Misplaced Pages

#359640

68-464: Despite some well-known actors and the writing credit of Bradbury, having been intended for a theatrical release, the film was released direct-to-video by Touchstone Home Video . Years later in an interview, Roy E. Disney of the Disney Studios, explained that while he was enamored with the stage play on which the film is based, the studio balked at paying feature film big budget prices to bring

136-710: A TV show or film for several possible reasons: a low budget, a lack of support from a TV network, negative reviews, its controversial nature, that it may appeal to a small niche market , or a simple lack of general public interest. Studios, limited in the annual number of films to which they grant cinematic releases, may choose to pull the completed film from the theaters, or never exhibit it in theaters at all. Studios then generate revenue through video sales and rentals. Direct-to-video films are marketed mostly through colorful box covers, instead of advertising, and are not covered by publications like Leonard Maltin's Movie Guide . The first direct-to-video release to go into production

204-407: A club. He is followed by the other four members, who watch him ignore every one of Gómez's rules. Ruby Escadrío shows up, and she and Vámonos dance. Toro, predictably, is angry. The others protect Vámonos from Toro, Gómez even going so far as to insist Toro hit him instead of Vámonos. The fight ends after Toro hits Vámonos with his car. His leg is broken, but Vámonos insists that they quickly take off

272-532: A deadbeat, you didn't have much choice but to either pretend you were still getting the magazine and live a lie, or move out of the neighborhood before anyone found out." These last-ditch efforts failed to save the magazine, and Curtis announced in January 1969 that the February 8 issue would be the magazine's last. Ackerman stated that the magazine had lost $ 5M in 1968 and would lose a projected $ 3M in 1969. In

340-434: A direct-to-video movie may get a limited theatrical screening in order to build excitement for the actual release of the video such as was done for 2010's Justice League: Crisis on Two Earths , and Planet Hulk , 2016's Batman: The Killing Joke or 2013's Sharknado . In some cases, other direct-to-video films can also be theatrically released in other countries. As DVDs gradually replaced VHS videocassettes ,

408-431: A full cinema release or because its release window has closed. In film industry slang, such films are referred to as having been "vaulted". Like B-movies shown in drive-in theaters in the mid-20th century, direct-to-video films employ both former stars and young actors who may become stars later. Direct-to-video releases can be done for films which cannot be shown theatrically due to controversial content, or because

476-610: A general readership. By 1991, Curtis Publishing Company had been renamed Curtis International, a subsidiary of SerVaas Inc., and had become an importer of audiovisual equipment. Today the Post is published six times a year by the Saturday Evening Post Society, which claims 501(c)(3) non-profit organization status. With the January/February 2013 issue, the Post launched a major makeover of

544-595: A landmark defamation suit, Curtis Publishing Co. v. Butts 388 U.S. 130 (1967), resulting from an article, and was ordered to pay $ 3,060,000 in damages to the plaintiff . The Post article implied that football coaches Paul "Bear" Bryant and Wally Butts conspired to fix a game between the University of Alabama and the University of Georgia . Both coaches sued Curtis Publishing Co. for defamation, each initially asking for $ 10 million. Bryant eventually settled for $ 300,000 while Butts' case went to

612-475: A meeting with employees after the magazine's closure had been announced, Emerson thanked the staff for their professional work and promised "to stay here and see that everyone finds a job". At a March 1969 post-mortem on the magazine's closing, Emerson stated that The Post "was a damn good vehicle for advertising" with competitive renewal rates and readership reports and expressed what The New York Times called "understandable bitterness" in wishing "that all

680-408: A politician on a soapbox to perform a poem he has written. Martinez, third in line, returns to the balcony where he first saw the girl next door. While she had previously not noticed him (because she did not have her glasses on), this time the bright white suit attracts her attention and Martinez gets her name: Celia Obregon. Gómez is next. Acting on an earlier hunch that Gómez's plan was a scam to get

748-579: A quarterly publication with an emphasis on medical articles in 1971. As of the late 2000s, The Saturday Evening Post is published six times a year by the Saturday Evening Post Society, which purchased the magazine in 1982. The magazine was redesigned in 2013. The Saturday Evening Post was first published in 1821 in the same printing shop at 53 Market Street in Philadelphia , where the Benjamin Franklin -founded Pennsylvania Gazette

