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74-445: Rubbadubbers is a British stop-motion children's television series produced by HIT Entertainment , with animation production by Hot Animation . The series was broadcast in the UK on BBC2 and CBeebies from 2 September 2002 to 14 February 2005. Created by Peter Curtis, it focuses on seven friendly, sentient bath toys as they tell stories in imaginary worlds outside of their bathroom –

148-480: A Guinea for which Bryant & May would supply soldiers with sufficient matches. No archival records are known that could proof that the film was indeed created in 1899 during the beginning of the Second Boer War . Others place it at 1914, during the beginning of World War I . Cooper created more Animated Matches scenes in the same setting. These are believed to also have been produced in 1899, while

222-477: A big impression in Paris, where it was released as L'hôtel hanté: fantasmagorie épouvantable . When Gaumont bought a copy to further distribute the film, it was carefully studied by some of their filmmakers to find out how it was made. Reportedly it was newcomer Émile Cohl who unraveled the mystery. Not long after, Cohl released his first film, Japon de fantaisie (June 1907), featuring his own imaginative use of

296-604: A feature animated film with a technique other than cel animation was produced in the US. The first was the stop motion adaptation of 19th century composer Engelbert Humperdinck 's opera Hänsel und Gretel as Hansel and Gretel: An Opera Fantasy . In 1955, Karel Zeman made his first feature film Journey to the Beginning of Time inspired by Jules Verne , featuring stop motion animation of dinosaurs and other prehistoric creatures. Art Clokey started his adventures in clay with

370-422: A film screening when a frame becomes stuck in the projector's film gate. Acetate films are also subject to degradation over time. With exposure to heat, moisture, or acids, the acetyl groups are broken from their molecular bonds to the cellulose. The now free acetic acid is released into the air. Acetic acid is vinegar, and thus the characteristic smell of vinegar is detected. This is known as vinegar syndrome . As

444-501: A fireproof projection booth, fire chambers surrounding the feed and take-up reels, and several fire extinguishers built into the projector and aimed at the projector's film gate with a trigger released if the film ignites. Nitrate film is classified as "dangerous goods", which requires licenses for storage and transportation. Nitrate film stock was used in every major film production before about 1951. Many silent films only survived because they were printed to 16 mm film , which did not use

518-561: A freeform clay short film called Gumbasia (1955), which shortly thereafter propelled him into the production of his more structured TV series Gumby (1955–1989), with the iconic titular character. In partnership with the United Lutheran Church in America , he also produced Davey and Goliath (1960–2004). The theatrical feature Gumby: The Movie (1992, released in 1995) was a box-office bomb . On 22 November 1959,

592-573: A large close-up view of a table being set by itself baffled viewers; there were no visible wires or other noticeable well-known tricks. This inspired other filmmakers, including French animator Émile Cohl and Segundo de Chomón. De Chomón would release the similar The House of Ghosts ( La maison ensorcelée ) and Hôtel électrique in 1908, with the latter also containing some very early pixelation. The Humpty Dumpty Circus (1908, considered lost) by Blackton and his British-American Vitagraph partner Albert E. Smith showed an animated performance of

666-399: A method of sticking needles in a stroboscopic disc so that it looked like one needle was being pushed in and out of the cardboard when animated. He realized that this method provided basically endless possibilities to make different 3D animations. He then introduced two methods to animate stereoscopic pairs of images, one was basically a stereo viewer using two stroboscopic discs and the other

740-598: A nitrate base. A report published by the United States Library of Congress in September 2013 states that 70 percent of all American silent feature films are lost. In the literature of photography "acetate" is used as a synonym for several chemicals: cellulose acetate , cellulose triacetate , cellulose diacetate , cellulose acetate propionate , and cellulose acetate butyrate . All have been used separately and in mixtures, to produce film base. Despite

814-421: A nitrate fire from destroying other non-nitrate films; the gas they release also affects the emulsion of safety film. Usually nitrate collections are even split up into several different fireproof rooms to minimize damage to an entire collection should a fire occur in one part. It is normal for a theater today to pass rigorous safety standards and precautions before being certified to run nitrate films; this includes

