The adventure film is a broad genre of film . Some early genre studies found it no different than the Western film or argued that adventure could encompass all Hollywood genres. Commonality was found among historians Brian Taves and Ian Cameron in that the genre required a setting that was both remote in time and space to the film audience and that it contained a positive hero who tries to make right in their world. Some critics such as Taves limit the genre to naturalistic settings, while Yvonne Tasker found that would limit films such as Raiders of the Lost Ark (1981) from the genre. Tasker found that most films in the genre featured narratives located within a fantasy world of exoticized setting, which are often driven by quests for characters seeking mythical objects or treasure hunting . The genre is closely associated with the action film , and is sometimes used interchangeably or in tandem with that genre.
88-494: The Wild is a 2006 animated adventure comedy film directed by animator Steve "Spaz" Williams (in his directorial debut) and written by Ed Decter , John J. Strauss , Mark Gibson and Philip Halprin. It features the voices of Kiefer Sutherland , Eddie Izzard , Jim Belushi , Janeane Garofalo , Richard Kind , William Shatner , and Greg Cipes . The film's plot centers around Samson, a male lion who loses his preteen son, Ryan, when he wanders off and accidentally gets shipped from
176-478: A "landmark of effects-led adventure cinema." Outside technical effects, adventure films of Douglas Fairbanks such as Robin Hood (1922) with its scenes of battles and recreations of castles cost a record-setting $ 1.5 million to produce also provided a variant of adventure spectacle to audiences. Tasker stated that The Lost World (1925) arguably initiated a jungle adventure film cycle that would be expanded on in
264-516: A flock of geese, Samson manages to drive the boat with Larry's help and the geese lead them to the right direction toward Ryan's ship. A few days later the boat runs aground in Africa, where all the animals in the area are being evacuated by the carriers, as a nearby volcano is about to erupt. They witness Ryan run into the jungle, but Samson is unable to find him. After failing to eat a rock hyrax named Colin, his friends question if he has ever been in
352-476: A food source or breeding chambers. Other dung beetles like Euoniticellus intermedius , known as tunnelers , bury the dung wherever they find it. A third group, the dwellers , neither roll nor burrow: they simply live in dung. They are often attracted by the feces collected by burrowing owls . There are dung beetle species of various colors and sizes, and some functional traits such as body mass (or biomass) and leg length can have high levels of variability. All
440-412: A form of mass provisioning . Some species do not leave after this stage, but remain to safeguard their offspring. The dung beetle goes through a complete metamorphosis . The larvae live in brood balls made with dung prepared by their parents. During the larval stage, the beetle feeds on the dung surrounding it. The behavior of the beetles was poorly understood until the studies of Jean Henri Fabre in
528-477: A gang of vultures attacks him under Kazar's orders. The branch breaks and traps his paw. Samson hears Ryan's cries and runs to save him, scaring off the vultures. The two reunite but are interrupted by the wildebeest. Ryan is shocked when Samson tells him to run. They retreat to a tree where Samson reveals the truth about his past: he was actually born in a circus and was unable to roar just like Ryan. Because of this, Samson's callous father could no longer accept him as
616-464: A green Intermodal container which is rumored to be heading to the wild. Just as he regrets his decision, Ryan suddenly gets locked inside the container by accident, which is then being loaded onto a freight truck, eventually shipping him away in the process. With the help of a pigeon, Hamir, Samson, and his friends go after Ryan, hiding in a garbage disposal truck, but Benny falls overboard. After passing through Times Square and nearly being crushed in
704-587: A low critical status, with a few exceptions. Historically, the genre has not been seen as authored cinema. The genre's cinematic traditions were effectively absent from debates on genre cinema since the 1960s. Chapman echoed this statement. He argued that with only a handful of exceptions, adventure films have not won much favour with film critics: "In traditional film criticism there are few 'good' adventure films; those that have won critical acclaim have usually done so on grounds other than their status as genre films." When action and adventure cinema secure awards, it
792-549: A month-long "spring break" engagement exclusive to the El Capitan Theater , theater patrons were treated to a live performance of exotic birds which were accompanied by their keepers from the Los Angeles Zoo and Botanical Gardens before a screening of the film. The film was released on DVD and VHS on September 12, 2006. The DVD was accompanied with a filmmakers' commentary, five deleted scenes, bloopers, and
