Locally, Baltimore was home to a vibrant African American musical tradition, which included funereal processions, beginning with slow, mournful tunes and ending with lively ragtime numbers, very similar to the New Orleans music that gave rise to jazz. Pennsylvania Avenue (often known simply as The Avenue ) and Fremont Avenue were the major scenes for Baltimore's black musicians from

9672-811: The country. The pianos were well regarded enough that the Japanese government chose Knabe as its supplier for schools in 1879. After the death of William and Ernest Knabe, the company went public. In the 20th century, Knabe's company became absorbed into other corporations, and the pianos are now manufactured by Samick , a Korean producer. Heinrich Christian Eisenbrandt , originally of Göttingen , Germany, settled in Baltimore in 1819, going on to manufacture brass and woodwind instruments of high quality. His output included several brass instruments, flageolets , flutes, oboes , bassoons , clarinets with between five and sixteen keys, and at least one drum and basset-horn . Eisenbrandt owned two patents for brass instruments, and

9796-581: The defense industry during World War II, including McCleary himself. The shortage of musicians during the war led to a relaxation in some aspects of segregation, including in The Royal's band, which began hiring white musicians soon after the war. McCleary would be The Royal's last conductor, however, while Chambers' orchestra became a fixture in Baltimore, and came to include as many as thirty musicians, who would sometimes divide into smaller groups for performances. Chambers had collected many musicians from around

9920-414: The dialogue and plot so that there are surprises in each of the forty-five fast-paced scenes and 68 short songs. The success of the opera was accompanied by a public desire for keepsakes and mementos, ranging from images of Polly on fans and clothing, playing cards and fire-screens, broadsides featuring all the characters, and the rapidly published musical score of the opera. The play is sometimes seen to be

10044-557: The early 1950s, and his saxophone-playing became the most prominent part of the band's style. Despite a national reputation and opportunities, Fields refused to perform outside the region and remains a local legend. In the 1960s, the Hammond B-3 organ became a critical part of the Baltimore jazz scene, led by virtuoso Jimmy Smith . The Left Bank Jazz Society also played a major role locally, hosting concerts and promoting performers. The popularity of jazz, however, declined greatly by

10168-610: The eighteenth century". In 1920, The Beggar's Opera began a revival run of 1,463 performances at the Lyric Theatre in Hammersmith , London, which was one of the longest runs in history for any piece of musical theatre at that time. The piece satirised Italian opera , which had become popular in London. According to The New York Times : "Gay wrote the work more as an anti-opera than an opera, one of its attractions to its 18th-century London public being its lampooning of

10292-765: The end of the 1990s, while local mainstays Lungfish and Fascist Fascist becoming regionally prominent. The Urbanite magazine has identified several major trends in local Baltimorean music, including the rise of psychedelic-folk singer-songwriters like Entrance and the house/hip hop dance fusion called Baltimore club , pioneered by DJs like Rod Lee . More recently, Baltimore's modern music scene has produced performers like Cass McCombs , Ponytail , Animal Collective , Spank Rock , Rye Rye , Double Dagger , Roomrunner , Mary Prankster, Beach House , Lower Dens , Future Islands , Wye Oak , The Seldon Plan , Dan Deacon , Ed Schrader's Music Beat , Dope Body , Rapdragons, Adventure , and JPEGMafia , many of whom are associated with

10416-407: The experimental and intellectual jazz of Philadelphia and elsewhere in the north with a more emotive and freeform Southern tradition. The earliest well-known Baltimore saxophonists include Arnold Sterling , Whit Williams , Andy Ennis , Brad Collins , Carlos Johnson , Vernon H. Wolst, Jr.; the most famous, however, was Mickey Fields . Fields got his start with a jump blues band, The Tilters , in

10540-559: The famous highwayman , who is Peachum's principal client. Upset to learn they will no longer be able to use Polly in their business, Peachum and his wife ask how Polly will support such a husband "in Gaming, Drinking and Whoring." Nevertheless, they conclude that the match may be more profitable to the Peachums if the husband can be killed for his money. They leave to carry out this errand. However, Polly has hidden Macheath. Macheath goes to

10664-415: The field of 20th-century popular music, Baltimore first was a major center for the development of East Coast ragtime, producing the legendary performer and composer Eubie Blake . Later, Baltimore became a hotspot for jazz , and a home for such legends in the field as Chick Webb and Billie Holiday . The city's jazz scene can be traced to the early part of the 20th century, when the style first spread across