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888-402: A note about improvements for his Fantascope (a.k.a. phénakisticope ). A new translucent variation had improved picture quality and could be viewed with both eyes, by several people at the same time. Plateau stated that the illusion could be advanced even further with an idea communicated to him by Charles Wheatstone : a combination of the fantascope and Wheatstone's stereoscope . Plateau thought

962-778: A presentation of the complete dance with a home cinema projector. Later on, he bought a movie camera and between 1906 and 1909 he made many short films, including puppet animations. As a dancer and choreographer, Shiryaev had a special talent to create motion in his animated films. According to animator Peter Lord his work was decades ahead of its time. Part of Shiryaev's animation work is featured in Viktor Bocharov's documentary Alexander Shiryaev: A Belated Premiere (2003). Polish-Russian Ladislas Starevich (1882–1965), started his film career around 1909 in Kaunas filming live insects. He wanted to document rutting stag beetles , but

1036-439: A project would take much time and careful effort, but would be well worth it because of the expected marvelous results. The plan was never executed, possibly because Plateau was almost completely blind by this time. In 1852, Jules Duboscq patented a "Stéréoscope-fantascope ou Bïoscope" (or abbreviated as stéréofantascope) stroboscopic disc . The only known extant disc contains stereoscopic photograph pairs of different phases of

1110-452: A release date of 1908 has also been given. The 1908 Animated Matches film by Émile Cohl may have caused more confusion about the release dates of Cooper's matchstick animations. It also raises the question whether Cohl may have been inspired by Melbourne-Cooper or vice versa. Melbourne-Cooper's lost films Dolly’s Toys (1901) and The Enchanted Toymaker (1904) may have included stop-motion animation. Dreams of Toyland (1908) features

1184-579: A rendition of the legend of the German scholar . Švankmajer's work has been highly influential on other artists, such as Terry Gilliam and the Quay brothers (although the latter claim to have only discovered Švankmajer's films after having developed their own similar style). French animator Serge Danot created The Magic Roundabout (1965) which played for many years on the BBC . Film base A film base

1258-415: A scene with many animated toys that lasts approximately three and a half minutes. As a means to plan his performances, ballet dancer and choreographer Alexander Shiryaev started making approximately 20- to 25-centimeter-tall puppets out of papier-mâché on poseable wire frames. He then sketched all the sequential movements on paper. When he arranged these vertically on a long strip, it was possible to give

1332-532: A sitting old lady. American film pioneer Edwin S. Porter filmed a single-shot "lightning sculpting" film with a baker molding faces from a patch of dough in Fun in a Bakery Shop (1902), considered as foreshadowing of clay animation. In 1905, Porter showed animated letters and very simple cutout animation of two hands in the intertitles in How Jones Lost His Roll . Porter experimented with

1406-476: A small bit of crude stop-motion animation in his trick film Dream of a Rarebit Fiend (1906). The "Teddy" Bears (2 March 1907), made in collaboration with Wallace McCutcheon Sr. , mainly shows people in bear costumes, but the short film also features a short stop-motion segment with small teddy bears. On 15 February 1908, Porter released the trick film A Sculptor's Welsh Rabbit Dream that featured clay molding itself into three complete busts. No copy of

1480-406: A small number of picture sequences were photographed with subjects in separate poses. These can now be regarded as a form of stop motion or pixilation, but very few results were meant to be animated. Until celluloid film base was established in 1888 and set the standard for the moving image, animation could only be presented via mechanisms such as the zoetrope . In 1849, Joseph Plateau published

1554-691: A string of Academy Award for Best Animated Short Films , including Rhythm in the Ranks (1941), Tulips Shall Grow (1942), Jasper and the Haunted House (1942), the Dr. Seuss penned The 500 Hats of Bartholomew Cubbins (1943) and And to Think That I Saw It on Mulberry Street (1944), Jasper and the Beanstalk (1945), John Henry and the Inky-Poo (1946), Jasper in a Jam (1946), and Tubby

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1628-547: A toy line to promote the series. Seven anthropomorphic, friendly British bath toys called the Rubbadubbers live a peaceful life in the bathroom of a house somewhere in England. The toys belong to two children who live at the house named Benjie and Sis (however, they are never seen or heard by viewers). Whenever the children or anyone else are not present, the Rubbadubbers begin a fun activity. But in every episode, one of