880-562: A music video of Everlife 's " Real Wild Child ". However, the VHS version was only an exclusive for the Disney Movie Club. On its first weekend, the film debuted at number one selling 787,779 DVD units. At the end of its initial home video release, the film earned $ 43.2 million. On November 21, 2006, the film was released on Blu-ray. During its opening weekend, the film grossed $ 9.6 million (equivalent to $ 14,509,343 in 2023) at
968-512: A quest narrative, where characters seek mythical objects or fabulous treasure as seen in films like King Solomon's Mines (1950) or Raiders of the Lost Ark (1981). Tasker opted for a broader sense of genre, and commented on Taves limits, stating it was an understandable impulse to place generic limits on potentially diverse bodies of texts, while included films like Raiders of the Lost Ark which she described as feeling "like an adventure in
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#17327837515531056-791: A reduction in emissions of nitrous oxide (a greenhouse gas ) from agriculture. There was, however, strong opposition from some at the University of Auckland , and a few others, based on the risks of the dung beetles acting as vectors of disease. There were public health researchers at the University of Auckland who agreed with the Environmenal Protection Authority 's risk assessment. Several Landcare programmes in Australia involved schoolchildren collecting dung beetles. The African dung beetle ( D. gazella )
1144-527: A role in agriculture and tropical forests . By burying and consuming dung, they improve nutrient recycling and soil structure. Dung beetles have been further shown to improve soil conditions and plant growth on rehabilitated coal mines in South Africa. They are also important for the dispersal of seeds present in animals' dung, influencing seed burial and seedling recruitment in tropical forests. They can protect livestock, such as cattle , by removing
1232-407: A sequence of the beetle rolling a dung ball. It does this to navigate. Cambefort and Hanski (1991) classified dung beetles into three functional types based on their feeding and nesting strategies such as – Rollers, Tunnelers and Dwellers. The "rollers" roll and bury a dung ball either for food storage or for making a brooding ball. In the latter case, two beetles, one male and one female, stay around
1320-590: A setting that was both remote in time and space to its audience. While Cameron refuted the idea of a clearly defined adventure genre, he said films described the "positive feeling for adventure" evoked from the scenes of action in the film and the identification with the main character. Taves echoed this, exemplifying the character of Robin Hood who deals with a valiant fight for just government in an exotic past. Taves wrote in The Romance of Adventure: The Genre of Historical Adventure Movies (1993) that defining
1408-522: A son and allowed him to be sent to the zoo, where he lied about his origins to avoid embarrassment. The wildebeest discover them and push the tree over the cliff, with Samson still hanging on. Ryan is captured and taken to the volcano. After a run-in with a group of female German dung beetles , Benny finds Samson and gives him the confidence to be himself, even if he is not from the wild. They soon find out that Samson's "instincts" were actually two chameleons named Cloak and Camo who have been leading Samson to
1496-643: A straight line despite all obstacles. Sometimes, dung beetles try to steal the dung ball from another beetle, so the dung beetles have to move rapidly away from a dung pile once they have rolled their ball to prevent it from being stolen. Dung beetles can roll up to 10 times their weight. Male Onthophagus taurus beetles can pull 1,141 times their own body weight: the equivalent of an average person pulling six double-decker buses full of people. A species of dung beetle (the African Scarabaeus zambesianus ) navigates by polarization patterns in moonlight ,
1584-465: A variety of dung beetle species have been used therapeutically (and are still being used in traditionally living societies) in potions and folk medicines to treat a number of illnesses and disorders. In Isan, Northeastern Thailand, the local people eat many different kinds of insects, including the dung beetle. There is an Isan song กุดจี่หายไปใหน "Where Did the Dung Beetle Go", which relates
1672-515: Is better. The animation is better, the jokes intended for your children are better, the jokes intended for you and not your children are much better, the songs are better, and it's more fun." Jen Rudin and Corbin Bronson won the Artios Award for Best Animated Voice-Over Feature Casting. The film was nominated for the 2006 Stinkers Bad Movie Award for Worst Animated Film. The musical score
1760-614: Is composed and conducted by Alan Silvestri who also composed Lilo & Stitch . The scores "Tales from the Wild", "You Can't Roar", "Lost in the City", "To the Wild", "Alien Shores", "The Legend in Action", "The Mythology of Nigel", "The Ritual", and "Found Our Roar" are among the nine score tracks on the soundtrack. The soundtrack is available from Buena Vista Records . " Free Ride " by The Edgar Winter Group & " Come Sail Away " by Styx
