The Nat King Cole Story is a 1961 album by Nat King Cole . The album was a retrospective of Cole's recording career, designed to present many of his earlier hits in new recordings featuring stereo sound. Cole is accompanied on the re-recordings by many of the notable arrangers and bands that had appeared with him on the original records.
76-424: Of particular note is Cole's re-recording of " The Christmas Song ". This was Cole's fourth, and final, recording of the song, and also the first version recorded in stereo. This recording of the song was subsequently added to a 1963 reissue of Cole's 1960 LP The Magic of Christmas (the album concurrently retitled The Christmas Song and given new cover art), and remains one of Cole's best-known recordings and among
152-399: A Christian talk and teaching format, as Salem Communications does in dozens of large and medium-sized cities across the U.S. Initially WMCA had the slogan "New York's Christian Radio." That later changed to "New York's Inspiring Talk." In the early 1990s, the moniker was " Together, we're sharing the moments of your day on WMCA... New York! ". Salem retained just one of the on-air hosts from
228-592: A Top 40 format. Among its disc jockey staff were Scott Muni , Frankie Crocker , Harry Harrison , and Murray the K . In 1960, WMCA began promoting itself by stressing its on-air personalities, who were collectively known as the Good Guys. The station was led by program director Ruth Meyer, the first woman to hold the position in New York City radio. This was the era of the high-profile, fast-talking Top 40 disc jockey with an exuberant personality aimed at
304-590: A coda adapted from " Here We Come A-wassailing ": Love and joy come to you And to you your Christmas too And God bless you and send you a happy New Year And God send you a happy New Year WMCA (AM) WMCA (570 AM ) is a radio station licensed to New York, New York . Owned by Salem Media Group , the station programs a Christian radio format consisting of teaching and talk programs. The station's studios are in Lower Manhattan and are shared with co-owned WNYM (970 AM). WMCA's transmitter
380-514: A contest for a chance to win a lock of hair belonging to Ringo Starr. It received nearly 90,000 entries. The lock of hair, and a runner-up prize of a photograph on a fan club card signed by all four the Beatles, were obtained directly from the group during marathon "one-on-one" meetings and a reception held with print and broadcast personnel at Plaza Hotel on February 10. Other runner-up prizes distributed by WMCA that were not directly handled by
456-540: A harpist). Lacquer disc master #981. Issued November 1946 as Capitol 311 (78rpm). It is available on the Cole compilation CDs Capitol Collectors Series and Christmas for Kids: From One to Ninety-Two , as well as on a CD called The Holiday Album , which has 1940s Christmas songs recorded by Cole and Bing Crosby . Third recording Recorded at Capitol Studios at 5515 Melrose Avenue in Hollywood, on August 24, 1953. It
532-695: A lawsuit charging that the state legislature was violating the Constitution by giving rural areas disproportionate representation. That suit, combined with others, led to the Supreme Court of the United States 1964 " one man, one vote " decision. During the later talk era, Straus would sometimes go on the air to take listener questions and comments about the radio station. On Friday nights, Gary Stevens ended at 10:30 and WMCA's locally produced, half-hour news show The World Tonite aired. (This
608-595: A limited schedule of University at Buffalo football games in 2014 and 2015. After leaving the Hotel McAlpin in 1938, WMCA moved its studios to various locations in Midtown Manhattan , first to 1657 Broadway, in November 1955 to 415 Madison Avenue , then 888 Seventh Avenue where it remained until it was sold. Not long after taking control of WMCA in 1990, new owner Salem Communications relocated
684-618: A listener who had been chosen from postcards sent to the station. The "Hit Kit" consisted of a copy of each of the Top 25 records of the week. To claim this prize, listeners had to call in when they heard their name read on the air. On December 26, 1963, WMCA, with Jack Spector as the DJ, earned the distinction of being the first New York City radio station to play the Beatles' Capitol Records ' single, " I Want to Hold Your Hand ". (Outside New York,