10788-432: The field, including Duke Ellington and John Coltrane . The tapes from these recordings became legendary within the jazz aficionados, but they did not begin to be released until 2000, due to legal complications. Baltimore is known for jazz saxophonists, having produced recent performers like Antonio Hart , Ellery Eskelin , Gary Bartz , Mark Gross , Harold Adams, Gary Thomas and Ron Diehl . The city's style combines

10912-681: The first black performer with the New York City Opera when he was forced to study with Frank Bibb , a member of the Peabody faculty, outside the Conservatory. The director of the Peabody soon ended segregation, both at the Conservatory and at the Baltimore Symphony Orchestra, which was conducted by its first African American, A. Jack Thomas, at his request. The Peabody was officially integrated in 1949, with support from mayor Howard W. Jackson . Paul A. Brent , who graduated in 1953,

11036-491: The first female jazz bandleaders in the United States, and sister to jazz legend Cab Calloway . Both the Calloways, like many of Baltimore's prominent black musicians, studied at Frederick Douglass High School with William Llewellyn Wilson , himself a renowned performer and conductor for the first African American symphony in Baltimore. Baltimore was also home to Chick Webb , one of jazz's most heralded drummers, who became

11160-401: The first municipally funded company in the country. The reformed Baltimore Symphony Orchestra began in 1916, under the leadership of Gustav Strube , who conducted the orchestra until 1930. In 1942, the orchestra was reorganized as a private institution, led by Reginald Stewart , director of both the Orchestra and the Peabody, who arranged for Orchestra members to receive faculty appointments at

11284-559: The first resident theatrical company in the city, which had been established despite a ban on theatrical entertainment by the Continental Congress in 1774. Maryland was the only state to so openly flout the ban, giving special permission to the Maryland Company in 1781, to perform both in Baltimore and Annapolis. Shakespearean and other plays made up the repertoire, often with wide-ranging modifications, including

11408-500: The first well-documented musical institution in Baltimore. They were common in colonial North America prior to the Revolutionary War, but were not established in Baltimore until afterwards, in 1789. These singing schools were taught by instructors known as masters , or singing masters , and were often itinerant; they taught vocal performance and techniques for use in Christian psalmody . The first singing school in Baltimore

11532-624: The following entries: "This Week a Dramatick Entertainment has been exhibited at the Theatre in Lincoln's-Inn-Fields, entitled The Beggar's Opera, which has met with a general Applause, insomuch that the Waggs say it has made Rich very Gay, and probably will make Gay very Rich." (3 February 1728) "We hear that the British Opera, commonly called The Beggar's Opera , continues to be acted, at

11656-477: The gamut of musical styles from Romantic to Baroque: Austin, Britten , Sargent , Bonynge , Dobin and other conductors have each imbued the songs with a personal stamp, highlighting different aspects of characterisation. The hornpipe tune to which Nancy Dawson danced between acts in The Beggar's Opera in the mid-1700s is now used for " Here We Go Round the Mulberry Bush ". Following is a list of some of

11780-453: The government's side: It will, I know, be said, by these libertine Stage-Players, that the Satire is general; and that it discovers a Consciousness of Guilt for any particular Man to apply it to Himself. But they seem to forget that there are such things as Innuendo 's (a never-failing Method of explaining Libels)… Nay the very Title of this Piece and the principal Character, which is that of

11904-598: The largest being nearby Towson University . The Peabody sponsors performances of many kinds, many of them classical or chamber music . Baltimore is home to the Baltimore Opera and the Baltimore Symphony Orchestra , among other similar performance groups. Major music venues in Baltimore include the nightclubs and other establishments that offer live entertainment clustered in Fells Point and Federal Hill . The documented history of music in Baltimore extends to

12028-737: The local population for putting music education in the city's public schools. The Baltimore Oratorio Society , the Liederkranz and the Germania Männerchor were the most important of these associations, and their traditions were maintained into the 20th century by organizations like the Bach Choir , Choral Arts Society , Concert Artists of Baltimore , Handel Society and the Baltimore Symphony Chorus . Singing schools in Baltimore were few in number until

12152-449: The more well renowned blues periodicals in the country. The Baltimore Afro-American , a local periodical, was one of the most important media in 20th-century Baltimore, and documented much of that city's African American musical life. Recently, a number of new media sites have risen to prominence including Aural States (Best Local Music Blog 2008), Government Names, Mobtown Shank and Beatbots (Best Online Arts Community 2007). Baltimore

12276-510: The most important music publishing firms in colonial North America. In the 19th century, Baltimore grew greatly, and its documented music expanded to include an abundance of African American music , and the city's denizens played a crucial role in the development of gospel music and jazz . Musical institutions based in Baltimore, including the Peabody Institute and the Baltimore Symphony Orchestra , became fixtures in their respective fields, music education and Western classical music. Later in