1848-531: Is featured in the trailers. A video game for Game Boy Advance based on the film was released to coincide with the film, with Climax Studios developing the game and Buena Vista Games publishing. Players get to play as Benny the Squirrel and Samson the Lion as they go through New York, the sea, and Africa to find Ryan, while battling the wicked blue wildebeest Kazar. The video game is "E" rated (for "Everyone") by
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#17327837515531936-516: Is happy to have him as a father. The other wildebeest are touched by this and refuse to serve Kazar any further, having grown fed up with his delusions. Samson then gains the courage and roars powerfully enough to push back a charging Kazar. The group and the wildebeest flee, leaving Kazar to die in the erupting volcano. Everyone manages to escape on the boat and travel back to the Central Park Zoo in their New York home. In March 2006, for
2024-646: Is not conclusive about its effect on native species in natural environments and further monitoring is required. The Mediterranean dung beetle ( Bubas bison ) has been used in conjunction with biochar stock fodder to reduce emissions of nitrous oxide and carbon dioxide , which are both greenhouse gases. The beetles work the biochar-enriched dung into the soil without the use of machines. Scientists in Canberra in 1965 discovered that Dung beetles (Scarabaeids), specifically Onthophagus australis Guérin-Méneville , improve plant yields using their dung. Japanese millet
2112-432: Is often in categories such as visual effects and sound editing. Tasker found this reflected Richards comments on the creative labor as being the primary appeal on work in the genre. Dung beetle Dung beetles are beetles that feed on feces . Some species of dung beetles can bury dung 250 times their own mass in one night. Many dung beetles, known as rollers , roll dung into round balls, which are used as
2200-562: Is one of the few known invertebrate animals that navigate and orient themselves using the Milky Way . The daily dung of one elephant can support 2,000,000 beetles. Dung beetles are not a single taxonomic group; dung feeding is found in a number of families of beetles, so the behaviour cannot be assumed to have evolved only once. Dung beetles live in many habitats , including desert, grasslands and savannas , farmlands , and native and planted forests . They are highly influenced by
2288-417: Is startled at the sight of the unpleasant creature, jumping to his feet so that the eggs are broken. Learning of the origin of their feud, Zeus attempts to mediate and, when his efforts to mediate fail, he changes the breeding season of the eagle to a time when the beetles are not above ground. Aristophanes alluded to Aesop's fable several times in his plays. In Peace , the hero rides up to Olympus to free
2376-521: Is ubiquitous in ancient Egyptian religious and funerary art . Excavations of ancient Egyptian sites have yielded images of the scarab in bone , ivory , stone, Egyptian faience , and precious metals, dating from the Sixth Dynasty and up to the period of Roman rule. They are generally small, bored to allow stringing on a necklace, and the base bears a brief inscription or cartouche . Some have been used as seals . Pharaohs sometimes commissioned
2464-523: Is very mummy-like. It has even been pointed out that the egg-bearing ball of dung is created in an underground chamber which is reached by a vertical shaft and horizontal passage curiously reminiscent of Old Kingdom mastaba tombs." In contrast to funerary contexts, some of ancient Egypt's neighbors adopted the scarab motif for seals of varying types. The best-known of these being Judean LMLK seals (8 of 21 designs contained scarab beetles), which were used exclusively to stamp impressions on storage jars during
2552-528: The Chicago Reader wrote that "The CGI characters seem less like artwork than humans wearing animal suits, but despite the overall ugliness and sitcom timing, this has enough action, violence, and invention to keep kids amused." Roger Ebert of the Chicago Sun-Times gave the film three stars out of four. He praised the film's animation, but acknowledged the film's realism ventured towards
2640-491: The Australian Dung Beetle Project (1965–1985) which, led by George Bornemissza , sought to introduce species of dung beetles from South Africa and Europe. The successful introduction of 23 species was made, most notably Digitonthophagus gazella and Euoniticellus intermedius , which has resulted in improvement of the quality and fertility of Australian cattle pastures, along with a reduction in
2728-594: The Central Park Zoo to Africa, and he teams up with a group of animals as they embark on a journey to rescue his missing son and take risks to evade dangers along the way. Produced by Hoytyboy Pictures, Sir Zip Studios and Contrafilm, it was animated by C.O.R.E. Feature Animation . It was released to theaters in North America on April 14, 2006, by Buena Vista Pictures Distribution and earned $ 102 million on an $ 80 million budget. The film
