Musical theatre is a form of theatrical performance that combines songs, spoken dialogue , acting and dance. The story and emotional content of a musical – humor, pathos , love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals .
177-657: The Sound of Music is a musical with music by Richard Rodgers , lyrics by Oscar Hammerstein II , and a book by Howard Lindsay and Russel Crouse . It is based on the 1949 memoir of Maria von Trapp , The Story of the Trapp Family Singers . Set in Austria on the eve of the Anschluss in 1938, the musical tells the story of Maria, who takes a job as governess to a large family while she decides whether to become
354-510: A corporative form of government modelled on Italian fascism and Portugal's Estado Novo . The CS politician Engelbert Dollfuss, appointed Chancellor of Austria in 1932, on 4 March 1933 saw an opportunity in the resignation of Social Democrat Karl Renner as president of the Austrian Nationalrat , after irregularities occurred during a voting process. Dollfuss called the incident a "self-elimination" ( Selbstausschaltung ) of
531-503: A film adaptation of the musical starring Julie Andrews as Maria Rainer and Christopher Plummer as Captain Georg von Trapp. It was produced and directed by Robert Wise with the screenplay adaptation written by Ernest Lehman . Two songs were written by Rodgers specifically for the film, "I Have Confidence" and "Something Good". The film won five Oscars at the 38th Academy Awards , including Best Picture. A live televised production of
708-492: A 1956 West German film about the von Trapp family , and its 1958 sequel ( The Trapp Family in America ), stage director Vincent J. Donehue thought that the project would be perfect for his friend Mary Martin ; Broadway producers Leland Hayward and Richard Halliday (Martin's husband) agreed. The producers originally envisioned a non-musical play that would be written by Lindsay and Crouse and that would feature songs from
885-630: A Brazilian production with Kiara Sasso as Maria and Herson Capri as the Captain played in Rio de Janeiro and São Paulo , and a Dutch production was mounted with Wieneke Remmers as Maria, directed by John Yost. Andrew Lloyd Webber , David Ian and David Mirvish presented The Sound of Music at the Princess of Wales Theatre in Toronto from 2008 to 2010. The role of Maria was chosen by the public through
1062-565: A Little Christmas", "I Am What I Am", "Mame", "The Best of Times", "Before the Parade Passes By", "Put On Your Sunday Clothes", "It Only Takes a Moment", "Bosom Buddies" and "I Won't Send Roses", recorded by such artists as Louis Armstrong , Eydie Gormé , Barbra Streisand , Petula Clark and Bernadette Peters. Herman's songbook has been the subject of two popular musical revues, Jerry's Girls (Broadway, 1985) and Showtune (off-Broadway, 2003). The musical started to diverge from
1239-579: A book musical are its music , lyrics and book . The book or script of a musical refers to the story, character development and dramatic structure, including the spoken dialogue and stage directions, but it can also refer to the dialogue and lyrics together, which are sometimes referred to as the libretto (Italian for "small book"). The music and lyrics together form the score of a musical and include songs, incidental music and musical scenes, which are "theatrical sequence[s] set to music, often combining song with spoken dialogue." The interpretation of
1416-518: A completely new genre – the musical play as distinguished from musical comedy. Now ... everything else was subservient to that play. Now ... came complete integration of song, humor and production numbers into a single and inextricable artistic entity." As the Great Depression set in during the post-Broadway national tour of Show Boat , the public turned back to mostly light, escapist song-and-dance entertainment. Audiences on both sides of
1593-520: A few exceptions, compared with London runs, until the 1920s. Gilbert and Sullivan were widely pirated and also were imitated in New York by productions such as Reginald De Koven 's Robin Hood (1891) and John Philip Sousa 's El Capitan (1896). A Trip to Coontown (1898) was the first musical comedy entirely produced and performed by African Americans on Broadway (largely inspired by the routines of
1770-402: A few players . Rock musicals usually employ a small group of mostly rock instruments, and some musicals may call for only a piano or two instruments. The music in musicals uses a range of "styles and influences including operetta , classical techniques, folk music , jazz [and] local or historical styles [that] are appropriate to the setting." Musicals may begin with an overture played by
1947-641: A five-minute song than are spoken in a five-minute block of dialogue. Therefore, there is less time to develop drama in a musical than in a straight play of equivalent length, since a musical usually devotes more time to music than to dialogue. Within the compressed nature of a musical, the writers must develop the characters and the plot. The material presented in a musical may be original, or it may be adapted from novels ( Wicked and Man of La Mancha ), plays ( Hello, Dolly! and Carousel ), classic legends ( Camelot ), historical events ( Evita and Hamilton ) or films ( The Producers and Billy Elliot ). On
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#17327913725852124-431: A goodbye to his homeland, while using Austria's national flower as a symbol to declare his loyalty to the country. Max asks for an encore and announces that this is the von Trapp family's last chance to sing together, as the honor guard waits to escort the Captain to his new command. While the judges decide on the prizes, the von Trapps sing "So Long, Farewell" (reprise), leaving the stage in small groups. Max then announces
2301-517: A love relationship sanctioned and restricted by Protestant ideals of marriage; that a married couple should make a moral home with children away from the city in a suburb or small town; that the woman's function was as homemaker and mother; and that Americans incorporate an independent and pioneering spirit or that their success is self-made. The 1950s were crucial to the development of the American musical. Damon Runyon 's eclectic characters were at
2478-712: A meeting with Wehrmacht commanders. Under the mediation of the German ambassador Franz von Papen , Schuschnigg on 12 February 1938 traveled to Hitler's Berghof residence in Berchtesgaden , only to be confronted with an ultimatum to readmit the Nazi Party and to appoint Seyss-Inquart and Glaise-Horstenau ministers of the Austrian cabinet. Schuschnigg, impressed by the presence of OKW chief General Wilhelm Keitel , gave in and on 16 February Seyss-Inquart became head of
2655-510: A musical adaptation of Oscar Wilde 's 1895 hit The Importance of Being Earnest . West Side Story (1957) transported Romeo and Juliet to modern day New York City and converted the feuding Montague and Capulet families into opposing ethnic gangs, the Jets and the Sharks. The book was adapted by Arthur Laurents , with music by Leonard Bernstein and lyrics by newcomer Stephen Sondheim . It
2832-416: A musical generally became more expensive. Shuffle Along (1921), an all-African American show, was a hit on Broadway. A new generation of composers of operettas also emerged in the 1920s, such as Rudolf Friml and Sigmund Romberg , to create a series of popular Broadway hits. In London, writer-stars such as Ivor Novello and Noël Coward became popular, but the primacy of British musical theatre from
3009-497: A musical is the responsibility of its creative team, which includes a director, a musical director, usually a choreographer and sometimes an orchestrator . A musical's production is also creatively characterized by technical aspects, such as set design , costumes , stage properties (props) , lighting and sound . The creative team, designs and interpretations generally change from the original production to succeeding productions. Some production elements, however, may be retained from
3186-412: A musical style more aptly suited to twentieth-century society and its vernacular idiom. It was from America that the more direct style emerged, and in America that it was able to flourish in a developing society less hidebound by nineteenth-century tradition." In France, comédie musicale was written between in the early decades of the century for such stars as Yvonne Printemps . Progressing far beyond
3363-547: A new Broadway record. In Britain, Me and My Girl ran for 1,646 performances. Still, a few creative teams began to build on Show Boat ' s innovations. Of Thee I Sing (1931), a political satire by the Gershwins, was the first musical awarded the Pulitzer Prize . As Thousands Cheer (1933), a revue by Irving Berlin and Moss Hart in which each song or sketch was based on a newspaper headline, marked
3540-464: A number of blockbusters, like Fiddler on the Roof (1964; 3,242 performances), Hello, Dolly! (1964; 2,844 performances), Funny Girl (1964; 1,348 performances) and Man of La Mancha (1965; 2,328 performances), and some more risqué pieces like Cabaret , before ending with the emergence of the rock musical . In Britain, Oliver! (1960) ran for 2,618 performances, but the long-run champion of
3717-759: A nun. She falls in love with the children, and eventually their widowed father, Captain von Trapp . He is ordered to accept a commission in the German Navy, but he opposes the Nazis. He and Maria decide on a plan to flee Austria with the children. Many songs from the musical have become standards , including " Do-Re-Mi ", " My Favorite Things ", " Edelweiss ", " Climb Ev'ry Mountain ", and the title song " The Sound of Music ". The original Broadway production, starring Mary Martin and Theodore Bikel , opened in 1959 and won five Tony Awards , including Best Musical, out of nine nominations. The first London production opened at
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#17327913725853894-667: A revival of the show at the Apollo Victoria Theatre in London 's West End . Michael Jayston played Captain von Trapp, Honor Blackman was the Baroness and June Bronhill played the Mother Abbess. Other notable cast members included Helen Anker , John Bennett and Martina Grant . Despite her misgivings that, at age 49, she was too old to play the role convincingly, Clark opened to unanimous rave reviews and
