Paul Chadwick (born 1957) is an American comic book creator best known for his series Concrete , about a normal man trapped in a stone body.
104-507: Tom Strong is an American comic book series created by writer Alan Moore and artist Chris Sprouse , initially published bi-monthly by America's Best Comics , an imprint of DC Comics ' Wildstorm division. Tom Strong, the title character, is a "science hero", with a wife, Dhalua, and a daughter, Tesla, both with enhanced physical and mental abilities and longevity. He lives in a building called The Stronghold in Millennium City. He
208-528: A 12-inch single featuring a recording of "This Vicious Cabaret", a song featured in V for Vendetta , which was released on the Glass Records label. Moore wrote the song "Leopardman at C&A" for David J, and it was set to music by Mick Collins for the album We Have You Surrounded by Collins' group The Dirtbombs . Moore's work in 2000 AD brought him to the attention of DC Comics editor Len Wein , who hired him in 1983 to write The Saga of
312-416: A "Marvel"-brand douche caused DC executive Paul Levitz to order the entire print run destroyed and reprinted with the advertisement amended to "Amaze", to avoid friction with DC's competitor Marvel Comics . A Cobweb story Moore wrote for Tomorrow Stories No. 8 featuring references to L. Ron Hubbard , American occultist Jack Parsons , and the " Babalon Working ", was blocked by DC Comics due to
416-400: A British music magazine. (Steve Moore wrote the strip under the name "Pedro Henry", while Alan Moore drew them using the pseudonym of Curt Vile , a pun on the name of composer Kurt Weill .) Not long afterward, Alan Moore succeeded in getting an underground comix -type series about a private detective known as Roscoe Moscow (who is investigating the "death of Rock N' Roll") published (under
520-627: A basis for the Awesome Universe. Moore was not satisfied with Liefeld, saying "I just got fed up with the unreliability of information that I get from him, that I didn't trust him. I didn't think that he was respecting the work and I found it hard to respect him. And also by then I was probably feeling that with the exception of Jim Lee, Jim Valentino – people like that – that a couple of the Image partners were seeming, to my eyes, to be less than gentlemen. They were seeming to be not necessarily
624-466: A beneficial impact on society. He expanded on this for a 2009 book-length essay entitled 25,000 years of Erotic Freedom , which was described by a reviewer as "a tremendously witty history lecture – a sort of Horrible Histories for grownups." In 2007, Moore appeared in animated form in an episode of The Simpsons – a show of which he is a fan – entitled " Husbands and Knives ", which aired on his fifty-fourth birthday. Since 2009, Moore has been
728-436: A company he'd vowed to never work with again". Lee and editor Scott Dunbier flew to England personally to reassure Moore that he would not be affected by the sale, and would not have to deal with DC directly. Moore decided that there were too many people involved to back out from the project, and so ABC was launched in early 1999. The first series published by ABC was The League of Extraordinary Gentlemen , which featured
832-523: A couple of years, I realised that I would never be able to draw well enough and/or quickly enough to actually make any kind of decent living as an artist." To learn more about how to write a successful comic-book script, he asked for advice from his friend Steve Moore. Interested in writing for 2000 AD , one of Britain's most prominent comic magazines, Alan Moore then submitted a script for their long-running and successful series Judge Dredd . While having no need for another writer on Judge Dredd , which
936-654: A cult following throughout subsequent decades. Marvelman (later retitled Miracleman for legal reasons) was a series that originally had been published in Britain from 1954 through to 1963, based largely upon the American comic Captain Marvel . Upon resurrecting Marvelman , Moore "took a kitsch children's character and placed him within the real world of 1982". The work was drawn primarily by Garry Leach and Alan Davis. The third series that Moore produced for Warrior
1040-422: A different age and class – all meet in a European hotel and regale each other with tales of their sexual encounters. With the work, Moore wanted to attempt something innovative in comics, and believed that creating comics pornography was a way of achieving this. He remarked that "I had a lot of different ideas as to how it might be possible to do an up-front sexual comic strip and to do it in a way that would remove
1144-442: A few of his one-off stories for Doctor Who Weekly and Star Wars Weekly . Aiming to get an older audience than 2000 AD , their main rival, they employed Moore to write for the regular strip Captain Britain , "halfway through a storyline that he's neither inaugurated nor completely understood." He replaced the former writer Dave Thorpe but maintained the original artist, Alan Davis, whom Moore described as "an artist whose love for
SECTION 10
#17327943819191248-567: A further £10 a week from this, he decided to sign off of social security and to continue writing and drawing Maxwell the Magic Cat until 1986. Moore has stated that he would have been happy to continue Maxwell's adventures almost indefinitely but ended the strip after the newspaper ran a negative editorial on the place of homosexuals in the community. Meanwhile, Moore decided to focus more fully on writing comics rather than both writing and drawing them, stating that "After I'd been doing [it] for
1352-562: A future 1997 where a fascist government controlled Britain, opposed only by a lone anarchist dressed in a Guy Fawkes costume who turns to terrorism to topple the government. Illustrated by David Lloyd , Moore was influenced by his pessimistic feelings about the Thatcherite Conservative government, which he projected forward as a fascist state in which all ethnic and sexual minorities had been eliminated. It has been regarded as "among Moore's best work" and has maintained
