Misplaced Pages

#830169

63-582: The Other Wind is a sequel to Tehanu , the fourth novel, and to "Dragonfly", one story collected in Tales from Earthsea . Alder, a minor village sorcerer who is adept at mending, has been tormented by dreams since the death of his beloved wife Lily. Every time he falls asleep, he is brought to the wall of stones, the border between the world of the living and the Dry Land of the dead. The dead, including Lily, beseech him to be set free. He sought guidance from

126-413: A built-in audience and reducing the financial risk associated with launching a new and unproven concept . Additionally, sequels of a formula that players already enjoy, balancing familiarity with new features or improvements, which can increase player retention and positive reception . In some cases, the characters or the settings of an original film or video game become so valuable that they develop into

189-580: A crossover film. A reboot is a start over from a previous work. It could either be a film set in a new universe resembling the old one or it could be a regular spin-off film that starts a new film series. Reboots are usually a part of the same media franchise as the previous works, but not always. Batman Begins , Casino Royale , Star Trek , Børning , Man of Steel , and Terminator: Genisys are examples of reboot films. Kathleen Loock has written that traditional reboots tended to stray away from depicting direct narrative or stylistic correlations to

252-465: A dependable business strategy. Sequels are now a dominant trend in the industry, making up a large proportion of new releases from major publishers . One reason seso prevalent is their ability to provide a stable revenue stream in a volatile market. Building on an existing brand with an established fan base, sequels are perceived as safer investments than new intellectual properties (IP). They allow companies to capitalize on previous successes, ensuring

315-504: A different perspective. Strict legacy parallels are Kirill Eskov 's novel The Last Ringbearer (1999) retelling the events of J. R. R. Tolkien 's The Lord of the Rings (1955) from the viewpoint of benevolent Mordorians combatting the malevolent West. Likewise, Alice Randall 's novel The Wind Done Gone (2001), contemporary to Margaret Mitchell 's Gone With the Wind (1936), tells

378-471: A lasting peace with Kargad is forged. The disparate lores of Paln, Roke, and Kargad are each shown to be imperfect reflections of the true history of the world. The spells which were intended to create a perpetual afterlife, that stole away the Dry Land, are dissolved; with its boundary removed, the arid place revives and merges back into the dragons' Western Lands, from which it had been carved away thousands of years ago. The dead at last gain their release from

441-400: A mission to meet and parley with the dragons, in part because she can innately understand their speech. On their first encounter with a dragon, despite the creature's apparent hostility and her own particular fear of fire, Tehanu rides forward to meet it in the hope that it would recognize and honor her kinship with the eldest dragon Kalessin who called her "daughter" in the book Tehanu . In

504-519: A person is known by their child-name; at their rite of Passage, at about the age of thirteen, that name is taken from them and they are given their true name in the Old Speech by a witch, sorcerer or wizard. One's true name is a closely guarded secret shared only with those whom they trust completely because it grants the knower control over the person. A use-name is adopted for everyday dealings. It may be an animal (Dragonfly, Hare, Otter, Sparrowhawk),

567-455: A plant (Alder, Heather, Moss, Rowan), a substance (Diamond, Flint, Ivory, Jasper, Onyx) or something else (Golden, Kurremkarmerruk, the latter having no meaning). Use-names are not unique; there are, for instance, three different characters called Rose. Kargs, who hate magic, do not use this system of naming. They have single names (Azver, Seserakh, Tenar). Dragons also have true names. As a young, inexperienced wizard, Ged (use-name Sparrowhawk)

630-456: A requel as something that "exploits goodwill toward the past while launching a new generation of actors and stories". A standalone sequel is a work set in the same universe, yet has little or no narrative connection to its predecessor, and can stand on its own without a thorough understanding of the series. A Shot in the Dark (1964), Big Top Pee-wee (1988), Halloween III: Season of