4071-521: A river ... with lots of obstacles and mishaps along the way". As transportation improved, poverty in London and New York diminished, and street lighting made for safer travel at night, the number of patrons for the growing number of theatres increased enormously. Plays ran longer, leading to better profits and improved production values, and men began to bring their families to the theatre. The first musical theatre piece to exceed 500 consecutive performances
4248-801: A run as long as that again." The original Broadway cast album sold three million copies. The musical premiered in London's West End at the Palace Theatre on May 18, 1961, and ran for 2,385 performances. It was directed by Jerome Whyte and used the original New York choreography, supervised by Joe Layton, and the original sets designed by Oliver Smith. The cast included Jean Bayless as Maria, followed by Sonia Rees, Roger Dann as Captain von Trapp, Constance Shacklock as Mother Abbess, Eunice Gayson as Elsa Schraeder, Harold Kasket as Max Detweiler, Barbara Brown as Liesl, Nicholas Bennett as Rolf and Olive Gilbert as Sister Margaretta. In 1981, at producer Ross Taylor's urging, Petula Clark agreed to star in
4425-552: A run of 931 performances. Gilbert and Sullivan's influence on later musical theatre was profound, creating examples of how to "integrate" musicals so that the lyrics and dialogue advanced a coherent story. Their works were admired and copied by early authors and composers of musicals in Britain and America. A Trip to Chinatown (1891) was Broadway's long-run champion (until Irene in 1919), running for 657 performances, but New York runs continued to be relatively short, with
4602-544: A series of 2.5D musicals based on popular anime and manga comics has developed in recent decades. Shorter or simplified "junior" versions of many musicals are available for schools and youth groups, and very short works created or adapted for performance by children are sometimes called minimusicals . The antecedents of musical theatre in Europe can be traced back to the theatre of ancient Greece , where music and dance were included in stage comedies and tragedies during
4779-547: A series of successful Broadway shows, including On Your Toes (1936, with Ray Bolger , the first Broadway musical to make dramatic use of classical dance), Babes in Arms (1937) and The Boys from Syracuse (1938). Porter added Du Barry Was a Lady (1939). The longest-running piece of musical theatre of the 1930s in the US was Hellzapoppin (1938), a revue with audience participation, which played for 1,404 performances, setting
4956-789: A story-telling device in On Your Toes in 1936, which was followed by Agnes de Mille 's ballet and choreography in Oklahoma! . After Abbott collaborated with Jerome Robbins in On the Town and other shows, Robbins combined the roles of director and choreographer, emphasizing the story-telling power of dance in West Side Story , A Funny Thing Happened on the Way to the Forum (1962) and Fiddler on
5133-656: A television show, How Do You Solve a Problem Like Maria? , which was produced by Lloyd Webber and Ian and aired in mid-2008. Elicia MacKenzie won and played the role six times a week, while the runner-up in the TV show, Janna Polzin, played Maria twice a week. Captain von Trapp was played by Burke Moses . The show ran for more than 500 performances. It was Toronto's longest running revival ever. A UK tour began in 2009 and visited more than two dozen cities before ending in 2011. The original cast included Connie Fisher as Maria, Michael Praed as Captain von Trapp and Margaret Preece as
5310-489: A week after the show's 1959 opening. The album was the label's first deluxe package in a gatefold jacket, priced $ 1 higher than previous cast albums. It was No. 1 on Billboard 's best-selling albums chart for 16 weeks in 1960. It was released on CD from Sony in the Columbia Broadway Masterworks series. In 1959, singer Patti Page recorded the title song from the show for Mercury Records on
5487-547: Is Austrian, not German. Maria and the children leapfrog in, wearing play-clothes that she made from the old drapes in her room. Infuriated, the Captain sends them off to change. She tells him that the children need him to show his love for them, and he angrily orders her back to the abbey. As she apologizes, they hear the children singing "The Sound of Music", which she had taught them, to welcome Elsa Schraeder. He joins in and embraces them. Alone with Maria, he asks her to stay, thanking her for bringing music back into his house. Elsa
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5664-451: Is frequently longer than the second. The first act generally introduces nearly all of the characters and most of the music and often ends with the introduction of a dramatic conflict or plot complication while the second act may introduce a few new songs but usually contains reprises of important musical themes and resolves the conflict or complication. A book musical is usually built around four to six main theme tunes that are reprised later in
5841-477: Is often difficult to distinguish among the various kinds of musical theatre, including "musical play", "musical comedy", "operetta" and "light opera". Like opera, the singing in musical theatre is generally accompanied by an instrumental ensemble called a pit orchestra , located in a lowered area in front of the stage. While opera typically uses a conventional symphony orchestra , musicals are generally orchestrated for ensembles ranging from 27 players down to only
6018-464: Is primarily a singer and only secondarily an actor (and rarely needs to dance), a musical theatre performer is often an actor first but must also be a singer and dancer. Someone who is equally accomplished at all three is referred to as a "triple threat". Composers of music for musicals often consider the vocal demands of roles with musical theatre performers in mind. Today, large theatres that stage musicals generally use microphones and amplification of
6195-431: Is right for her because he is a year older than she (" Sixteen Going on Seventeen "). They kiss, and he runs off, leaving her squealing with joy. Meanwhile, the housekeeper, Frau Schmidt, gives Maria material to make new clothes, as Maria had given all her possessions to the poor. Maria sees Liesl slipping in through the window, wet from a sudden thunderstorm, but agrees to keep her secret. The other children are frightened by
6372-568: Is still in the repertoire of the Volksoper with performances each season; performances are scheduled for 2024. The Salzburg Marionette Theatre has toured extensively with their version that features the recorded voices of Broadway singers such as Christiane Noll as Maria. The tour began in Dallas , Texas, in 2007 and continued in Salzburg in 2008. The director is Richard Hamburger . In 2008,
6549-638: Is suspicious of her until she explains that she will be returning to the abbey in September. The Captain gives a party to introduce Elsa, and guests argue over the Anschluss (the Nazi German annexation of Austria). Kurt asks Maria to teach him to dance the Ländler . When he fails to negotiate a complicated figure, the Captain steps in to demonstrate. He and Maria dance until they come face-to-face; and she breaks away, embarrassed and confused. Discussing
6726-401: Is vibrant and amusing in a plot that rises to genuine excitement." The New York Journal American ' s review opined that The Sound of Music is "the most mature product of the team ... it seemed to me to be the full ripening of these two extraordinary talents". Brooks Atkinson of The New York Times gave a mixed assessment. He praised Mary Martin's performance, saying "she still has
6903-523: The Dixit Dominus . One of the postulants , Maria Rainer, is on the nearby mountainside, regretting leaving the beautiful hills (" The Sound of Music "). She returns late to the abbey where the Mother Abbess and the other nuns have been considering what to do about the free-spirit (" Maria "). Maria explains her lateness, saying she was raised on that mountain, and apologizes for singing in
7080-1143: The Auditorio de Tenerife in Santa Cruz de Tenerife in the Canary Islands . The tour visited 29 Spanish cities, spending one year in Madrid 's Gran Vía at the Teatro Coliseum, and one season at the Tívoli Theatre in Barcelona . It was directed by Jaime Azpilicueta and starred Silvia Luchetti as Maria and Carlos J. Benito as Captain Von Trapp. A production was mounted at the Open Air Theatre, Regent's Park from July to September 2013. It starred Charlotte Wakefield as Maria, with Michael Xavier as Captain von Trapp and Caroline Keiff as Elsa. It received enthusiastic reviews and became
7257-594: The Austrian State Treaty ended the Allied occupation of Austria . In the 1890s, the founding members of the conservative-clerical Christian Social Party (CS) like Karl von Vogelsang and the Vienna mayor Karl Lueger had already developed anti- liberal views, though primarily from an economic perspective considering the pauperization of the proletariat and the lower middle class. Strongly referring to
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7434-536: The Grand Riviera Theater , Detroit, on February 27, 1961, and closed November 23, 1963, at the O'Keefe Centre , Toronto. Henderson was succeeded by Barbara Meister in June 1962. Theodore Bikel was not satisfied playing the role of the Captain, and Bikel did not like to play the same role over and over again. In his autobiography, he writes: "I promised myself then that if I could afford it, I would never do
7611-545: The London Palladium , produced by Live Nation's David Ian and Jeremy Sams . Following failed negotiations with Hollywood star Scarlett Johansson , the role of Maria was cast through a UK talent search reality TV show called How Do You Solve a Problem like Maria? The talent show was produced by (and featured) Andrew Lloyd Webber and also featured presenter/comedian Graham Norton and a judging panel of David Ian , John Barrowman and Zoë Tyler . Connie Fisher
7788-738: The Nonnberg Abbey in 1926 asking for a nun to help tutor his sick daughter, and the Mother Abbess sent Maria . His wife, Agathe Whitehead , had died in 1922. The real Maria and Georg married at the Nonnberg Abbey in 1927. Lindsay and Crouse altered the story so that Maria was governess to all of the children, whose names and ages were changed, as was Maria's original surname (the show used "Rainer" instead of "Kutschera"). The von Trapps spent some years in Austria after Maria and