1702-637: A year later. Although the films and her technique received much attention of the press, it seems she did not continue making films after she returned to New York from managing a YMCA in Paris around 1918. None of her films have yet surfaced, but the extant magazine articles have provided several stills and approximately 20 poorly printed frames from two film strips. By 1920 Starewicz had settled in Paris, and started making new stop motion films. Dans les Griffes de L'araignée (finished 1920, released 1924) featured detailed hand-made insect puppets that could convey facial expressions with moving lips and eyelids. One of

1776-548: Is Snip and Snap (1960-1961) by John Halas in collaboration with Danish paper sculptor Thok Søndergaard (Thoki Yenn), featuring dog Snap, cut from a sheet of paper by pair of scissors Snip. Apart from their cutout animation series, British studio Smallfilms ( Peter Firmin and Oliver Postgate ) produced several stop motion series with puppets, beginning with Pingwings (1961-1965) featuring penguin-like birds knitted by Peter's wife Joan and filmed on their farm (where most of their productions were filmed in an unused barn). It

1850-432: Is a transparent substrate which acts as a support medium for the photosensitive emulsion that lies atop it. Despite the numerous layers and coatings associated with the emulsion layer, the base generally accounts for the vast majority of the thickness of any given film stock . Since the late 19th century, there have been three major types of film base in use: nitrate (until about 1951), acetate , and polyester . In

1924-418: Is also incomplete and often insufficient to properly date all extant films or even identify them if original titles are missing. Possible stop motion in lost films is even harder to trace. The principles of animation and other special effects were mostly kept a secret, not only to prevent use of such techniques by competitors, but also to keep audiences interested in the mystery of the magic tricks. Stop motion

1998-425: Is closely related to the stop trick , in which the camera is temporarily stopped during the recording of a scene to create a change before filming is continued (or for which the cause of the change is edited out of the film). In the resulting film, the change will be sudden and a logical cause of the change will be mysteriously absent or replaced with a fake cause that is suggested in the scene. The oldest known example

2072-407: Is highly preferable for post-production, exhibition, and archival purposes because of its flexibility, strength, and stability. Its strength is sometimes also seen as a disadvantage, however, in that polyester-base films are so resistant to breakage that they are often more likely to break the film equipment should a jam, or extra tension, occur. Movie cameras therefore do not use this base for shooting

2146-557: Is safer than nitrate but not as strong as polyester bases, which may damage the camera rather than the film should a jam occur. Acetate can also be spliced with film cement, while polyester can only be spliced with tape or an ultrasonic splicer, so polyester is hard to edit . Acetate film does not burn under intense heat, but rather melts, causing a bubbling burn-out effect — this can be seen simulated in films such as Persona (1966), Two-Lane Blacktop (1971) , The Muppet Movie (1979) or Velvet Goldmine (1998). It can happen during

2220-489: Is used for the beheading in Edison Manufacturing Company 's 1895 film The Execution of Mary Stuart . The technique of stop motion can be interpreted as repeatedly applying the stop trick. In 1917, clay animation pioneer Helena Smith-Dayton referred to the principle behind her work as "stop action", a synonym of "stop motion". French trick film pioneer Georges Méliès claimed to have invented

2294-470: The 1862 International Exhibition in London. Desvignes "employed models, insects and other objects, instead of pictures, with perfect success". In 1874, Jules Janssen made several practice discs for the recording of the passage of Venus with his series Passage de Vénus with his photographic revolver . He used a model of the planet and a light source standing in for the sun. While actual recordings of

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2368-606: The 10-minute The Beautiful Leukanida (Прекрасная Люканида, или Война усачей с рогачами) (March 1912), the two-minute Happy Scenes from Animal Life (Веселые сценки из жизни животных), the 12-minute The Cameraman's Revenge (Прекрасная Люканида, или Война усачей с рогачами, October 1912) and the 5-minute The Grasshopper and the Ant (Стрекоза и муравей, 1913). Reportedly many viewers were impressed with how much could be achieved with trained insects, or at least wondered what tricks could have been used, since few people were familiar with

2442-440: The 1880s. Eastman was the first to manufacture the film stock for public sale, in 1889. Unfortunately, nitrate also had the serious drawback of being extremely flammable, the characteristic that made it a suitable substitute for gunpowder. It gradually decomposes producing a flammable gas, becomes sticky and, at a late stage of decomposition, the film oozes a gooey fluid, ultimately leading the substance to become dust. As this occurs,

