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57-406: Tanka ( 短歌 , "short poem") is a genre of classical Japanese poetry and one of the major genres of Japanese literature . Originally, in the time of the influential poetry anthology Man'yōshū (latter half of the eighth century AD), the term tanka was used to distinguish "short poems" from the longer chōka ( 長歌 , "long poems") . In the ninth and tenth centuries, however, notably with

114-453: A newly built house. Utaawase was a contest in two teams. Themes were determined and a chosen poet from each team wrote a waka for a given theme. The judge appointed a winner for each theme and gave points to the winning team. The team which received the largest sum was the winner. The first recorded Utaawase was held in around 885. At first, Utaawase was playful and mere entertainment, but as the poetic tradition deepened and grew, it turned into

171-645: A number of subgenres, for example by setting or subject, or a distinctive national style, for example in the Indian Bollywood musical. A music genre is a conventional category that identifies pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style , although in practice these terms are sometimes used interchangeably. There are numerous genres in Western classical music and popular music , as well as musical theatre and

228-411: A particular culture or community. The work of Georg Lukács also touches on the nature of literary genres , appearing separately but around the same time (1920s–1930s) as Bakhtin. Norman Fairclough has a similar concept of genre that emphasizes the social context of the text: Genres are "different ways of (inter)acting discoursally" (Fairclough, 2003: 26). A text's genre may be determined by its: In

285-410: A pawn in their war with their father Tokimasa; Tokimasa tried to depose his grandson a number of times, beginning in 1205, causing Sanetomo to fear for his life thereafter. Sanetomo, understanding his own powerlessness and not wanting to meet the same fate as his elder brother, put his time and energy into writing waka poetry and gaining posts within the powerless but honorary imperial court. Sanetomo

342-564: A serious aesthetic contest, with considerably more formality. Genre Critical discussion of genre perhaps began with a classification system for ancient Greek literature , as set out in Aristotle's Poetics . For Aristotle, poetry ( odes , epics , etc.), prose , and performance each had specific features that supported appropriate content of each genre. Speech patterns for comedy would not be appropriate for tragedy, for example, and even actors were restricted to their genre under

399-477: A small island, On the white sand. I, my face streaked with tears, Am playing with a crab Masaoka Shiki 's (1867–1902) poems and writing (as well as the work of his friends and disciples) have had a more lasting influence. The magazine Hototogisu , which he founded, still publishes. In the Meiji period (1868–1912), Shiki claimed the situation with waka should be rectified, and waka should be modernized in

456-481: A story, or allegorical personifications. They usually deal with subjects drawn from "everyday life". These are distinguished from staffage : incidental figures in what is primarily a landscape or architectural painting. "Genre" is also be used to refer to specialized types of art such as still-life , landscapes, marine paintings and animal paintings, or groups of artworks with other particular features in terms of subject-matter, style or iconography . The concept of

513-536: A structured classification system of genre, as opposed to a more contemporary rhetorical model of genre. The basic genres of film can be regarded as drama, in the feature film and most cartoons , and documentary . Most dramatic feature films, especially from Hollywood fall fairly comfortably into one of a long list of film genres such as the Western , war film , horror film , romantic comedy film , musical , crime film , and many others. Many of these genres have

570-574: A tanka to thank his supporters. The Japanese imperial family continue to write tanka for the New Year . In ancient times, it was a custom between two writers to exchange waka instead of letters in prose. In particular, it was common between lovers. Reflecting this custom, five of the twenty volumes of the Kokin Wakashū gathered waka for love. In the Heian period the lovers would exchange waka in

627-510: A viable mode. He then uses two additional criteria to distinguish the system. The first of the criteria is the object to be imitated, whether superior or inferior. The second criterion is the medium of presentation: words, gestures, or verse. Essentially, the three categories of mode , object , and medium can be visualized along an XYZ axis. Excluding the criteria of medium, Aristotle's system distinguished four types of classical genres: tragedy , epic , comedy , and parody . Genette explained

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684-542: Is a highly specialized, narrow classification of a cultural practice. The term has come into usage in the 21st century, and most commonly refers to music. It is also associated with the hyper-specific categories used in recommendations for television shows and movies on digital streaming platforms such as Netflix , and is sometimes used more broadly by scholars analyzing niche forms in other periods and other media. Minamoto no Sanetomo Minamoto no Sanetomo ( 源 実朝 , September 12, 1192 – February 13, 1219, r. 1203–1219)