693-666: A satirical romance), for example, Cervantes disapproved of Alonso Fernández de Avellaneda 's use of his characters in Second Volume of the Ingenious Gentleman Don Quixote of La Mancha , an unauthorized sequel. In response, Cervantes very firmly kills the protagonist at the end of the Second Part to discourage any more such creative liberties. Another example is Samuel Richardson , an 18th-century author who responded particularly strongly against

SECTION 10

#1732791872831

756-443: A series, lately referred to as a media franchise . Generally, a whole series of sequels is made, along with merchandising . Multiple sequels are often planned well in advance, and actors and directors may sign extended contracts to ensure their participation. This can extend into a series/franchise's initial production's plot to provide story material to develop for sequels called sequel hooks. Examples of major media franchises include

819-447: A work he or she could sell. This shift from a text-based to an author-centered reading culture led to the "professionalization" of the author – that is, the development of a "sense of identity based on a marketable skill and on supplying to a defined public a specialized service it was demanding." In one sense, then, sequels became a means to profit further from previous work that had already obtained some measure of commercial success. As

882-538: Is Mute (2018), a spiritual sequel to the film Moon (2009). A parallel , paraquel , or sidequel is a story that runs at the same point in time as the original story. For instance, three different novels by John Morressy — Starbrat (1972), Stardrift (1973; also known as Nail Down the Stars ), and Under a Calculating Star (1975) — involve different lead characters, mostly in different places, but overlap at one dramatic event to which each novel provides

945-485: Is able to bargain with an ancient, powerful dragon on equal terms because he has guessed the latter's true name. In the list below, true names are used where known, otherwise use-names and nicknames. A secondary list below gives the use-names and child-names of those whose true names are known. True names are shown in red , use names in blue . Child names, names of unknown status and nicknames are in green . Kargish names are in orange . Titles in parentheses are

1008-516: Is an interquel of 'movies A' and 'B', the events of 'movie C' take place after the events of 'movie A', but before the events of 'movie B'. Examples can include Rogue One (2016) and Solo (2018) of Star Wars , some films of the Fast & Furious franchise, and Saw X . An intraquel , on the other hand, is a work which focuses on events within a previous work. Examples include Bambi 2 (2005) and Black Widow (2021). A threequel

1071-417: Is made following the original product which portrays events occurring chronologically before those of the original work. Although its name is based on the word sequel , not all prequels are true prequels that are part of a main series. Prequels that are not part of a main series are called spin-off prequels , while prequels that are part of a main series are called true prequels . Examples of prequels include

1134-422: Is now departed, “flying on the other wind”. She speaks to one of the raiding dragons who delivers a cryptic message, to the effect that the dragons are angry that men have stolen part of their lands in the furthest west. The dragons do, however, agree to a truce, and to send an emissary. The dragon Orm Irian arrives shortly after, taking human form of a young woman to address the king and his council. The legends of

1197-472: Is the third work after the first sequel. They act as a continuation, and sometimes a conclusion of plot threads from the first two works. Examples include Return of the Jedi (1983), and Rocky III (1982). A legacy sequel is a work that follows the continuity of the original works, but takes place much further along the timeline, often focusing on new characters with the original ones still present in

1260-837: The Creed films (2015-present), Mary Poppins Returns (2018), The Matrix Resurrections (2021), Indiana Jones and the Kingdom of the Crystal Skull (2008), Indiana Jones and the Dial of Destiny (2023) , and the Jurassic World Trilogy (2015–2022) are examples of legacy sequels. Another term for these types of movies is requel , meaning reboot sequel, a term originally coined by Bruce Campbell to describe Evil Dead 2 (1987) in relation to The Evil Dead (1981). Film journalist Pamela McClintock describes

1323-496: The Star Wars prequel trilogy (1999-2005), Tremors 4: The Legend Begins (2004) which took place chronologically before the events of the previous Tremors films , Better Call Saul (2015–2022) taking place mainly before Breaking Bad but also having some scenes after and during it, The Little Mermaid: Ariel's Beginning (2008) occurring chronologically before the events of The Little Mermaid TV series (1992-1994),