760-451: A listener's name was read over the air and that listener called PLaza 2-9944 within a certain time period. Another distinctive feature of WMCA was its "Call For Action" help line (PLaza 9-1717), which listeners could call if they had any problems requiring WMCA's help resolving, usually consumer or public works service-related issues. In the 1960s, WMCA's great competition was with rival WABC. Radio historians have tended to treat WMCA as
836-462: A new morning news-talk program, hosted by Ralph Howard, Bill Ryan and a team of reporters who were all referred to as the "Good Guys". During the 1970s, ratings were healthy for WMCA as a talk station. Jonathan King , who had been at the top of the Good Guys chart in 1965 with his single " Everyone's Gone to the Moon ", hosted the weekday midday show for a year in 1981. Most surveys showed the station in
SECTION 10
#1732791730303912-471: A photograph of the "Good Guys" lineup on the back of a limited edition record sleeve for the single, "I Want to Hold Your Hand" (Side 2: " I Saw Her Standing There "). WMCA's Good Guys were also featured at both of the Beatles' concerts at Shea Stadium on August 15, 1965, and August 23, 1966. WABC responded in different ways, scoring a major success during the Beatles' second New York visit in August 1964 when
988-493: A radio stepchild, the proverbial David going up against the Goliath that was corporate-owned, stronger-signaled WABC. For four consecutive years (1963 through 1966) WMCA had the highest ratings share of all radio stations in New York City, according to Arbitron, in spite of its directional, 5,000-watt signal which could not cover the same geographic region as non-directional, 50,000-watt WABC. However, WMCA's directional signal
1064-759: A re-recording of a song originally done in 1950 in conjunction with the Stan Kenton Orchestra. At the 4th Grammy Awards , The Nat King Cole Story was nominated for the Grammy Award for Album of the Year . Disc 1 Disc 2 In 2011, the Analogue Productions label reissued the album as a 2-disc hybrid SACD set and a 5-disc 45 rpm vinyl set. Both versions feature a new stereo mix of the entire album by Steve Hoffman and Kevin Gray, while
1140-498: A relationship with the Beatles, WABC devised clever ways to one-up its competitor. In August 1965, WABC came up with its own special promotion, issuing "medals" called "The Order of the All-Americans" which was the name given to WABC's DJ line up. It intended to present the medals to each of the Beatles when the group next returned to New York. The goal was to get each Beatle to comment on the "medal" and then to get each to say
1216-581: A sports talk show, while Bob Grant debuted in New York radio as the house conservative . "Long John" Nebel came over from WNBC in 1973 and became a fixture on overnights, accompanied by his co-host and spouse Candy Jones. Malachy McCourt hosted a Sunday night call-in show that was mostly personal reminiscences of the type that later became the subject of the bestselling autobiography Angela's Ashes , by his brother Frank McCourt . In 1972, John Sterling succeeded Spector as sports talk host, transforming
1292-528: A stereophonic version with another full orchestra arranged and conducted by Ralph Carmichael . Cole's 1961 version is generally regarded as definitive and, in 2004, was the most-loved seasonal song with women aged 30–49; while the original 1946 recording was inducted into the Grammy Hall of Fame in 1974. In 2022, the 1961 Nat King Cole recording was selected by the Library of Congress for preservation in
1368-514: A strong showing in the five boroughs (although not the suburbs), and as late as February 1969, Pulse ratings surveys indicated that WMCA beat WABC in New York City itself, although not in the full market. From 1967 forward, WABC had become the leading top 40 station in the total market. In addition to its ratings strength, between 1964 and 1968, Billboard magazine rated WMCA as New York's most influential station for new records. Although every market had one station with record-buying influence, WMCA
1444-526: A stronger relationship with one of the world's most popular musical acts. WMCA program director Ruth Meyer would later speculate in interviews that WABC's creativity during the 1960s could have been hampered by being owned by an ABC network rife with nationwide broadcast policies, commitments, and standards. Conversely, WMCA could run free with "goofy" ideas, promotions, and gimmicks as an independently run, family-owned station, without network interference. According to WABC historians, "another success for WMCA