7965-504: The Palace Theatre in 1961. The show has enjoyed numerous productions and revivals since then. It was adapted as a 1965 film musical starring Julie Andrews and Christopher Plummer , which won five Academy Awards , including Best Picture. The Sound of Music was the last musical written by Rodgers and Hammerstein , as Oscar Hammerstein died of stomach cancer nine months after the Broadway premiere. After viewing The Trapp Family ,
8142-640: The Roaring Twenties , borrowing from vaudeville, music hall and other light entertainments, tended to emphasize big dance routines and popular songs at the expense of plot. Typical of the decade were lighthearted productions like Sally ; Lady, Be Good ; No, No, Nanette ; Oh, Kay! ; and Funny Face . Despite forgettable stories, these musicals featured stars such as Marilyn Miller and Fred Astaire and produced dozens of enduring popular songs by Kern, George and Ira Gershwin , Irving Berlin , Cole Porter and Rodgers and Hart . Popular music
8319-491: The Tudor period that involved music, dancing, singing and acting, often with expensive costumes and a complex stage design . These developed into sung plays that are recognizable as English operas, the first usually being thought of as The Siege of Rhodes (1656). In France, meanwhile, Molière turned several of his farcical comedies into musical entertainments with songs (music provided by Jean-Baptiste Lully ) and dance in
8496-482: The Volksoper Wien in German. It was directed and choreographed by Renaud Doucet. The cast included Sandra Pires as Maria, Kurt Schreibmayer and Michael Kraus as von Trapp, with Heidi Brunner as Mother Abbess. The song "Do-Re-Mi" was rewritten as "C wie Cellophanpapier", replacing the solfège syllables with the German letter notation C through H and selecting mnemonics that begin with each letter. The production
8673-557: The minstrel shows ), followed by ragtime -tinged shows. Hundreds of musical comedies were staged on Broadway in the 1890s and early 20th century, composed of songs written in New York's Tin Pan Alley , including those by George M. Cohan , who worked to create an American style distinct from the Gilbert and Sullivan works. The most successful New York shows were often followed by extensive national tours. Meanwhile, musicals took over
8850-399: The revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927), Of Thee I Sing (1931) and Oklahoma! (1943). Some of the most famous musicals through the decades that followed include My Fair Lady (1956), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of
9027-543: The "Golden Age" of American musical theatre. Americana was displayed on Broadway during the "Golden Age", as the wartime cycle of shows began to arrive. An example of this is On the Town (1944), written by Betty Comden and Adolph Green , composed by Leonard Bernstein and choreographed by Jerome Robbins . The story is set during wartime and concerns three sailors who are on a 24-hour shore leave in New York City, during which each falls in love. The show also gives
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#17327913725859204-622: The 1850s to the 1870s and Johann Strauss II in the 1870s and 1880s. Offenbach's fertile melodies, combined with his librettists' witty satire, formed a model for the musical theatre that followed. Adaptations of the French operettas (played in mostly bad, risqué translations), musical burlesques , music hall, pantomime and burletta dominated the London musical stage into the 1870s. In America, mid-19th century musical theatre entertainments included crude variety revue , which eventually developed into vaudeville , minstrel shows , which soon crossed
9381-504: The 1910s, the team of P. G. Wodehouse , Guy Bolton and Jerome Kern , following in the footsteps of Gilbert and Sullivan , created the " Princess Theatre shows" and paved the way for Kern's later work by showing that a musical could combine light, popular entertainment with continuity between its story and songs. Historian Gerald Bordman wrote: These shows built and polished the mold from which almost all later major musical comedies evolved. ... The characters and situations were, within
9558-499: The 19th century through 1920 was gradually replaced by American innovation, especially after World War I, as Kern and other Tin Pan Alley composers began to bring new musical styles such as ragtime and jazz to the theatres, and the Shubert Brothers took control of the Broadway theatres. Musical theatre writer Andrew Lamb notes, "The operatic and theatrical styles of nineteenth-century social structures were replaced by
9735-412: The 19th century, such as music hall , melodrama and burletta , which were popularized partly because most London theatres were licensed only as music halls and not allowed to present plays without music. Colonial America did not have a significant theatre presence until 1752, when London entrepreneur William Hallam sent a company of actors to the colonies managed by his brother Lewis . In New York in
9912-523: The 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Harrigan and Hart in America. These were followed by Edwardian musical comedies , which emerged in Britain, and the musical theatre works of American creators like George M. Cohan at the turn of the 20th century. The Princess Theatre musicals (1915–1918) were artistic steps forward beyond
10089-810: The 5th century BCE. The music from the ancient forms is lost, however, and they had little influence on later development of musical theatre. In the 12th and 13th centuries, religious dramas taught the liturgy . Groups of actors would use outdoor Pageant wagons (stages on wheels) to tell each part of the story. Poetic forms sometimes alternated with the prose dialogues, and liturgical chants gave way to new melodies. The European Renaissance saw older forms evolve into two antecedents of musical theatre: commedia dell'arte , where raucous clowns improvised familiar stories, and later, opera buffa . In England, Elizabethan and Jacobean plays frequently included music, and short musical plays began to be included in an evenings' dramatic entertainments. Court masques developed during
10266-551: The Angry Inch and other shows in recent decades. Parade is a sensitive exploration of both anti-Semitism and historical American racism, and Ragtime similarly explores the experience of immigrants and minorities in America. After the success of Hair , rock musicals flourished in the 1970s, with Jesus Christ Superstar , Godspell , The Rocky Horror Show , Evita and Two Gentlemen of Verona . Some of those began as " concept albums " which were then adapted to
10443-801: The Anschluss bill into law. Two days later in his speech on the Heldenplatz in Vienna, Hitler proclaimed the "accession of my homeland to the German Reich" . A highly dubious referendum – organized and implemented by Josef Bürckel , the Nazi Gauleiter of the Pfalz and the Saarland , who was appointed by Hitler to be in charge of the election – was held on 10 April, ratifying
10620-677: The Atlantic had little money to spend on entertainment, and only a few stage shows anywhere exceeded a run of 500 performances during the decade. The revue The Band Wagon (1931) starred dancing partners Fred Astaire and his sister Adele , while Porter's Anything Goes (1934) confirmed Ethel Merman 's position as the First Lady of musical theatre, a title she maintained for many years. Coward and Novello continued to deliver old fashioned, sentimental musicals, such as The Dancing Years , while Rodgers and Hart returned from Hollywood to create
10797-425: The Atlantic to Britain, and Victorian burlesque, first popularized in the US by British troupes. A hugely successful musical entertainment that premiered in New York in 1866, The Black Crook , combined dance and some original music that helped to tell the story. The spectacular production, famous for its skimpy costumes, ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and
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#173279137258510974-850: The Austrian branch of the Nazi Party on 19 June. On 20 May 1933 he had established the Fatherland's Front as a unity party of "an autonomous, Christian, German, corporative Federal State of Austria". On 12 February 1934 the government's attempts to enforce the ban of the Schutzbund at the Hotel Schiff in Linz sparked the Austrian Civil War . The revolt was suppressed with support by the Bundesheer and right-wing Heimwehr troops under Ernst Rüdiger Starhemberg , and ended with
11151-652: The Baroness and Alexander Armstrong as Max. Most reviews of the original Broadway production were favorable. Richard Watts Jr. of the New York Post stated that the show had "strangely gentle charm that is wonderfully endearing. The Sound of Music strives for nothing in the way of smash effects, substituting instead a kind of gracious and unpretentious simplicity." The New York World-Telegram and Sun pronounced The Sound of Music "the loveliest musical imaginable. It places Rodgers and Hammerstein back in top form as melodist and lyricist. The Lindsay-Crouse dialogue
11328-438: The Captain about the imminent Anschluss , trying to convince him that it is inevitable (" No Way to Stop It "). When he refuses to compromise on his opposition to it, Elsa breaks off the engagement. Alone, the Captain and Maria finally admit their love, desiring only to be "An Ordinary Couple". As they marry, the nuns reprise "Maria" against the wedding processional. While Maria and the Captain are on their honeymoon, Max prepares
11505-421: The Captain and Benanti as Maria. Lou Taylor Pucci made his Broadway debut as the understudy for Kurt von Trapp. The production opened on March 12, 1998, at the Martin Beck Theatre , and closed on June 20, 1999, after 533 performances. This production was nominated for a Tony Award for Best Revival of a Musical. It then toured in North America. An Andrew Lloyd Webber production opened on November 15, 2006, at
