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Terry Hayes

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49-531: Terry Hayes (born 8 October 1951) is an Australian screenwriter , film producer and author . He is best known for his work with Kennedy Miller production house, with whom he won the AACTA Award for Best Film twice, for The Year My Voice Broke (1987) and Flirting (1991). Hayes was born in Sussex, England and emigrated to Australia at the age of 5. He began his career as a journalist , working as

98-674: A film studio , production company , TV network, or producer, they often have to continue networking, mainly with directors or executives, and push to have their projects "chosen" and turned into films or TV shows. If interest in a script begins to fade, a project can go dead. The International Affiliation of Writers Guilds (IAWG) is the international federation of screenwriters' and playwrights' unions, who recognize union membership across international borders. They have 14 different affiliates across various nations who collectively work to verify original authorship, fight for fair compensation, and enforce copyright. Most professional screenwriters in

147-650: A binding employment offer on behalf of their client. A prominent difference between agents and managers under California state law is that licensed talent agents and employment agents are the only entities legally allowed to seek work on behalf of their clients. This legal distinction has enabled artists such as the Deftones, Pamela Anderson, Nia Vardalos, Freddie Prinze Jr., and others to break contracts with their managers and avoid commissions owed according to those contracts by proving "unlicensed procurement" in court. Because enforcement against talent managers procuring work

196-404: A casting director, advertising agency, production company , photographer, or direct client if the client has an "in-house" production staff. Agents promote talent to the buyers, submitting talent who have the appropriate age, race, sex, look, talent, etc. that the buyer is seeking for his/her project. Usually, an agent submits the actor's head shot or the model's composite card or portfolio to

245-419: A demo CD, developing and releasing press kits, planning promotional activities, and booking shows. A music manager will gain access to a recording studio, photographers, and promotions. They will see that CD labels, posters, and promotional materials appropriately represent the band or artist and that press kits are released in a timely manner to appropriate media. Launching a CD with complementary venues and dates

294-409: A first draft. Multi-step deals, where the writer is signed on for more than the first draft (typically including a rewrite) can earn a screenwriter more, with experienced WGA members earning up to $ 5,000,000 for their work. Non-union screenwriters can also work for a salary, but will typically earn less than a unionized screenwriter. Pay can vary dramatically for a non-unionized screenwriter. Some of

343-648: A position to further a project. Once the script is sold, the writer has only the rights that were agreed with the purchaser. A screenwriter becomes credible by having work that is recognized, which gives the writer the opportunity to earn a higher income. As more films are produced independently (outside the studio system), many up-and-coming screenwriters are turning to pitch fests, screenplay contests, and independent development services to gain access to established and credible independent producers. Many development executives are now working independently to incubate their own pet projects. Screenwriters are rarely involved in

392-406: A regular basis often employ an individual to assemble the schedule of events. This individual is the venue's buyer and should not be confused with the booking agent, who presents a roster of available acts to the buyer. Booking agents may also have contacts known as promoters. These are individuals who agree to produce a snake game by locating a wide open field, providing a sound system, and assembling

441-439: A script to suit the desires of a director or studio . For instance, studio management may have a complaint that the motivations of the characters are unclear or that the dialogue is weak. Hollywood has shifted writers onto and off projects since its earliest days, and the assignment of credits is not always straightforward or complete, which poses a problem for film study. In his book Talking Pictures , Richard Corliss discussed

490-420: A staff. Producing a show in this manner at a location rented out for a single evening is called "four-walling," as the process entails renting a venue and receiving no additional services or technical equipment other than the space itself. This has often been the only available option for underground musicians lacking enough popular appeal to gain access to more conventional performance venues (see: Punk rock , but

539-414: A talent's gross earnings. Managers do not face the same restrictions. Actors may be interested in working theatrically (stage, film or television) as well as in commercials. Some agents will handle all types of acting work, while others may specialize in a particular area. Some agents work only in the field of television, or only in film and television. Typically, the larger the agency, the more specialized

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588-532: A technical product, a brief " scenario ", "treatment", or "synopsis" that is a written synopsis of what is to be filmed. Screenwriting is a contracted freelance profession, not a hired position. No education is required to be a professional screenwriter, but good storytelling abilities and imagination give aspiring screenwriters an advantage. Many screenwriters start their careers doing speculative work ("work on spec"), practicing their screenwriting with no guaranteed financial compensation. If one of these scripts