1456-518: A group known as the Northampton Arts Lab . The Arts Lab subsequently made significant contributions to the magazine. He began dealing the hallucinogenic LSD at school, being expelled for doing so in 1970 – he later described himself as "one of the world's most inept LSD dealers". The headmaster of the school subsequently "got in touch with various other academic establishments that I'd applied to and told them not to accept me because I
1560-461: A killing spree, and Batman's effort to stop him. Despite being a key work in helping to redefine Batman as a character, along with Frank Miller 's The Dark Knight Returns and Batman: Year One , Lance Parkin believed that "the theme isn't developed enough" and "it's a rare example of a Moore story where the art is better than the writing," something Moore himself acknowledges. Moore's relationship with DC Comics had gradually deteriorated over
1664-418: A lot of what I saw were the problems with pornography in general. That it's mostly ugly, it's mostly boring, it's not inventive – it has no standards." Like From Hell , Lost Girls outlasted Taboo , and a few subsequent instalments were published erratically until the work was finished and a complete edition published in 2006. Meanwhile, Moore set about writing a prose novel, eventually producing Voice of
1768-573: A media celebrity, and the resulting attention led to him withdrawing from fandom and no longer attending comics conventions (at one UKCAC in London he is said to have been followed into the toilet by eager autograph hunters). He and Gibbons had earlier created the character Mogo as part of DC's Green Lantern Corps and a short story by Moore and artist Kevin O'Neill published in Green Lantern Corps Annual No. 2 (1986)
1872-422: A narrative and music work which was released on CD. After prompting by cartoonist and self-publishing advocate Dave Sim , Moore then used Mad Love to publish his next project, Big Numbers , a proposed 12-issue series set in "a hardly-disguised version of Moore's native Northampton" known as Hampton, and deals with the effects of big business on ordinary people and with ideas of chaos theory . Illustration of
1976-406: A new universe for the characters he had brought with him from Image. Moore's "solution was breathtaking and cocky – he created a long and distinguished history for these new characters, retro-fitting a fake silver and gold age for them." Moore began writing comics for many of these characters, such as Glory and Youngblood , as well as a three-part mini-series known as Judgment Day to provide
2080-492: A number of other publishers over the course of his career. Meanwhile, during this same period, he – using the pseudonym of Translucia Baboon – became involved in the music scene, founding his own band, The Sinister Ducks, with David J (of goth band Bauhaus ) and Alex Green, and in 1983 released a single, March of the Sinister Ducks , with sleeve art by illustrator Kevin O'Neill . In 1984, Moore and David J released
2184-658: A number of writers (including Moore) that challenged the Thatcher government's recently introduced Clause 28 , a law designed to prevent councils and schools "promoting homosexuality". Sales from the book went towards the Organisation of Lesbian and Gay Action, and Moore was "very pleased with" it, stating that "we hadn't prevented this bill from becoming law, but we had joined in the general uproar against it, which prevented it from ever becoming as viciously effective as its designers might have hoped." Moore followed this with
SECTION 20
#17327943819192288-613: A panellist on the BBC Radio 4 programme The Infinite Monkey Cage , which is hosted by physicist Brian Cox and comedian Robin Ince . Paul Chadwick Born in Seattle , Chadwick grew up in its suburb Medina , where his father, Stephen F. Chadwick, was the city attorney. As a teenager, he participated in Apa-5, the amateur press alliance of comics fans, and in 1979 graduated from
2392-642: A personal cosmology". ABC Comics was also used to publish an anthology series, Tomorrow Stories , which featured a regular cast of characters such as Cobweb , First American, Greyshirt , Jack B. Quick , and Splash Brannigan. Tomorrow Stories was notable for being an anthology series, a medium that had largely died out in American comics at the time. Despite the assurances that DC Comics would not interfere with Moore and his work, they subsequently did so, angering him. Specifically, in League of Extraordinary Gentlemen No. 5, an authentic vintage advertisement for
2496-492: A post-modern superhero series, featured a hero inspired by characters pre-dating Superman, such as Doc Savage and Tarzan . The character's drug-induced longevity allowed Moore to include flashbacks to Strong's adventures throughout the 20th century, written and drawn in period styles, as a comment on the history of comics and pulp fiction . The primary artist was Chris Sprouse . Tom Strong bore many similarities to Moore's earlier work on Supreme , but according to Lance Parkin,
2600-532: A profound effect on me. While continuing to live in his parents' home for a few more years, he moved through various jobs, including cleaning toilets and working in a tannery . In late 1973, he met and began a relationship with Northampton-born Phyllis Dixon, with whom he moved into "a little one-room flat in the Barrack Road area in Northampton". Soon marrying, they moved into a new council estate in
2704-416: A proposed age-rating system similar to those used for films. After completing V for Vendetta , which DC had already begun publishing, thus enabling him to finish the final few episodes, in 1989, Moore stopped working for DC. Moore later claimed that fine print in the contracts regarding Watchmen and V for Vendetta , which stipulated that the ownership rights would revert to Moore and the artists after
2808-407: A regular strip. I didn't want to do short stories ... But that wasn't what was being offered. I was being offered short four or five-page stories where everything had to be done in those five pages. And, looking back, it was the best possible education that I could have had in how to construct a story." From 1980 through to 1986, Moore maintained his status as a freelance writer and was offered