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2816-467: The ESRB , with a note for Mild Cartoon Violence. Adventure comedy film Adventure films boast their setting and visuals as key elements. This ranged from early technical showcases such as The Lost World (1925) and King Kong (1933). These films set up exotic locations as both beautiful and dangerous. This would be a continuing trend for Hollywood adventure films. The other major Hollywood style
2904-488: The Iberian Peninsula , Thorectes lusitanicus , feeds on acorns. Dung beetles do not necessarily have to eat or drink anything else, because the dung provides all the necessary nutrients . Most dung beetles search for dung using their sensitive sense of smell . Some smaller species simply attach themselves to the dung-providers to wait for the dung. After capturing the dung, a dung beetle rolls it, following
2992-488: The silent films of the 1910s and 1920s. These films required elaborate visual effects that were important to displaying menacing or fantastic worlds. These films often took narratives from novels, such as films like 20,000 Leagues Under the Sea (1916) and The Lost World (1925). Beyond being adaptations of famous books, Tasker said that the appeal of these films was also in their effects laden scene, finding The Lost World
3080-578: The species belong to the superfamily Scarabaeoidea , most of them to the subfamilies Scarabaeinae and Aphodiinae of the family Scarabaeidae (scarab beetles). As most species of Scarabaeinae feed exclusively on feces, that subfamily is often dubbed true dung beetles . There are dung-feeding beetles which belong to other families, such as the Geotrupidae (the earth-boring dung beetle ). The Scarabaeinae alone comprises more than 5,000 species. The nocturnal African dung beetle Scarabaeus satyrus
3168-538: The uncanny valley . He remarked that the "framing of some of the characters is too close; they hog the foreground and obscure the background. And the fur, hair and feathers on the creatures look so detailed, thanks to the wonders of CGI, that once again we're wandering toward the Uncanny Valley." Marc Savlov, reviewing for The Austin Chronicle , wrote "The animation is top-notch, and the film sports some of
3256-464: The "transformation spells" of the Coffin Texts , which affirm that the soul of the deceased may transform ( xpr ) into a human being, a god, or a bird and reappear in the world of the living. One scholar comments on other traits of the scarab connected with the theme of death and rebirth: It may not have gone unnoticed that the pupa, whose wings and legs are encased at this stage of development,
3344-516: The Beetle ", the eagle kills a hare that has asked for sanctuary with a beetle. The beetle then takes revenge by twice destroying the eagle's eggs. The eagle, in despair, flies up to Olympus and places her latest eggs in Zeus 's lap, beseeching the god to protect them. When the beetle finds out what the eagle has done, it stuffs itself with dung, goes straight up to Zeus and flies right into his face. Zeus
3432-473: The Light Brigade (1936) and The Adventures of Robin Hood (1938). The historical adventure film continued to be a popular Hollywood genre into the mid-1950s featuring various male stars such as Tyrone Power , Douglas Fairbanks Jr. , Burt Lancaster , and Stewart Granger . Imperialism -themed adventure films continued in the 1950s with a greater emphasis on location shooting . Examples include
3520-576: The Lost Ark (1981), The Mummy (1999), and Pirates of the Caribbean: The Curse of the Black Pearl (2003). Few other films embarked on more serious tones, such as Ridley Scott 's Gladiator and Kingdom of Heaven (2005). Since the late 1970s, both action and adventure films have become synonymous with the high-budgeted and profitable Hollywood films and franchises. While both genres took on challenging material, towards
3608-537: The Movies (1973) stated that adventure "is not confined to a particular genre [...] it is a quality which turns up in almost every sort of story film; indeed the most obvious adventures movies, the sword-and-bosom epics, are usually among the least interesting." American historian Brian Taves wrote in 1993 that having such wide-ranging application of the genre would render it meaningless. Despite their different definitions, both Taves and Cameron stated that genre required
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3696-501: The adventure film was defined from a fictional narrative and excluded films based on historical events and people such as Zulu (1964) and Lawrence of Arabia (1962), finding they belonged to other types of narratives such as the historical film and the war film . Chapman summarized the complicated nature of the genre, stating that the "Adventure film is a less clearly defined than most: indeed, this might be one reason why film historians have left it pretty much alone." He described
3784-415: The art director, costume designer, fencing master, stunt arranger, cinematographer and actor just much as the writer and director. For the swashbuckler is truly the sum of all their work." Both action and adventure are often used together as film genres, and are even used interchangeably. For Taves, he compared the styles saying that adventure films were "something beyond action" and were elevated "beyond