11682-406: The Captain and newcomer Amy Lennox as Liesl. Summer Strallen replaced Fisher in February 2008, with Mulholland portraying Maria on Monday evenings and Wednesday matinees. The revival received enthusiastic reviews, especially for Fisher, Preece, Bould and Garrett. A cast recording of the London Palladium cast was released. The production closed on February 21, 2009, after a run of over two years and
11859-519: The Captain married and he was offered a commission in Germany's navy . Since von Trapp opposed the Nazis by that time, the family left Austria after the Anschluss , going by train to Italy and then traveling on to London and the United States. To make the story more dramatic, Lindsay and Crouse had the family, soon after Maria's and the Captain's wedding, escape over the mountains to Switzerland on foot. In Salzburg , Federal State of Austria , just before World War II , nuns from Nonnberg Abbey sing
12036-506: The Captain points out that it no longer exists. Maria and Liesl discuss romantic love; Maria predicts that in a few years Liesl will be married ("Sixteen Going on Seventeen (Reprise)"). Rolf enters with a telegram that offers the Captain a commission in the German Navy , and Liesl is upset to discover that Rolf is now a committed Nazi . The Captain consults Maria and decides that they must secretly flee Austria. German Admiral von Schreiber arrives to find out why Captain von Trapp has not answered
12213-409: The Captain tries to lead them, they complain that he is not doing it as Maria did. He tells them that he has asked Elsa to marry him. They try to cheer themselves up by singing "My Favorite Things" but are unsuccessful until they hear Maria singing on her way to rejoin them. Learning of the wedding plans, she decides to stay only until the Captain can arrange for another governess. Max and Elsa argue with
12390-526: The Catholic Church was given a prominent voice in a variety of issues. The state de-secularized schools in education, requiring religious education to complete the Matura graduation exams. According to this ideology, Austrians were "better Germans ". In keeping with the regime's Catholicism, the regime elevated the non-communist and non-capitalist teachings of Papal Encyclicals, most prominently Quadragesimo anno of Pope Pius XI . Despite its nominal embrace of corporatism and shunning of liberal capitalism,
12567-579: The English-speaking stage by competition from the ubiquitous Edwardian musical comedies, operettas returned to London and Broadway in 1907 with The Merry Widow , and adaptations of continental operettas became direct competitors with musicals. Franz Lehár and Oscar Straus composed new operettas that were popular in English until World War I. In America, Victor Herbert produced a string of enduring operettas including The Fortune Teller (1898), Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906) and Naughty Marietta (1910). In
12744-469: The Fatherland's Front, he had no chance to prevail against the " axis " of Berlin and Rome proclaimed by Mussolini on 1 November 1936. One of the reasons for the failure of the putsch was Italian intervention: Mussolini assembled an army corps of four divisions on the Austrian border and threatened Hitler with a war with Italy in the event of a German invasion of Austria as originally planned, should
12921-501: The Federal State could be considered genuinely fascist is debatable. Although it was authoritarian and used fascist-like symbols, it never achieved broad support among Austrians. Its most prominent policy was an embrace of Catholicism, and its economic and social policies bear only a passing resemblance to those of Fascist Italy and Nazi Germany and more of a resemblance to Portugal under Salazar. John Gunther wrote in 1940 that
13098-561: The Federal State pursued a fiscal conservative monetary policy. Vienna School economist Ludwig von Mises , who had collaborated with Dollfuss before the coup, was made chairman of the Austrian Chamber of Commerce , and with the guidance of Mises and other economists, the Federal State pursued a policy of austerity in reaction to the Great Depression. The Federal State pursued harsh deflationary policies to balance
13275-586: The Golden Age, automotive companies and other large corporations began to hire Broadway talent to write corporate musicals , private shows only seen by their employees or customers. The 1950s ended with Rodgers and Hammerstein 's last hit, The Sound of Music , which also became another hit for Mary Martin. It ran for 1,443 performances and shared the Tony Award for Best Musical. Together with its extremely successful 1965 film version , it has become one of
13452-583: The London stage in the Gay Nineties , led by producer George Edwardes , who perceived that audiences wanted a new alternative to the Savoy -style comic operas and their intellectual, political, absurdist satire. He experimented with a modern-dress, family-friendly musical theatre style, with breezy, popular songs, snappy, romantic banter, and stylish spectacle at the Gaiety and his other theatres. These drew on
13629-729: The Lyric Theatre, Sydney , New South Wales, from November 1999 to February 2000. Lisa McCune played Maria, John Waters was Captain von Trapp, Bert Newton was Max, Eilene Hannan was Mother Abbess and Rachel Marley was Marta. This production was based on the 1998 Broadway revival staging. The production then toured until February 2001, in Melbourne, Brisbane , Perth and Adelaide . Rachael Beck took over as Maria in Perth and Adelaide, and Rob Guest took over as Captain von Trapp in Perth. An Austrian production premiered in 2005 at
13806-727: The Mother Abbess. Kirsty Malpass was the alternate Maria. Jason Donovan assumed the role of Captain Von Trapp, and Verity Rushworth took over as Maria, in early 2011. Lesley Garrett reprised her role as Mother Abbess for the tour's final engagement in Wimbledon in October 2011. A production ran at the Ópera-Citi theater in Buenos Aires , Argentina in 2011. The cast included Laura Conforte as Maria and Diego Ramos as Captain Von Trapp. A Spanish national tour began in November 2011 at
13983-560: The Mountains (1,352 performances) and especially Chu Chin Chow . Its run of 2,238 performances was more than twice as long as any previous musical, setting a record that stood for nearly forty years. Even a revival of The Beggar's Opera held the stage for 1,463 performances. Revues like The Bing Boys Are Here in Britain, and those of Florenz Ziegfeld and his imitators in America, were also extraordinarily popular. The musicals of
14160-612: The Opera (1986), Rent (1996), Wicked (2003) and Hamilton (2015). Musicals are performed around the world. They may be presented in large venues, such as big-budget Broadway or West End productions in New York City or London. Alternatively, musicals may be staged in smaller venues, such as off-Broadway , off-off-Broadway , regional theatre , fringe theatre , or community theatre productions, or on tour . Musicals are often presented by amateur and school groups in churches, schools and other performance spaces. In addition to
14337-655: The Post was the first show to call itself a "musical comedy." In 1874, Evangeline or The Belle of Arcadia , by Edward E. Rice and J. Cheever Goodwin , based loosely on Longfellow’s Evangeline , with an original American story and music, opened successfully in New York and was revived in Boston, New York, and in repeated tours. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 ( The Mulligan Guard Picnic ) and 1885. These musical comedies featured characters and situations taken from
14514-582: The Roof (1964). Bob Fosse choreographed for Abbott in The Pajama Game (1956) and Damn Yankees (1957), injecting playful sexuality into those hits. He was later the director-choreographer for Sweet Charity (1968), Pippin (1972) and Chicago (1975). Other notable director-choreographers have included Gower Champion , Tommy Tune , Michael Bennett , Gillian Lynne and Susan Stroman . Prominent directors have included Hal Prince , who also got his start with Abbott, and Trevor Nunn . During
14691-463: The Shrew for Kiss Me, Kate (1948, 1,077 performances). The American musicals overwhelmed the old-fashioned British Coward/Novello-style shows, one of the last big successes of which was Novello's Perchance to Dream (1945, 1,021 performances). The formula for the Golden Age musicals reflected one or more of four widely held perceptions of the "American dream": That stability and worth derives from
14868-625: The States' Council ( Länderrat ). In practice, however, all governing power was now in Dollfuss' hands. Dollfuss continued to rule under what amounted to martial law until his assassination on 25 July 1934 during the Nazi July Putsch . Although the coup d'état initially had the encouragement of Hitler, it was quickly suppressed and Dollfuss's education minister, Kurt Schuschnigg , succeeded him. Hitler officially denied any involvement in
15045-733: The Thai language. The production replaced the song "Ordinary couple" with "Something Good". A North American tour, directed by Jack O'Brien and choreographed by Danny Mefford, began at the Ahmanson Theatre in Los Angeles in September 2015. The tour ran until July 2017. Kerstin Anderson played Maria, with Ben Davis as Capt. von Trapp and Ashley Brown as Mother Abess. The production has received warm reviews. A UK tour produced by Bill Kenwright began in 2015 and toured into 2016. It
15222-497: The Times Square area until the 1920s and 1930s. New York runs lagged far behind those in London, but Laura Keene 's "musical burletta" Seven Sisters (1860) shattered previous New York musical theatre record, with a run of 253 performances. Around 1850, the French composer Hervé was experimenting with a form of comic musical theatre he called opérette . The best known composers of operetta were Jacques Offenbach from
15399-477: The United States and Britain, there are vibrant musical theatre scenes in continental Europe, Asia, Australasia, Canada and Latin America. Since the 20th century, the "book musical" has been defined as a musical play where songs and dances are fully integrated into a well-made story with serious dramatic goals and which is able to evoke genuine emotions other than laughter. The three main components of