SECTION 10

#1732797725360

816-403: A run-down bar. There he meets two other similarly sized Latinos: Dominguez, a wandering guitar player, and Villanazul, a burgeoning philosopher and speaker for the people. Barely letting the dust settle, Gómez shows them that they all have the same measurements, height, and weight. It is at that moment that Gómez shares his vision. The most beautiful, exquisite, vanilla-ice-cream-white summer suit

884-1017: A serial appearing in successive issues. Most of the fiction was written for mainstream tastes by popular writers, but some literary writers were featured. The opening pages of stories featured paintings by the leading magazine illustrators. The Post published stories and essays by H. E. Bates , Ray Bradbury , Kay Boyle , Agatha Christie , Brian Cleeve , Eleanor Franklin Egan , William Faulkner , F. Scott Fitzgerald , C. S. Forester , Ernest Haycox , Robert A. Heinlein , Kurt Vonnegut , Paul Gallico , Normand Poirier , Hammond Innes , Louis L'Amour , Sinclair Lewis , Joseph C. Lincoln , John P. Marquand , Edgar Allan Poe , Mary Roberts Rinehart , Sax Rohmer , William Saroyan , John Steinbeck , Rex Stout , Rob Wagner , Edith Wharton , and P.G. Wodehouse . Poetry published came from poets including: Carl Sandburg , Ogden Nash , Dorothy Parker , and Hannah Kahn . Jack London 's best-known novel The Call of

952-596: A short play published in The Wonderful Ice Cream Suit and Other Plays ( ISBN   0-552-67297-1 ), a 1972 collection of three plays by Ray Bradbury: The Wonderful Ice Cream Suit , The Veldt , and To the Chicago Abyss . All are adaptations from short stories of the same names. The story has gone on to see numerous incarnations as a television drama, a stage musical, and play. The first screen adaptation of The Wonderful Ice Cream Suit

1020-432: A stage adaptation of The Wonderful Ice Cream Suit . Nomination: Winner: Direct-to-video Direct-to-video or straight-to-video refers to the release of a film , television series , short or special to the public immediately on home video formats rather than an initial theatrical release or television premiere . This distribution strategy was prevalent before streaming platforms came to dominate

1088-474: A subscription to Life magazine; Life publisher Time Inc. paid Curtis $ 5M for the exchange, easing the company's mounting debts. The move was also widely seen as an opportunity for Curtis to abandon older and more rural readers, who were less valuable to the Post' s advertisers. Columnist Art Buchwald lampooned the decision, suggesting that "if the Saturday Evening Post considered you

1156-460: A successful live action film straight to DVD, due to a lack of budget in comparison to the original. During the Golden Age of Porn in the 1970s, many pornographic films were released in theatres, some of which became some of the highest-grossing films in their release years, and in the pornography industry altogether. Toward the 1980s, porn began to shift to video release, because video allowed

1224-469: A third of the average cost of a Hollywood release. According to Variety , American Pie Presents: Band Camp sold more than one million copies in a week. Some direct-to-DVD releases recently have tended to feature actors who were formerly bankable stars. In 2005, salaries for some of these direct-to-DVD actors in the multimillion-dollar range from $ 2 to $ 4 million ( Jean-Claude Van Damme ) and $ 4.5 to $ 10 million ( Steven Seagal ), in some cases exceeding

1292-555: A trend in China; these films are called "Online Big Movies" ("OBM"; 网络大电影 in Chinese, or simply 网大). The word "Big" in the name was meant to be sardonic , as most of these films are often made on a very low budget and featuring mostly unknown cast members and sometimes nonprofessional actors. However, increasingly, the budget for these films have been slowly climbing up, due to the success of these films on digital distribution platforms;

1360-567: Is an American magazine , currently published six times a year. It was published weekly from 1897 until 1963, and then every other week until 1969. From the 1920s to the 1960s, it was one of the most widely circulated and influential magazines among the American middle class, with fiction, non-fiction, cartoons and features that reached two million homes every week. In the 1960s, the magazine's readership began to decline. In 1969, The Saturday Evening Post folded for two years before being revived as

1428-411: Is fine, though his leg is still in a cast. Martinez contemplates that if they were rich, they would never have had the great time they have spent together, before Villanazul tells him to get some sleep. The story's life and inspiration comes from Ray Bradbury's 1958 Saturday Evening Post short story "The Magic White Suit". The story was later renamed "The Wonderful Ice Cream Suit" and was adapted into