1520-544: A studio recording on March 19, 1947, which went on to be released as a single later that same year. In 1953, Perry Como performed the song for both the Christmas Joy single and his album Around the Christmas Tree . In 1999, Christina Aguilera recorded a version and included it on her album, My Kind of Christmas (2000). The song found critical and commercial success and peaked at number eighteen on
1596-498: A tight, upbeat fast-paced style. Some radio industry veterans attribute WABC's "stodgy sound" to standards applied by its corporate ownership and to its staff of longtime (and older) studio engineers. This fueled speculation that independently-owned WMCA had younger, more "hip" board-operators with a better understanding of the top 40 format aimed at younger adults. Whatever the reason, the "sparkling sound" presented on-air by WMCA also contributed to its ratings success in New York City,
SECTION 20
#17327917303031672-417: A transaction involving prominent political figures including Thomas Corcoran . Flamm's subsequent legal battle against Noble resulted in a congressional investigation and eventually ended in a financial settlement, though not the return of the station. Through its early decades, WMCA had a varied programming history, playing music, hosting dramas, and broadcasting New York Giants baseball games. Beginning in
1748-491: A youthful audience. With the advent of the Good Guys format, WMCA saw its ratings increase and become known for "playing the hits". In the early 1960s, the top 40 format was still young, and the field was crowded in New York City. Two major 50,000-watt stations, WMGM and WINS , had battled each other, playing the top hits for several years. Then in 1960, WABC joined the fray and started featuring top 40 music. Ultimately,
1824-515: Is aimed toward Manhattan from just over the river in New Jersey, and its low frequency (570 kHz) results in strong Midtown Manhattan coverage. At the time, Arbitron was the newer and lesser quoted ratings source compared to the more established Pulse and Hooper Ratings. During this time frame, Pulse and Hooper usually placed adult full-service WOR as the overall number-one station, with WMCA generally but not always leading WABC and WINS as
1900-464: Is available both on compact disc and streaming on iTunes. This recording of "The Christmas Song" has also been included on numerous compilation albums of Christmas pop standards (for example, WCBS-FM 's Ultimate Christmas Album Volume 3 ). An alternate take of the 1961 recording, featuring a different vocal and missing the solo piano on the instrumental bridge, appears on the Deluxe Edition of
1976-405: Is considered to be one of the greatest radio "battles" in medium's history. Apart from its link to the Beatles, WMCA saturated its programming with many other promotions and on-air games. They included "Name It and Claim It", with the most desired prize being one of the station's yellow "Good Guys" sweatshirts, which were designed by WMCA program director Ruth Meyer. The sweatshirts could be won if
2052-532: Is located along Belleville Turnpike in Kearny, New Jersey . WMCA's programming is simulcast on a 250-watt translator , W272DX (102.3 MHz ), from a tower in Clifton, New Jersey . Prior to switching to its current programming in 1989, WMCA was a talk radio station during the 1970s and 1980s, and earlier a Top 40 outlet featuring a lineup of disc jockeys known as the "Good Guys". WMCA is credited with having been
2128-463: Is nearly identical to the 1953 version, but Cole's vocals are deeper-sounding and more focused. Originally done for The Nat King Cole Story (a 1961 LP devoted to stereo re-recordings of Cole's earlier hits), this recording was later included in a reissue of Cole's 1960 album The Magic of Christmas replacing " God Rest Ye Merry Gentlemen ". Retitled The Christmas Song , the album was issued in 1963 as Capitol W-1967(mono) / SW-1967(stereo) and today
2204-669: The Hotel McAlpin , located on Herald Square and from which the WMCA call sign derives. In 1928 it moved to the 570 kHz frequency, sharing time for the next three years with municipally-owned WNYC . On April 19, 1932, the Federal Radio Commission approved WMCA's application to broadcast full-time on 570 kHz. In December 1940, Flamm had to surrender the station to industrialist Edward J. Noble , who had just resigned as Undersecretary of Commerce, in
