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60-519: The 5th Dimension is an American vocal group. Their music encompasses sunshine pop, pop soul, and psychedelic soul. Formed as the Versatiles in late 1965, the group changed its name to "the 5th Dimension" by 1966. Between 1967 and 1973 they charted with 20 top 40 hits on the Billboard Hot 100 , two of which – " Up, Up and Away " (no. 7, 1967) and the 1969 number one " Medley: Aquarius/Let

120-421: A 1973 special promoting Lost Horizon . The 5th Dimension made appearances on Soul Train , American Bandstand , The Flip Wilson Show , The Mike Douglas Show , The Tonight Show Starring Johnny Carson , and The Glen Campbell Goodtime Hour . In 1975, McCoo and Davis, who had married on July 26, 1969, left the group to do collective and individual projects. The duo had success with "Your Love" and

180-644: A Groovy Thing " went to No. 20 in between. Those four singles kept the group on the Hot 100 for all but four weeks in 1969. By some reckonings, "Aquarius/Let the Sunshine In" was the biggest hit single for 1969. Later top 20 hits included 1970's "One Less Bell to Answer" (U.S. No. 2), 1971's " Love's Lines, Angles and Rhymes " (U.S. No. 19) and " Never My Love " (U.S. No. 12), and 1972's " (Last Night) I Didn't Get to Sleep at All " (U.S. No. 8) and " If I Could Reach You " (U.S. No. 10). The group had seven other top 40 hits,

240-427: A Hot 100 Top 40 hit in each of the four decades from the 1980s through the 2010s: Michael Jackson , Madonna , "Weird Al" Yankovic , U2 , and Kenny G . Mariah Carey is the first artist to have a number-one single in four different decades. SiriusXM Pop2K uses the Hot 100 charts for the 2000s for the "Pop2Kountdown", where radio personal Rich Davis plays the top 30 songs on the Hot 100 from that specific week in

300-466: A breakthrough hit for them. The song was a John Phillips tune and reached No. 16 on the US Hot 100 chart. The group followed this with "Up, Up and Away", which reached No. 7 later that same year and went on to win five Grammy Awards . The following year, the group scored major hit singles with Laura Nyro 's songs " Stoned Soul Picnic " (U.S. No. 3) and " Sweet Blindness " (U.S. No. 13). The group received

360-618: A gold record for their album Stoned Soul Picnic . That album included "California Soul", which peaked at No. 25 in February 1969. Weeks later the group's success broke wide open, with " Aquarius/Let the Sunshine In " from the musical Hair topping the Hot 100 for six straight weeks in April and May and another Nyro song, "Wedding Bell Blues", doing the same for the first three full weeks in November. Their cover of Neil Sedaka 's " Workin' On

420-464: A new single, featuring the former B-side as the A-side, along with a "new" B-side. The inclusion of album cuts on the Hot 100 put the double-sided hit issues to rest permanently. As many Hot 100 chart policies have been modified over the years, one rule always remained constant: songs were not eligible to enter the Hot 100 unless they were available to purchase as a single. However, on December 5, 1998,

480-592: A point system that typically gave sales (purchases) more weight than radio airplay. The first No. 1 in that chart was " Love Is a Many-Splendored Thing " by The Four Aces . The Best Sellers in Stores , Most Played by Jockeys and Most Played in Jukeboxes charts continued to be published concurrently with the new Top 100 chart. On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as

540-434: A single until airplay was at its absolute peak, thus prompting a top ten or, in some cases, a number-one debut. In many cases, a label would delete a single from its catalog after only one week, thus allowing the song to enter the Hot 100, make a high debut and then slowly decline in position as the one-time production of the retail single sold out. It was during this period that several popular mainstream hits never charted on

600-594: A specific year from the 2000s. '90s on 9 also does a similar countdown show called the "Back in the Day Replay Countdown" hosted by Downtown Julie Brown ; however, this focuses on the Hot 100 charts from the 1990s. A new chart, the Pop 100 , was created by Billboard in February 2005 to answer criticism that the Hot 100 at the time was too dominated by hip hop and R&B. It was discontinued in June 2009 due to

660-435: A trend they had started in the 1960s by putting the same song on both sides of the singles provided to radio. More complex issues began to arise as the typical A-and-B-side format of singles gave way to 12 inch singles and maxi-singles, many of which contained more than one B-side. Further problems arose when, in several cases, a B-side would eventually overtake the A-side in popularity, thus prompting record labels to release