3872-540: The box office hit King Solomon's Mines (1950) which was shot in Africa. 1960s fantasy films such as Jason and the Argonauts (1963) combined the set-pieces and fantastic locations of historical adventures with renewed emphasis on special effects. By the 1970s, The Three Musketeers (1973) marked a point where the historical adventure has been firmly associated with what Tasker described as "comic - even camp - tone" that would inform later films such as Raiders of
3960-497: The box office, ranking fourth behind Scary Movie 4 , Ice Age: The Meltdown , and The Benchwarmers . The Wild grossed $ 37.4 million (equivalent to $ 56,525,982 in 2023) in the United States and $ 64.9 million (equivalent to $ 98,089,204 in 2023) in other countries for a worldwide total of $ 102.3 million (equivalent to $ 154,615,187 in 2023). On review aggregator website Rotten Tomatoes ,
4048-445: The broadest sense of the term." Tasker noted this specifically, that even when disregarding its historical setting, the film concerned a quest, with travel and developing moral sense of the hero's place in the world. Tasker wrote that these films films have no consistent iconography, their set design and special effects, ranging from stop-motion, to digital imagery and 3D are given a privileged place in these genres. Chapman also noted
4136-577: The cast is just as likable—even, in some cases, preferable." Mike Sage of the Peterborough This Week wrote "don't be mistaking this for a Madagascar rip off, when it was that sloppy DreamWorks - that only managed to make it to theaters first because of corporate espionage". Without addressing which film was the original concept, Tim Cogshell of Boxoffice Magazine simply wrote "for the adult who may very well have to experience this film, and who may have experienced Madagascar , The Wild
4224-465: The chest of the deceased. Perhaps the most famous example of such "heart scarabs" is the yellow-green pectoral scarab found among the entombed provisions of Tutankhamen . It was carved from a large piece of Libyan desert glass . The purpose of the "heart scarab" was to ensure that the heart would not bear witness against the deceased at judgement in the Afterlife. Other possibilities are suggested by
4312-473: The decade. Erb found that the jungle imagery of these films of the 1930s frequently showcased the jungle world as frequently alternating between "demonic and edenic " images, while Tasker said the jungle films and other adventure films of the period would establish a travelogue allure of these settings as romantic spaces. Within the Classical Hollywood cinema , one of the major other styles
4400-410: The dung ball during the rolling process. Usually it is the male that rolls the ball, while the female hitch-hikes or simply follows behind. In some cases, the male and the female roll together. When a spot with soft soil is found, they stop and bury the ball, then mate underground. After the mating, one or both of them prepares the brooding ball. When the ball is finished, the female lays eggs inside it,
4488-508: The dung was mixed well into the soil in the pots. Results showed that dung beetle activity greatly improved plant life. The dung has little impact alone, but in combination with the dung beetle, the nutritional value for the plants increases greatly. This suggests that dung beetles have many positive implications for the environment, including a beneficial role with plant life. Some dung beetles are used as food in South East Asia and
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#17327837515534576-614: The dung which, if left, could provide habitat for pests such as flies . Therefore, many countries have introduced the creatures for the benefit of animal husbandry . The American Institute of Biological Sciences reports that dung beetles save the United States cattle industry an estimated US$ 380 million annually through burying above-ground livestock feces. In Australia, the Commonwealth Scientific and Industrial Research Organisation (CSIRO) commissioned
4664-600: The environmental context, and do not prefer extremely cold or dry weather. They are found on all continents except Antarctica . They eat the dung of herbivores and omnivores , and prefer that produced by the latter. Many of them also feed on mushrooms and decaying leaves and fruits . The Neotropical Deltochilum valgum , D. kolbei and D. viridescens are carnivores with a strong preference for preying upon millipedes . Two other species from Brazil, Canthon dives and Canthon virens , prey on queens and other winged forms of leafcutter ants . One species from
4752-455: The film has an approval rating of 18% based on 112 reviews and an average rating of 4.50/10. The site's critical consensus reads, "With a rehashed plot and unimpressive animation, there's nothing wild about The Wild ." On Metacritic , the film has a score of 47 out of 100 based on 24 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Jonathan Rosenbaum of
4840-490: The film two stars out of four writing: "Though dull, there are three reasons one might want to see the film: The computer animators' ability to realistically represent animal fur is nothing short of dazzling. So detailed are the lion's mane and squirrel's tail that younger viewers could mistake it for a petting zoo." Critics considered The Wild to be heavily derivative of the 2005 DreamWorks film Madagascar . Claudia Puig, reviewing for USA Today , suggested that The Wild