12400-501: The most successful publishing firm until around the start of the 19th century; however, they remained prominent until the company folded in 1821, and the Carrs were responsible for the first sheet music publication of " The Star-Spangled Banner " in 1814, arranged by Thomas Carr himself, and they also published European instrumentals and stage pieces, as well as works by Americans like James Hewitt and Alexander Reinagle . Much of this music

12524-685: The music critic for the Afro-American . Harris eventually replaced Harris as conductor of the Orchestra and has since become a city musical fixture who is said to have, at one point, taught every single African American music teacher in Baltimore. After World War II , William Marbury , then Chairman of the Board of Trustees of the Peabody Institute, began the process of integrating that institution, which had denied entrance to several well-regarded African American performers based solely on their race, including Anne Brown and Todd Duncan , who had been

12648-504: The musical establishment at the time did not readily accept the style. Fred Huber, Director of Municipal Music for Baltimore, exerted powerful control over the repertoire of these bands, and forbade jazz. T. Henderson Kerr , a prominent black bandleader, emphasized in his advertising that his group did not play jazz, while the prestigious Peabody Institute debated whether jazz was music at all. The Symphony Orchestra produced renowned pianist Ellis Larkins and cellist W. Llewellyn Wilson , also

12772-423: The night. He became an itinerant preacher as an adult, working at churches throughout Maryland, Delaware and New Jersey, then settled down as a pastor in Philadelphia, eventually opening a large church called Tindley Temple United Methodist Church. Though John Cole and the Carrs were among the first major music publishers in Baltimore, the city was home to a vibrant publishing tradition in the 19th century, aided by

12896-405: The overture (with complete instrumentation) and the melodies of the songs without figured basses . Various reconstructions have been attempted, and a 1990 reconstruction of the score by American composer Jonathan Dobin has been used in a number of modern productions. Gay uses the operatic norm of three acts (as opposed to the standard in spoken drama of the time of five acts), and tightly controls

13020-563: The performance of The Beggar's Opera by a touring company. It was soon followed by La Serva Padrona by Giovanni Battista Pergolesi , the American premier of that work, and the 1772 performance of Comus by John Milton , performed by the American Company of Lewis Hallam . This was soon followed by the creation of the first theatre in Baltimore, funded by Thomas Wall and Adam Lindsay 's Maryland Company of Comedians ,

13144-419: The phenomenal jazz musician Paul Ugger. Use of the Hammond B-3 organ later became an iconic part of Baltimore jazz . In the middle of the 20th century, Baltimore's major music media include Chuck Richards , a popular African American radio personality on WBAL , and Buddy Deane , host of a popular eponymous show in the vein of American Bandstand , which was an iconic symbol of popular music in Baltimore for

13268-408: The piano-building businesses of William Knabe and Charles Steiff . Knabe emigrated to the United States in 1831, and he founded the firm, with Henry Gaehle , in 1837. It began manufacturing pianos in 1839. The company became one of the most prominent and respected piano manufacturers in the country, and was the dominant corporation in the Southern market. The company floundered after a fire destroyed

13392-591: The piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. The Beggar's Opera premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert 's Pomone in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of

13516-531: The popular show would cause a change in policy. Pennsylvania Avenue was also a center for black cultural and economic life in Baltimore, and was home to numerous schools, theaters, churches and other landmarks. The street's nightclubs and other entertainment venues were most significant however, including the Penn Hotel, the first African American-owned hotel in Baltimore (built in 1921). Even the local bars and other establishments that didn't feature live music as

13640-400: The presence of A. Hoen & Co. , one of the biggest lithography firms of the era, who illustrated many music publications. Other prominent music publishers in Baltimore in this era included George Willig , Arthur Clifton , Frederick Benteen , James Boswell , Miller and Beecham , W. C. Peters , Samuel Carusi and G. Fred Kranz . Peters was well known nationally, but first established

13764-505: The start of the 20th century, however, the New York Theatrical Syndicate had grown to dominate the industry throughout the region, and Baltimore became a less common stop for touring companies. During the 19th century, Maryland had one of the largest populations of free African Americans, totalling one fifth of all free blacks in the country. Baltimore was the center for African American culture and industry, and

13888-484: The syncopation with his right hand and a steady beat with the left, and became one of the most successful ragtime performers of the East Coast, performing with prominent cabaret entertainers Mary Stafford and Madison Reed. Black churches in Maryland hosted many musical, as well as political and educational, activities, and many African American musicians got their start performing in churches, including Anne Brown , Marian Anderson , Ethel Ennis and Cab Calloway , in