2912-515: A second political work, Shadowplay: The Secret Team , a comic illustrated by Bill Sienkiewicz for Eclipse Comics and commissioned by the Christic Institute , which was included as a part of the anthology Brought to Light , a description of the CIA 's covert drug smuggling and arms dealing. In 1998 Brought to Light was adapted by Moore in collaboration with composer Gary Lloyd as
3016-534: A spate of work by a variety of comic book companies in Britain, mainly Marvel UK , and the publishers of 2000 AD and Warrior . He later remarked that "I remember that what was generally happening was that everybody wanted to give me work, for fear that I would just be given other work by their rivals. So everybody was offering me things." It was an era when comic books were increasing in popularity in Britain, and according to Lance Parkin , "the British comics scene
3120-457: A super-dog Radar, and a Kryptonite -like material known as Supremium, in doing so harking back to the original "mythic" figure of the American superhero. Under Moore, Supreme proved a critical and commercial success, announcing that he was back in the mainstream after several years of self-imposed exile. When Rob Liefeld, one of Image's co-founders, split from the publisher and formed his own company Awesome Entertainment, he hired Moore to create
3224-416: A talking bunny is a version of Tom Strong, as well as a Western universe, and even "Tom Teen", where characters are similar to those from Archie Comics . Tom Strong has super-strength and is an inventive genius. Strong maintains his physical health and longevity through the regular consumption of a mysterious herb called Goloka Root. He is an explorer with vast personal wealth and has contributed greatly to
Tom Strong - Misplaced Pages Continue
3328-581: A trade paperback by Eddie Campbell Comics. It was widely praised, with comics author Warren Ellis citing it as his "all-time favourite graphic novel". The other series that Moore began for Taboo was Lost Girls , which he described as a work of intelligent "pornography". Illustrated by Melinda Gebbie , with whom Moore subsequently entered into a relationship, it was set in 1913, where Alice from Alice in Wonderland , Dorothy from The Wizard of Oz and Wendy from Peter Pan – who are each of
3432-504: A two-part story for Vigilante which dealt with domestic abuse. He was eventually given the chance to write a story for one of DC's best-known superheroes, Superman , entitled " For the Man Who Has Everything ", which was illustrated by Dave Gibbons and published in 1985. In this story, Wonder Woman , Batman , and Robin visit Superman on his birthday, only to find that he has been overcome by an alien organism and
3536-594: A variety of characters from Victorian adventure novels, such as H. Rider Haggard 's Allan Quatermain , H. G. Wells ' Invisible Man , Jules Verne 's Captain Nemo , Robert Louis Stevenson 's Dr. Jekyll and Mr. Hyde , and Wilhelmina Murray from Bram Stoker 's Dracula . Illustrated by Kevin O'Neill , the first volume of the series pitted the League against Professor Moriarty from the Sherlock Holmes books;
3640-461: A variety of literary and television figures including Neil Gaiman and Damon Lindelof . He has lived a significant portion of his life in Northampton, England, and he has said in various interviews that his stories draw heavily from his experiences living there. Moore was born on 18 November 1953, at St Edmund's Hospital in Northampton to a working-class family who he believed had lived in
3744-409: Is "quite possibly Moore's most underrated work". Soon after this, Mad Love itself was disbanded as Phyllis and Deborah ended their relationship with Moore, taking with them much of the money that he had earned from his work in the 1980s. Meanwhile, Moore began producing work for Taboo , a small independent comic anthology edited by his former collaborator Stephen R. Bissette . The first of these
3848-425: Is also helped by Pneuman, a steam-powered robot, and King Solomon, a gorilla with human characteristics. His greatest foe is tuxedo-clad "science villain" Paul Saveen. The series explores many different timelines and universes, which are a nod to different comic genres. The primary characters are tributes to and spoofs of early pulp heroes . Spin-offs include Tom Strong's Terrific Tales , Terra Obscura , and
3952-645: Is an occultist , ceremonial magician , and anarchist , and has featured such themes in works including Promethea , From Hell , and V for Vendetta , as well as performing avant-garde spoken word occult "workings" with The Moon and Serpent Grand Egyptian Theatre of Marvels , some of which have been released on CD. Despite his objections, Moore's works have provided the basis for several Hollywood films, including From Hell (2001), The League of Extraordinary Gentlemen (2003), V for Vendetta (2005), and Watchmen (2009). Moore has also been referenced in popular culture and has been recognised as an influence on
4056-481: Is hallucinating about his heart's desire. He followed this with another Superman story, " Whatever Happened to the Man of Tomorrow? ", which was published in 1986. Illustrated by Curt Swan , it was designed as the last Superman story in the pre- Crisis on Infinite Earths DC Universe . The limited series Watchmen , begun in 1986 and collected as a trade paperback in 1987, cemented Moore's reputation. Imagining what
4160-658: Is possessed by an ancient pagan goddess, the titular Promethea, explored many occult themes, particularly the Qabalah and the concept of magic , with Moore stating that "I wanted to be able to do an occult comic that didn't portray the occult as a dark, scary place, because that's not my experience of it ... [ Promethea was] more psychedelic ... more sophisticated, more experimental, more ecstatic and exuberant." Drawn by J. H. Williams III , it has been described as "a personal statement" from Moore, being one of his most personal works, and that it encompasses "a belief system,
4264-491: Is widely recognised among his peers and critics as one of the best comic book writers in the English language. Moore has occasionally used such pseudonyms as Curt Vile , Jill de Ray , Brilburn Logue , and Translucia Baboon ; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. Moore started writing for British underground and alternative fanzines in
Tom Strong - Misplaced Pages Continue