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720-543: A very long time to gain mainstream success. These rare cases are handled on a case-by-case basis and ultimately determined by Billboard ' s chart managers and staff. Older songs are allowed to re-enter to the Hot 100 provided they chart higher than number 50. Christmas songs have been a regular presence on the Hot 100 each December since the relaxation of recurrent rules, culminating in Mariah Carey 's 1994 recording " All I Want for Christmas Is You " reaching No. 1 on

780-617: A very straightforward cumulative total of yearlong sales, streaming, and airplay points. This gives a more accurate picture of any given year's most popular tracks, as the points accrued by one song during its week at number one in March might be less than those accrued by another song reaching number three in January. Songs at the peak of their popularity at the time of the November/December chart-year cutoff many times end up ranked on

840-403: A week spent at position 100, two points for a week spent at position 99 and so forth, up to 100 points for each week spent at number one). Other factors including the total weeks a song spent on the chart and at its peak position were calculated into its year-end total. After Billboard began obtaining sales and airplay information from Nielsen SoundScan, the year-end charts are now calculated by

900-407: Is Jennifer Lopez 's " I'm Real ". Originally entering the Hot 100 in its album version, a "remix" was issued in the midst of its chart run that featured rapper Ja Rule . This new version proved to be more popular than the album version and the track was propelled to number one. To address this issue, Billboard now separates airplay points from a song's original version and its remix, if the remix

960-452: Is determined to be a "new song". Since administering this new chart rule, several songs have charted twice, normally credited as "Part 1" and "Part 2". The remix rule is still in place. Billboard , in an effort to allow the chart to remain as current as possible and to give representation to new and developing artists and tracks, has (since 1991) removed titles that have reached certain criteria regarding its current rank and number of weeks on

1020-433: Is post-dated with the "week-ending" issue date four days after the charts are refreshed online (i.e., the following Saturday). For example: The methods and policies by which this data is obtained and compiled have changed many times throughout the chart's history. Although the advent of a singles music chart spawned chart historians and chart-watchers and greatly affected pop culture and produced countless bits of trivia,

1080-469: Is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before July 2015, Wednesday–Tuesday. The first number-one song of the Billboard Hot 100 was " Poor Little Fool " by Ricky Nelson , on August 4, 1958. As of the issue for

1140-476: The Billboard Hot 100 tracks paid digital downloads from such internet services as iTunes , Musicmatch , and Rhapsody . Billboard initially started tracking downloads in 2003 with the Hot Digital Tracks chart. However, these downloads did not count towards the Hot 100 and that chart (as opposed to Hot Digital Songs ) counted each version of a song separately. This was the first major overhaul of

1200-602: The chart topper " You Don't Have to Be a Star (To Be in My Show) ", which won them their seventh Grammy award as well as their own television variety show, The Marilyn McCoo & Billy Davis Jr. show. Marilyn McCoo served a lengthy 1980s stint as the host of the TV show Solid Gold . As of April 2009, the group was actively touring as "the 5th Dimension featuring Florence LaRue," led by LaRue, with Willie Williams, Leonard Tucker, Patrice Morris and Floyd Smith. On June 21, 2016,

1260-399: The 10 top selling records of three leading record companies, as reported by the companies themselves. In October 1938, a review list, "The Week's Best Records", was retitled "The Billboard Record Buying Guide" by incorporating airplay and sheet music sales, which would eventually become the first trade survey of record popularity. This led to the full-page "Billboard Music Popularity Chart" for

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1320-473: The 1990s many record companies stopped releasing singles altogether (see Album Cuts , below). Eventually, a song's airplay points were weighted more so than its sales. Billboard has adjusted the sales/airplay ratio many times to more accurately reflect the true popularity of songs. Billboard has also changed its Hot 100 policy regarding "two-sided singles" several times. The pre-Hot 100 chart "Best Sellers in Stores" listed popular A- and-B-sides together, with

1380-534: The 5th Dimension featuring Florence LaRue performed in The Villages, Florida just days after the Orlando nightclub shooting . LaRue took the opportunity to share her thoughts on the shooting: "We will not be terrorized. We know what's happening in the world, but this is a song about good health, love, peace and happiness. We still believe in those things today," she stated before the group performed "Aquarius/Let

1440-516: The Grand Talent award in the annual Miss Bronze beauty pageant. The members began rehearsing as the Versatiles in late 1965 and auditioned for Marc Gordon, who headed Motown 's Los Angeles office. Berry Gordy , the head of Motown Records, declined the group, but Gordon still believed in them and wanted to manage them. Gordon brought them to the attention of Johnny Rivers , who had just started his own label, Soul City Records . Soul City signed