15576-486: The West End in the 21st century have been presented in one act. Moments of greatest dramatic intensity in a book musical are often performed in song. Proverbially, "when the emotion becomes too strong for speech, you sing; when it becomes too strong for song, you dance." In a book musical, a song is ideally crafted to suit the character (or characters) and their situation within the story; although there have been times in
15753-507: The actors' singing voices in a way that would generally be disapproved of in an operatic context. Some works, including those by George Gershwin , Leonard Bernstein and Stephen Sondheim , have been made into both musical theatre and operatic productions. Similarly, some older operettas or light operas (such as The Pirates of Penzance by Gilbert and Sullivan ) have been produced in modern adaptations that treat them as musicals. For some works, production styles are almost as important as
15930-709: The ban of the Social Democratic Party and the trade unions. The path to dictatorship was completed on 1 May 1934, when the Constitution of Austria was recast into a severely authoritarian and corporatist document by a rump National Council. Direct parliamentary elections were abolished. Instead, deputies were nominated by four non-elective, corporatist-styled councils – the State Council ( Staatsrat ), Federal Culture Council ( Bundeskulturrat ), Federal Economic Council ( Bundeswirtschaftsrat ), and
16107-523: The border meeting no resistance. Hitler had originally intended to retain Austria as a puppet state headed by Seyss-Inquart. However, the enthusiastic support for Hitler led him to change his stance and support a full Anschluss between Austria and Nazi Germany. On 13 March Seyss-Inquart formally decreed the Anschluss , though President Miklas avoided signing the law by resigning immediately, only for Seyss-Inquart to take over as acting President and sign
16284-474: The characters express their ideas. It defied musical conventions by raising its first act curtain not on a bevy of chorus girls, but rather on a woman churning butter, with an off-stage voice singing the opening lines of Oh, What a Beautiful Mornin' unaccompanied. It drew rave reviews, set off a box-office frenzy and received a Pulitzer Prize . Brooks Atkinson wrote in The New York Times that
16461-660: The children to perform at the Kaltzburg Festival. Herr Zeller, the Gauleiter of the region, demands to know why they are not flying the Flag of Nazi Germany now that the Anschluss has occurred. The Captain and Maria return early from their honeymoon before the Festival. In view of the Nazi German occupation, the Captain decides the children should not sing at the event. Max argues that they would sing for Austria, but
16638-422: The children with a boatswain's call . They march in, clad in uniforms. He teaches her their individual signals on the call, but she openly disapproves of this militaristic approach. Alone with them, she breaks through their wariness and teaches them the basics of music (" Do-Re-Mi "). Rolf, a young messenger, delivers a telegram and then meets with the eldest child, Liesl, outside the villa. He claims he knows what
16815-553: The clichés of operetta ." Walter Kerr 's review in the New York Herald Tribune was unfavorable: "Before The Sound of Music is halfway through its promising chores it becomes not only too sweet for words but almost too sweet for music", stating that the "evening suffer[s] from little children". Columbia Masterworks recorded the original Broadway cast album at the Columbia 30th Street Studio in New York City
16992-509: The comparatively frivolous musicals and sentimental operettas of the decade, Broadway's Show Boat (1927) represented an even more complete integration of book and score than the Princess Theatre musicals, with dramatic themes told through the music, dialogue, setting and movement. This was accomplished by combining the lyricism of Kern's music with the skillful libretto of Oscar Hammerstein II . One historian wrote, "Here we come to
17169-508: The continent, singspiel , comédie en vaudeville , opéra comique , zarzuela and other forms of light musical entertainment were emerging. The Beggar's Opera was the first recorded long-running play of any kind, running for 62 successive performances in 1728. It would take almost a century afterwards before any play broke 100 performances, but the record soon reached 150 in the late 1820s. Other musical theatre forms developed in England by
17346-452: The controversy surrounding it, ran for 108 performances. Rodgers and Hart's I'd Rather Be Right (1937) was a political satire with George M. Cohan as President Franklin D. Roosevelt , and Kurt Weill 's Knickerbocker Holiday depicted New York City's early history while good-naturedly satirizing Roosevelt's good intentions. The motion picture mounted a challenge to the stage. Silent films had presented only limited competition, but by
17523-548: The core of Frank Loesser 's and Abe Burrows ' Guys and Dolls , (1950, 1,200 performances); and the Gold Rush was the setting for Alan Jay Lerner and Frederick Loewe 's Paint Your Wagon (1951). The relatively brief seven-month run of that show did not discourage Lerner and Loewe from collaborating again, this time on My Fair Lady (1956), an adaptation of George Bernard Shaw 's Pygmalion starring Rex Harrison and Julie Andrews , which at 2,717 performances held
17700-586: The coup have been more successful. Support for the Nazi movement in Austria was surpassed only by that in Germany, allegedly amounting to 75% in some areas. The Federal State of Austria glorified the history of Austria . The Habsburg Monarchy was elevated as a time of greatness in Austrian history. The Catholic Church played a large role in the nation's definition of Austrian history and identity, alienating German culture. Unlike Hitler's comparatively secular regime,
17877-638: The currency. It also cut spending drastically, and high interest rates were the norm. The budget deficit was slashed from over 200 million shillings to less than 50 million. By 1936, only 50% of the unemployed were receiving unemployment benefits. These policies coincided with a catastrophic economic contraction. According to Angus Maddison's estimates, unemployment peaked at 26% in 1933, failing to fall under 20% until 1937. This can be contrasted with German unemployment, which peaked at 30% in 1932 and had fallen to less than 5% by 1937. Additionally, real GDP collapsed, not returning to pre-1929 levels until 1937. Whether
18054-586: The day that the musical opened on Broadway. The 1961 London production was recorded by EMI and released on the HMV label and later re-issued on CD in 1997, on the Broadway Angel label. The 1965 film soundtrack was released by RCA Victor and is one of the most successful soundtrack albums in history, having sold over 20 million copies worldwide. RCA Victor also released an album of the 1998 Broadway revival produced by Hallmark Entertainment and featuring
18231-494: The decade was The Black and White Minstrel Show (1962), which played for 4,344 performances. Two men had considerable impact on musical theatre history beginning in this decade: Stephen Sondheim and Jerry Herman . The first project for which Sondheim wrote both music and lyrics was A Funny Thing Happened on the Way to the Forum (1962, 964 performances), with a book based on the works of Plautus by Burt Shevelove and Larry Gelbart , starring Zero Mostel . Sondheim moved
18408-667: The doctrine of Catholic social teaching , the CS agitated against the Austrian labour movement led by the Social Democratic Party of Austria . During the Great Depression in the First Austrian Republic of the early 1930s, the CS on the basis of the Quadragesimo anno encyclical issued by Pope Pius XI in 1931 pursued the idea of overcoming the ongoing class struggle by the implementation of
18585-403: The earlier musical forms of comic opera and operetta. The Geisha (1896) was one of the most successful in the 1890s, running for more than two years and achieving great international success. The Belle of New York (1898) became the first American musical to run for over a year in London. The British musical comedy Florodora (1899) was a popular success on both sides of the Atlantic, as
18762-409: The end of the 1920s, films like The Jazz Singer could be presented with synchronized sound. "Talkie" films at low prices effectively killed off vaudeville by the early 1930s. Despite the economic woes of the 1930s and the competition from film, the musical survived. In fact, it continued to evolve thematically beyond the gags and showgirls musicals of the Gay Nineties and Roaring Twenties and
18939-544: The end of the Golden Age, several shows tackled Jewish subjects and issues, such as Fiddler on the Roof , Milk and Honey , Blitz! and later Rags . The original concept that became West Side Story was set in the Lower East Side during Easter-Passover celebrations; the rival gangs were to be Jewish and Italian Catholic . The creative team later decided that the Polish (white) vs. Puerto Rican conflict
19116-409: The everyday life of New York's lower classes. They starred high quality singers ( Lillian Russell , Vivienne Segal and Fay Templeton ) instead of the ladies of questionable repute who had starred in earlier musical forms. In 1879, The Brook by Nate Salsbury was another national success with contemporary American dance styles and an American story about "members of an acting company taking a trip down
19293-413: The expected marriage between Elsa and the Captain, Brigitta tells Maria that she thinks Maria and the Captain are really in love with each other. Elsa asks the Captain to allow the children to say goodnight to the guests with a song (" So Long, Farewell "). Max is amazed at their talent and wants them for the Kaltzburg Festival, which he is organizing. The guests leave for the dining room, and Maria slips out
19470-628: The failed coup , but he continued to destabilise the Austrian state by secretly supporting Nazi sympathisers like Arthur Seyss-Inquart and Edmund Glaise-Horstenau . In turn Austria under Schuschnigg sought the backing of its southern neighbour, the fascist Italian dictator Benito Mussolini . Tables turned after the Second Italo-Abyssinian War of 1935–36, when Mussolini, internationally isolated, approached Hitler. Though Schuschnigg tried to improve relations with Nazi Germany by amnestying several Austrian Nazis and accepting them in