4368-515: The 1963 stuff I'd become aware of how much the comic audience had changed while I'd been away [since 1988]. That all of a sudden it seemed that the bulk of the audience really wanted things that had almost no story, just lots of big, full-page pin-up sort of pieces of artwork. And I was genuinely interested to see if I could write a decent story for that market." He subsequently set about writing what he saw as "better than average stories for 13- to 15-year olds", including three mini-series based upon
4472-713: The Art Center College of Design , where he had majored in illustration. Chadwick began his career creating storyboards for Disney , Warner Brothers , Lucasfilm and other film studios, contributing to such films as Pee Wee's Big Adventure , Strange Brew , The Big Easy , Ewoks: The Battle for Endor , Lies and Miracle Mile . He drew the final issues of the comic book Dazzler , published in 1985 by Marvel Comics , before creating Concrete , first published by Dark Horse Comics in Dark Horse Presents #1 (July 1986). He wrote Gifts of
4576-480: The Spawn series: Violator , Violator/ Badrock , and Spawn: Blood Feud . In 1995, he was also given control of a regular monthly comic, Jim Lee 's WildC.A.T.S. , starting with issue No. 21, which he continued to write for fourteen issues. The series followed two groups of superheroes, one of which is on a spaceship headed back to its home planet, and one of which remains on Earth. Moore's biographer Lance Parkin
4680-633: The Spectre , the Demon , the Phantom Stranger , Deadman , and others, and introduced John Constantine , an English working-class magician based visually on the British musician Sting ; Constantine later became the protagonist of the series Hellblazer , which became Vertigo's longest-running series at 300 issues. Moore wrote Swamp Thing for almost four years, from issue No. 20 (January 1984) through to issue No. 64 (September 1987) with
4784-669: The Twilight proposal before starting work on their series, but that any similarities are both minor and unintended. DC Comics confirmed that the full text of the story would be released in December 2020. Moore wrote the lead story in Batman Annual No. 11 (1987) drawn by George Freeman . The following year saw the publication of The Killing Joke , written by Moore and illustrated by Brian Bolland . It revolved around The Joker , who had escaped Arkham Asylum and gone on
4888-541: The one-shot The Many Worlds of Tesla Strong . A limited series titled Tom Strong and the Planet of Peril was published in 2013 by Vertigo . Tom Strong appears in The Terrifics , a DC Comics series about a group of the same name formed by Mr. Terrific , Metamorpho , Plastic Man and Phantom Girl . Tom is reared in a high- gravity chamber and given an intensive education by his eccentric scientist parents on
4992-2514: The Brain Bazaar! (8 August 2001) w: Alan Moore p: Chris Sprouse, Hilary Barta i: Alan Gordon, Hilary Barta c: Matt Hollingsworth The following issues are collected in Tom Strong: Book Three : Tom Strong #15 – Ring Of Fire! (4 January 2002) w: Alan Moore p: Chris Sprouse i: Karl Story c: Matt Hollingsworth Tom Strong #16 – Some Call Him The Space Cowboy (27 February 2002) w: Alan Moore p: Chris Sprouse i: Karl Story c: Alex Sinclair Tom Strong #17 – Ant Fugue! (3 July 2002) w: Alan Moore p: Chris Sprouse i: Karl Story c: Alex Sinclair Tom Strong #18 – The Last Roundup (30 October 2002) w: Alan Moore p: Chris Sprouse i: Karl Story c: Dave Stewart Tom Strong #19 – Electric Ladyland! ; Bad To The Bone ; The Hero-Hoard Of Horatio Hogg! (19 February 2003) w: Alan Moore, Leah Moore p: Chris Sprouse, Howard Chaykin , Shawn McManus i: Karl Story, Howard Chaykin, Steve Mitchell c: Dave Stewart The following issues are collected in Tom Strong: Book Four : Tom Strong #20 – How Tom Stone Got Started: Chapter One (23 April 2003) w: Alan Moore p: Jerry Ordway i: Karl Story c: Dave Stewart Tom Strong #21 – How Tom Stone Got Started: Chapter Two – Strongmen In Silvertime (20 August 2003) w: Alan Moore p: Jerry Ordway i: Trevor Scott, Karl Story, Richard Friend c: Wildstorm FX Tom Strong #22 – How Tom Stone Got Started: Chapter Three – Crisis In Infinite Hearts (8 October 2003) w: Alan Moore p: Jerry Ordway i: Jerry Ordway, Sandra Hope, Richard Friend c: Dave Stewart Tom Strong #23 – Moonday (12 November 2003) w: Peter Hogan p: Chris Sprouse i: Karl Story, John Dell c: Dave Stewart Tom Strong #24 – Snow Queen (2 January 2004) w: Peter Hogan p: Chris Sprouse i: Karl Story, John Dell c: Dave Stewart Tom Strong #25 – Tom Strong's Pal, Wally Willoughby (25 February 2004) w: Geoff Johns p: John Paul Leon i: John Paul Leon c: Dave Stewart The following issues are collected in Tom Strong: Book Five : Tom Strong #26 – The Day Tom Strong Renegotiated
5096-521: The Curt Vile name) in the weekly music magazine Sounds , earning £35 a week. Alongside this, he and Phyllis, with their newborn daughter Leah , began claiming unemployment benefit to supplement this income. After the conclusion of Roscoe Moscow , Moore started a new strip for Sounds – the serialized comic "The Stars My Degradation" (a reference to Alfred Bester 's The Stars My Destination ), featuring Axel Pressbutton. Alan Moore wrote most of
5200-540: The End of the World (8 March 2006) w: Alan Moore p: Chris Sprouse i: Karl Story c: José Villarrubia Tom Strong's Terrific Tales was an anthology spin-off from the parent title. It usually featured three regular stories in each issue: The series ran for twelve issues, and would be sporadically published over the space of a couple of years. Stories of note include: In 2010, Peter Hogan and Chris Sprouse produced
5304-595: The Fire , which was published in 1996. Unconventional in tone, the novel was a set of short stories about linked events in his hometown of Northampton through the centuries, from the Bronze Age to the present day, which combined to tell a larger story. In 1993 Moore declared himself to be a ceremonial magician . The same year marked a move by Moore back to the mainstream comics industry and back to writing superhero comics. He did so through Image Comics , widely known at
SECTION 50