637-626: A third-party company to build specific bands using their own database of vetted musicians, while other cover band agencies work with session musicians that provide a 'flexible' line-up for each act. Cruise ship industry Booking agents are also used for the cruise ship industry, where several different categories of entertainers are needed. These can include individual musicians to be part of the ship's orchestra, small bands and ensembles, as well as variety entertainers such as singers, instrumentalists, magicians, comedians and acrobats. Artists looking to work on cruise ships will sign an employment contract with

686-406: Is also a music manager's responsibility. Youth agents are a specialization or subset of theatrical and commercial agents that represent children, teenagers, and young adults. In addition to representation, youth agents must navigate the additional requirements surrounding minors, including legal, educational, parental, and family dynamics. In the U.S., all states have child labor laws that apply to

735-471: Is also used among the genre of raves and various DJ-related events. The cost factor of having a booking agent must be weighed against what the agent can do for clients and buyers alike. Some agents represent several different types of artists, while others represent artists in one main area/genre. Some music agencies deal exclusively with [cover bands], listing exclusive and non-exclusive artists on their rosters. In addition, some agencies will also work with

784-609: Is extensive and may include similar duties to that of a press agent, promoter, booking agent, business manager (who is sometimes a certified public accountant , tour promoter, tour manager, and sometimes even a personal assistant. responsibilities of a business manager are often divided among many individuals who manage various aspects of a musical career. With an unsigned act, music managers must assume multiple roles: booking agent, graphic designer, publicist , promoter, and accountant. As an artist's career develops, responsibilities grow. A music or artist manager becomes important to managing

833-512: Is largely carried out through civil litigation and not criminal penalties, managers directly seek out work in defiance of state laws, as clients out of self-interest will seldom object to them doing so, and cases alleging illegal procurement are infrequent. The Writer's Guild, Screen Actor's Guild, and Director's Guild, among labor guilds, strike agency franchise agreements that specify certain regulations and privileges reserved solely for agents, including setting maximum commissions at ten percent of

882-469: Is not required, but does help the artist get jobs (concerts, tours, movie scripts, appearances, signings, sport teams, etc.). In many cases, casting directors or other businesses go to talent agencies to find the artists for whom they are looking. The agent is paid a percentage of the star's earnings (typically 10%). Therefore, agents are sometimes referred to as "10 percenters". Various regulations govern different types of agents. The legal jurisdiction in which

931-461: Is put out about a project that a film studio , production company , or producer wants done, they are referred to as "open" assignments. Open assignments are more competitive. If screenwriters are competing for an open assignment, more established writers usually win the assignments. A screenwriter can also be approached and personally offered a writing assignment. Many screenwriters also work as full- or part-time script doctors , attempting to better

980-412: Is sold, it is called a spec script . Amateur screenwriters will often pursue this work as "writers in training," leading these spec scripts to often go uncredited or come from unknown screenwriters. Further separating professional and amateur screenwriters is that professionals are usually represented by a talent agency . These screenwriter-specific employment agencies work to handle the business side of

1029-457: Is the only person who can get the job. For their work, agents take a 10 to 20% commission of the gross, depending on whether the job is union (such as SAG-AFTRA) or not. Union jobs are paid per negotiated guidelines, but in non-union jobs, the pay is sometimes delayed. A well-established agent will have networks upon networks of contacts. Also, agents have access to professional casting services. Many of these casting resources are not available to

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1078-582: The "big five." or "top five". In 2009, Endeavor Talent Agency and William Morris merged. Later, CAA and ICM merged in 2022. Differences between agents and managers; the difference between the roles of agents and managers has become smaller and more blurred. A frequent definition of the role of a talent manager is to "oversee the day-to-day business affairs of an artist; advise and counsel talent concerning professional matters, long-term plans and personal decisions which may affect their career." Considerable overlap exists as talent agents may opt to fill exactly

1127-456: The 1950s to 1960s, a monumental shift occurred in how studios produced films and reduced the cost of exclusive and expensive actors. After the shift, actors and actresses were working for the studios but were not owned by one major studio entity, so they were able to work with other studios. This shift has meant that agents were now seen as a necessity instead of an option. Agents became third parties who negotiated between studios and clients, making

1176-560: The Hollywood entertainment industry. In California, because talent agencies are working with lucrative contracts, the agencies must be licensed under special sections of the California Labor Code, which defines an agent as a "person or corporation who engages in the occupation of procuring, offering, promising, or attempting to procure employment for an artist or artists." Since the decline in viewership in theaters from