2516-526: The Missing Link: A Prehistoric Tragedy (1915). Apart from the titular dinosaur and " missing link " ape, it featured several cavemen and an ostrich-like "desert quail", all relatively lifelike models made with clay. This led to a series of short animated comedies with a prehistoric theme for Edison Company, including Prehistoric Poultry (1916), R.F.D. 10,000 B.C. (1917), The Birth of a Flivver (1917) and Curious Pets of Our Ancestors (1917). O'Brien

2590-692: The Tuba (1947). Many of his puppetoon films were selected for preservation in the United States National Film Registry . Willis O' Brien's expressive and emotionally convincing animation of the big ape in King Kong (1933) is widely regarded as a milestone in stop-motion animation and a highlight of Hollywood cinema in general. A 1940 promotional film for Autolite , an automotive parts supplier, featured stop-motion animation of its products marching past Autolite factories to

2664-421: The animation technique, is often spelled with a hyphen as "stop-motion"—either standalone or as a compound modifier . Both orthographical variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatically stopping a machine or engine when something has gone wrong". Before the advent of chronophotography in 1878,

2738-463: The character that made the wish. It always turns out that the wish goes wrong in the dream world, much to the chosen Rubbadubber's disappointment. They then complain again with another 'if only-', wish which automatically stops the dream. From the dream said rubbadubber says 'oh, I'm back!' and they learn to be careful with what they wish for, and then decide that instead of changing the real-world situation to their will, they should simply leave it as it

2812-411: The construction of a sequential set of stereoscopic image pairs would be the more difficult part of the plan than adapting two copies of his improved fantascope to be fitted with a stereoscope. Wheatstone had suggested using photographs on paper of a solid object, for instance a statuette. Plateau concluded that for this purpose 16 plaster models could be made with 16 regular modifications. He believed such

2886-649: The creatures wouldn't cooperate or would even die under the bright lamps needed for filming. He solved the problem by using wire for the limbs of dried beetles and then animating them in stop motion. The resulting short film, presumably 1 minute long, was probably titled by the Latin name for the species: Lucanus Cervus (Жук-олень, 1910, considered lost). After moving to Moscow, Starevich continued animating dead insects, but now as characters in imaginative stories with much dramatic complexity. He garnered much attention and international acclaim with these short films, including

2960-513: The dangers of the nitrate film base being known practically since its development, it was used in virtually all major motion pictures prior to 1952, when Kodak completed a four-year conversion program to the sole manufacturing of acetate base film stocks. Kodak began working with acetate "safety film" as early as 1909, and started selling it in 1910 for 22 mm film. Acetate has always been used with 8 mm and 16 mm formats, as they were originally created for amateur home movie usage, and generally

3034-412: The degradation progresses the film base becomes brittle and shrinks. In the literature of photography polyester is polyethylene terephthalate , which Kodak trade-named "ESTAR". Polyester is the most recent film base to have been developed. It was first used for specialized photography applications in 1955, but it was only in the 1990s that it became overwhelmingly popular for motion picture prints. It

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3108-1039: The earliest clay animation films was Modelling Extraordinary , which impressed audiences in 1912. The early Italian feature film Cabiria (1914) featured some stop motion techniques. Starewicz finished the first feature stop motion film Le Roman de Renard (The Tale of the Fox) in 1930, but problems with its soundtrack delayed its release. In 1937 it was released with a German soundtrack and in 1941 with its French soundtrack. Hungarian-American filmmaker George Pal developed his own stop motion technique of replacing wooden dolls (or parts of them) with similar figures displaying changed poses and/or expressions. He called it Pal-Doll and used it for his Puppetoons films since 1932. The particular replacement animation method itself also became better known as puppetoon . In Europe he mainly worked on promotional films for companies such as Philips . Later Pal gained much success in Hollywood with

3182-480: The figures from a popular wooden toy set. Smith would later claim that this was "the first stop-motion picture in America". The inspiration would have come from seeing how puffs of smoke behaved in the interrupted recordings for a stop trick film they were making. Smith would have suggested to get a patent for the technique, but Blackton thought it wasn't that important. Smith's recollections are not considered to be very reliable. Blackton's The Haunted Hotel made