2280-508: The "Sure Shot" and "Long Shot" speculations. WMCA's countdown was also "faster" than WABC's, in the sense that records climbed to the top more quickly, while WABC's rankings tended to lag behind. A comparison of both stations showed WABC to be up to two, sometimes three weeks behind WMCA. The WMCA-WABC rivalry was never more intense than when it came to fighting over the Beatles. WABC was frustrated with its efforts to gain ratings dominance in New York City's ratings and with its efforts to forge
2356-476: The "new" Capitol 90036(78rpm) / F90036(45rpm) (Capitol first issued 90036 in 1950 with the second recording). Correct label credit issued on October 18, 1954, as Capitol 2955(78rpm) / F2955(45rpm). Label credit: Nat "King" Cole with Orchestra Conducted by Nelson Riddle. This recording is available on the Cole compilation CD Cole, Christmas, & Kids, as well as on the various-artists CDs Ultimate Christmas and Casey Kasem Presents All Time Christmas Favorites . It
The Nat King Cole Story - Misplaced Pages Continue
2432-722: The 1930s, WMCA carried the daily Morning Cheer religious program of George A. Palmer , originating in Philadelphia. In 1943, the station was acquired by the Straus family when Edward J. Noble acquired the Blue Network and its owned-and-operated stations from NBC , including WJZ in New York; the Blue Network would later be renamed the American Broadcasting Company (ABC). WMCA broadcast
2508-582: The 2014 compilation The Extraordinary Nat King Cole . There were several covers of Nat Cole's original record in the 1940s. The first of these was said to be by Dick Haymes on the Decca label, but his was released first – not recorded first. The first cover of "The Christmas Song" was performed by pop tenor and bandleader Eddy Howard on Majestic . Howard was a big Cole fan, and also covered Nat's versions of "I Want to Thank Your Folks" and " (I Love You) For Sentimental Reasons ", among others. For
2584-548: The 2018 holiday season. Sales+streaming figures based on certification alone. "The Christmas Song" has been covered by numerous artists from a wide variety of genres. In December 1946, Bing Crosby performed it on a recorded radio broadcast with an introduction including Skitch Henderson on piano. Crosby, with the Ken Darby Singers and the John Scott Trotter Orchestra , also made
2660-406: The Beatles included 1,000 specially made WMCA paper record sleeves picturing the Good Guys, containing the band's single, "I Want to Hold Your Hand", as well as $ 57.00 in cash, reminding listeners of WMCA's spot on the radio dial. Contrary to some accounts, the enormous number of entries received by WMCA, an estimated 86,000 cards, letters, and packages, were from Beatle fans seeking only to obtain
2736-537: The SACD also includes a discrete three-channel mix of most songs. Two bonus tracks (" Ramblin' Rose " and "Those Lazy-Hazy-Crazy Days of Summer") are also included on both versions. The Christmas Song " The Christmas Song " (commonly subtitled " Chestnuts Roasting on an Open Fire " or, as it was originally subtitled, " Merry Christmas to You ") is a classic Christmas song written in 1945 by Robert Wells and Mel Tormé . The Nat King Cole Trio first recorded
2812-426: The Top 40 leader. WMCA's ratings strength was concentrated within New York City itself. However, WABC proved more popular in suburban areas where WMCA's signal didn't come in as well on standard 1960s-era AM radio receivers. The areas where WMCA did not have a strong signal were southwest, west, and northwest of its transmitter. By 1967 and 1968, WMCA ratings had started to decline significantly but still demonstrated
2888-513: The US Billboard Hot 100 chart dated January 7, 2023, the song entered the top 10 for the first time, giving Cole a record span between appearances of 59 years, six months and a week (since June 29, 1963's " Those Lazy-Hazy-Crazy Days of Summer " appearance) and giving the song the record for longest journey to the top 10 (62 years and 26 days), surpassing " Run Rudolph Run " by 8 days. The song had previously peaked at number 11 during
2964-567: The US Billboard Hot 100 singles chart; the second highest position for the song on the chart after the original. Aguilera's cover also reached number seventy-two on the Hot 100 Singles Sales 2000 year-end chart, compiled by Billboard . In 2003 for his EP Let It Snow , Michael Bublé recorded a cover of the song. It charted at number 6 on the Billboard Adult Contemporary chart . In 2018, Lauren Daigle 's cover of