1500-471: The Hot 100 (then called Top 40 Radio Monitor ). The ongoing splintering of Top 40 radio in the early 1990s led stations to lean into specific formats, meaning that practically no station would play the wide array of genres that typically composed each weekly Hot 100 chart. An artist or band's ability to have hits in the Hot 100 across multiple decades is recognized as a sign of longevity and being able to adapt to changing musical styles. Only five artists had

1560-416: The Hot 100 changed from being a "singles" chart to a "songs" chart. During the 1990s, a growing trend in the music industry was to promote songs to radio without ever releasing them as singles. It was claimed by major record labels that singles were cannibalizing album sales, so they were slowly phased out. During this period, accusations began to fly of chart manipulation as labels would hold off on releasing

1620-401: The Hot 100's chart formula since December 1998. The change in methodology has shaken up the chart considerably, with some songs debuting on the chart strictly with robust online sales and others making drastic leaps. In recent years, several songs have been able to achieve 80-to-90 position jumps in a single week as their digital components were made available at online music stores. Since 2006,

1680-420: The Hot 100's early history, singles were the leading way by which people bought music. At times, when singles sales were robust, more weight was given to a song's retail points than to its radio airplay. As the decades passed, the recording industry concentrated more on album sales than singles sales. Musicians eventually expressed their creative output in the form of full-length albums rather than singles, and by

1740-482: The Hot 100, or charted well after their airplay had declined. During the period that they were not released as singles, the songs were not eligible to chart. Many of these songs dominated the Hot 100 Airplay chart for extended periods of time: As debate and conflicts occurred more and more often, Billboard finally answered the requests of music industry artists and insiders to include airplay-only songs (or "album cuts") in

1800-481: The Hot 100, while the retail component was reduced from 40% to 25%. Extended play (EP) releases were listed by Billboard on the Hot 100 and in pre-Hot 100 charts (Top 100) until the mid-to-late 1960s. With the growing popularity of albums, it was decided to move EPs (which typically contain four to six tracks) from the Hot 100 to the Billboard 200 , where they are included to this day. Since February 12, 2005,

1860-542: The Sunshine In (The Flesh Failures) " — won the Grammy Award for Record of the Year . Other big hits include " Stoned Soul Picnic " (no. 3), " Wedding Bell Blues " (no. 1), " One Less Bell to Answer " (no. 2), a cover of " Never My Love " (pop no. 12/ Easy Listening no. 1), " (Last Night) I Didn't Get to Sleep at All " (no. 8), and " If I Could Reach You " (pop no. 10/ Easy Listening no. 1). Three of their records reached

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1920-870: The Sunshine In". In November 2017, the 5th Dimension appeared for 18 performances at the Andy Williams Performing Arts Centre in Branson, Missouri , in the Andy Williams Christmas Extravaganza hosted by Jimmy Osmond . The group was inducted into the Vocal Group Hall of Fame in 2002. They have a star on the Hollywood Walk of Fame , inducted August 9, 1991, and the St. Louis Walk of Fame , inducted on March 18, 2010. McCoo and Davis left

1980-535: The all-time record for the biggest single-week upward movement was broken nine times. In the issue dated August 11, 2007, Billboard began incorporating weekly data from streaming media and on-demand services into the Hot 100. The first two major companies to provide their statistics to Nielsen BDS on a weekly basis were AOL Music and Yahoo! Music . On March 24, 2012, Billboard premiered its On-Demand Songs chart, which ranks web radio streams from services such as Spotify , as well as on-demand audio titles. Its data

2040-472: The chart in December 2019. Billboard altered its tracking-week for sales, streaming and radio airplay in order to conform to a new Global Release Date, which now falls on Fridays in all major-market territories (United States product was formerly released on Tuesdays before June 2015). This modified tracking schedule took effect in the issue dated July 25, 2015. Billboard ' s "chart year" runs from

2100-417: The chart. Recurrent criteria have been modified several times and currently (as of 2015 ), a song is permanently moved to "recurrent status" if it has spent 20 weeks on the Hot 100 and fallen below position number 50. Additionally, descending songs are removed from the chart if ranking below number 25 after 52 weeks. Exceptions are made to re-releases and sudden resurgence in popularity of tracks that have taken

2160-507: The charts becoming increasingly similar. The Canadian Hot 100 was launched June 16, 2007. Like the Hot 100 chart, it uses sales and airplay tracking compiled by Nielsen SoundScan and BDS . The Billboard Japan Hot 100 was launched in the issue dated May 31, 2008, using the same methodologies as the Hot 100 charts for the U.S. and Canada, using sales and airplay data from SoundScan Japan and radio tracking service Plantech. The Vietnamese edition of Hot 100, Billboard Vietnam Hot 100 ,