3256-575: The film Mighty Joe Young (1949). Harryhausen would go on to create many memorable stop motion effects for a string of successful fantasy films over the next three decades. These included The Beast from 20,000 Fathoms (1953), It Came from Beneath the Sea (1955), Jason and the Argonauts (1963), The Golden Voyage of Sinbad (1973) and Clash of the Titans (1981). It wasn't until 1954 before

3330-453: The film has yet been located. It was soon followed by the similar extant film The Sculptor's Nightmare (6 May 1908) by Wallace McCutcheon Sr. J. Stuart Blackton 's The Haunted Hotel (23 February 1907) featured a combination of live-action with practical special effects and stop motion animation of several objects, a puppet and a model of the haunted hotel. It was the first stop motion film to receive wide scale appreciation. Especially

3404-488: The first episode of Unser Sandmänchen (Our Little Sandman) was broadcast on DFF (East German television) . The 10-minute daily bedtime show for young children features the title character as an animated puppet, and other puppets in different segments. A very similar Sandmänchen series, possibly conceived earlier, ran on West German television from 1 December 1959 until the German reunification in 1989. The East German show

3478-444: The literature of photography "nitrate" is used as a synonym for the chemical nitrocellulose . It is also referred to as "cellulose nitrate". Nitrocellulose is guncotton , the first replacement propellant for gun powder in firearms. Film stock with a nitrate base was the first transparent flexible plasticized base commercially available, thanks to celluloid developments by John Carbutt , Hannibal Goodwin , and Eastman Kodak in

3552-441: The more than 300 short films produced between 1896 and 1915 by British film pioneer Arthur Melbourne-Cooper , an estimated 36 contained forms of animation. Based on later reports by Melbourne-Cooper and by his daughter Audrey Wadowska, some believe that Cooper's Matches: an Appeal was produced in 1899 and therefore the first stop-motion animation. The extant black-and-white film shows a matchstick figure writing an appeal to donate

3626-425: The motion of a machine. Due to the long exposure times necessary to capture an image with the photographic emulsions of the period, the sequence could not be recorded live and must have been assembled from separate photographs of the various positions of the machinery. In 1855, Johann Nepomuk Czermak published an article about his Stereophoroskop and other experiments aimed at stereoscopic moving images. He mentioned

3700-675: The movie Cinema Paradiso (1988). The year 1978 was particularly devastating for film archives when both the United States National Archives and Records Administration and George Eastman House had their nitrate film vaults auto-ignite. Eastman House lost the original camera negatives for 329 films, while the National Archives lost 12.6 million feet of newsreel footage. Because cellulose nitrate contains oxygen, nitrate fires are impossible to extinguish. The US Navy has produced an instructional movie about

3774-933: The official selection of the 1946 Cannes Film Festival . The first Belgian animated feature was an adaptation of the Tintin comic The Crab with the Golden Claws (1947) with animated puppets. The first Czech animated feature was the package film The Czech Year (1947) with animated puppets by Jiří Trnka . The film won several awards at the Venice Film Festival and other international festivals. Trnka would make several more award-winning stop motion features including The Emperor's Nightingale (1949), Prince Bayaya (1950), Old Czech Legends (1953) or A Midsummer Night's Dream (1959). He also directed many short films and experimented with other forms of animation. Ray Harryhausen learned under O'Brien on

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3848-415: The original camera negative, as it is vastly preferable, and less costly in time and money, for the film to break instead of the camera. In addition, cameras require a lap-spliceable triacetate base to allow the use of all of the negative stock. PET film base can be ultrasonically spliced or by melting and joining the ends of two films together. There are several factors that can aid in identification of

3922-548: The passage of Venus have not been located, some practice discs survived and the images of one were turned into a short animated film decades after the development of cinematography . In 1887, Étienne-Jules Marey created a large zoetrope with a series of plaster models based on his chronophotographs of birds in flight. It is estimated that 80 to 90 percent of all silent films are lost. Extant contemporary movie catalogs, reviews and other documentation can provide some details on lost films, but this kind of written documentation

3996-425: The possibility of auto-ignition increases further. Projection booth fires were not uncommon in the early decades of cinema if a film managed to be exposed to too much heat while passing through the projector's film gate, and several incidents of this type resulted in audience deaths by flame, smoke, or the resulting stampede. An accidental fire caused by the film jamming in the gate formed a significant plot point in