3040-733: The United States National Recording Registry as being "culturally, historically, or aesthetically significant." According to Tormé, the song was written in July 1945 during an exceptionally hot summer. It was in an effort to "stay cool by thinking cool" that the most-performed (according to BMI ) Christmas song of all time was born. "I saw a spiral pad on his (Wells's) piano with four lines written in pencil", Tormé recalled. "They started, ' Chestnuts roasting..., Jack Frost nipping..., Yuletide carols..., Folks dressed up like Eskimos .' Bob didn't think he
3116-562: The ascendance of R&B station WWRL in 1967 and of two FM rock stations – WOR-FM in 1967 and WNEW-FM in 1968 – all took ratings away from WMCA. In 1968, a chaotic period began in which Gary Stevens relocated to Switzerland and Harry Harrison moved to WABC, where he replaced Herb Oscar Anderson as its morning host. WMCA then started experimenting with some talk programming as part of "Power Radio", with hosts ranging from Domenic Quinn to countercultural Alex Bennett . The station also began playing album cuts in addition to singles, with
The Nat King Cole Story - Misplaced Pages Continue
3192-471: The band stayed at the Delmonico Hotel , rousing thousands of teenage fans into a frenzy while broadcasting from one floor above the Beatles' rooms. WABC later went against its own music policies, promising promoter Sid Bernstein that it would play a new group he was handling before any other New York City radio station if it could get exclusive access to the Beatles. WABC never added records "out of
3268-448: The band's Swan Records single " She Loves You " on September 28, 1963, as part of a listener's poll. After the song finished last (third place), it was quickly dropped from the station's playlist. WMCA was keen on playing new songs and breaking new hits and, consequently, it became the radio station most credited for introducing Beatlemania , and the subsequent " British Invasion " musical movement to New Yorkers. While network-owned WABC
3344-495: The box", but it did for Bernstein when it played The Young Rascals ' " I Ain't Gonna Eat Out My Heart Anymore " before other radio stations. WABC also had a source in London able to provide the station with many British releases that were not yet available in the United States or to the other New York radio stations and thus were played exclusively on WABC for at least a few days to a couple of weeks. Since WABC knew WMCA already had
3420-439: The competition between WMCA and WABC forced WMGM (in early 1962) and then WINS (in spring 1965) to abandon the top-40 format and find new niches. The classic Good Guys era lineup included: Straus was an active owner. In an on-air editorial, he endorsed John F. Kennedy for President in 1960. He also wrote and read the first broadcast editorial calling for the impeachment of Pres. Richard Nixon . In 1961, Straus and WMCA filed
3496-403: The first Negro-oriented anthology series New World A'Coming , written by Roi Ottley in 1944. And in 1945, host Barry Gray began dropping music and adding talk with celebrities and later call-ins from listeners. Gray is sometimes considered "The Father of Talk Radio", and his show on WMCA lasted through several decades and format changes. WMCA began playing hit music in the late 1950s with
3572-430: The first New York radio station to broadcast a recording by The Beatles . After first testing as station 2XH, WMCA began regular transmission on February 1, 1925, broadcasting on 428.6 meters wavelength (700 kHz) with a power of 500 watts. It was the 13th radio station to begin operations in New York City and was owned by broadcasting pioneer Donald Flamm . The station's original studios and antenna were located at
3648-631: The largest radio market in the United States. WMCA's most famous promotions and contests involved the Beatles. Shortly after the band's arrival in the United States on February 7, 1964, WMCA secured the Beatles' cooperation, recording several commercials promoting the station's "Good Guys". Many believe this cooperation was directly linked to the band's awareness of WMCA being the first radio station in New York City to play "I Want to Hold Your Hand" weeks earlier. According to industry observers, WMCA's success getting John Lennon and Ringo Starr to record several spots on behalf of WMCA convinced listeners that