4928-533: The first animal known to do so. Dung beetles can also navigate when only the Milky Way or clusters of bright stars are visible, making them the only insects known to orient themselves by the Milky Way. Research using 1 kg bolus of elephant dung found that a larger number exploit it during the night (13,700) than during the day (3,330). The eyes of dung beetles are superposition compound eyes typical of many scarabaeid beetles; The sequence of images shows
5016-456: The former's powerhouse dramatics or the latter's eye-popping visual splendor." In summary, he wrote that "Uninspired character animation and obnoxious banter aside, The Wild is ultimately done in by the persistent stench of been-there-seen-that." Similarities include its setting in New York's Central Park Zoo , similar animals as characters, and the primary plot of introducing zoo animals to
5104-431: The genre in context with the historical adventure, and said explicitly excluding films with fantasy settings such as Raiders of the Lost Ark (1981) as they involved the supernatural over human agency. Taves wrote that "unlike adventure, fantasy presents a netherworld where events violate physical reality and the bounds of human possibility." Comparatively, in his overview of British adventure cinema, James Chapman said
5192-776: The genre that would continue into the 21st century with film series like The Lord of the Rings , Harry Potter , and Pirates of the Caribbean . In their analysis of the genre in 2018, Johan Höglund and Agnieszka Soltysik Monnet found that the contemporary adventure form often appears in trans-genre work where the adventure component is perceived as secondary. They exemplified that in films such ranging from Top Gun (1986), Godzilla (2014), to Lone Survivor (2013), which range from fantasy film to science fiction film to war film genres, all adhere to traditional adventure narratives. Adventure films are generally perceived with
5280-517: The goddess Peace from her prison. His steed is an enormous dung beetle which has been fed so much dung that it has grown to monstrous size. Hans Christian Andersen 's "The Dung Beetle" tells the story of a dung beetle who lives in the stable of the king's horses in an imaginary kingdom. When he demands golden shoes like those the king's horse wears and is refused, he flies away and has a series of adventures, which are often precipitated by his feeling of superiority to other animals. He finally returns to
5368-433: The image of the beetle to represent a triliteral phonetic that Egyptologists transliterate as xpr or ḫpr and translate as "to come into being", "to become" or "to transform". The derivative term xprw or ḫpr(w) is variously translated as "form", "transformation", "happening", "mode of being" or "what has come into being", depending on the context. It may have existential, fictional, or ontologic significance. The scarab
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#17327837515535456-521: The late 1970s of an adventure style geared towards more family-oriented audiences with films like Star Wars (1977) and Raiders of the Lost Ark (1981). Star Wars exemplifies a resurgent adventure strand of the 1970s cinema with characters like the Jedi Knights who swing from ropes and wield light sabers recall sword-fighting and swashbuckling films. Tasker commented that this led to a commercially lucrative and culturally conservative version of
5544-517: The late 1970s, with films such as Star Wars (1977) and Raiders of the Lost Ark (1981). This trend continued into the 21st century. Adventure is a broad film genre. Early writing on the genre had wide categorizations. Critic André Bazin went as far to say in the 1950s that "there is not difference between Hopalong Cassidy and Tarzan except for their costumes and the arena in which they demonstrate their prowess." Ian Cameron in Adventure in
5632-618: The late 19th century. For example, Fabre corrected the myth that a dung beetle would seek aid from other dung beetles when confronted by obstacles. By observation and experiment, he found the seeming helpers were in fact awaiting an opportunity to steal the roller's food source. They are widely used in ecological research as a good bioindicator group to examine the impacts of climate disturbances, such as extreme droughts and associated fires, and human activities on tropical biodiversity and ecosystem functioning, such as seed dispersal, soil bioturbation and nutrient cycling . Dung beetles play
5720-418: The males eject their sperm into a round pellet of material which they roll up by pushing it from the opposite side, just as the sun seems to turn the heavens in the direction opposite to its own course, which is from west to east. The ancient Egyptians believed that Khepri renewed the sun every day before rolling it above the horizon, then carried it through the other world after sunset, only to renew it, again,