4070-544: The ringleader in the series being a pink frog named Tubb. In the US, the series was broadcast on Nickelodeon , Noggin and PBS Kids Sprout . The series was originally announced under the working title " Plugg " (an early name for the character of Tubb). BBC started commissioning the show in 2002 after two lost pilots were made: "Plugg" from 1999 and "Splish Splash Splosh!" from 2001. It is unknown if these pilots even exist, but an animator has stated that they did some test animations. Hasbro licensed Rubbadubbers for producing

4144-577: The safe handling and usage of nitrate films which includes footage of a full reel of nitrate film burning under water. The base is so flammable that intentionally igniting the film for test purposes is recommended in quantities no greater than one frame without extensive safety precautions. The smoke produced by burning nitrate film is highly toxic, containing several poisonous gases and can become lethal if inhaled enough. Many nitrate films have been transferred in recent decades to safety stock, and original nitrate prints are generally stored separately to prevent

4218-407: The secrets of stop motion animation. The Insects' Christmas (Рождество обитателей леса, 1913) featured other animated puppets, including Father Christmas and a frog. Starevich made several other stop motion films in the next two years, but mainly went on to direct live-action short and feature films before he fled from Russia in 1918. Willis O' Brien 's first stop motion film was The Dinosaur and

4292-401: The series. "Here Come the Rubbadubbers" was released on May 12, 2003. "Splish! Splash! Splosh!" was released on September 1, 2003, and "Bathtime Scramble" was released on February 23, 2004. Each release contains four episodes, with the first two releases also containing some of the shorts. The three DVDs were reissued as part of a boxset on March 12, 2007, while an additional release – "Swimmin'",

4366-526: The stop-motion technique. It was followed by the revolutionary hand-drawn Fantasmagorie (17 August 1908) and many more animated films by Cohl. Other notable stop-motion films by Cohl include Les allumettes animées (Animated Matches) (1908), and Mobilier fidèle (1910, in collaboration with Romeo Bosetti ). Mobilier fidèle is often confused with Bosetti's object animation tour de force Le garde-meubles automatique (The Automatic Moving Company) (1912). Both films feature furniture moving by itself. Of

4440-478: The stop-trick and popularized it by using it in many of his short films. He reportedly used stop-motion animation in 1899 to produce moving letterforms. Spanish filmmaker Segundo de Chomón (1871–1929) made many trick films in France for Pathé . He has often been compared to Georges Méliès as he also made many fantasy films with stop tricks and other illusions (helped by his wife, Julienne Mathieu ). By 1906 Chomón

4514-589: The syndicated television series The New Adventures of Pinocchio (1960-1961). The Christmas TV special Rudolph the Red-Nosed Reindeer has been telecasted annually since 1964 and has become one of the most beloved holiday specials in the United States. They made three theatrical feature films Willy McBean and His Magic Machine (1965), The Daydreamer (1966, stop motion / live-action) and Mad Monster Party? (1966, released in 1967), and

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4588-450: The television special Ballad of Smokey the Bear (1966) before the collaboration ended. Rankin/Bass worked with other animators for more TV specials, with titles such as The Little Drummer Boy (1968), Santa Claus is Comin' to Town (1970) and Here Comes Peter Cottontail (1971). British television has shown many stop motion series for young children since the 1960s. An early example

4662-431: The toys become dissatisfied with the way the activity or situation goes. they then wish for it to go as planned by beginning the wish with 'if only-' . Suddenly, they begin dreaming about an alternate reality where the wish comes true and they say 'I said, if only!'. Some of the other Rubbadubbers appear in their dream world as well, where they play different versions of their regular selves in order to either assist or hinder

4736-501: The tune of Franz Schubert 's Military March . An abbreviated version of this sequence was later used in television ads for Autolite, especially those on the 1950s CBS program Suspense , which Autolite sponsored. The first British animated feature was the stop motion instruction film Handling Ships (1945) by Halas and Batchelor for the British Admiralty . It was not meant for general cinemas, but did become part of