3724-472: The lock of Starr's hair. For this "Good Guy-Ringo Starr Contest" (better known today as the "Beatles' Wig Contest") WMCA's listeners were encouraged to send in a drawing or picture of a person wearing a Beatles' wig. The winning entry from Roberta Corrigan (who won the lock of hair) featured a huge image of Queen Elizabeth II with a Beatles wig on her head, along with several other images including one of former British Prime Minister Winston Churchill wearing
3800-519: The mid-2000s, WMCA attempted to establish a connection back to its "Good Guys" era. The website had a tribute to the 1960s DJs, while the current air personalities—"a whole new team of 'Good Guys' filling the airwaves with the Good News"—made appearances and gave out an updated version of the Good Guys sweatshirt. On air, the station used its 1960s-era "Good Guys" jingles for station identification , program promos, and transitions between songs when music
3876-495: The most-played Christmas tunes on radio each December. This compilation also marks the last time Cole would record with a Trio. In addition to The Christmas Song , referenced above, the album includes Cole's recreations in Stereo of five of his early Trio hits, including " Straighten Up and Fly Right ", " Sweet Lorraine ", " It's Only a Paper Moon ", " Route 66 " and " For Sentimental Reasons ", in addition to " Orange Colored Sky ",
SECTION 50
#17327917303033952-406: The original WNYM (1330 AM, now WWRV ) to comply with FCC rules of the time. Salem immediately implemented a format that focused on religion and leased-time programming. At that time, all WMCA staffers were invited to apply for positions with the "new" WMCA. Federal Broadcasting eventually sold off all its stations and left the broadcasting business. Since September 16, 1989, WMCA has been airing
4028-522: The program into one of the first confrontational sports talks shows, as well as doing play-by-play for New York Islanders hockey and New York Nets basketball games that were carried on WMCA. It was there that his knowledgeable and over-the-top broadcasting style would first be heard in the New York area. WMCA carried Yankees games until 1977. The station then held the broadcast rights for the New York Mets from 1978 through 1983. WMCA introduced
4104-658: The same, all submitted in a book with captions for each. Runner-up winner Stella Scuotto of Brooklyn won the photograph of the Beatles on a fan club card signed by all four members of the band at the Plaza Hotel. According to Beatles' historian Bruce Spizer , Kay Smith was also a runner-up winner, winning $ 57 and the rare record sleeve for "I Want to Hold Your Hand", featuring a picture of WMCA's Good Guys. WMCA continued to beat other radio stations on many Beatles' promotions, scoring firsts, causing headaches in particular for rival WABC, most notably when Capitol Records printed
4180-511: The slogan "The hits and the Heavies". As disc jockeys left, new DJs appeared with vague names (e.g., Lee Gray was originally "Lee Your Leader") and various stunts were performed. In one case, Frankie Crocker , who was lured away from WWRL as the station's first African-American personality, played two very short songs over and over again for an hour. The "Good Guys" were partly reassembled, then dropped again. Even reliable Dean Anthony, who
4256-486: The song adds an opening verse, written in 1963 while Tormé was working as musical arranger for The Judy Garland Show . He first performed and introduced the opening verse while duetting with Garland on the song for the show's Christmas Special, which aired on December 22, 1963: All through the year we waited Waited through spring and fall To hear silver bells ringing, see wintertime bringing The happiest season of all Additionally, Tormé's recordings typically include
4332-486: The song in June 1946. At Cole's behest – and over the objections of his label, Capitol Records – a second recording was made in August utilizing a small string section . This version became a massive hit on both the pop and R&B charts. Cole again recorded the song in 1953, using the same arrangement with a full orchestra arranged and conducted by Nelson Riddle , and once more in 1961, in