#17327943819195408-971: The Friendly Skies (5 May 2004) w: Mark Schultz p: Pasqual Ferry i: Pascual Ferry c: Wendy Fouts, Carrie Strachan Tom Strong #27 – Jenny Panic and the Bible of Dreams (8 July 2004) w: Steve Aylett p: Shawn McManus i: Shawn McManus c: Wildstorm FX Tom Strong #28 – A Fire in His Belly (22 September 2004) w: Brian K. Vaughan p: Peter Snejberg c: Wildstorm FX Tom Strong #29 – The Terrible True Life of Tom Strong, Part 1 (13 October 2004) w: Ed Brubaker p: Duncan Fegredo i: Duncan Fegredo c: Carrie Strachan Tom Strong #30 – The Terrible True Life of Tom Strong, Part 2 (29 December 2004) w: Ed Brubaker p: Duncan Fegredo i: Duncan Fegredo c: Michelle Madsen The following issues are collected in
5512-656: The House of Thunder (led by the Captain Marvel family). These two houses are about to unite through a dynastic marriage, their combined power potentially threatening freedom, and several characters, including John Constantine, attempt to stop it and free humanity from the power of superheroes. The series would also have restored the DC Universe's multiple earths, which had been eliminated in the continuity-revising 1985 limited series Crisis on Infinite Earths . The series
5616-600: The Night for DC Comics ' Vertigo imprint, with art by John Bolton . After working on several Matrix comics, Chadwick was asked by the Wachowskis to write the MMORPG The Matrix Online . He outlined the general story direction and offshoots of events in the game. In May 2015, Chadwick announced he is working on a new Concrete series entitled Stars over Sand . In November 2017, he reported he
5720-1630: The Shimmering City (1 March 2000) w: Alan Moore p: Chris Sprouse, Gary Frank (untold tale) i: Alan Gordon, Cam Smith c: Mike Garcia The following issues are collected in Tom Strong: Book Two : Tom Strong #8 – Riders of the Lost Mesa ; The Old Skool! ; Sparks (17 May 2000) w: Alan Moore p: Chris Sprouse, Alan Weiss i: Alan Gordon, Alan Weiss c: Wildstorm FX, Mike Garcia Tom Strong #9 – Terror Temple of Tayasal ; Volcano Dreams ; Flip Attitude! (19 July 2000) w: Alan Moore p: Chris Sprouse, Paul Chadwick i: Alan Gordon, Paul Chadwick c: Matt Hollingsworth Tom Strong #10 – Tom Strong and his Phantom Autogyro ; Funnyland! ; Too Many Teslas? (20 September 2000) w: Alan Moore p: Chris Sprouse, Gary Gianni i: Alan Gordon, Gary Gianni c: Matt Hollingsworth Tom Strong #11 – Strange Reunion (20 December 2000) w: Alan Moore p: Chris Sprouse i: Alan Gordon c: Matt Hollingsworth, David Baron Tom Strong #12 – Terror on Terra Obscura! (18 April 2001) w: Alan Moore p: Chris Sprouse i: Alan Gordon c: Matt Hollingsworth Tom Strong #13 – The Tower at Time's End! (16 May 2001) w: Alan Moore p: Chris Sprouse, Kyle Baker , Russ Heath , Pete Poplaski i: Alan Gordon c: Matt Hollingsworth Tom Strong #14 – Space Family Strong ; The Land of Heart's Desire! ; Baubles of
5824-564: The Swamp Thing , then a formulaic and poor-selling monster comic. Moore, with artists Stephen R. Bissette , Rick Veitch , and John Totleben , deconstructed and reimagined the character, writing a series of formally experimental stories that addressed environmental and social issues alongside the horror and fantasy, bolstered by research into the culture of Louisiana , where the series was set. For Swamp Thing he revived many of DC's neglected magical and supernatural characters, including
5928-551: The age of five, getting books out of the local library, and subsequently attended Spring Lane Primary School. At the same time, he began reading comic strips, initially in British comics, such as Topper and The Beezer , but eventually also American imports such as The Flash , Detective Comics , Fantastic Four , and Blackhawk . He later passed his 11-plus exam and was, therefore, eligible to go to Northampton Grammar School , where he first came into contact with people who were middle class and better educated, and he
6032-466: The character Swamp Thing , and penned original titles such as Watchmen . During that decade, Moore helped to bring about greater social respectability for comics in the United States and United Kingdom. He prefers the term "comic" to " graphic novel ". In the late 1980s and early 1990s he left the comic industry mainstream and went independent for a while, working on experimental work such as
6136-489: The comic was begun by Bill Sienkiewicz, who left the series after only two issues in 1990, and despite plans that his assistant, Al Columbia , would replace him, it never occurred and the series remained unfinished . Following this, in 1991 the company Victor Gollancz Ltd published Moore's A Small Killing , a full-length story illustrated by Oscar Zárate , about a once idealistic advertising executive haunted by his boyhood self. According to Lance Parkin, A Small Killing
6240-463: The comics mainstream. In 2005, he remarked that "I love the comics medium. I pretty much detest the comics industry. Give it another 15 months, I'll probably be pulling out of mainstream, commercial comics." The only ABC title continued by Moore was The League of Extraordinary Gentlemen ; after cutting ties with DC he launched the new League saga, Volume III: Century , in a co-publishing partnership of Top Shelf Productions and Knockabout Comics ,
6344-444: The epic From Hell and the prose novel Voice of the Fire . He subsequently returned to the mainstream later in the 1990s, working for Image Comics , before developing America's Best Comics , an imprint through which he published works such as The League of Extraordinary Gentlemen and the occult-based Promethea . In 2016, he published Jerusalem : a 1,266-page experimental novel set in his hometown of Northampton, UK. Moore
SECTION 60
#17327943819196448-640: The episodes of "The Stars My Degradation" and drew all of them, which appeared in Sounds from 12 July 1980, to 19 March 1983. Beginning in 1979 Moore created a new comic strip known as Maxwell the Magic Cat in the Northants Post (based in Moore's hometown), under the pseudonym of Jill de Ray (a pun on the Medieval child murderer Gilles de Rais , something he found to be a "sardonic joke"). Earning
6552-525: The exception of issues No. 59 and 62. Moore's run on Swamp Thing was successful both critically and commercially, and it inspired DC to recruit British writers such as Grant Morrison , Jamie Delano , Peter Milligan , and Neil Gaiman to write comics in a similar vein, often involving radical revamps of obscure characters. These titles laid the foundation of what became the Vertigo line. Moore began producing further stories for DC Comics, including