2220-411: The first week of December to the final week in November. This altered calendar allows for Billboard to calculate year-end charts and release them in time for its final print issue in the last week of December. Before Nielsen SoundScan, year-end singles charts were calculated by an inverse-point system based solely on a song's performance on the Hot 100 (for example, a song would be given one point for

2280-413: The following year's chart as well, as their cumulative points are split between the two chart-years, but often are ranked lower than they would have been had the peak occurred in a single year. The Hot 100 served for many years as the data source for the weekly radio countdown show American Top 40 . This relationship ended on November 30, 1991, as American Top 40 started using the airplay-only side of

2340-488: The group in November 1975. Since then, other members have included the following: Billboard Hot 100 The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales (physical and digital ), online streaming , and radio airplay in the U.S. A new chart is compiled and released online to

2400-417: The group, but Rivers insisted on a new name. Townson and his wife came up with "The 5th Dimension," and as Davis recalled later, "We all heard it, we all agreed right away, 'That’s got to be it!’" In November 1966, Soul City released their first single as the 5th Dimension, "I'll Be Lovin' You Forever". However, the song failed to chart. In 1967 the 5th Dimension recorded " Go Where You Wanna Go ," which became

2460-763: The industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13, 1958. The Hot 100 was created by journalists Tom Noonan, Paul Ackerman , and Seymour Stein ; Stein did not recall who chose the name. The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan (both at retail and digitally) and streaming activity provided by online music sources. There are several component charts that contribute to

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2520-840: The last being 1973's " Living Together, Growing Together " (U.S. No. 32) from the film Lost Horizon . The 5th Dimension were the featured act of a July 28, 1969, CBS broadcast of highlights from the Harlem Cultural Festival , the "Black Woodstock" gathering in Mount Morris Park that drew 300,000 festival attendees over six shows. The New York Times reported the 5th Dimension show drew 60,000 alone. On August 18, 1971, their television special, The 5th Dimension Traveling Sunshine Show , first aired. The group also performed in Burt Bacharach in Shangri-La,

2580-413: The main purpose of the Hot 100 is to aid those within the music industry: to reflect the popularity of the "product" (the singles, the albums, etc.) and to track the trends of the buying public. Billboard has (many times) changed its methodology and policies to give the most precise and accurate reflection of what is popular. A very basic example of this would be the ratio given to sales and airplay. During

2640-433: The overall calculation of the Hot 100. The most significant ones are: The tracking week for sales, streaming and airplay begins on Friday and ends on Thursday (airplay used to have a tracking week from Monday to Sunday, but effective with the chart dated July 17, 2021, the week was adjusted to align with the other two metrics ). A new chart is compiled and officially released to the public by Billboard on Tuesday. Each chart

2700-485: The popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week of July 28, 1958, had the final Most Played by Jockeys and Top 100 charts, both of which had Perez Prado 's instrumental version of " Patricia " ascending to the top. On August 4, 1958, Billboard premiered one main all-genre singles chart: the Hot 100 , with " Poor Little Fool " by Ricky Nelson its first No. 1. The Hot 100 quickly became

2760-456: The public by Billboard' s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay

2820-517: The side that was played most often (based on its other charts) listed first. One of the most notable of these, but far from the only one, was Elvis Presley 's "Don't Be Cruel" / "Hound Dog". During the Presley single's chart run, top billing was switched back and forth between the two sides several times. But on the concurrent "Most Played in Juke Boxes", "Most Played by Jockeys" and the "Top 100",

2880-676: The singers' vocal arranger as well as instrumental backing by the Wrecking Crew for their recording sessions. In the early 1960s, Lamonte McLemore and Marilyn McCoo got together with three friends from Los Angeles—Harry Elston, Lawrence Summers, and Fritz Baskett—to form a group called the Hi-Fis, which later became the Vocals. When the Vocals broke up, McLemore and McCoo teamed up with aspiring opera singer Ron Townson, gospel singer Billy Davis Jr., and Florence LaRue, who — like McCoo — had won

2940-772: The songwriters who worked with the 5th Dimension went on to careers of their own, especially Ashford & Simpson , who wrote the song " California Soul ". The group is also notable for having more success with the songs of Laura Nyro than Nyro did herself, particularly with "Stoned Soul Picnic", " Sweet Blindness ", "Wedding Bell Blues", " Blowin' Away " and " Save the Country ". The group also recorded songs by well-known songwriters including Burt Bacharach and Hal David ("One Less Bell to Answer") and Jimmy Webb , who wrote " Up, Up and Away ". The group's 1967 LP The Magic Garden features all but one song composed by Webb. The 5th Dimension's producer Bones Howe used Bob Alcivar as