4408-1026: The song reached number 55 on the Billboard Hot 100 and number one on the Christian Songs chart. In 2021, Jacob Collier 's cover of the song was nominated for the Grammy Award for Best Arrangement, Instrumental and Vocals at the 64th Annual ceremony. The song has also been covered by Doris Day with the Les Brown Jr. Orchestra of Renown, Ariana Grande , Camila Cabello , The Carpenters , Celine Dion , Ella Fitzgerald , Elizabeth Gillies , Frank Sinatra , The Jackson 5 , John Legend , JoJo , Justin Bieber , Kenny Burrell , Luther Vandross , Mariya Takeuchi , Mary J. Blige , Ne-Yo , NSYNC , Pentatonix , Peter Hollens , Shawn Mendes , Brandy , and Toni Braxton , among others. Mel Tormé himself made several recordings of
4484-576: The song's broadcast debut in America is widely accepted to have occurred earlier at WWDC in Washington, D.C.) There is no evidence that any New York City radio station played the Beatles before December 1963 despite the fact that the band's first singles had been released earlier, without fanfare, by smaller, resource-challenged labels ( Vee-Jay Records and Swan Records ). However, according to one account, rival Top 40 outlet WINS "reportedly" played
4560-557: The song, including versions released in 1955 (on his live Coral Records album At the Crescendo ), 1961 (on his Verve Records album My Kind of Music ), 1970 (on a Columbia Records promo single), 1990 (in a medley with " Autumn Leaves ", on his live Concord Records album Mel Tormé Live at the Fujitsu–Concord Festival 1990 ), and 1992 (on his Telarc Records album Christmas Songs ). The 1970 Columbia version of
4636-552: The station (along with WINS personality Murray the K, who called himself "The Fifth Beatle ") had direct access to the group. This was despite the fact that during their first New York visit the band's movements were restricted to the Plaza Hotel , Central Park , CBS Studio 50 (where they appeared on The Ed Sullivan Show ), the 21 Club , the Peppermint Lounge , and Carnegie Hall . In February 1964, WMCA held
SECTION 60
#17327917303034712-633: The station to New Jersey. The facilities were based in Teaneck , Rutherford , and Hasbrouck Heights at different times. In December 2013, WMCA returned to New York City. Salem moved WMCA and WNYM from Hasbrouck Heights into the former studios of WOR at 111 Broadway in lower Manhattan . In July 18, 2019, WMCA's programming began airing on the FM dial in Northern New Jersey , using 250-watt translator station W272DX (102.3 MHz ). While it
4788-529: The station's call letters, "W-A-B-C", which could then be used in station identification and on-air promos. The station got its interviews, but none of the band's members would utter WABC's call letters. According to Beatles' historian Bruce Spizer, manager Brian Epstein ordered the Beatles to stop "giving away valuable promotional spots to radio stations for free.". Ultimately, the WMCA-WABC (and to an extent WINS) competition for Beatles releases and promotions
4864-444: The talk years, financial advisor Sonny Bloch , who later ran into legal and tax problems. WMCA was Salem's primary religious station in New York, while the company also ran extra Christian programming on WWDJ (970 AM), which was bought by Salem in 1993. This second station was later publicly billed as "WMCA II" or "WMCA 970" until its call letters were changed to WNYM and it adopted a conservative talk radio format in 2008. During
4940-542: The top 10. This was before WOR became exclusively talk, and also before WABC changed to talk in the early 1980s. The Straus family sold WMCA around 1987. It was the last family-owned radio station in New York. New owner Federal Broadcasting kept the talk format, but switched to a financial news format on weekdays between 5:00 am and 7:00 pm, just prior to selling the station in April 1989 to Salem Communications , which subsequently sold its original New York station,
5016-565: The world. WMCA's ratings decline was due to several factors: the January 1968 split of the ABC Radio Network into four distinct components allowed WABC to drop Don McNeill's Breakfast Club and become fully music-intensive during the day. Around the same time Ruth Meyer exited WMCA, the station temporarily dropped the "Good Guy" branding and it also lost key personalities, including Harry Harrison, who moved to WABC. Additionally,
5092-490: Was (accidentally ) included on the various-artists compilation Billboard Greatest Christmas Hits (1935–1954) Rhino R1 70637(LP) / R2 70637(CD). Second recording Recorded at WMCA Radio Studios, New York City, August 19, 1946. First record issue. Label credit: The King Cole Trio with String Choir (Nat King Cole, vocals & piano; Oscar Moore, guitarist; Johnny Miller, bassist; Jack "The Bear" Parker, drummer; Charlie Grean , arranger and conductor of 4 string players and