SECTION 20

#1732791872831

1386-696: The Marvel Cinematic Universe , Pokemon , Harry Potter , and Disney Princess . Movie sequels do not always do as well at the box office as the original, but they tend to do better than non-sequels, according to a study in the July 2008 issue of the Journal of Business Research . The shorter the period between releases, the better the sequel does at the box office. Sequels also show a faster drop in weekly revenues relative to non-sequels. A quantitative mega-analysis of box office earnings from all

1449-429: The 18th century novel. While in certain historical contexts unofficial sequels were actually the norm (for an example, see Arthurian literature ), with the emphasis on the author function that arises in conjunction with the novel many authors began to see these kinds of unauthorized extensions as being in direct conflict with authorial authority. In the matter of Don Quixote (an early novel, perhaps better classified as

1512-481: The 18th century sequels often served as "models of paternity and property", for women writers these models were more likely to be seen as transgressive. Instead, the recurring readership created by sequels let female writers function within the model of "familiar acquaintances reunited to enjoy the mutual pleasures of conversation", and made their writing an "activity within a private, non-economic sphere". Through this created perception women writers were able to break into

1575-517: The Dry Lands to the Wall of Stones, which the dead are vainly attempting to tear down. Alder begins to dislodge a stone, each stone in the wall as seen in the Dry Lands being one of the spells used to carve it out of the dragons' Western Lands. Alder is joined by Tehanu, then the others, each using magic to unmake the wall. Once the wall is sufficiently breached, the imprisoned dead rush free to return to

1638-436: The Dry Lands, and the cycle of death and rebirth is re-established for all. Sequel A sequel is a work of literature , film , theatre , television , music , or video game that continues the story of , or expands upon , some earlier work. In the common context of a narrative work of fiction , a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following

1701-523: The Planet of the Apes (2024), Twisters (2024) and Jurassic World Rebirth (2025) are examples of standalone sequels. A plot reset , or resetquel is a work set in the same universe of its predecessor that resets the plot in a different premise or setting of the work's predecessor with more than one of the same predecessor characters to appease the audience due to extremely negative reception of

1764-662: The Principal Characters in David Simple and David Simple, Volume the Last are extremely innovative and cover almost the entire range of popular narrative styles of the 18th century. The cost of developing triple-A video games has increased significantly over recent years, often reaching tens or even hundreds of millions of dollars due to high expectations for detailed graphics, expansive worlds, and advanced gameplay. Video game companies have turned to sequels as

1827-712: The Ring of Erreth-Akbe) to King Thoreg of the Kargs , as a sign of peace between the Archipelago and the Kargad Lands. However, he found himself in the midst of a coup , organised by a Kargish High Priest, who broke the ring in half. Half of the ring was passed along the descendants of the Kargish royalty and eventually lost generations later when the last descendants were exiled to a remote unnamed and uncharted isle, while

1890-675: The Witch (1982), Home Alone 3 (1997), The Fast and the Furious: Tokyo Drift (2006), Species - The Awakening (2007), Pirates of the Caribbean: On Stranger Tides (2011), Ghost Rider: Spirit of Vengeance (2011), Mad Max: Fury Road (2015), The SpongeBob Movie: Sponge Out of Water (2015), Wonder Woman 1984 (2020), Spirit Untamed (2021), Space Jam: A New Legacy (2021), Glass Onion: A Knives Out Mystery (2022), Kingdom of

1953-502: The animated Little Mermaid film (1989), and The Little Mermaid II: Return to the Sea (2000), and Furiosa: A Mad Max Saga (2024), which took place before Mad Max: Fury Road (2015). A midquel is a term used to refer to works which take place between events. Types include interquels and intraquels. An interquel is a story that takes place in between two previously published or released stories. For example, if 'movie C'