4810-636: The war and stayed in China afterwards. Due to the scarcity of paint and film stock shortly after the war, Mochinaga decided to work with puppets and stop motion. His work helped popularize puppet animation in China, before he returned to Japan around 1953 where he continued working as animation director. In the 1960s, Mochinaga supervised the "Animagic" puppet animation for productions by Arthur Rankin Jr. and Jules Bass ' Videocraft International, Ltd. (later called Rankin/Bass Productions , Inc.) and Dentsu , starting with

4884-531: Was and find a way to have fun with it. All the Rubbadubbers are then happy again. Every episode ends with Reg the robot , one of the Rubbadubbers, announcing to the others that Benjie and Sis are arriving for their bath. The toys then excitedly prepare themselves for it. Fifteen shorts were produced but never aired on television in the United Kingdom, but six of them were released on DVD . HIT Entertainment released three DVD and VHS releases of

4958-446: Was continued on other German networks when DFF ended in 1991, and is one of the longest running animated series in the world. The theatrical feature Das Sandmännchen – Abenteuer im Traumland (2010) was fully animated with stop motion puppets. Japanese puppet animator Tadahito Mochinaga started out as assistant animator in short anime (propaganda) films Arichan (1941) and Momotarō no Umiwashi (1943). He fled to Manchukuo during

5032-656: Was followed by Pogles' Wood (1965-1967), Clangers (1969-1972, 1974, revived in 2015), Bagpuss (1974) and Tottie: The Story of a Doll's House (1984). Czech surrealist filmmaker Jan Švankmajer 's released his short artistic films since 1964, which usually contain much experimental stop motion. He started to gain much international recognition in the 1980s. Since 1988 he has mostly been directing feature films which feature much more live action than stop motion. These include Alice , an adaptation of Lewis Carroll 's Alice's Adventures in Wonderland , and Faust ,

5106-480: Was more or less similar to the later zoetrope . Czermak explained how suitable stereoscopic photographs could be made by recording a series of models, for instance to animate a growing pyramid. On 27 February 1860, Peter Hubert Desvignes received British patent no. 537 for 28 monocular and stereoscopic variations of cylindrical stroboscopic devices (much like the later zoetrope). Desvignes' Mimoscope , received an Honourable Mention "for ingenuity of construction" at

5180-559: Was recognized as a technique to create lifelike creatures for adventure films. O' Brien further pioneered the technique with animated dinosaur sequences for the live-action feature The Lost World (1925). New York artist Helena Smith Dayton , possibly the first female animator, had much success with her "Caricatypes" clay statuettes before she began experimenting with clay animation. Some of her first resulting short films were screened on 25 March 1917. She released an adaptation of William Shakespeare 's Romeo and Juliet approximately half

5254-554: Was released as a Carry Case DVD on April 9, 2007. HIT Entertainment released four DVD and VHS releases of the series, titled "Here Come the Rubbadubbers" on January 27, "Tubb's Pirate Treasure" on March 16, "High Noon in the Bathroom" on July 13, and "Finbar, the Mighty Movie Star" on October 12, released in 2004, respectively. Each release contained five episodes. Stop-motion The term "stop motion", relating to

5328-491: Was then hired by producer Herbert M. Dawley to direct, create effects, co-write and co-star with him for The Ghost of Slumber Mountain (1918). The collaborative film combined live-action with animated dinosaur models in a 45-minute film, but after the premiere it was cut down to approximately 12 minutes. Dawley did not give O'Brien credits for the visual effects, and instead claimed the animation process as his own invention and even applied for patents. O'Brien's stop motion work

5402-448: Was used for most sub-35 mm formats to minimize risk to the general public. Several formats, such as 17.5 mm, which were often re-slit from 35 mm, were nitrate, however. One of Kodak's reasons for choosing 16 mm instead of 17.5 mm for a standard amateur format width was specifically to prevent nitrate re-slits from being used in home movies. All motion picture camera negatives are now shot on acetate film because it

5476-609: Was using stop motion animation. Le théâtre de Bob (April 1906) features over three minutes of stop motion animation with dolls and objects to represent a fictional automated theatre owned by Bob, played by a live-action child actor. It is the oldest extant film with proper stop motion and a definite release date. Segundo de Chomón 's Sculpteur moderne was released on 31 January 1908 and features heaps of clay molding itself into detailed sculptures that are capable of minor movements. The final sculpture depicts an old woman and walks around before it's picked up, squashed and molded back into

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