741-491: Is called the kami-no-ku ( 上の句 , "upper phrase") , and the 7-7 is called the shimo-no-ku ( 下の句 , "lower phrase") . Sometimes the distinction between Waka and Tanka are drawn on where the division is placed, either after the first couplet or after the first tercet , but sources disagree. Even in early classical compilations of these poem, such as the Ogura Hyakunin Isshu , the form is often broken to suit

798-446: Is further subdivided into epic , lyric , and drama . The divisions are recognized as being set by Aristotle and Plato ; however, they were not the only ones. Many genre theorists added to these accepted forms of poetry . The earliest recorded systems of genre in Western history can be traced back to Plato and Aristotle . Gérard Genette explains his interpretation of the history of genre in "The Architext". He described Plato as

855-521: Is met or not. Many genres have built-in audiences and corresponding publications that support them, such as magazines and websites. Inversely, audiences may call out for change in an antecedent genre and create an entirely new genre. The term may be used in categorizing web pages , like "news page" and "fan page", with both very different layout, audience, and intention (Rosso, 2008). Some search engines like Vivísimo try to group found web pages into automated categories in an attempt to show various genres

912-407: Is often applied, sometimes rather loosely, to other media with an artistic element, such as video game genres . Genre, and numerous minutely divided subgenres, affect popular culture very significantly, not least as they are used to classify it for publicity purposes. The vastly increased output of popular culture in the age of electronic media encourages dividing cultural products by genre to simplify

969-562: The Hōjō clan . This was presumably to keep the shōgun a child and thus needing a regent ( shikken ) to make decisions in his place. Shortly thereafter, in 1203, Sanetomo became head of the Minamoto clan and was appointed Sei-i Taishōgun . A year later, Yoriie was assassinated by the Hōjō. Sanetomo was never more than a puppet for his mother Hōjō Masako and maternal uncle Hōjō Yoshitoki, who used him as

1026-522: The Renaissance period. According to Green, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511 , and the Agnus Dei from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe , treat the terms genre and style as

1083-497: The Taishō period (1912–26), Mokichi Saitō and his friends began publishing a magazine, Araragi , which praised the Man'yōshū . Using their magazine they spread their influence throughout the country. Their modernization aside, in the court the old traditions still prevailed. The court continues to hold many utakai (waka reading parties) both officially and privately. The utakai that

1140-423: The dharma                             how glad I would be Tanka consist of five units (often treated as separate lines when romanized or translated) usually with the following pattern of on (often treated as, roughly, the number of syllables per unit or line): The 5-7-5

1197-536: The " hierarchy of genres " was a powerful one in artistic theory, especially between the 17th and 19th centuries. It was strongest in France, where it was associated with the Académie française which held a central role in academic art . The genres, which were mainly applied to painting, in hierarchical order are: The hierarchy was based on a distinction between art that made an intellectual effort to "render visible

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1254-468: The Emperor holds on the first of the year is called Utakai Hajime and it is an important event for waka poets; the Emperor himself releases a single tanka for the public's perusal. After World War II , waka began to be considered out-of-date, but since the late 1980s it has revived under the example of contemporary poets, such as Machi Tawara . With her 1987 bestselling collection Salad Anniversary ,

1311-456: The assumption that a type of person could tell one type of story best. Genres proliferate and develop beyond Aristotle's classifications— in response to changes in audiences and creators. Genre has become a dynamic tool to help the public make sense out of unpredictability through artistic expression. Given that art is often a response to a social state, in that people write, paint, sing, dance, and otherwise produce art about what they know about,

1368-489: The closely related concept of "genre ecologies". Reiff and Bawarshi define genre analysis as a critical reading of people's patterns of communication in different situations. This tradition has had implications for the teaching of writing in American colleges and universities. Combining rhetorical genre theory with activity theory , David Russell has proposed that standard English composition courses are ill-suited to teach

1425-562: The compilation of the Kokinshū , the short poem became the dominant form of poetry in Japan, and the originally general word waka ( 和歌 , "Japanese poem") became the standard name for this form. Japanese poet and critic Masaoka Shiki revived the term tanka in the early twentieth century for his statement that waka should be renewed and modernized . Haiku is also a term of his invention, used for his revision of standalone Hokku , with