6656-481: The fans wanted rather than being innovative. Next he took over Rob Liefeld 's Supreme , about a character with many similarities with DC Comics' Superman . Instead of emphasising increased realism as he had done with earlier superhero comics he had taken over, Moore did the opposite and began basing the series on the Silver Age Superman comics of the 1960s, introducing a female superhero Suprema,
6760-414: The fictional West Indian island of Attabar Teru. His upbringing, plus ingesting a root used by the natives of the island for health and long life, makes him nearly physically and mentally perfect. Though born at the dawn of the 20th century, by the year 2000 he looks as if he is only in his 40s. Tom Strong frequently has adventures alongside his younger self. There is also a parallel cartoon universe where
6864-873: The final volume Tom Strong: Book Six : Tom Strong #31 – The Black Blade of the Barbary Coast, Part 1 (16 February 2005) w: Michael Moorcock p: Jerry Ordway i: Jerry Ordway c: Michelle Madsen Tom Strong #32 – The Black Blade of the Barbary Coast, Part 2 (13 April 2005) w: Michael Moorcock p: Jerry Ordway i: Jerry Ordway c: Michelle Madsen Tom Strong #33 – The Journey Within (8 June 2005) w: Joe Casey p: Ben Oliver i: Ben Oliver c: Joe Mettler Tom Strong #34 – The Spires of Samakhara (31 August 2005) w: Steve Moore p: Paul Gulacy i: Jimmy Palmiotti c: Michelle Madsen Tom Strong #35 – Cold Calling (2 November 2005) w: Peter Hogan p: Chris Sprouse i: Karl Story Tom Strong #36 – Tom Strong at
6968-397: The first part, titled "1910" released in 2009, the second, titled "1969", released in 2011, and the third, titled "2009", released in 2012. He continues to work with Kevin O'Neill on their League of Extraordinary Gentlemen spin-off, Nemo , with three graphic novels published, "Heart of Ice", "The Roses of Berlin", and "River of Ghosts". In 2006, the complete edition of Lost Girls
7072-429: The greatest comic book ever written. Alongside roughly contemporary works such as Frank Miller's Batman: The Dark Knight Returns , Art Spiegelman 's Maus , and Jaime and Gilbert Hernandez 's Love and Rockets , Watchmen was part of a late 1980s trend in American comics towards more adult sensibilities. Comics historian Les Daniels noted that Watchmen "called into question the basic assumptions on which
7176-417: The hero fights a fascist dictatorship based in London, in the other an Aryan superman imposes one." Although Moore's work numbered amongst the most popular strips to appear in 2000 AD , Moore himself became increasingly concerned at the lack of creator's rights in British comics. In 1985, he talked to fanzine Arkensword , noting that he had stopped working for all British publishers bar IPC, "purely for
7280-409: The issues of creator's rights and merchandising. Moore and Gibbons were not paid any royalties for a Watchmen spin-off badge set, as DC defined them as a "promotional item", and according to certain reports, he and Gibbons gained only 2% of the profits earned by DC for Watchmen . Meanwhile, a group of creators including Moore, Frank Miller, Marv Wolfman , and Howard Chaykin , fell out with DC over
7384-470: The late 1970s before achieving success publishing comic strips in such magazines as 2000 AD and Warrior . He was subsequently picked up by DC Comics as "the first comics writer living in Britain to do prominent work in America", where he worked on major characters such as Batman ( Batman: The Killing Joke ) and Superman (" Whatever Happened to the Man of Tomorrow? "), substantially developed
7488-597: The local paper Anon , and St. Pancras Panda , a parody of Paddington Bear , for the Oxford-based Back Street Bugle . His first paid work was for a few drawings that were printed in NME . In late 1979/early 1980, he and his friend, comic-book writer Steve Moore (whom he had known since he was fourteen) co-created the violent cyborg character Axel Pressbutton for some comics in Dark Star ,
7592-567: The magazine were impressed by Moore's work and decided to offer him a more permanent strip, starting with a story that they wanted to be vaguely based upon the hit film E.T. the Extra-Terrestrial . The result, Skizz , which was illustrated by Jim Baikie , told the story of the titular alien who crashes to Earth and is cared for by a teenager named Roxy, and Moore later noted that in his opinion, this work "owes far too much to Alan Bleasdale ." Another series he produced for 2000 AD
7696-474: The mainstream, Moore, with his wife Phyllis and their mutual lover Deborah Delano, set up their own comics publishing company, which they named Mad Love. The works they published in Mad Love turned away from the science fiction and superhero genres that Moore was used to writing, instead focusing on realism, ordinary people, and political causes. Mad Love's first publication, AARGH , was an anthology of work by
7800-429: The medium and whose sheer exultation upon finding himself gainfully employed within it shine from every line, every new costume design, each nuance of expression." The third comic company that Moore worked for in this period was Quality Communications , publishers of a new monthly magazine called Warrior . The magazine was founded by Dez Skinn , a former editor of both IPC (publishers of 2000 AD ) and Marvel UK, and
7904-399: The people I wanted to deal with." Image partner Jim Lee offered to provide Moore with his own imprint, which would be under Lee's company WildStorm Productions . Moore named this imprint America's Best Comics , lining up a series of artists and writers to assist him in this venture. Lee soon sold WildStorm – including America's Best Comics – to DC Comics, and "Moore found himself back with
8008-452: The period is connected with the events in some way, including "Elephant Man" Joseph Merrick , Oscar Wilde , Native American writer Black Elk , William Morris , artist Walter Sickert , and Aleister Crowley , who makes a brief appearance as a young boy. Illustrated in a sooty pen-and-ink style by Eddie Campbell , From Hell took nearly ten years to complete, outlasting Taboo and going through two more publishers before being collected as