1225-617: The U.S. are unionized and are represented by the Writers Guild of America (WGA). Although membership in the WGA is recommended, it is not required of a screenwriter to join. The WGA is the final arbiter on awarding writing credit for projects under its jurisdiction. The WGA also looks upon and verifies film copyright materials. Other notable screenwriters' unions include the Writers' Guild of Great Britain , representing screenwriters in

1274-574: The UK, and La Guilde Française des Scénaristes, representing screenwriters in France. Minimum salaries for union screenwriters in the US are set by the Writers Guild of America . The median compensation for a first draft from a first time screenwriter is $ 100,000, while the most experienced members have a median compensation of $ 450,000. The most experienced WGA members have reported up to $ 4,000,0000 compensation for

1323-520: The US correspondent for the Australian newspaper The Sydney Morning Herald . He spent periods as an investigative reporter , columnist and radio show host. Hayes met director George Miller when he did the novelisation of the script to Mad Max (1979). He and Miller got on well and the director subsequently hired Hayes to help on the script for Mad Max 2 (1981). Hayes subsequently became an in-house writer for Kennedy Miller, working on

1372-415: The agent conducts business and artist's unions set the rules. There are also professional associations of talent agencies. Talent agents (artist managers) are considered gatekeepers to their client's careers. They have the ability to reshape and reconstruct their client's image. They are dealmakers and assist their clients by orchestrating deals within the entertainment and event industries, more specifically

1421-416: The agents within it.In the segment talent management agencies, there is one more important segment called Artist booking agency who deals in commercial shows live performance booking, performances for wedding, corporate and social events etc. An agent has two sets of clients: the "talent" (actors, models, voice-over artists, bands, musicians, stand-up comedians, dancers etc.) and the "buyer". The buyer can be

1470-402: The artist who will fit their needs and available budget. Many of the major booking agencies refuse to represent clients who are not already signed to a major record label and have national distribution of their music. Because of this, artists on independent record labels often seek representation with an independent booking agency. Bars and nightclubs that specialize in presenting live music on

1519-409: The buyer. After the buyer has made choices, the agent then arranges an audition (or, for models, a "go-see" or open call). After the buyer has met the talent, the buyer will contact the agent to see if any of the talent will be hired. The agent will coordinate the details of wardrobe, directions, etc., as well as negotiate the contract or pay. The agent's job is to get the talent to audition; the talent

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1568-457: The cruise line and a separate commission contract with the booking agent. The agent will usually be based in the country of origin for the artist. A music manager (or band manager) handles many career issues for bands, singers, record producers, and DJs. An artist manager is hired by a musician or band to help with determining decisions related to career moves, bookings, promotions, business deals, recording contracts, etc. The role of music managers

1617-499: The film Argylle , under the pseudonym "Elly Conway". The book overleaf credits the (pseudonymous) author's full name as "Elizabeth Conway". Hayes married in 1999 and has four children. Screenwriter A screenwriter (also called scriptwriter , scribe , or scenarist ) is someone who practices the craft of writing for visual mass media, known as screenwriting . These can include short films, feature-length films, television programs, television commercials, video games, and

1666-726: The general public. Although most of the successful agents are private individuals unknown to the public, some are celebrities in their own right. Notable current and former talent agents includes David Begelman , Ari Emanuel , Freddie Fields , Johnny Hyde , Irving Paul Lazar , Sue Mengers and Lew Wasserman . Some talent agencies specialize in the representation of television news broadcast journalists and television news magazine hosts. The journalists and hosts represented by these agents primarily work at television stations in local markets or at networks. There are many job titles for broadcast news journalists, such as anchors, reporters, weathercasters, sportscasters, correspondents and hosts. In

1715-445: The growing area of online web series. In the silent era , screenwriters were denoted by terms such as photoplaywright , photoplay writer , photoplay dramatist , and screen playwright . Screenwriting historian Steven Maras notes that these early writers were often understood as being the authors of the films as shown, and argues that they could not be precisely equated with present-day screenwriters because they were responsible for

1764-473: The highest amounts paid to writers for spec screenplays: $ 5 million: $ 2 million: $ 1 million: Talent agency A talent agent , or booking agent , is a person who finds work for actors , authors , broadcast journalists , film directors , musicians , models , professional athletes , screenwriters , writers , and other professionals in various entertainment or sports businesses. In addition, an agent defends, supports and promotes

1813-475: The historian's dilemma: "A writer may be given screen credit for work he didn't do (as with Sidney Buchman on Holiday ), or be denied credit for work he did do (as with Sidney Buchman on The Awful Truth )." After a screenwriter finishes a project, they pair with an industry-based representative, such as a producer, director, literary agent , entertainment lawyer, or entertainment executive. The partnerships often pitch their project to investors or others in