5168-408: Was a local recap of the week's news, and should not be confused with Garner Ted Armstrong 's The World Tomorrow religious program, which was heard on WMCA after the Good Guys era ended.) Dan Daniel's countdown changed each week and consisted of the station's top 25 records. It also included a "Sure Shot" and "Long Shot" of records not yet on the chart. He also gave away his "Hit Kit" every day to
5244-886: Was also included, along with both 1946 recordings, on the Mosaic Records box set The Complete Capitol Recordings of the Nat King Cole Trio . Fourth recording Recorded at Capitol Studios, New York City, March 30, 1961. This rendition, the first recorded in stereo , is widely played on radio stations during the Christmas season, and has become the most popular/familiar version of this song. Label credit: Nat King Cole (Nat King Cole, vocals; Hank Jones , pianist; John Collins, guitarist; Charlie Harris, bassist; Lee Young, drummer; Charlie Grean, Pete Rugolo and Ralph Carmichael , orchestral arrangement; Ralph Carmichael, orchestra conductor). The instrumental arrangement
5320-461: Was busy broadcasting New York Mets baseball games in the summer of 1963, family-owned WMCA was the music-intensive station that one would hear coming out of transistor radios at pools and beaches. Starting in 1963, the WMCA's Good Guys soared to the top of New York City's Arbitron ratings . WMCA also was known for its on-air production and promotions. Each hour, WMCA presented its music, jingles , promotions , contests, stagers, and commercials in
5396-445: Was concurrently working at a country music station, sometimes got the slogans mixed up on air. The station finally adopted a full-time talk radio format in 1970, calling itself as "Dial-Log Radio". The "Good Guys" music era was over, although the "Good Guy" theme eventually did make a comeback in a promotional marketing effort. When WMCA acquired New York Yankees baseball broadcast rights in 1971, DJ Jack Spector stayed on to host
5472-427: Was in the top market, making it responsible for some songs becoming hits nationwide. Not every record added to the WMCA playlist became a hit, but as soon as sales stirred, WABC, with a shorter playlist of hits, would be forced to add the same record. With its longer playlist, WMCA played new records faster than rival WABC. WMCA's weekly countdown list was 25 records, compared with WABC's 20 song list. WMCA's included
5548-511: Was scheduled. This ended in January 2015 when WMCA was redubbed as The Mission , a new corporate branding effort also used on other Salem Christian stations. Under Salem ownership, WMCA served as the New York affiliate of United States Military Academy football (2016 until 2021), and previously aired Seton Hall University basketball and St. John's University basketball ; all of these teams, whose broadcasts were provided by Learfield , moved to streaming during 2021–2022. WMCA also aired
5624-443: Was the fault of WABC itself." In 1969, WABC overnight host Roby Yonge, upon learning his contract with the station was not going to be renewed, used his shift to spread rumors about the "death" of Paul McCartney . This episode proved to be an embarrassment for WABC, leading to Yonge's firing, and WABC's status as a network-owned, clear-channel station mistakenly launched the " Paul is dead " story across America and ultimately around
5700-402: Was the song's first magnetic tape recording. Label credit: The King Cole Trio with String Choir (Nat King Cole, vocals; Buddy Cole , pianist; John Collins , guitarist; Charlie Harris , bassist; Lee Young , drummer; Ann Stockton, harp; Charlie Grean, Pete Rugolo and Nelson Riddle , orchestral arrangement; Nelson Riddle, orchestra conductor). Master #11726, take 11. Issued November 1953 as
5776-431: Was writing a song lyric. He said he thought if he could immerse himself in winter he could cool off. Forty minutes later that song was written. I wrote all the music and some of the lyrics." First recording Recorded at WMCA Radio Studios, New York City, June 14, 1946. Label credit: The King Cole Trio (Nat King Cole, vocals & piano; Oscar Moore , guitarist; Johnny Miller, bassist). Not issued until 1989, when it
#302697