1482-455: The composition, presentation, and judgment of waka. There were two types of waka party that produced occasional poetry : Utakai and Uta-awase . Utakai was a party in which all participants wrote a waka and recited them. Utakai derived from Shikai, Kanshi party and was held in occasion people gathered like seasonal party for the New Year, some celebrations for a newborn baby, a birthday, or

1539-418: The creator of three imitational, mimetic genres distinguished by mode of imitation rather than content. These three imitational genres include dramatic dialogue, the drama ; pure narrative, the dithyramb ; and a mixture of the two, the epic . Plato excluded lyric poetry as a non-mimetic, imitational mode. Genette further discussed how Aristotle revised Plato's system by first eliminating the pure narrative as

1596-948: The field of rhetoric , genre theorists usually understand genres as types of actions rather than types or forms of texts. On this perspective, texts are channels through which genres are enacted. Carolyn Miller's work has been especially important for this perspective. Drawing on Lloyd Bitzer 's concept of rhetorical situation, Miller reasons that recurring rhetorical problems tend to elicit recurring responses; drawing on Alfred Schütz , she reasons that these recurring responses become "typified" – that is, socially constructed as recognizable types. Miller argues that these "typified rhetorical actions" (p. 151) are properly understood as genres. Building off of Miller, Charles Bazerman and Clay Spinuzzi have argued that genres understood as actions derive their meaning from other genres – that is, other actions. Bazerman therefore proposes that we analyze genres in terms of "genre systems", while Spinuzzi prefers

1653-593: The fourth and final type of Greek literature , was excluded by Plato as a non-mimetic mode. Aristotle later revised Plato's system by eliminating the pure narrative as a viable mode and distinguishing by two additional criteria: the object to be imitated, as objects could be either superior or inferior, and the medium of presentation such as words, gestures or verse. Essentially, the three categories of mode, object, and medium dialogue, epic (superior-mixed narrative), comedy (inferior-dramatic dialogue), and parody (inferior-mixed narrative). Genette continues by explaining

1710-401: The genres prose or poetry , which shows best how loosely genres are defined. Additionally, a genre such as satire might appear in any of the above, not only as a subgenre but as a mixture of genres. Finally, they are defined by the general cultural movement of the historical period in which they were composed. In popular fiction , which is especially divided by genres, genre fiction is

1767-492: The genres that students will write in other contexts across the university and beyond. Elizabeth Wardle contends that standard composition courses do teach genres, but that these are inauthentic "mutt genres" that are often of little use outside composition courses. Genre is effective as a tool in rhetoric because it allows a speaker to set the context for a rhetorical discussion. Devitt, Reiff, and Bawarshi suggest that rhetorical genres may be assigned based on careful analysis of

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1824-465: The imperial court, Udaijin (Minister of the Right or "vice-premier") in 1218. Eventually, Sanetomo lapsed into inactivity and despair, plagued by fear of assassination and tormented by his chronic alcoholism (an addiction which Priest Eisai once tried to break by replacing alcohol with tea ). Under heavy snow on the evening of February 13, 1219 ( Jōkyū 1, 27th day of the 1st month ), Sanetomo

1881-573: The integration of lyric poetry into the classical system by replacing the removed pure narrative mode. Lyric poetry , once considered non-mimetic, was deemed to imitate feelings, becoming the third "Architext", a term coined by Gennette, of a new long-enduring tripartite system: lyrical; epical, the mixed narrative; and dramatic, the dialogue. This new system that came to "dominate all the literary theory of German romanticism " (Genette 38) has seen numerous attempts at expansion and revision. Such attempts include Friedrich Schlegel 's triad of subjective form,

1938-520: The later integration of lyric poetry into the classical system during the romantic period , replacing the now removed pure narrative mode. Lyric poetry, once considered non-mimetic, was deemed to imitate feelings, becoming the third leg of a new tripartite system: lyrical, epical, and dramatic dialogue. This system, which came to "dominate all the literary theory of German romanticism (and therefore well beyond)…" (38), has seen numerous attempts at expansion or revision. However, more ambitious efforts to expand