3000-609: The top ten of Billboard 's Rhythm & Blues/Soul chart. Five of their 19 top 20 hits on the Easy Listening chart reached number one. The five original members were Lamonte McLemore , Marilyn McCoo , Florence LaRue , Ronald Townson , and Billy Davis Jr. Their earliest recordings were on the Soul City record label, which was started by recording artist Johnny Rivers . The group later recorded for Bell / Arista Records , ABC Records , and Motown Records . Some of

3060-428: The two songs were listed separately, as was true of all songs. With the initiation of the Hot 100 in 1958, A- and-B-sides charted separately, as they had on the former Top 100. Starting with the Hot 100 chart for the week ending November 29, 1969, this rule was altered; if both sides received significant airplay, they were listed together. This started to become a moot point by 1972, as most major record labels solidified

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3120-410: The week ending July 20, 1940, and published in the July 27 issue, with lists covering jukebox play, retail sales, sheet music sales, and radio play. Listed were 10 songs of the national "Best Selling Retail Records", which was the fore-runner of today's pop chart, with " I'll Never Smile Again " by Tommy Dorsey its first number one. Starting on March 24, 1945, Billboard ' s lead popularity chart

3180-709: The week ending on November 30, 2024, the Billboard Hot 100 has had 1,175 different number-one entries. The current number-one song on the chart is " A Bar Song (Tipsy) " by Shaboozey . The first chart published by Billboard was "Last Week's Ten Best Sellers Among the Popular Songs", a list of best-selling sheet music, in July 1913. Other charts listed popular song performances in theatres and recitals. In 1928, "Popular Numbers Featured by Famous Singers and Leaders" appeared, which added radio performances to in-person performances. On January 4, 1936, Billboard magazine published "Ten Best Records for Week Ending", which listed

3240-405: Was a tactic generally used by certain artists to boost their chart positions. Instead, such physical releases are now only counted when they are shipped to the consumer, rendering the tactic "ineffectual". A growing trend early in the first decade of the 21st century was to issue a song as a "remix" that was so drastically different in structure and lyrical content from its original version that it

3300-447: Was essentially a whole new song. Under normal circumstances, airplay points from a song's album version, "radio" mix and/or dance music remix, etc. were all combined and factored into the song's performance on the Hot 100, as the structure, lyrics and melody remained intact. Criticisms began when songs were being completely re-recorded to the point that they no longer resembled the original recording. The first such example of this scenario

3360-521: Was launched on January 14, 2022. Go Where You Wanna Go P.F. Sloan played guitar on the song. John Phillips said that he wrote it about Michelle Phillips 's affair with Russ Titelman , a songwriter and record producer. The 5th Dimension recorded "Go Where You Wanna Go" for their debut studio album in 1967, Up, Up and Away . The song was the group's first single to chart (after their first Soul City release, "Train Keep On Movin'",

3420-462: Was the Best Sellers in Stores chart, and the magazine refers to that when discussing a song's performance before the creation of the Hot 100. In its issue of November 12, 1955, Billboard published The Top 100 for the first time (for the survey weeks ending October 26 and November 2). The Top 100 combined all aspects of a single's performance (sales, airplay and jukebox activity), based on

3480-512: Was the Honor Roll of Hits . This chart ranked the most popular songs regardless of performer (it combined different versions of the same song by different artists) based on record and sheet sales, disk jockey, and jukebox performances as determined by Billboard ' s weekly nationwide survey. At the start of the rock era in 1955, there were three charts that measured songs by individual metrics: Billboard ' s primary chart among these

3540-602: Was then incorporated into the equation that compiles the Hot 100, and this was expanded to a broader Streaming Songs chart in January 2013. In February 2013, U.S. views for a song on YouTube were added to the Hot 100 formula. " Harlem Shake " was the first song to reach number one after the changes were made. In July 2020, Billboard announced that they would no longer allow sales of physical/digital bundles to be reported as digital sales. This refers to songs being bought along with merchandise , either from an artists website or through another vendor. The magazine stated that this

3600-465: Was unsuccessful), reaching number 16 on the U.S. Billboard Hot 100 . It also did well in Canada. It is among the group's 10 biggest hits. Producer Johnny Rivers suggested the group record the song. According to Marilyn McCoo , "the record company wasn't going to release it as a single, but we put our whole thing into it, released it and it was a hit." This 1960s single -related article

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