5808-567: The manufacture of larger images with lengthy inscriptions, such as the commemorative scarab of Queen Tiye . Massive sculptures of scarabs can be seen at Luxor Temple , at the Serapeum in Alexandria (see Serapis ) and elsewhere in Egypt. The scarab was of prime significance in the funerary cult of ancient Egypt. Scarabs, generally, though not always, were cut from green stone, and placed on
5896-500: The most realistic and colorful fur, feathers, and hair this side of Fashion Week in Milan. However, The Wild feels as though much of its backstory, along with most of the good jokes, have been cut out along the circuitous path to your neighborhood cineplex, resulting in a finished film that will probably delight the under-10 set, while leaving everyone else marveling at how bored they are." Carrie Rickey of The Philadelphia Inquirer gave
5984-417: The next day. Some New Kingdom royal tombs exhibit a threefold image of the sun god, with the beetle as symbol of the morning sun. The astronomical ceiling in the tomb of Ramses VI portrays the nightly "death" and "rebirth" of the sun as being swallowed by Nut , goddess of the sky, and re-emerging from her womb as Khepri. The image of the scarab, conveying ideas of transformation, renewal, and resurrection,
6072-1126: The physical challenge" and by "its moral and intellectual flavour." Forms of filmmaking that would become film genres were mostly defined in other media before Thomas Edison devised the Kinetograph in the late 1890s. Genres, such as adventure fiction were developed as written fiction. In the early Hollywood cinema, early adventure cinema were both original stories as well as adaptations of popular media such as adventure stories, magazines, and folk tales. Films were adapted from adventure stories such as King Solomon's Mines (1885), She (1887), and Treasure Island (1883). Tasker described both action and adventure cinema are resistant to any historical evolutionary chronology. Both genres are self-reflexive and draw from conventions of other genres ranging from horror to historical imperial adventure. Taves found that that films that were swashbucklers or pirate-themed adventures were often humorous, and that they retained viability even when parodied. Many silent films with action and adventure scenarios flourished in
6160-578: The population of pestilent Australian bush flies by around 90%. In 1995 it was reported that dung beetles were being trialled in the Sydney beach suburb of Curl Curl to deal with dog droppings. An application made by Landcare Research to import up to 11 species of dung beetle into New Zealand was approved in 2011. As well as improving pasture soils the Dung Beetle Release Strategy Group said that it would result in
6248-411: The reign of Hezekiah . The scarab remains an item of popular interest thanks to modern fascination with the art and beliefs of ancient Egypt. Scarab beads in semiprecious stones or glazed ceramics can be purchased at most bead shops, while at Luxor Temple a massive ancient scarab has been roped off to discourage visitors from rubbing the base of the statue "for luck". In Aesop's fable " The Eagle and
6336-431: The replacement of water buffalo with the "metal" buffalo, which does not provide the dung needed for the dung beetle and has led to the increasing rarity of the dung beetle in the agricultural region. Several species of the dung beetle, most notably the species Scarabaeus sacer (often referred to as the sacred scarab ), enjoyed a sacred status among the ancient Egyptians . Egyptian hieroglyphic script uses
6424-432: The similarly effects driven sound film King Kong (1933). In her study of King Kong , Cynthia Erb noted a conventions of both travel documentary and jungle adventure traditions. Tasker wrote that the best known displays of these films were those that focused on the character of Tarzan which found more significantly commercial success with the success of Metro-Goldwyn-Mayer films featuring Johnny Weissmuller during
6512-505: The style as being commonly applied to narratives where action and visual spectacle were foregrounded. He included styles like the swashbuckler , the British empire film, the sensationalized spy thriller, and mythological fantasy films as part of adventure cinema genre. Writing about the adventure genre in the 1970s, Jeffrey Richards said that "since the way a swashbuckler moves and looks is just as important as what it says, we must look at
6600-401: The style as not being a discrete genre in its own, but a flexible, overarching category that encompasses a range of different related narrative forms. British author and academic Yvonne Tasker wrote in her 2015 book The Hollywood Action and Adventure Film (2015) that adventure films imply a story that is located within a fantasy of exoticized setting. She found that these films often apply
6688-436: The truck, the group encounters a pack of rabid dogs, and instead of standing his ground, Samson escapes through the sewer rather than fighting as his friends expect for him to do. There, they take directions to the docks from two friendly streetwise sewer alligator brothers, Stan and Carmine. The next morning, they steal a tugboat during a hectic escape from the harbor . After reuniting with Benny, who has followed them with