The Other Wind - Misplaced Pages Continue

2016-489: The appropriation of his material by unauthorized third parties. Richardson was extremely vocal in his disapproval of the way the protagonist of his novel Pamela was repeatedly incorporated into unauthorized sequels featuring particularly lewd plots. The most famous of these is Henry Fielding 's parody, entitled Shamela . In To Renew Their Former Acquaintance: Print, Gender, and Some Eighteenth Century Sequels , Betty Schellenberg theorizes that whereas for male writers in

2079-408: The archipelago closest to their territory on the western-most islands. Soon after Alder arrives, dragons encroach further into the archipelago than ever before, finally to Havnor itself. The king and his people ride to negotiate with them. Tehanu goes with him because she appears to have some kinship with dragons, having as a young girl summoned the great dragon Kalessin , who called her ‘daughter’, but

2142-422: The consent of the creator of the original work. These may be dubbed unofficial, informal, unauthorized, or illegitimate sequels. In some cases, the work is in the public domain , and there is no legal obstacle to producing sequels. An example would be books and films serving as sequels to the book The Wonderful Wizard of Oz , which is in the public domain (as opposed to its 1939 film adaptation ). In other cases,

2205-487: The cycle of life, death, and rebirth, and Alder is reunited with his wife Lily and dies. The dragon Kalessin arrives and completes the demolition, and the Dry Land returns to its beauty and is rejoined with the dragons' Western Lands. Tehanu is finally able to transform into an uncrippled dragon. After the balance of the world is restored, the king marries the Kargish princess, whom he has come to love and admire, and Tenar returns to Gont and to Ged. The Other Wind continues

2268-468: The denouement of the Other Wind , Tehanu transforms herself into dragon form, and is thus freed from the burden of the injury humans inflicted upon her human body in childhood. The theme of reconciliation underlies this book. In addition to Tehanu's personal reconciliation with her own nature, the sorcerer Alder is reconciled with his dead wife, Lebannen with his future bride, and through that marriage,

2331-443: The dragons, for men to go to after death. But in their attempt to create an eternal life, the old mages had instead created the Dry Land, a grim, unchanging, desolate place where their souls languished forever. The party decide to sail to Roke, the center of the world, to seek a resolution. The King's party debates with the masters of the great school of magic on what course of action to take. The two groups travel together magically to

2394-528: The dragons, the mages, and the Kargs are retold and compared. It is revealed that dragons and men were once one people, but parted ways: Dragons chose a life of freedom and immortality in the Furthest West, while men chose a life of mastery, power, and rebirth, promising to give up magic. However, men reneged on their bargain, and the first mages cast spells that stole some of the beautiful Western Lands from

2457-509: The economic sphere and "enhance their professional status" through authorship. Dissociated from the motives of profit and therefore unrestrained by the need for continuity felt by male writers, Schellenberg argues that female-authored sequel fiction tended to have a much broader scope. He says that women writers showed an "innovative freedom" that male writers rejected to "protect their patrimony". For example, Sarah Fielding 's Adventures of David Simple and its sequels Familiar Letters between

2520-415: The establishment of a readership became increasingly important to the economic viability of authorship, sequels offered a means to establish a recurring economic outlet. In addition to serving economic profit, the sequel was also used as a method to strengthen an author's claim to his literary property. With weak copyright laws and unscrupulous booksellers willing to sell whatever they could, in some cases

2583-585: The events of that work. In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series , in which key elements appear repeatedly. The difference between more than one sequel and a series is somewhat arbitrary. Sequels are attractive to creators and publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about popular characters or settings, making

The Other Wind - Misplaced Pages Continue

2646-418: The first one, either continuing the remaining plot threads or introducing a new conflict to drive the events of the second story. They can either pick up right where the first work left off, or continue sometime after the events of the first work ended. This is often called a direct sequel . Examples include Toy Story 2 (1999) and The Empire Strikes Back (1980). A prequel is an installment that

2709-455: The king and his family. Alder sails to the big island of Havnor and tells his story to the already assembled council. Lebannen is concerned, but has other worries. The king of the Kargs, a warlike people from the East who despise sorcery, has sent his daughter to marry Lebannen as the price for peace between them, a demand that angers Lebannen. Furthermore, dragons have been menacing the islands in

