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24-634: Western Man is an album by American pianist, vocalist and composer Mose Allison recorded for the Atlantic label in 1971. Allmusic awarded the album 3 stars stating, "Allison's wry wit is in fine form, and his ironic yet truthful lyrics are always fun to hear". The Penguin Guide to Jazz commented on the distant studio sound quality and the strange choice of drummer. All compositions by Mose Allison except as indicated Mose Allison Mose John Allison Jr. (November 11, 1927 – November 15, 2016)

48-473: A casual conversational way with a melodic southern accented tone that has a pitch and range ideally suited to his idiosyncratic phrasing, laconic approach and ironic sense of humour." It was said that Allison was a social critic before Bob Dylan and a music satirist before Randy Newman . His music influenced many blues and rock artists, including Jimi Hendrix , the Rolling Stones , Tom Waits ,

72-425: A coy matter-of-factness, while his no-frills, laid-back singing sets the mood for his jazz trio to lean back and enjoy the ride. Stratton Lawrence It was not until 1963 that his record label allowed him to release an album entirely of vocals. Entitled Mose Allison Sings , it was a compilation of songs from his previous Prestige albums that paid tribute to artists, including Willie Dixon (" The Seventh Son ",

96-623: A single with "Lucinda" as the B-side , however, it did not reach the record charts. In the early 1960s, Johnny Rivers recorded several albums at the Whisky a Go Go , a popular music venue in West Hollywood, California. "The Seventh Son" was included as the opening track on Rivers' 1965 release Meanwhile Back at the Whisky à Go Go . In an AllMusic album review, Bruce Eder noted, "[On]

120-466: A version for the BBC. John Evans , keyboardist for the band Jethro Tull , was influenced by Allison's piano playing, which he described as "so deceptively simple and impressive." Allison helped open the "blues' racial divide, proving that a white man from rural Mississippi could hold his own in a traditionally black genre." The effort proved difficult, which he described in the lyrics of "Ever Since I Stole

144-507: Is happening in the world, and has always read voraciously both past and present histories." Allison died November 15, 2016, four days after his 89th birthday, at his home in Hilton Head, South Carolina . Allison was reported to have strong views about "the domination of money over everything, the growing lack of empathy on the part of the powers-that-be for the population, wars and more wars, and an underlying hypocrisy in society" and

168-409: Is kind of a historical idea. In New Orleans and Algiers, Louisiana, they have these people calling themselves born for good luck because they're the seventh sister or seventh brother or the seventh child. The world has made a pattern out of this seven as a lucky number. Most people think the seventh child has the extra wisdom and knowledge to influence other people. Chess Records released the song as

192-690: The University of Mississippi for a while and then enlisted in the U.S. Army for two years. Shortly after mustering out, he enrolled at Louisiana State University (LSU), from which he graduated in 1952 with a Bachelor of Arts degree in English with a minor in philosophy. Allison received an Honorary Doctorate of Humane Letters from LSU in 2008. In 1956, Allison moved to New York City and launched his jazz career, performing with artists such as Stan Getz , Gerry Mulligan , Al Cohn , Zoot Sims , and Phil Woods . His debut album, Back Country Suite ,

216-525: The 1980s partly because some critics felt it was politically incorrect , but also, he specified, because, "You go to the Mississippi Delta and there are no cotton sacks. It's all machines and chemicals." Prestige tried to market Allison as a pop star , but Columbia and later Atlantic tried to market him as a blues artist. Because he sang blues, Jet magazine thought that he was black and wanted to interview him. His album The Way of

240-472: The 1990s he began recording more consistently. Van Morrison , Georgie Fame and Ben Sidran collaborated with him on a tribute album, Tell Me Something: The Songs of Mose Allison . The Pixies wrote the song "Allison" as a tribute. Allison's music had an important influence on other artists, such as Jimi Hendrix , J. J. Cale , the Yardbirds , the Rolling Stones , Tom Waits , and Pete Townshend . He

264-595: The Blues", one of his most famous songs: "Well the blues police from down in Dixieland ;/ Tried to catch me with the goods on hand / Ever since the white boy stole the blues." His song "Look Here" was covered by the Clash on their album Sandinista! . Leon Russell covered Allison's song "Smashed!" on his album Stop All That Jazz . Allison performed with Van Morrison , Georgie Fame, and Ben Sidran on

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288-527: The City", "Stop This World", "Back on the Corner", and "Swinging Machine". Brood's band Wild Romance was named from the line "I lost my mind in a wild romance" after hearing Mose Allison's recording ( Local Color album, 1957) of Percy Mayfield 's 1951 song "Lost Mind". Allison received 3 Grammy nominations: in 1983 and 1988 for Best Jazz Vocal Performance, Male, and in 2001 for Best Jazz Vocal Album. In 2013, he