1995-433: The life of aristocrats. Murasaki Shikibu uses 795 waka in her The Tale of Genji as waka her characters made in the story. Some of these are her own, although most are taken from existing sources. Shortly, making and reciting waka became a part of aristocratic culture. They recited a part of appropriate waka freely to imply something on an occasion. Much like with tea , there were a number of rituals and events surrounding

2052-496: The lyric; objective form, the dramatic; and subjective-objective form, the epic. However, more ambitious efforts to expand the tripartite system resulted in new taxonomic systems of increasing complexity. Gennette reflected upon these various systems, comparing them to the original tripartite arrangement: "its structure is somewhat superior to most of those that have come after, fundamentally flawed as they are by their inclusive and hierarchical taxonomy, which each time immediately brings

2109-510: The more usual term. In literature , genre has been known as an intangible taxonomy . This taxonomy implies a concept of containment or that an idea will be stable forever. The earliest recorded systems of genre in Western history can be traced back to Plato and Aristotle. Gérard Genette , a French literary theorist and author of The Architext , describes Plato as creating three Imitational genres: dramatic dialogue, pure narrative, and epic (a mixture of dialogue and narrative). Lyric poetry ,

2166-404: The morning when lovers met at the woman's home. The exchanged waka were called Kinuginu (後朝), because it was thought the man wanted to stay with his lover and when the sun rose he had almost no time to put on his clothes on which he had lain instead of a mattress (it being the custom in those days). Works of this period, The Pillow Book and The Tale of Genji provide us with such examples in

2223-847: The music of non-Western cultures. The term is now perhaps over-used to describe relatively small differences in musical style in modern rock music , that also may reflect sociological differences in their audiences. Timothy Laurie suggests that in the context of rock and pop music studies, the "appeal of genre criticism is that it makes narratives out of musical worlds that often seem to lack them". Music can be divided into different genres in several ways. The artistic nature of music means that these classifications are often arbitrary and controversial, and some genres may overlap. There are several academic approaches to genres. In his book Form in Tonal Music , Douglass M. Green lists madrigal , motet , canzona , ricercar , and dance as examples of genres from

2280-410: The poet has been credited with revitalising the tanka for modern audiences. Today there are many circles of tanka poets. Many newspapers have a weekly tanka column, and there are many professional and amateur tanka poets; Makoto Ōoka 's poetry column was published seven days a week for more than 20 years on the front page of Asahi Shimbun . As a parting gesture, outgoing PM Jun'ichirō Koizumi wrote

2337-531: The poet's preferences. During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors. Yosano Tekkan and the poets that were associated with his Myōjō magazine were one example, but that magazine

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2394-699: The same idea. Within these ten square miles: is this in Hinuki alone? The rice ripe and for three festival days                                 the whole sky clear Because of an illness, crumbling,                                         this life— if I could give it for

2451-557: The same way as other things in the country. He praised the style of Man'yōshū as manly, as opposed to the style of Kokin Wakashū , the model for waka for a thousand years, which he denigrated and called feminine. He praised Minamoto no Sanetomo , the third shōgun of the Kamakura shogunate , who was a disciple of Fujiwara no Teika and composed waka in a style much like that in the Man'yōshū . Following Shiki's death, in

2508-431: The same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language". Others, such as Allan F. Moore, state that genre and style are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may be defined by the musical techniques , the styles, the context, and content and spirit of

2565-619: The search for products by consumers, a trend the Internet has only intensified. In philosophy of language , genre figures prominently in the works of philosopher and literary scholar Mikhail Bakhtin . Bakhtin's basic observations were of "speech genres" (the idea of heteroglossia ), modes of speaking or writing that people learn to mimic, weave together, and manipulate (such as "formal letter" and "grocery list", or "university lecture" and "personal anecdote"). In this sense, genres are socially specified: recognized and defined (often informally) by

2622-429: The search hits might fit. A subgenre is a subordinate within a genre, Two stories being the same genre can still sometimes differ in subgenre. For example, if a fantasy story has darker and more frightening elements of fantasy, it would belong in the subgenre of dark fantasy ; whereas another fantasy story that features magic swords and wizards would belong to the subgenre of sword and sorcery . A microgenre