2772-449: The life story of a mulatto woman born enslaved on the O'Hara plantation and The Lion King 1½ (2004), featuring the origins of characters Timon and Pumbaa occurring simultaneously within the original 1994 film . Major film examples of true parallels include This is 40 ,sidequel to Knocked Up , focusing mainly on the side story of Pete ( Paul Rudd ) and Debbie ( Leslie Mann ), who are the in-laws of Alison Scott ( Katherine Heigl ) from

2835-435: The major movie studios revealed that franchise movies dominate the highest grossing films lists, establishing sequels as reliable kinds of movies to make. All studios have come to rely on releasing sequels as they increase the studios' profitability, yield to the consumer demand for simultaneous novelty and familiarity, and help manage risk and uncertainty within studio production and release. Sequels are most often produced in

2898-463: The masters of the school of wizardry on Roke island. The Master Patterner advises him to seek out Ged on the island of Gont. Ged , the ex-Archmage, is powerless as a wizard, but knows more of the world of the dead than anyone living. Alder finds Ged, who is alone at the time, as his Kargish wife Tenar and adopted daughter Tehanu have been summoned to Havnor to counsel King Lebannen. Ged listens to Alder's tale and recommends he go to Havnor to speak to both

2961-502: The novels or stories in which the character appears. Introduced in A Wizard of Earthsea , Erreth-Akbe is one of the – and possibly the most important – characters in the historical back-story of the Earthsea novels. Erreth-Akbe lived many centuries before the primary events that take place in the Earthsea novels. Erreth-Akbe was a famous hero and a great sorcerer , as well as counselor and good friend to King Maharion. Erreth-Akbe

3024-487: The only way to prove ownership of a text was to produce another like it. Sequels in this sense are rather limited in scope, as the authors are focused on producing "more of the same" to defend their "literary paternity". As is true throughout history, sequels to novels provided an opportunity for authors to interact with a readership. This became especially important in the economy of the 18th century novel, in which authors often maintained readership by drawing readers back with

3087-523: The original creator or their heirs may assert copyrights , and challenge the creators of the sequels. Kalessin This is a list of the names of characters in the stories about the fantasy world of Earthsea , created by Ursula K. Le Guin . In Earthsea , each individual among the Hardic peoples has several names over the course of their life: a child-name, a use-name and a true name . Up to puberty,

3150-414: The original film. Alongside sequels, there are also other types of continuation or inspiration of a previous work. A spin-off is a work that is not a sequel to any previous works, but is set in the same universe. It is a separate work-on-its-own in the same franchise as the series of other works. Spin-offs are often focused on one or more of the minor characters from the other work or new characters in

3213-516: The other half was kept in the Tombs of Atuan. In 448, Erreth-Akbe fought the ancient dragon Orm on Selidor , the remotest island in the West Reach. The battle resulted in the death of both Orm and Erreth-Akbe. Later, after Ged found half of the Ring of Erreth-Akbe, he met the dragon Orm Embar, descendant of Orm, on Selidor. Orm Embar told Ged the history of the ring half he carried. When Ged

SECTION 50

#1732791872831

3276-565: The plot. They are often made many years after the original works were made. Legacy sequels are sometimes also direct sequels that ignore previous installments entirely, effectively retconning preceding events . Superman Returns (2006), Halloween (2018), Candyman (2021), Cobra Kai (2018-2025), Blade Runner 2049 (2017), the Star Wars sequel trilogy (2015-2019), Ghostbusters: Afterlife (2021), Terminator: Dark Fate (2019), Tron: Legacy (2010), Top Gun: Maverick (2022), Doctor Sleep (2019), Rocky Balboa (2006),