6776-437: The volcano so he would help them defeat Kazar's army. Samson uses the chameleons' camouflage abilities to sneak into the volcano, but when his disguise blows off due to the intense heat of the mountain, Kazar orders his army to attack. Seeing Samson in danger, Ryan climbs onto a catapulting device and launches himself at Kazar, finally letting out a roar. With Kazar distracted, Samson easily overpowers him. Ryan tells Samson that he
6864-409: The wild before, to which he forlornly confirms. The rest of the group heads back to the ship, but Samson continues to search for his son. While walking, he sees plants and rocks changing colors, which he attributes as his instincts working. Nigel is abducted by a herd of wildebeest who reside in the volcano and their leader, Kazar, pronounces him "The Great Him," based on an " omen " he received when he
6952-529: The wild. The name of the film and the tag line, "Start spreading the newspaper", a play on the opening line from the " Theme from New York, New York ", were both used as integral plot points in Madagascar . A few critics defended The Wild as the superior film. Michael Wilmington of the Chicago Tribune wrote " The Wild is better, mostly because it has some truly spectacular animation and because
7040-470: The zoo closes, all the animals are free to roam. Samson and his friends, Benny the squirrel, Bridget the giraffe whom Benny has a crush on, Larry the dim-witted anaconda , and Nigel the unlucky but popular koala compete in a turtle curling championship. Ryan and his own friends accidentally cause a stampede which heads to the game and endangers the animals. Samson and Ryan have a falling-out and Ryan runs off before Samson can apologize. He later sneaks into
7128-491: Was "the most wildly derivative animated movie in ages. It borrows its theme from Finding Nemo and Cats & Dogs , copies elements of The Jungle Book , The Lion King and All Dogs Go To Heaven and has a shockingly similar plot to Madagascar ." Similarly, Justin Chang of Variety felt "Samson's rescue mission directly channels the father-son Sturm und Drang of both The Lion King and Finding Nemo, though absent
7216-452: Was a critical and commercial failure , with criticism for its animation and similarities to films such as Madagascar , Finding Nemo , and The Lion King . At the Central Park Zoo , Samson the lion tells his preteen son Ryan stories of his adventures in the Wilds of Africa. Ryan wants to go to the wild too to learn how to roar like his father, but Samson disapproves of the idea. When
7304-477: Was introduced in several locations in North and South America and has been spreading its distribution to other regions by natural dispersal and accidental transportation, and is now probably naturalized in most countries between México and Argentina . The exotic species might be useful for controlling diseases of livestock in commercial areas, and might displace native species in modified landscapes; however, data
7392-436: Was linked to Khepri ("he who has come into being"), the god of the rising sun . The ancients believed that the dung beetle was only male-sexed, and reproduced by depositing semen into a dung ball. The supposed self-creation of the beetle resembles that of Khepri, who creates himself out of nothing. Moreover, the dung ball rolled by a dung beetle resembles the sun. Plutarch wrote: The race of beetles has no female, but all
7480-408: Was studied and data on nutrient uptake. These plants were placed in pots lacking nitrogen , phosphorus , and sulfur . Cow-dung was then added in treatment groups with or without O. australis. Some treatment groups even had two out of the three nutrients supplemented in the pots. Comparisons of the treatment and control groups were made to show that top growth and roots significantly increased when
7568-662: Was the historical adventure film. These films were typically set in the past and drew from the Fairbanks films such as The Black Pirate (1926) and The Mark of Zorro (1920). They feature violence in a less intense manner than other contemporary genres such as the Western or war film . While not specifically associated with one Hollywood studio, Warner Bros. released a series of popular historical adventures featuring Errol Flynn such as Captain Blood (1935), The Charge of
7656-406: Was the historical adventure typified by early films in the style of The Black Pirate (1926) and The Mark of Zorro (1920) which feature less intense violence. Historical adventure was a popular Hollywood staple until the mid-1950s. While the historical adventure film would be parodied or presented as highly camp , special effects -driven adventure films began to dominate the market towards
7744-462: Was young: about to be devoured by lions, a toy koala fell from a plane and scared the lions away, saving his life. This experience made Kazar believe that "The Great Him" will help him and his kind create a change in the food chain that will allow prey to become predators and vice versa. In order to do that, he thinks the wildebeest have to eat a lion. Bridget and Larry are also captured and planned to be eaten as well. Ryan hides up in an old tree, but
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