SECTION 20

#1732797725360

1496-433: Is for sale at the downtown suit emporium. It is one of a kind and costs only $ 100. Alone, none of them have enough to purchase the suit, but by combining their money, they may be able to own the one-of-a-kind suit together. Each of the four has only $ 20, leaving them with $ 80 – just $ 20 short. They need one more person to complete their dream. In their haste, they choose to go along with an unwashed bum outside, Vámonos, who has

1564-659: The New Deal . Garrett accused the Roosevelt administration of initiating socialist strategies. After Lorimer died, Garrett became editorial writer-in-chief and criticized the Roosevelt administration's support of the United Kingdom and efforts to prepare to enter World War II , and allegedly showed some support for Adolf Hitler in some of his editorials. Garrett's positions aroused controversy and may have cost

1632-961: The Post between 1943 and 1968, ceasing only when the magazine began displaying photographs on its covers. Another prominent artist was Charles R. Chickering , a freelance illustrator who went on to design numerous postage stamps for the U.S. Post Office. Other popular cover illustrators include artists George Hughes, Constantin Alajalov , John Clymer , Alonzo Kimball , W. H. D. Koerner , J. C. Leyendecker , Mead Schaeffer , Charles Archibald MacLellan , John E. Sheridan , Emmett Watson , Douglass Crockwell , and N. C. Wyeth . Cartoonists have included: Irwin Caplan , Clyde Lamb , Jerry Marcus , Frank O'Neal , Charles M. Schulz , and Bill Yates . The magazine ran Ted Key 's cartoon panel series Hazel from 1943 to 1969. Each issue featured several original short stories and often included an installment of

1700-536: The Post was transferred to the Benjamin Franklin Literary and Medical Society, founded in 1976 by the Post' s then-editor, Corena "Cory" SerVaas (wife of Beurt SerVaas). The magazine's core focus was now health and medicine; indeed, the magazine's website originally noted that the "credibility of The Saturday Evening Post has made it a valuable asset for reaching medical consumers and for helping medical researchers obtain family histories. In

1768-505: The Supreme Court , which held that libel damages may be recoverable (in this instance against a news organization) when the injured party is a non-public official, if the plaintiff can prove that the defendant was guilty of a reckless lack of professional standards when examining allegations for reasonable credibility. (Butts was eventually awarded $ 460,000.) William Emerson was promoted to editor-in-chief in 1965 and remained in

1836-529: The Tribeca Film Festival in April, where it was reviewed positively, but only received modest distribution offers. At the time, it was not very common for consumers to make digital movie purchases. As part of a push by the service towards original content, the subscription video on demand service Netflix began to acquire feature films for distribution on its service in the 2010s, including

1904-475: The 2013 documentary The Square , and its first feature film in 2015 — Beasts of No Nation . Netflix pursued a simultaneous release strategy for its films, partnering with a distributor for a limited theatrical release (in order to maintain eligibility for awards requiring theatrical release, such as the Academy Awards ) simultaneous with their availability to subscribers. As this practice violates

1972-579: The 2014 film The Interview was released simultaneously on digital and at selected cinemas, after major chains dropped the film due to terrorist threats by a hacking group believed to have ties to North Korea (whose regime is satirized in the film). The group had also leaked confidential data from the internal servers of the film's distributor, Sony Pictures . The COVID-19 pandemic resulted in worldwide closures of cinemas due to economic restrictions and guidance against public gatherings, which prompted direct-to-digital releases for several major films;

2040-474: The American family and rural life of a bygone era became icons. During his 50-year career with the Post , Rockwell painted more than 300 covers. The Post also employed Nebraska artist John Philip Falter , who became known as "a painter of Americana with an accent of the Middle West ," who "brought out some of the homeliness and humor of Middle Western town life and home life." He produced 120 covers for

2108-714: The Chinese film Lost in Russia was acquired by ByteDance for 630 million yuan (almost 100 million in US dollars) and streamed on its platforms (including TikTok ) for free in lieu of a theatrical release, as part of a larger relationship with the company and the film's distributor Huanxi Media. A number of U.S. films were shifted directly to video-on-demand rentals in lieu of a theatrical release, while some have been sold directly to subscription services, including Disney+ , Max , Netflix, and Amazon Prime Video . OV ("original video") are movies made for direct-to-video release in

The Wonderful Ice Cream Suit - Misplaced Pages Continue

2176-487: The Japanese market. OVA (" original video animation ") is distinguished from OVM ("original video movies") or V-Cinema, which usually refer to non-animated works. Different production studios may use other labels like "V drama". The OVA market developed in the mid-1980s. The lax restrictions and censorship in comparison to broadcast television appealed to filmmakers, allowing them to include more controversial content, as

