A whiffenpoof was a tool for training Boy Scouts in tracking skills. The whiffenpoof itself was a small log, about the size of a stick of firewood, with nails driven into it on all sides, so that it bristled with nails. This was dragged through the forest on a short leash, by the older Scouts who were training the younger. It might thus create a track that the tenderfoot must learn to trace out. Or it might, alternately, be dragged across a trail in order to confuse the trackers. The fewer nails that were driven into it, the more difficult and subtle was the effect.
7-439: Thus it is that the word whiffenpoof can also refer to an imaginary or indefinite animal; e.g. "the great-horned whiffenpoof". It originates from actor Joseph Cawthorn 's ad-lib in a 1908 performance of the operetta Little Nemo . He was told to stall for time while something was corrected backstage. In the scene, his character described imaginary prey he had hunted, so he created the "water-dwelling, food-gobbling" whiffenpoof on
14-617: A long career lasting over two decades. His first success was playing Boris in Victor Herbert 's 1898 operetta The Fortune Teller . Other notable Broadway roles included the title character in Mother Goose (1903) and inventor Dr. Pill in the fantasy musical Little Nemo (1908). In the latter, he was called upon to ad lib to buy time during one performance while a problem backstage was dealt with. As "the scene called for him to describe imaginary animals he had hunted", he invented
21-695: The " whiffenpoof " on the spot. Yale students in the audience appropriated it for the name of their glee club . When his Broadway stardom waned, Cawthorn moved to Hollywood in 1927 and started a second prolific career, appearing in over 50 films, the last in 1942. He played Gremio in the first sound adaptation of The Taming of the Shrew in 1929, starring Mary Pickford and Douglas Fairbanks ; Schultz in Gold Diggers of 1935 ; and Florenz Ziegfeld 's father in The Great Ziegfeld (1936). He
28-512: The sound of a hunting partner going grunt." "Whiffenpoof" has been used as a joking fictitious name for a member of the upper crust; a 1922 Philadelphia newspaper columnist writes of an opera performance attended by "Mrs. T. Whiffenpoof Oscarbilt, Mr. and Mrs. Dudbadubb Dodo and [their] three dashing daughters who have just finished a term at Mrs. Pettiduck's School for Incorrigibles at Woodfern-by-the-Sea." Joseph Cawthorn Joseph Bridger Cawthorn (March 29, 1868 – January 21, 1949)
35-399: The spot. Yale students in the audience appropriated it for the name of their singing society . Particularly among hunters, "whiffenpoof" can be a tongue-in-cheek name for imaginary animal like the jackalope , or a placeholder name for an animal (analogous to "thingamajig"): "Therefore I have scant patience with the type of argument in rebuttal—on either side—that says in effect: "You say
42-418: The whiffenpoof is—or is not—protectively coloured. Now the other day I was out, and I saw—or did not see—a whiffenpoof, etc." "...the ringtailed whiffenpoof and the four-wheeled skeezicks are languishing in confinement... "Still-hunting offers the purest forest experience. In a stand or blind, you can hear the cry of the whiffenpoof, the tap-tap-tap of the redheaded woodpecker, the scurry of the field mouse, and
49-650: Was an American stage and film comic actor. Born on March 29, 1868, in New York City to a minstrel-show family, Cawthorn started out in show business as a child, debuting at Robinson's Music Hall in New York in 1872. He appeared in minstrel shows and vaudeville as a "Dutch" comic, employing a thick German dialect. He later worked in British music halls and American touring companies. Cawthorn made his Broadway debut in 1895, 1897 or 1898, and embarked on
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