1862-399: The interest of their clients . Talent agencies specialize, either by creating departments within the agency or developing entire agencies that primarily or wholly represent one specialty. For example, there are modeling agencies , commercial talent agencies, literary agencies , voice-over agencies, broadcast journalist agencies, sports agencies, music agencies and many more. Having an agent

1911-489: The last half of [the twentieth] century, what the Great American Novel was for the first half. Closet writers who used to dream of the glory of getting into print now dream of seeing their story on the big or small screen." Every screenplay and teleplay begins with a thought or idea, and screenwriters use their ideas to write scripts, with the intention of selling them and having them produced. In some cases

1960-430: The many different pieces that make up a career in music. The manager can assist singers, songwriters, and instrumentalists in molding a career, finding music producers, and developing relationships with record companies, publishers, agents, and the music-loving public. The duties of an active music manager will focus on developing a reputation for the musician and building a fan base, which may include mastering and launching

2009-500: The music world, booking agents are different from talent managers. Booking agents are the people who actually book concerts for the artists they represent. These agents make all of the arrangements with the promoters of the shows. The booking agent presents the promoter or producer of the concert with a performance agreement , which stipulates the artist's requirements. Items may include lighting , sound, meals, hotel accommodations, and transportation. For concert buyers, they work to find

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2058-449: The need for the agents' services an imperative for each party. In the 1980s, new agencies were established to compete with the "Big five." In 1991, Bauer-Benedek merged with Leading Artists Agency to form what became United Talent Agency. These agencies were Traid Artists and InterTalent. Traid Artist would eventually be sold to William Morris Agency in 1992, and InterTalent would diminish when its partners dispersed between UTA and ICM in

2107-422: The production of a film. Sometimes they come on as advisors, or if they are established, as a producer. Some screenwriters also direct. Although many scripts are sold each year, many do not make it into production because the number of scripts that are purchased every year exceeds the number of professional directors that are working in the film and TV industry . When a screenwriter finishes a project and sells it to

2156-742: The same roles for their clients out of a financial interest in developing the careers of their talent and currying their favor. Various state laws and labor guild rules govern the roles reserved to agents, as well as specifying certain special rights, privileges, and prohibitions. In the state of California, the labor code requires licensing of talent agencies and includes regulations such as criminal background checks, maintaining separate operating accounts and client trust accounts, and limiting total commissions to 25 percent, among other regulations. In contrast, management companies are described as "often unregulated." Agents also have certain privileged powers in situations of verbal agreement and can legally agree to

2205-408: The same year. As of 2022 , the top three Hollywood talent agencies are William Morris Endeavor (WME), Creative Artists Agency (CAA), and United Talent Agency (UTA). Except for ICM Partners , each agency has its own affiliated production company, which may hire the agency's clients. In 1989, the three major agencies were William Morris, ICM, and CAA. During the 2000s, the majors were known as

2254-453: The screenwriting job, typically taking on legal, financial, and other important representative roles for the screenwriter. These professional screenwriters rarely work for free. There are a legion of would-be screenwriters who attempt to enter the film industry , but it often takes years of trial and error, failure, and gritty persistence to achieve success. In Writing Screenplays that Sell , Michael Hague writes, "Screenplays have become, for

2303-505: The script is based on an existing property, such as a book or person's life story, which is adapted by the screenwriter. In most cases, a film project is initiated by a screenwriter. The initiator of the project gets the exclusive writing assignment. They are referred to as "exclusive" assignments or "pitched" assignments. Screenwriters who often pitch new projects, whether original or an adaptation, often do not have to worry about competing for assignments and are often more successful. When word

2352-577: The scripts for all their subsequent mini-series. Further work included a script for Dead Calm in 1989. He wrote Bangkok Hilton specifically as a vehicle for Nicole Kidman. Hayes moved to Hollywood. His work includes an unused screenplay for Planet of the Apes , titled Return of the Apes in 1994. In 2001 , Hayes was nominated for the Bram Stoker Award for Best Screenplay for his work on From Hell . Hayes' debut novel , I Am Pilgrim

2401-460: Was published by Transworld Publishers on 18 July 2013. That same month, Metro-Goldwyn-Mayer acquired the film rights to the novel with Hayes attached to adapt it into a screenplay. His second novel entitled The Year of the Locust was planned for release in 2016, was finally released 9 November 2023. In 2024, Hayes and British author Tammy Cohen were revealed as the writers of the tie-in novel to

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