14012-418: The theme of corruption at all levels of society. Lavinia Fenton , the first Polly Peachum, became an overnight success. Her pictures were in great demand, verses were written to her and books published about her. After appearing in several comedies, and then in numerous repetitions of The Beggar's Opera , she ran away with her married lover, Charles Powlett, 3rd Duke of Bolton . Bertolt Brecht (working from

14136-410: The thieves and whores there?" Their friend, Gay, decided that it would be a satire rather than a pastoral opera. For his original production in 1728, Gay intended all the songs to be sung without any accompaniment, adding to the shocking and gritty atmosphere of his conception. However, a week or so before the opening night, John Rich , the theatre director, insisted on having Johann Christoph Pepusch ,

14260-409: Was assembled and published quickly. As was common, this consisted of the fully arranged overture followed by the melodies of the 69 songs, supported by only the simplest bass accompaniments. There are no indications of dance music, accompanying instrumental figures or the like, except in three instances: Lucy's "Is Then His Fate Decree'd Sir" – one measure of descending scale marked "Viol." –; Trape's "In

14384-546: Was collected, in serial format, in the Musical Journal for the Piano Forte , which spanned five volumes and was the largest collection of secular music in the country. In the late 18th century, Americans like William Billings were establishing a bold, new style of vocal performance, markedly distinct from European traditions. John Cole , an important publisher and tune collector in Baltimore, known for pushing

14508-546: Was founded in the courthouse, in 1789, by Ishmael Spicer , whose students would include the future John Cole . The first tunebook published in Maryland was the Baltimore Collection of Church Music by Alexander Ely in 1792, consisting mostly of hymns, with some more complex pieces described as anthems. In 1794, Joseph Carr established a shop in Baltimore, along with his sons Thomas and Benjamin , who ran shops in New York and Philadelphia. The Carrs would be

14632-413: Was hired to work at Riverview Park , with Noble Sissle , a singer, whom Blake approached about a songwriting partnership. Their first collaboration was "It's All Your Fault", premiered by Sophie Tucker at the Maryland Theater . Their success grew quickly, and they soon had numerous songs performed across the country, including on Broadway, most famously "Baltimore Buzz", "Gypsy Blues" and "Love Will Find

14756-673: Was home to a number of soul record labels in the 1960s and 1970s, including Ru-Jac (born 1963), whose artists included Joe Quarterman , Arthur Conley , Gene & Eddie , Winfield Parker , The Caressors , Jessie Crawford , The Dynamic Corvettes, and Fred Martin. Soul venues in Baltimore in that period included The Royal and Carr's beach in Annapolis , one of the few beaches black people could use. Though they rose to prominence in Boston and New York City respectively, new wave musicians Ric Ocasek and David Byrne are both natives of

14880-401: Was home to many African American craftsmen, writers and other professionals, and some of the largest black churches in the country. Many African Americans institutions in Baltimore assisted the less fortunate with food and clothing drives, and other charitable work. The "first instance of mass black assertiveness after the Civil War" in the country occurred in Baltimore in 1865, after a meeting of

15004-557: Was once praised for "great improvements made in the valves" of the saxhorn . His flutes and clarinets won him a silver medal at the London Great Exhibition of 1851, and he also earned high marks for those instruments and the saxhorn at several Metropolitan Mechanics Institute exhibitions. The Smithsonian Institution now possesses one of Eisenbrandt's clarinets, adorned with jewels, and the Shrine to Music Museum at

15128-409: Was the arranger. The work took satiric aim at the passionate interest of the upper classes in Italian opera, and simultaneously set out to lampoon the notable Whig statesman Robert Walpole , and politicians in general, as well as such notorious criminals as Jonathan Wild , the thief-taker, Claude Duval , the highwayman, and Jack Sheppard , the prison-breaker. It also deals with social inequity on

15252-544: Was the first to matriculate, and was followed by Audrey Cyrus McCallum , who was the first to enter the Peabody Preparatory. Musical integration was a gradual process that lasted until at least 1966, when the unions for African American and white musicians merged to form the Musicians' Association of Metropolitan Baltimore. Baltimore is the hometown of African American classical opera tenor Steven Cole . In

15376-573: Was there exposed to Baltimore jazz and rhythm and blues. The first half of the twentieth century saw Baltimore hosting composers including George Frederick Boyle , Joseph Pache , Mark Fax , Adolph Weiss and Franz Bornschein . Though the Baltimore Opera Company can be traced back to the 1924 founding of the Martinet Opera School , the direct antecedent of the company was founded in 1950, with Rosa Ponselle ,

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