8112-493: The reason that IPC so far have avoided lying to me, cheating me or generally treating me like shit." He did join other creators in decrying the wholesale relinquishing of all rights, and in 1986 stopped writing for 2000 AD , leaving mooted future volumes of the Halo Jones story unstarted. Moore's outspoken opinions and principles, particularly on the subject of creator's rights and ownership, would see him burn bridges with
8216-571: The second, against the Martians from The War of the Worlds . A third volume entitled The Black Dossier was set in the 1950s. The series was well received, and Moore was pleased that an American audience was enjoying something he considered "perversely English", and that it was inspiring some readers to get interested in Victorian literature. Another of Moore's ABC works was Tom Strong ,
8320-453: The six-issue series Tom Strong and the Robots of Doom , followed by six-issue story Tom Strong and the Planet of Peril in 2013. Alan Moore Alan Moore (born 18 November 1953) is an English author known primarily for his work in comic books including Watchmen , V for Vendetta , The Ballad of Halo Jones , Swamp Thing , Batman: The Killing Joke , and From Hell . He
8424-472: The stories had gone out of publication, had tricked him into believing he would eventually retain ownership, only to discover that DC had no intention of ceasing publication of the stories, effectively preventing the ownership from ever returning to Moore. In a 2006 interview with The New York Times , Moore recalled telling DC, "I said, 'Fair enough. You have managed to successfully swindle me, and so I will never work for you again'". Abandoning DC Comics and
8528-493: The subject matter. DC had already published a version of the same event in their Paradox Press volume The Big Book of Conspiracies . In 2003, a documentary about him was made by Shadowsnake Films, titled The Mindscape of Alan Moore , which was later released on DVD. With many of the stories he had planned for America's Best Comics brought to an end, and with his increasing dissatisfaction with how DC Comics were interfering with his work, he decided to once more pull out of
8632-445: The superhero genre is formulated". DC Comics writer and executive Paul Levitz observed in 2010 that "As with The Dark Knight Returns , Watchmen set off a chain reaction of rethinking the nature of superheroes and heroism itself, and pushed the genre darker for more than a decade. The series won acclaim ... and would continue to be regarded as one of the most important literary works the field ever produced." Moore briefly became
8736-505: The symmetrical design of issue 5, "Fearful Symmetry", where the last page is a near mirror-image of the first, the second-last of the second, and so on, and in this manner is an early example of Moore's interest in the human perception of time and its implications for free will. It is the only comic to win the Hugo Award , in a one-time category ("Best Other Form"). It is widely seen as Moore's best work, and has been regularly described as
8840-1239: The technology available in Millennium City. The following issues are collected in Tom Strong: Book One : Tom Strong #1 – How Tom Strong Got Started (7 April 1999) w: Alan Moore p: Chris Sprouse i: Alan Gordon c: Tad Ehrlich Tom Strong #2 – Return of the Modular Man (12 May 1999) w: Alan Moore p: Chris Sprouse i: Alan Gordon c: Tad Ehrlich Tom Strong #3 – Aztech Nights (8 July 1999) w: Alan Moore p: Chris Sprouse i: Alan Gordon c: Tad Ehrlich Tom Strong #4 – Swastika Girls! (1 September 1999) w: Alan Moore p: Chris Sprouse, Art Adams (untold tale) i: Alan Gordon c: Tad Ehrlich Tom Strong #5 – Memories of Pangaea , Escape from Eden! (13 October 1999) w: Alan Moore p: Chris Sprouse, Jerry Ordway (untold tale) i: Alan Gordon c: Tad Ehrlich Tom Strong #6 – Dead Man's Hand , The Big Heat? (29 December 1999) w: Alan Moore p: Chris Sprouse, Dave Gibbons (untold tale) i: Alan Gordon, Dave Gibbons c: Mike Garcia Tom Strong #7 – Sons and Heirs , Showdown in
8944-473: The time for its flashy artistic style, graphic violence, and scantily clad large-breasted women, something that horrified many of his fans. His first work published by Image, an issue of the series Spawn , was soon followed by the creation of his own mini-series, 1963 , which was "a pastiche of Jack Kirby stories drawn for Marvel in the sixties, with their rather overblown style, colourful characters and cosmic style". According to Moore, "after I'd done
9048-497: The town for several generations. He grew up in a part of Northampton known as The Boroughs, a poverty-stricken area with a lack of facilities and high levels of illiteracy, but he nonetheless "loved it. I loved the people. I loved the community and ... I didn't know that there was anything else." He lived in a house with his parents, brewery worker Ernest Moore and printer Sylvia Doreen, with his younger brother Mike, and with his maternal grandmother. He "read omnivorously" from
9152-453: The town's eastern district while he worked in an office for a sub-contractor of the local gas board. Moore felt that he was not being fulfilled by this job, and so decided to try to earn a living doing something more artistic. Abandoning his office job, he decided to instead take up both writing and illustrating his own comics. He had already produced a couple of strips for several alternative fanzines and magazines, such as Anon E. Mouse for
9256-576: The world would be like if costumed heroes had really existed since the 1940s, Moore and artist Dave Gibbons created a Cold War mystery in which the shadow of nuclear war threatens the world. The heroes who are caught up in this escalating crisis either work for the US government or are outlawed, and are motivated to heroism by their various psychological hang-ups. Watchmen is non-linear and told from multiple points of view, and includes highly sophisticated self-references, ironies, and formal experiments such as
9360-514: Was D.R. and Quinch , which was illustrated by Alan Davis . The story, which Moore described as "continuing the tradition of Dennis the Menace , but giving him a thermonuclear capacity", revolved around two delinquent aliens, and was a science-fiction take on National Lampoon ' s characters O.C. and Stiggs . The work widely considered to be the highlight of his 2000 AD career, and that which he described as "the one that worked best for me",