2244-541: The TV and movie distribution markets. Because inferior sequels or prequels of larger-budget films may be released direct-to-video, review references to direct-to-video releases are often pejorative . Direct-to-video release has also become profitable for independent filmmakers and smaller companies. Some direct-to-video genre films (with a high-profile star) can generate well in excess of $ 50 million revenue worldwide. A production studio may decide not to generally release

2312-483: The United States. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer (1899–1937). The Saturday Evening Post published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry with contributions submitted by readers, single-panel gag cartoons , including Hazel by Ted Key , and stories by leading writers of

2380-481: The Wild was first published, in serialized form, in the Saturday Evening Post in 1903. Emblematic of the Post's fiction was author Clarence Budington Kelland , who first appeared in 1916–17 with stories of homespun heroes, "Efficiency Edgar" and "Scattergood Baines". Kelland was a steady presence from 1922 until 1961. For many years William Hazlett Upson contributed a very popular series of short stories about

2448-408: The actors' theatrical rates. With the increasing prominence of digital distribution platforms in the 2000s and 2010s, direct-to-digital releases began to emerge alongside, or in lieu of home video. In November 2007, Ed Burns ' Purple Violets became the first film to "premiere" exclusively for sale on iTunes Store , being exclusive to the platform for a month exclusively. It had premiered at

2516-472: The best-selling DTV films of all time ). By 1994, an average of six new direct-to-video films appeared each week. Erotic thrillers and R-rated action films were the two most successful genres. Family films became more important than such genres later in the 1990s, as retailers stocked more copies of blockbuster films instead of more titles. According to the Los Angeles Times : Often,

2584-540: The budget for these films can now range from less than 1 million yuan to upwards of 10 or 20 million yuan. Although these "Online Big Movies" rarely feature well-known actors, in recent years, many "Online Big Movies" have hired veteran actors from Hong Kong action cinema and Taiwanese cinema to join its cast. These movies are also to be differentiated from films that are made for theatrical release but were later acquired by digital streaming services, in that these "Online Big Movies" are produced by internet companies with

2652-583: The cost involved in a theatrical release is beyond the releasing company. Animated sequels and feature-length episodes of animated series are also often released in this fashion. The first feature length animated film to be released direct-to-video in the United States was Tiny Toon Adventures: How I Spent My Vacation in 1992. The practice of creating and releasing regular fiction specifically for video did not really take off until 1994, with Disney 's The Return of Jafar and Universal 's The Land Before Time II: The Great Valley Adventure , neither of which

2720-424: The course of the 1960s, but he insisted that the magazine maintained a standard of good quality and was appreciated by readers. In 1970, control of the debilitated Curtis Publishing Company was acquired from the estate of Cyrus Curtis by Indianapolis industrialist Beurt SerVaas . SerVaas relaunched the Post the following year on a quarterly basis as a kind of nostalgia magazine. In early 1982, ownership of

2788-498: The downfall of live-action family films at the box office is their strength on video. Their appeal is to families with young children, who may go to only a couple of movies per year but who will watch many videos multiple times. The teens and young adults who drive blockbuster box office statistics stay away from family movies. Some horror films that are unsuccessful in theaters, like Witchcraft , begin successful direct-to-video series. Studios may also release sequels or spin-offs to

The Wonderful Ice Cream Suit - Misplaced Pages Continue

2856-416: The escapades of Earthworm Tractors salesman Alexander Botts. Publication in the Post launched careers and helped established artists and writers stay afloat. P. G. Wodehouse said "the wolf was always at the door" until the Post gave him his "first break" in 1915 by serializing Something New . After the election of Franklin D. Roosevelt , Post columnist Garet Garrett became a vocal critic of

2924-534: The explosion in quantity and variety of such movies established and cemented genres like J-horror and yakuza films . The success of OVAs and V-Cinema has resulted in less stigma regarding direct-to-video releases in Japan than in western markets. While there are still OVA and V-Cinema releases, the market is considerably smaller than it was in the 1980s and 1990s. In the mid-to-late 2010s, low-budget B-movies that are made exclusively for digital streaming became

2992-461: The films did not need to rely on sponsored advertisements for financial support. The result was animated films with greater sexual, violent, or political content. The market continued to expand during the Japanese asset price bubble and began to decline with the collapse of the bubble in the late 1980s and early 1990s. With the rise of VHS home video and the decline of the Japanese economy in