3339-580: The predecessor. An example: The Suicide Squad (2021) to Suicide Squad (2016). A spiritual sequel is a work inspired by its predecessor. It shares the same styles, genres and elements as its predecessor, but has no direct connection to it at all. Most spiritual sequels are also set in different universes from their predecessors, and some spiritual sequels aren't even a part of their predecessor's franchise, making them non-franchise sequels . Spiritual sequels can sometimes be repurposed from material originally intended to be direct sequels. An example of this

3402-399: The previous versions of the franchise. Contemporary reboots lean into the nostalgia factor and create new stories that simultaneously revel in the aspects of the original franchise that made it notable in the first place. In The Afterlife of a Character , David Brewer describes a reader's desire to "see more", or to know what happens next in the narrative after it has ended. The origin of

3465-504: The production of multiple novel sequels, sometimes rivaling or even dwarfing the volume of works in the original medium. For example, the 1956 novel The Hundred and One Dalmatians , its 1961 animated adaptation and that film's 1996 live-action remake each have a sequel unrelated to the other sequels: respectively The Starlight Barking (1967), 101 Dalmatians II: Patch's London Adventure (2003, direct to video) and 102 Dalmatians (2000). Sometimes sequels are produced without

3528-410: The production of sequels financially appealing. In film, sequels are very common. There are many name formats for sequels. Sometimes, they either have unrelated titles or have a letter added to the end. More commonly, they have numbers at the end or have added words at the end. It is also common for a sequel to have a variation of the original title or a subtitle. In the 1930s, many musical sequels had

3591-463: The promise of more of what they liked from the original. With sequels, therefore, came the implicit division of readers by authors into the categories of "desirable" and "undesirable"—that is, those who interpret the text in a way unsanctioned by the author. Only after having achieved a significant reader base would an author feel free to alienate or ignore the "undesirable" readers. This concept of "undesirable" readers extends to unofficial sequels with

3654-628: The same medium as the previous work (e.g. a film sequel is usually a sequel to another film). Producing sequels to a work in another medium has also become common, especially when the new medium is less costly or time-consuming to produce. A sequel to a popular but discontinued television series may be produced in another medium, thereby bypassing whatever factors led to the series' cancellation such as Serenity (sequel to Firefly (TV series) ), Downton Abbey: A New Era (sequel to Downton Abbey ), and Veronica Mars (sequel to Veronica Mars ). Some highly popular movies and television series have inspired

3717-497: The same universe as the other work. The Scorpion King , Planes , Minions , Hobbs & Shaw and Lightyear are examples of spin-off movies while Star Trek: The Next Generation , Torchwood and CSI: NY are examples of spin-off television series. A crossover is a work where two previous works from different franchises are meeting in the same universe. Alien vs. Predator , Freddy vs. Jason , The Lego Movie and Deadpool & Wolverine are examples of

3780-399: The sequel as it is conceived in the 21st century developed from the novella and romance traditions in a slow process that culminated towards the end of the 17th century. The substantial shift toward a rapidly growing print culture and the rise of the market system by the early 18th-century meant that an author's merit and livelihood became increasingly linked to the number of copies of

3843-455: The stories of Earthsea characters Lebannen , Tenar , Tehanu , and, in a minor role, Ged , from the previous books. With the exception of Tehanu, these characters are already fully developed, and there is little further development. Tehanu, now a young woman, is still very shy and emotionally dependent upon her adoptive mother, Tenar. Nevertheless, she reluctantly agrees to accompany the King on

SECTION 60

#1732791872831

3906-403: The year included in the title. Sometimes sequels are released with different titles in different countries, because of the perceived brand recognition. There are several ways that subsequent works can be related to the chronology of the original. Various neologisms have been coined to describe them. The most common approach is for the events of the second work to directly follow the events of

3969-463: Was a ‘dragonlord’, i.e. esteemed well enough by some dragons that they were willing to speak with him. Erreth-Akbe gained undying fame when he fought and defeated the Firelord, a being of immense power who sought to conquer the lands of the inner sea and stop the sun at midday so there would be light unending. In 440, he carried the Ring of Morred (known also as Elfarran's ring, later to be called

#830169