9464-504: Was From Hell , a fictionalised account of the Jack the Ripper murders of the 1880s. Inspired by Douglas Adams ' novel Dirk Gently's Holistic Detective Agency , Moore reasoned that to solve a crime holistically , one would need to solve the entire society it occurred in, and depicts the murders as a consequence of the politics and economics of the time. Just about every notable figure of
9568-417: Was The Ballad of Halo Jones . Co-created with artist Ian Gibson , the series was about a young woman in the 50th century. The series was discontinued after three books due to a dispute between Moore and Fleetway, the magazine's publishers, over the intellectual property rights of the characters Moore and Gibson had co-created. Another comic company to employ Moore was Marvel UK, who had formerly purchased
9672-436: Was The Bojeffries Saga , a comedy about a working-class English family of vampires and werewolves , drawn by Steve Parkhouse . Warrior closed before these stories were completed, but under new publishers both Miracleman and V for Vendetta were resumed by Moore, who finished both stories by 1989. Moore's biographer Lance Parkin remarked that "reading them through together throws up some interesting contrasts – in one
9776-405: Was "more subtle", and was "ABC's most accessible comic". Moore's Top 10 , a deadpan police procedural drama set in a city called Neopolis where everyone, including the police, criminals, and civilians has super-powers, costumes, and secret identities, was drawn by Gene Ha and Zander Cannon . The series ended after twelve issues but has spawned four spin-offs: a miniseries Smax , which
9880-469: Was a danger to the moral well-being of the rest of the students there, which was possibly true." LSD was an incredible experience. Not that I'm recommending it for anybody else; but for me it kind of – it hammered home to me that reality was not a fixed thing. That the reality that we saw about us every day was one reality, and a valid one – but that there were others, different perspectives where different things have meaning that were just as valid. That had
9984-509: Was already being written by John Wagner , fellow writer Alan Grant saw promise in Moore's work – later remarking that "this guy's a really fucking good writer" – and instead asked him to write some short stories for the publication's Future Shocks series. While the first few were rejected, Grant advised Moore on improvements, and eventually accepted the first of many. Meanwhile, Moore had also begun writing minor stories for Doctor Who Weekly and later commented that "I really, really wanted
10088-416: Was cohering as never before, and it was clear that the audience was sticking with the title as they grew up. Comics were no longer just for very small boys: teenagers – even A-level and university students – were reading them now." During this period, 2000 AD accepted and published over fifty of Moore's one-off stories for their Future Shocks and Time Twisters science fiction series. The editors at
10192-412: Was critical of the run, feeling that it was one of Moore's worst, and that "you feel Moore should be better than this. It's not special." Moore himself, who remarked that he took on the series – his only regular monthly comic series since Swamp Thing – largely because he liked Jim Lee, admitted that he was not entirely happy with the work, believing that he had catered too much to his conceptions of what
10296-514: Was designed to offer writers a greater degree of freedom over their artistic creations than was allowed by pre-existing companies. It was at Warrior that Moore "would start to reach his potential". Moore was given two ongoing strips in Warrior : Marvelman and V for Vendetta , both of which debuted in Warrior ' s first issue in March 1982. V for Vendetta was a dystopian thriller set in
10400-555: Was never commissioned, but copies of Moore's detailed notes have appeared on the Internet and in print despite the efforts of DC, who consider the proposal their property. Similar elements, such as the concept of hypertime , have since appeared in DC comics. The 1996 miniseries Kingdom Come by Mark Waid and Alex Ross , was also set amid a superheroic conflict in the future of the DC Universe. Waid and Ross have stated that they had read
10504-567: Was one of the inspirations for the " Blackest Night " storyline in 2009–2010. In 1987, Moore submitted a proposal for a miniseries called Twilight of the Superheroes , the title a twist on Richard Wagner 's opera Götterdämmerung (meaning "Twilight of the Gods"). The series was set in the future of the DC Universe, where the world is ruled by superheroic dynasties, including the House of Steel (presided over by Superman and Wonder Woman) and
10608-465: Was published, as a slipcased set of three hardcover volumes. The same year Moore published an eight-page article tracing out the history of pornography in which he argued that a society's vibrancy and success are related to its permissiveness in sexual matters. Decrying that the consumption of contemporary ubiquitous pornography was still widely considered shameful, he called for a new and more artistic pornography that could be openly discussed and would have
10712-542: Was set in a fantasy realm and drawn by Cannon; Top 10: The Forty-Niners , a prequel to the main Top Ten series drawn by Ha; and two sequel miniseries, Top 10: Beyond the Farthest Precinct , which was written by Paul Di Filippo and drawn by Jerry Ordway , and Top 10: Season Two , written by Cannon and drawn by Ha. Moore's series Promethea , which told the story of a teenage girl, Sophie Bangs, who
10816-543: Was shocked at how he went from being one of the top pupils at his primary school to one of the lowest in the class at secondary. Subsequently, disliking school and having "no interest in academic study", he believed that there was a "covert curriculum" being taught that was designed to indoctrinate children with "punctuality, obedience and the acceptance of monotony". In the late 1960s, Moore began publishing his poetry and essays in fanzines , eventually setting up his fanzine, Embryo . Through Embryo , Moore became involved in
#918081