2679-541: The subject matter and consideration of the audience. Genre is related to Ludwig Wittgenstein's theory of Family resemblance in which he describes how genres act like a family tree, where members of a family are related, but not exact copies of one another. This concept of genre originated from the classification systems created by Plato . Plato divided literature into the three classic genres accepted in Ancient Greece : poetry , drama , and prose . Poetry

2736-623: The themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Several music scholars have criticized the priority accorded to genre-based communities and listening practices. For example, Laurie argues that "music genres do not belong to isolated, self-sufficient communities. People constantly move between environments where diverse forms of music are heard, advertised and accessorised with distinctive iconographies, narratives and celebrity identities that also touch on non-musical worlds." The concept of genre

2793-456: The tripartite system resulted in new taxonomic systems of increasing scope and complexity. Genette reflects upon these various systems, comparing them to the original tripartite arrangement: "its structure is somewhat superior to…those that have come after, fundamentally flawed as they are by their inclusive and hierarchical taxonomy, which each time immediately brings the whole game to a standstill and produces an impasse" (74). Taxonomy allows for

2850-952: The universal essence of things" ( imitare in Italian) and that which merely consisted of "mechanical copying of particular appearances" ( ritrarre ). Idealism was privileged over realism in line with Renaissance Neo-Platonist philosophy. A literary genre is a category of literary composition. Genres may be determined by literary technique , tone , content , or even (as in the case of fiction) length. Genre should not be confused with age category, by which literature may be classified as either adult, young adult , or children's . They also must not be confused with format, such as graphic novel or picture book. The distinctions between genres and categories are flexible and loosely defined, often with subgroups. The most general genres in literature are (in loose chronological order) epic , tragedy , comedy , novel , and short story . They can all be in

2907-414: The use of genre as a tool must be able to adapt to changing meanings. The term genre is much used in the history and criticism of visual art, but in art history has meanings that overlap rather confusingly. Genre painting is a term for paintings where the main subject features human figures to whom no specific identity attaches – in other words, figures are not portraits, characters from

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2964-399: The whole game to a standstill and produces an impasse". Although genres are not always precisely definable, genre considerations are one of the most important factors in determining what a person will see or read. The classification properties of genre can attract or repel potential users depending on the individual's understanding of a genre. Genre creates an expectation in that expectation

3021-504: Was a talented poet, writing over 700 poems between the age 17 and 22 while he was tutored by Fujiwara no Teika . He published his private waka collection Kinkai Wakashū , even having one of his tanka included in the anthology Ogura Hyakunin Isshu ("100 Poems by 100 Poets"), a collection of Japanese poems of the Heian and early Kamakura periods. Sanetomo reached the third-highest post of

3078-516: Was an accomplished waka poet. After the death of Yoritomo in 1199, Sanetomo's maternal grandfather Hōjō Tokimasa usurped the political and military power of the Shogunate, relegating the position and title of Sei-i Taishōgun , or shōgun , to a figurehead. Through hereditary succession, Sanetomo's older brother Yoriie became Sei-i Taishōgun in 1202, only to be stripped of the title a year later and put under house arrest for plotting against

3135-589: Was coming down from the Senior Shrine at Tsurugaoka Hachiman-gū after participating in a ceremony celebrating his nomination to Udaijin . His nephew and son of deposed Yoriie, Kugyō , came out from beside the stone stairway of the shrine and assassinated him. For his act, he was himself beheaded a few hours later, thus bringing the Seiwa Genji line of the Minamoto clan and their rule in Kamakura to

3192-530: Was fairly short-lived (Feb. 1900 – Nov. 1908). A young high school student, Otori You (later known as Akiko Yosano ), and Ishikawa Takuboku contributed to Myōjō . In 1980 the New York Times published a representative work: 東海の 小島の磯の 白砂に われ泣きぬれて 蟹とたわむる Tōkai no kojima no iso no shirasuna ni ware naki nurete kani to tawamuru In the Eastern Sea, Of the beach of

3249-475: Was the third shōgun of the Kamakura shogunate . He was the second son of the Kamakura shogunate founder, Minamoto no Yoritomo . His mother was Hōjō Masako and his older brother was the second Kamakura shogun Minamoto no Yoriie . His childhood name was Senman ( 千万 ) . He was the last head of the Minamoto clan of Japan . His Dharma name was Daijijiden seini'i goshoko jingi ( 大慈寺殿正二位丞相公神儀 ) . He

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