312-470: The Who 's Live at Leeds album in 1970. John Mayall was one of dozens who recorded his classic, " Parchman Farm ", and Georgie Fame used many of Allison's songs. Others who recorded his songs included Leon Russell ("I'm Smashed"), The Clash ("Look Here"), and Bonnie Raitt ("Everybody's Cryin' Mercy"). The 1980s saw an increase in his popularity with new fans drawn to his unique blend of modern jazz. In

336-823: The World , released in March 2010, was his first after a 12-year absence from the recording studio. In 2012, Allison was honored with a marker on the Mississippi Blues Trail in his hometown of Tippo. On January 14, 2013, he was named a Jazz Master by the National Endowment for the Arts , the nation's highest honor in jazz, in a ceremony at Lincoln Center in New York. Allison wrote some 150 songs. His performances were described as being "delivered in

360-477: The Yardbirds , John Mayall , J. J. Cale , the Who (who made "Young Man Blues" a staple of their live performances), and Georgie Fame , who described him as "more important than Bob Dylan". Blue Cheer recorded a version of his song "Parchman Farm" on their debut album, as did Cactus . The Yardbirds and the Misunderstood both recorded versions of his song "I'm Not Talking". Manfred Mann also recorded

384-536: The album Tell Me Something: The Songs of Mose Allison . Elvis Costello recorded "Everybody's Cryin' Mercy" for his album Kojak Variety and "Your Mind Is on Vacation" for King of America (bonus tracks). Dani Klein , of the Belgian music act Vaya Con Dios , recorded "Mind on Vacation" for the album Roots and Wings , as did Canadian musician Colin James on his 1997 album National Steel . Frank Black , of

408-558: The arrogance of colonizers of the Americas. With Al Cohn With Stan Getz The Seventh Son Now everybody's talkin' about the seventh son But in the whole round world, there is only one I'm the one, yes, I'm the one I'm the one they call the seventh son In 1955, Willie Mabon was the first to record it. The jazz pianist and singer Mose Allison released it as a single in 1959 and on an album in 1964, calling it one of his "featured numbers". Johnny Rivers recorded

432-508: The band the Pixies , said that the song "Allison", from their album Bossanova , is about Mose Allison. The film The Whole Nine Yards begins with Allison's song "I Don't Worry About a Thing" during the opening credits. Americana singer-songwriter Greg Brown wrote and performed the song "Mose Allison Played Here" for his 1997 album Slant 6 Mind . The Dutch musician Herman Brood recorded several of Allison's songs, including "Going to

456-542: The first track the album), the Mojo Triangle : Sonny Boy Williamson ("Eyesight to the Blind"), and Jimmy Rogers ("That's All Right"). However, an original composition, with no connection other than the same title to "Bukka" White's 1940 "Parchman Farm", on the album brought him the most attention: "Parchman Farm". For more than two decades, "Parchman Farm" was his most requested song. He dropped it from his playlist in

480-412: The song as the lead track for his album Meanwhile Back at the Whisky à Go Go in 1965. Also released as a single, "The Seventh Son" was one of Rivers most popular singles. In his autobiography, Dixon described writing several tunes for Mabon, including "The Seventh Son". He noted that Mabon stuck to his arrangement, unlike others who recorded the song, and commented on its background: The Seventh Son

504-706: Was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz , Al Cohn , and Zoot Sims , along with producing numerous recordings. He is described as having been "one of the finest songwriters in 20th-century blues." His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend , who recorded his " Young Man Blues " for

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528-533: Was awarded the NEA Jazzmasters Award at Lincoln Center. Mose married his wife, Audre, in 1949. They lived in Smithtown, New York , on Long Island , where they raised four children, including a daughter, Amy , who is a musician. Audre Allison said that when she first met Mose, "I could tell that he was someone who generated his own joy." She also said, "Mose has always paid attention to what

552-671: Was inducted into the Long Island Music Hall of Fame in 2006. Allison was born in Tallahatchie County, Mississippi on his grandfather's farm (known as "the Island"), located outside the small unincorporated community of Tippo . The farm got the name, according to Allison, "because Tippo Bayou encircles it." He took piano lessons at 5, picked cotton, played piano in grammar school and trumpet in high school, and wrote his first song at 13. Allison attended

576-450: Was issued by Prestige in 1957. He formed his own trio in 1958, with Addison Farmer on bass and Nick Stabulas on drums. In 1959, he released a single " The Seventh Son " on one side and " Do Nothing Till You Hear from Me " on the other side. When Allison plays, his words strike you first. There's a subtlety to his lyrics, taking sly jabs at difficult women and Western culture with impeccable wit. His delivery and resonance come off with

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