19647-438: The first Broadway show in which an African-American, Ethel Waters , starred alongside white actors. Waters' numbers included " Supper Time ", a woman's lament for her husband who has been lynched. The Gershwins' Porgy and Bess (1935) featured an all African-American cast and blended operatic, folk and jazz idioms. The Cradle Will Rock (1937), directed by Orson Welles , was a highly political pro- union piece that, despite
19824-515: The founding of the state of Israel, and continuing with the blockbuster hits Hello, Dolly! (1964, 2,844 performances), Mame (1966, 1,508 performances), and La Cage aux Folles (1983, 1,761 performances). Even his less successful shows like Dear World (1969) and Mack and Mabel (1974) have had memorable scores ( Mack and Mabel was later reworked into a London hit). Writing both words and music, many of Herman's show tunes have become popular standards, including " Hello, Dolly! ", "We Need
20001-403: The front door with her luggage. At the abbey, Maria says that she is ready to take her monastic vows ; but the Mother Abbess realizes that she is running away from her feelings. She tells her to face the Captain and discover if they love each other, and tells her to search for and find the life she was meant to live (" Climb Ev'ry Mountain "). Max teaches the children how to sing on stage. When
20178-507: The full revival cast, including Rebecca Luker , Michael Siberry , Jan Maxwell and Fred Applegate . The Telarc label made a studio cast recording of The Sound of Music , with the Cincinnati Pops Orchestra conducted by Erich Kunzel (1987). The lead roles went to opera stars: Frederica von Stade as Maria, Håkan Hagegård as Captain von Trapp, and Eileen Farrell as the Mother Abbess. The recording "includes both
20355-495: The garden without permission. The Mother Abbess joins her in song (" My Favorite Things "). The Mother Abbess tells her that she should spend some time outside the abbey to decide whether she is suited for the monastic life. She will act as the governess to the seven children of a widower, Austro-Hungarian Navy submarine Captain Georg von Trapp . Maria arrives at the villa of Captain von Trapp. He explains her duties and summons
20532-840: The highest-grossing production ever at the theatre. In 2014, the show was nominated for Best Musical Revival at the Laurence Olivier Awards and Wakefield was nominated for Best Actress in a Musical. A brief South Korean production played in 2014 The same year, a Spanish language translation opened at Teatro de la Universidad in San Juan, under the direction of Edgar García. It starred Lourdes Robles as Maria and Braulio Castillo as Captain Von Trapp, with Dagmar as Elsa. A production (in Thai: มนต์รักเพลงสวรรค์ ) ran at Muangthai ratchadalai Theatre, Bangkok , Thailand, in April 2015 in
20709-472: The history of the musical (e.g. from the 1890s to the 1920s) when this integration between music and story has been tenuous. As The New York Times critic Ben Brantley described the ideal of song in theatre when reviewing the 2008 revival of Gypsy : "There is no separation at all between song and character, which is what happens in those uncommon moments when musicals reach upward to achieve their ideal reasons to be." Typically, many fewer words are sung in
20886-527: The impression of a country with an uncertain future, as the sailors and their women also have. Irving Berlin used sharpshooter Annie Oakley 's career as a basis for his Annie Get Your Gun (1946, 1,147 performances); Burton Lane , E. Y. Harburg and Fred Saidy combined political satire with Irish whimsy for their fantasy Finian's Rainbow (1947, 725 performances); and Cole Porter found inspiration in William Shakespeare 's The Taming of
21063-447: The interplay of lyrics and music in his shows. Some of Sondheim's notable innovations include a show presented in reverse ( Merrily We Roll Along ) and the above-mentioned Anyone Can Whistle , in which the first act ends with the cast informing the audience that they are mad. Jerry Herman played a significant role in American musical theatre, beginning with his first Broadway production, Milk and Honey (1961, 563 performances), about
21240-534: The largest advance sale in the history of British theatre at that time. Maria von Trapp, who attended the opening night performance, described Clark as "the best" Maria ever. Clark extended her initial six-month contract to thirteen months. Playing to 101 percent of seating capacity , the show set the highest attendance figure for a single week (October 26–31, 1981) of any British musical production in history (as recorded in The Guinness Book of Theatre ). It
21417-548: The late 17th century. These influenced a brief period of English opera by composers such as John Blow and Henry Purcell . From the 18th century, the most popular forms of musical theatre in Britain were ballad operas , like John Gay 's The Beggar's Opera , that included lyrics written to the tunes of popular songs of the day (often spoofing opera), and later pantomime , which developed from commedia dell'arte, and comic opera with mostly romantic plot lines, like Michael Balfe 's The Bohemian Girl (1845). Meanwhile, on
21594-402: The limitations of musical comedy license, believable and the humor came from the situations or the nature of the characters. Kern's exquisitely flowing melodies were employed to further the action or develop characterization. ... [Edwardian] musical comedy was often guilty of inserting songs in a hit-or-miss fashion. The Princess Theatre musicals brought about a change in approach. P. G. Wodehouse,
21771-505: The long-run record for many years. Popular Hollywood films were made of all of these musicals. Two hits by British creators in this decade were The Boy Friend (1954), which ran for 2,078 performances in London and marked Andrews' American debut, and Salad Days (1954), which broke the British long-run record with a run of 2,283 performances. Another record was set by The Threepenny Opera , which ran for 2,707 performances, becoming
21948-535: The longest-running off-Broadway musical until The Fantasticks . The production also broke ground by showing that musicals could be profitable off-Broadway in a small-scale, small orchestra format. This was confirmed in 1959 when a revival of Jerome Kern and P. G. Wodehouse 's Leave It to Jane ran for more than two years. The 1959–1960 off-Broadway season included a dozen musicals and revues including Little Mary Sunshine , The Fantasticks and Ernest in Love ,
22125-445: The most observant, literate and witty lyricist of his day, and the team of Bolton, Wodehouse and Kern had an influence felt to this day. The theatre-going public needed escapist entertainment during the dark times of World War I , and they flocked to the theatre. The 1919 hit musical Irene ran for 670 performances, a Broadway record that held until 1938. The British theatre public supported far longer runs like that of The Maid of
22302-585: The most popular musicals in history. In 1960, The Fantasticks was first produced off-Broadway. This intimate allegorical show would quietly run for over 40 years at the Sullivan Street Theatre in Greenwich Village , becoming by far the longest-running musical in history. Its authors produced other innovative works in the 1960s, such as Celebration and I Do! I Do! , the first two-character Broadway musical. The 1960s would see
22479-423: The music for a story about Rose Thompson Hovick , the mother of the titular stripper Gypsy Rose Lee . Although directors and choreographers have had a major influence on musical theatre style since at least the 19th century, George Abbott and his collaborators and successors took a central role in integrating movement and dance fully into musical theatre productions in the Golden Age. Abbott introduced ballet as
22656-572: The musical aired twice in December 2013 on NBC . It was directed by Beth McCarthy-Miller and Rob Ashford . Carrie Underwood starred as Maria, with Stephen Moyer as Captain von Trapp, Christian Borle as Max, Laura Benanti as Elsa, and Audra McDonald as the Mother Abbess. The production was released on DVD the same month. British network ITV presented a live version of its own on December 20, 2015. It starred Kara Tointon as Maria, Julian Ovenden as Captain von Trapp, Katherine Kelly as
22833-480: The musical beyond its concentration on the romantic plots typical of earlier eras; his work tended to be darker, exploring the grittier sides of life both present and past. Other early Sondheim works include Anyone Can Whistle (1964, which ran only nine performances, despite having stars Lee Remick and Angela Lansbury ), and the successful Company (1970), Follies (1971) and A Little Night Music (1973). Later, Sondheim found inspiration in unlikely sources:
23010-418: The necessary encouragement for other gifted writers to create musical plays of their own". The two collaborators created an extraordinary collection of some of musical theatre's best loved and most enduring classics, including Carousel (1945), South Pacific (1949), The King and I (1951) and The Sound of Music (1959). Some of these musicals treat more serious subject matter than most earlier shows:
23187-536: The notion of Stände (" estates " or " corporations "), was advocated by leading regime politicians such as Engelbert Dollfuss and Kurt Schuschnigg . The result was an authoritarian government based on a mix of Italian Fascist and conservative Catholic influences. It ended in March 1938 with the Anschluss , the German annexation of Austria. Austria would not become an independent country again until 1955, when
23364-473: The one-party state and legalizing the socialist trade unions. Hitler reacted with the mobilization of Wehrmacht troops at the Austrian border and demanded the appointment of Seyss-Inquart as Austrian chancellor. On 11 March Austrian Nazis stormed the Federal Chancellery and forced Schuschnigg to resign. Seyss-Inquart was sworn in as his successor by Miklas and the next day Wehrmacht troops crossed
23541-766: The opening of Japan to Western trade for Pacific Overtures (1976), a legendary murderous barber seeking revenge in the Industrial Age of London for Sweeney Todd (1979), the paintings of Georges Seurat for Sunday in the Park with George (1984), fairy tales for Into the Woods (1987), and a collection of presidential assassins in Assassins (1990). While some critics have argued that some of Sondheim's musicals lack commercial appeal, others have praised their lyrical sophistication and musical complexity, as well as