3060-431: The last $ 20 they need. Once they buy the suit, they work out a system to decide who will wear it. Each partner will get to wear it for the entire night, one night a week. However, on the first night, they will each wear it for one hour, then return to the bar. Dominguez goes first, and stirs up a parade with his guitar playing, inspiring those who hear it to ¡Muévete! Villanazul is second, and during his hour he interrupts

3128-502: The last minute due to the success of another film with a similar subject matter or an ultimate studio decision. Batman: Mask of the Phantasm is an example of this. However, despite the movie's critically acclaimed success, its box-office performance was very poor, which has been attributed to the last minute nature of its theatrical release. The film had much better commercial success in its subsequent home video releases. Other times,

3196-567: The late 1980s, film studios struggled to recoup investments on big-budget films. Inspired by the success of OVAs, Toei released its first V-Cinema, Crime Hunter , in March 1989. Following Toei's success, other studios began to release a slew of direct-to-video movies. Relaxed censorship in V-Cinema gave way to the premier and rise of expressive auteur directors such as Takashi Miike , Hideo Nakata , Shinji Aoyama , and Kiyoshi Kurosawa . As

3264-422: The magazine, national health surveys are taken to further current research on topics such as cancer , diabetes , high blood pressure , heart disease , ulcerative colitis , spina bifida , and bipolar disorder ." Ownership of the magazine was later transferred to the Saturday Evening Post Society; SerVaas headed both organizations. The range of topics covered in the magazine's articles is now wide, suitable for

3332-401: The material to the big screen. Eager to get "the thing made", Roy E. Disney went along with having the play made as a made-for-TV-movie, with a much lower budget. The trouble with that, he found out, was that under contractual duties he could not bring the made-for-TV movie to the big screen without going back and re-paying all those who worked on the original television movie a second time. So

3400-418: The money from the others to buy the suit and leave town, Villanazul reminds Gómez to "go with God." This was indeed the plan all along, but on the way to the bus station, Gómez encounters a mural of five men, each resembling a member of their group. Gómez decides not to leave, and returns. Finally, it is Vámonos's turn. Gómez is infuriated that the filthy Vámonos did not clean himself before his turn. Along with

3468-427: The one-eyed critics will lose their other eye". Otto Friedrich , the magazine's last managing editor, blamed the death of The Post on Curtis. In his Decline and Fall (Harper & Row, 1970), an account of the magazine's final years (1962–69), he argued that corporate management was unimaginative and incompetent. Friedrich acknowledges that The Post faced challenges while the tastes of American readers changed over

SECTION 50

#1732797725360

3536-422: The others, they force Vámonos to take a bath, something he hadn't done in years. Once clean, he is given a series of rules by Gómez, aimed at keeping the suit clean: no eating juicy tacos, drinking wine, smoking cigars, or even standing under trees with birds. Furthermore, he insists that Vámonos avoid meeting with a woman named Ruby Escadrío, whose boyfriend, Toro, would ruin the suit in a fight. Vámonos heads off to

3604-458: The position until the magazine's demise in 1969. In 1968, Martin Ackerman , a specialist in troubled firms, became president of Curtis after lending it $ 5M. With the magazine still in dire financial straits, Ackerman announced that Curtis would reduce printing costs by cancelling the subscriptions of roughly half of its readers. Those who lost their subscriptions were offered a free transfer to

3672-476: The producers to work on extremely low budgets and dispense with some film production elements, like scripts, and the increased privacy and convenience of the format change were preferred by the target market. During the late 1990s and onward, pornographers began releasing content on the Internet. Occasionally, a studio that makes a movie that was prepared as a direct-to-video film will release it theatrically at

3740-503: The public's taste in fiction was changing, and the Post ' s conservative politics and values appealed to a declining number of people. Content by popular writers became harder to obtain. Prominent authors drifted away to newer magazines offering more money and status. As a result, the Post published more articles on current events and cut costs by replacing illustrations with photographs for covers and advertisements. In 1967, The magazine's publisher, Curtis Publishing Company , lost

3808-626: The publication, including a new cover design and efforts to increase the magazine's profile, in response to a general public misbelief that it was no longer in existence. The magazine's new logo is an update of a logo it had used beginning in 1942. As of October 2018, the complete archive of the magazine is available online. In 1916, Saturday Evening Post editor George Horace Lorimer discovered Norman Rockwell , then an unknown 22-year-old New York City artist. Lorimer promptly purchased two illustrations from Rockwell, using them as covers, and commissioned three more drawings. Rockwell's illustrations of