23718-502: The orchestra that "weav[es] together excerpts of the score's famous melodies." There are various Eastern traditions of theatre that include music, such as Chinese opera , Taiwanese opera , Japanese Noh and Indian musical theatre , including Sanskrit drama , Indian classical dance , Parsi theatre and Yakshagana . India has, since the 20th century, produced numerous musical films, referred to as " Bollywood " musicals, and in Japan
23895-464: The original production, for example, Bob Fosse 's choreography in Chicago . There is no fixed length for a musical. While it can range from a short one-act entertainment to several acts and several hours in length (or even a multi-evening presentation), most musicals range from one and a half to three hours. Musicals are usually presented in two acts, with one short intermission , and the first act
24072-467: The original production. The show tied for the Tony Award for Best Musical with Fiorello! . Other awards included Martin for Best Actress in a Musical, Neway for Best Featured Actress, Best Scenic Design ( Oliver Smith ) and Best Conductor And Musical Director (Frederick Dvonch). Bikel and Kasznar were nominated for acting awards, and Donehue was nominated for his direction. The entire children's cast
24249-643: The other hand, many successful musical theatre works have been adapted for musical films , such as West Side Story , My Fair Lady , The Sound of Music , Oliver! and Chicago . Musical theatre is closely related to the theatrical form of opera, but the two are usually distinguished by weighing a number of factors. First, musicals generally have a greater focus on spoken dialogue. Some musicals, however, are entirely accompanied and sung-through, while some operas, such as Die Zauberflöte , and most operettas , have some unaccompanied dialogue. Second, musicals usually include more dancing as an essential part of
24426-647: The parliament and had the following meeting on 15 March forcibly prorogued by the forces of the Vienna police department. From then onward, Dollfuss governed by emergency decree. His fellow CS party member, President Wilhelm Miklas did not take any action to restore democracy. Chancellor Dollfuss then governed by emergency decree, banning the Communist Party on 26 May 1933, the Social Democratic Republikanischer Schutzbund paramilitary organization on 30 May and
24603-764: The relatively narrow confines of the 1950s. Rock music would be used in several Broadway musicals, beginning with Hair , which featured not only rock music but also nudity and controversial opinions about the Vietnam War , race relations and other social issues. After Show Boat and Porgy and Bess , and as the struggle in America and elsewhere for minorities' civil rights progressed, Hammerstein, Harold Arlen , Yip Harburg and others were emboldened to write more musicals and operas that aimed to normalize societal toleration of minorities and urged racial harmony. Early Golden Age works that focused on racial tolerance included Finian's Rainbow and South Pacific . Towards
24780-478: The repertoire of the Trapp Family Singers. Then they decided to add an original song or two, perhaps by Rodgers and Hammerstein . But it was soon agreed that the project should feature all new songs and be a musical rather than a play. Details of the history of the von Trapp family were altered for the musical. The real Georg von Trapp did live with his family in a villa in Aigen , a suburb of Salzburg . He wrote to
24957-451: The revolution begun by Show Boat , by tightly integrating all the aspects of musical theatre, with a cohesive plot, songs that furthered the action of the story, and featured dream ballets and other dances that advanced the plot and developed the characters, rather than using dance as an excuse to parade scantily clad women across the stage. Rodgers and Hammerstein hired ballet choreographer Agnes de Mille , who used everyday motions to help
25134-647: The role of Maria. The cast recording made in 1961 was the first time a major overseas production featuring Australian artists was transferred to disc. In 1988, the Moon Troupe of Takarazuka Revue performed the musical at the Bow Hall (Takarazuka, Hyōgo ). Harukaze Hitomi and Gou Mayuka starred. A 1990 New York City Opera production, directed by Oscar Hammerstein II 's son, James, featured Debby Boone as Maria, Laurence Guittard as Captain von Trapp, and Werner Klemperer as Max. An Australian revival played in
25311-505: The runners-up, stalling as much as possible. When he announces that the first prize goes to the von Trapps and they do not appear, the Nazis start a search. The family hides at the Abbey, and Sister Margaretta tells them that the borders have been closed. Rolf comes upon them and calls his lieutenant, but after seeing Liesl he changes his mind and tells him they aren't there. The Nazis leave, and
25488-452: The same common touch ... same sharp features, goodwill, and glowing personality that makes music sound intimate and familiar" and stated that "the best of the Sound of Music is Rodgers and Hammerstein in good form". However, he said, the libretto "has the hackneyed look of the musical theatre replaced with Oklahoma! in 1943. It is disappointing to see the American musical stage succumbing to
25665-507: The same time, Stephen Sondheim found success with some of his musicals, as mentioned above. Federal State of Austria Timeline The Federal State of Austria ( Austrian German : Bundesstaat Österreich ; colloquially known as the " Ständestaat ") was a continuation of the First Austrian Republic between 1934 and 1938 when it was a one-party state led by the conservative , nationalist , fascist and corporatist Fatherland Front . The Ständestaat concept, derived from
25842-550: The score that have been issued over the years. The soundtrack from the 2013 NBC television production starring Carrie Underwood and Stephen Moyer was released on CD and digital download in December 2013 on the Sony Masterworks label. Also featured on the album are Audra McDonald , Laura Benanti and Christian Borle . Musical theatre Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during
26019-415: The sentimental romance of operetta, adding technical expertise and the fast-paced staging and naturalistic dialogue style led by director George Abbott . The 1940s began with more hits from Porter, Irving Berlin , Rodgers and Hart, Weill and Gershwin, some with runs over 500 performances as the economy rebounded, but artistic change was in the air. Rodgers and Hammerstein 's Oklahoma! (1943) completed
26196-420: The show's opening number changed the history of musical theatre: "After a verse like that, sung to a buoyant melody, the banalities of the old musical stage became intolerable." It was the first "blockbuster" Broadway show, running a total of 2,212 performances, and was made into a hit film. It remains one of the most frequently produced of the team's projects. William A. Everett and Paul R. Laird wrote that this
26373-407: The show, although it sometimes consists of a series of songs not directly musically related. Spoken dialogue is generally interspersed between musical numbers, although "sung dialogue" or recitative may be used, especially in so-called " sung-through " musicals such as Jesus Christ Superstar , Falsettos , Les Misérables , Evita and Hamilton . Several shorter musicals on Broadway and in
26550-476: The stage, most notably Jesus Christ Superstar and Evita . Others had no dialogue or were otherwise reminiscent of opera, with dramatic, emotional themes; these sometimes started as concept albums and were referred to as rock operas . Shows like Raisin , Dreamgirls , Purlie and The Wiz brought a significant African-American influence to Broadway. More varied musical genres and styles were incorporated into musicals both on and especially off-Broadway. At
26727-402: The standard for what was considered a successful show. These shows were designed for family audiences, a marked contrast from the risqué burlesques, bawdy music hall shows and French operettas that sometimes drew a crowd seeking less wholesome entertainment. Only a few 19th-century musical pieces exceeded the run of The Mikado , such as Dorothy , which opened in 1886 and set a new record with
26904-432: The state "assaulted the rights of citizens in a fantastic manner", noting that in 1934 the police raided 106,000 homes in Vienna and made 38,141 arrests of Nazis, social democrats, liberals and communists. He added, however: But—and it was an important "but"—the terror never reached anything like the repressive force of the Nazi terror. Most of those arrested promptly got out of jail again. Even at its most extreme phase, it
27081-441: The storm. Maria sings " The Lonely Goatherd " to distract them. Captain von Trapp arrives a month later from Vienna with Baroness Elsa Schraeder and Max Detweiler. Elsa tells Max that something is preventing the Captain from marrying her. He opines that only poor people have the time for great romances ("How Can Love Survive"). Rolf enters, looking for Liesl, and greets them with " Heil ". The Captain orders him away, saying that he
27258-570: The storytelling, particularly by the principal performers as well as the chorus. Third, musicals often use various genres of popular music or at least popular singing and musical styles. Finally, musicals usually avoid certain operatic conventions. In particular, a musical is almost always performed in the language of its audience. Musicals produced on Broadway or in the West End, for instance, are invariably sung in English, even if they were originally written in another language. While an opera singer
27435-523: The strategically important Austrian interior ministry . After the British ambassador to Berlin, Nevile Henderson on 3 March 1938 had stated that the German claims to Austria were justified, Schuschnigg started a last attempt to retain Austrian autonomy by scheduling a nationwide referendum on 13 March. As part of his effort to ensure victory, he released the Social Democratic leaders from prison and gained their support in return for dismantling