3876-462: The release of these titles were outside of usual distribution, studios and directors worked quickly to capitalize on niche markets or upcoming and current trends to increase financial returns. This period of history in Japanese cinema has been described by film journalist Tom Mes as "a far more diverse and vibrant film scene [than previous eras]". By 1995, the V-cinema industry was in decline, but

3944-414: The role of the U.S. in deposing Mohammad Mosaddegh , Prime Minister of Iran , in 1953. The article was based on materials leaked by CIA director Allen Dulles . The Post readership began to decline in the late 1950s and 1960s. In general, the decline of general interest magazines was blamed on television, which competed for advertisers and readers' attention. The Post had problems retaining readers:

4012-435: The sole intent of digital release. In additional to the digital distribution of these films in China, many of the "Online Big Movies" have also been released on digital platforms outside of China, such as on YouTube . Several YouTube channels, such as Q1Q2 Movie Channel Official and YOUKU MOVIE are popular channels that distributes these "Online Big Movies". The Saturday Evening Post The Saturday Evening Post

4080-409: The suit before the ambulance arrives, because the paramedics would cut the suit off and ruin it. They do, and Vámonos is rushed to the hospital. In the final scene, Dominguez has ironed the suit and placed it on a mannequin. As the scene continues, it becomes apparent that the suit is one of the few things the group has left: they are sleeping on a rooftop, with only a few hammocks between them. Vámonos

4148-510: The television movie was released direct to video and not theatrically. Jose Martinez is a poor young man living in East Los Angeles who is in love with the girl next door. He encounters a strange man eyeing him and runs off, throwing away his wallet with his last $ 20 to escape. When cornered in the alley, he is given back his money where the man measures his body frame. This man is Gómez who introduces himself and whisks Martinez off to

SECTION 60

#1732797725360

4216-409: The term "direct-to-DVD" replaced "direct-to-video" in some instances. However, the word "video" does not necessarily refer to videocassettes. Many publications continue to use the term "direct-to-video" for DVDs or Blu-rays . Both disc-based release types may also be referred to as "direct-to-disc". A new term sometimes used is "DVD premiere" (DVDP). Such films can cost as little as $ 20 million, about

4284-546: The time. It was known for commissioning lavish illustrations and original works of fiction. Illustrations were featured on the cover and embedded in stories and advertising. Some Post illustrations continue to be reproduced as posters or prints, especially those by Norman Rockwell . In 1929, at the beginning of the Mexican Repatriation , The Saturday Evening Post ran a series on the racial inferiority of Mexicans. In 1954, it published its first articles on

4352-462: The traditional release windows mandated by the cinema industry, major chains have typically declined to screen the films. Since 2018, Netflix has partially backpedaled from this strategy, giving its films a one-month theatrical run before their premiere on the Netflix service. Unique circumstances have also resulted in direct-to-digital releases, sometimes alongside a limited theatrical release;

4420-468: Was E. Nick: A Legend in His Own Mind in 1984 produced by CineTel Films . Direct-to-video releases have historically carried a stigma of lower technical or artistic quality than theatrical releases. Some films released direct-to-video are films which have been completed but were never released in movie theaters. This delay often occurs when a studio doubts a film's commercial prospects to justify

4488-436: Was a television version broadcast. A Los Angeles production of the play featured the debut of actor F. Murray Abraham . The 1998 version of the film was originally shown at that year's Sundance Film Festival . Ray Bradbury wrote the screenplay. He has called that film version "the best film I've ever made". The film was director Stuart Gordon 's first departure from science fiction and horror genres. He had previously directed

4556-552: Was intended to hit theaters at any point in its production. Several of the animated sequels, like MGM 's The Secret of NIMH 2: Timmy to the Rescue from 1998, have sparked criticism due to the deliberate neglect of the original source material by creative content limits as these franchises will abruptly discontinue. Several other film series will be continuous if they become more successful, like Scooby-Doo for instance (their video debut Scooby-Doo on Zombie Island became one of

4624-591: Was published in the 18th century. While the Gazette ceased publication in 1800, ten years after Franklin's death, the Post links its history to the original magazine. Cyrus H. K. Curtis , publisher of the Ladies' Home Journal , bought the Post for $ 1,000 in 1897. Under the ownership of the Curtis Publishing Company , the Post grew to become the most widely circulated weekly magazine in

#359640