27612-623: The summer of 1753, they performed ballad-operas, such as The Beggar's Opera , and ballad-farces. By the 1840s, P. T. Barnum was operating an entertainment complex in lower Manhattan. Other early musical theatre in America consisted of British forms, such as burletta and pantomime, but what a piece was called did not necessarily define what it was. The 1852 Broadway extravaganza The Magic Deer advertised itself as "A Serio Comico Tragico Operatical Historical Extravaganzical Burletical Tale of Enchantment." Theatre in New York moved from downtown gradually to midtown from around 1850 and did not arrive in
27789-511: The telegram. He explains that the German Navy holds him in high regard, offers him the commission, and tells him to report immediately to Bremerhaven to assume command. Maria says that he cannot leave immediately, as they are all singing in the Festival concert; and the Admiral agrees to wait. At the concert, after the von Trapps sing an elaborate reprise of "Do-Re-Mi", Max brings out the Captain's guitar. Captain von Trapp sings " Edelweiss ", as
27966-679: The traditions of comic opera and used elements of burlesque and of the Harrigan and Hart pieces. He replaced the bawdy women of burlesque with his "respectable" corps of Gaiety Girls to complete the musical and visual fun. The success of the first of these, In Town (1892) and A Gaiety Girl (1893) set the style for the next three decades. The plots were generally light, romantic "poor maiden loves aristocrat and wins him against all odds" shows, with music by Ivan Caryll , Sidney Jones and Lionel Monckton . These shows were immediately widely copied in America, and Edwardian musical comedy swept away
28143-504: The two new songs written for the film version and the three Broadway songs they replace, as well as a previously unrecorded verse of "An Ordinary Couple"". The 2006 London revival was recorded and has been released on the Decca Broadway label. There have been numerous studio cast albums and foreign cast albums issued, though many have only received regional distribution. According to the cast album database, there are 62 recordings of
28320-449: The villain in Oklahoma! is a suspected murderer and psychopath; Carousel deals with spousal abuse, thievery, suicide and the afterlife; South Pacific explores miscegenation even more thoroughly than Show Boat ; the hero of The King and I dies onstage; and the backdrop of The Sound of Music is the annexation of Austria by Nazi Germany in 1938 . The show's creativity stimulated Rodgers and Hammerstein's contemporaries and ushered in
28497-684: The von Trapps flee over the Alps as the nuns reprise "Climb Ev'ry Mountain". The Sound of Music premiered at New Haven's Shubert Theatre where it played an eight-performance tryout in October and November 1959 before another short tryout in Boston. The musical then opened on Broadway at the Lunt-Fontanne Theatre on November 16, 1959, moved to the Mark Hellinger Theatre on November 6, 1962, and closed on June 15, 1963, after 1,443 performances. The director
28674-464: The work's musical or dramatic content in defining into which art form the piece falls. Sondheim said, "I really think that when something plays Broadway it's a musical, and when it plays in an opera house it's opera. That's it. It's the terrain, the countryside, the expectations of the audience that make it one thing or another." There remains an overlap in form between lighter operatic forms and more musically complex or ambitious musicals. In practice, it
28851-420: Was A Chinese Honeymoon (1901), which ran for a record-setting 1,074 performances in London and 376 in New York. After the turn of the 20th century, Seymour Hicks joined forces with Edwardes and American producer Charles Frohman to create another decade of popular shows. Other enduring Edwardian musical comedy hits included The Arcadians (1909) and The Quaker Girl (1910). Virtually eliminated from
29028-434: Was Vincent J. Donehue , and the choreographer was Joe Layton . The original cast included Mary Martin as Maria, Theodore Bikel as Captain Georg von Trapp, Patricia Neway as Mother Abbess, Kurt Kasznar as Max Detweiler, Marion Marlowe as Elsa Schraeder, Brian Davies as Rolf, Lauri Peters as Liesl and Muriel O'Malley as Sister Margaretta. Patricia Brooks , June Card and Tatiana Troyanos were ensemble members in
29205-420: Was a "show, that, like Show Boat , became a milestone, so that later historians writing about important moments in twentieth-century theatre would begin to identify eras according to their relationship to Oklahoma! ". "After Oklahoma! , Rodgers and Hammerstein were the most important contributors to the musical-play form... The examples they set in creating vital plays, often rich with social thought, provided
29382-533: Was difficult to take the Schuschnigg dictatorship completely seriously, although Schutzbunders tried in 1935 got mercilessly severe sentences. This was because of Austrian gentleness, Austrian genius for compromise, Austrian love for cloudy legal abstractions, and Austrian Schlamperei . According to the Hossbach Memorandum , Hitler in November 1937 declared his plans for an Austrian campaign in
29559-446: Was directed by Martin Connor and starred Lucy O'Byrne as Maria. A 2016 Australian tour of the Lloyd Webber production, directed by Sams, included stops in Sydney, Brisbane, Melbourne and Adelaide. The cast included Amy Lehpamer as Maria, Cameron Daddo as Captain Von Trapp, Marina Prior as Baroness Schraeder and Lorraine Bayly as Frau Schmidt. The choreographer was Arlene Phillips . On March 2, 1965, 20th Century Fox released
29736-468: Was dominated by musical theatre standards, such as " Fascinating Rhythm ", " Tea for Two " and " Someone to Watch Over Me ". Many shows were revues , series of sketches and songs with little or no connection between them. The best-known of these were the annual Ziegfeld Follies , spectacular song-and-dance revues on Broadway featuring extravagant sets, elaborate costumes and beautiful chorus girls. These spectacles also raised production values, and mounting
29913-452: Was followed by a UK national tour, described below. The first Australian production opened at Melbourne 's Princess Theatre in 1961 and ran for three years. The production was directed by Charles Hickman, with musical numbers staged by Ernest Parham. The cast included June Bronhill as Maria, Peter Graves as Captain von Trapp and Rosina Raisbeck as Mother Abbess. A touring company then played for years, with Vanessa Lee (Graves' wife) in
30090-483: Was fresher. Tolerance as an important theme in musicals has continued in recent decades. The final expression of West Side Story left a message of racial tolerance. By the end of the 1960s, musicals became racially integrated, with black and white cast members even covering each other's roles, as they did in Hair . Homosexuality has also been explored in musicals, starting with Hair , and even more overtly in La Cage aux Folles , Falsettos , Rent , Hedwig and
30267-527: Was nominated for Best Featured Actress category as a single nominee, even though two of the children were boys. Martha Wright replaced Martin in the role of Maria on Broadway in October 1961, followed by Karen Gantz in July 1962, Jeannie Carson in August 1962 and Nancy Dussault in September 1962. Jon Voight , who later married co-star Lauri Peters, was a replacement for Rolf from September 1961 to June 1962. The national tour starred Florence Henderson as Maria and Beatrice Krebs as Mother Abbess. It opened at
30444-452: Was praised by critics for its innovations in music and choreography but was less commercially successful than the same year's The Music Man , written and composed by Meredith Willson , which won the Tony Award for Best Musical that year. West Side Story would get a film adaptation in 1961, which proved successful both critically and commercially. Laurents and Sondheim teamed up again for Gypsy (1959), with Jule Styne providing
30621-457: Was selected by public voting as the winner of the show. In early 2007, Fisher suffered from a heavy cold that prevented her from performing for two weeks. To prevent further disruptions, an alternate Maria, Aoife Mulholland , a fellow contestant on How Do You Solve a Problem like Maria? , played Maria on Monday evenings and Wednesday matinee performances. Simon Shepherd was originally cast as Captain von Trapp, but after two preview performances he
30798-425: Was the French operetta The Chimes of Normandy in 1878 (705 performances). English comic opera adopted many of the successful ideas of European operetta, none more successfully than the series of more than a dozen long-running Gilbert and Sullivan comic operas, including H.M.S. Pinafore (1878) and The Mikado (1885). These were sensations on both sides of the Atlantic and in Australia and helped to raise
30975-445: Was the first stage production to incorporate the two additional songs ("Something Good" and "I Have Confidence") that Richard Rodgers composed for the film version. "My Favorite Things" had a similar context to the film version, while the short verse "A Bell is No Bell" was extended into a full-length song for Maria and the Mother Abbess. "The Lonely Goatherd" was set in a new scene at a village fair. The cast recording of this production
31152-695: Was the first to be recorded digitally. It was released on CD for the first time in 2010 by the UK label Pet Sounds and included two bonus tracks from the original single issued by Epic to promote the production. Director Susan H. Schulman staged the first Broadway revival of The Sound of Music , with Rebecca Luker as Maria and Michael Siberry as Captain von Trapp. It also featured Patti Cohenour as Mother Abbess, Jan Maxwell as Elsa Schraeder, Fred Applegate as Max Detweiler, Dashiell Eaves as Rolf, Patricia Conolly as Frau Schmidt and Laura Benanti , in her Broadway debut, as Luker's understudy . Later, Luker and Siberry were replaced by Richard Chamberlain as
31329-427: Was withdrawn from the production, and Alexander Hanson moved into the role in time for the official opening date along with Lesley Garrett as the Mother Abbess. After Garrett left, Margaret Preece took the role. The cast also featured Lauren Ward as the Baroness, Ian Gelder as Max, Sophie Bould as Liesl, and Neil McDermott as Rolf. Other notable replacements included Simon Burke and Simon MacCorkindale as
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