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Theatre World is an annual American theatre pictorial and statistical print publication. It includes Broadway , Off-Broadway , Off-Off-Broadway , and regional theatre , national theatrical awards, and obituaries.

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73-483: In 1944, three young men who loved theater, Daniel Blum, Norman McDonald, and John Willis, created Theatre World , a magazine about the theater. Theatre World was first published in 1945. George Jean Nathan 's annual Theatre Book Of The Year ( Alfred A. Knopf ) preceded and competed. Theatre World is an annual pictorial and statistical record of American theatre, in print. It includes Broadway , Off-Broadway , Off-Off-Broadway , and regional theatre , as well as

146-420: A theatre . The use of "drama" in a more narrow sense to designate a specific type of play dates from the modern era. "Drama" in this sense refers to a play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). It is this narrower sense that the film and television industries, along with film studies , adopted to describe " drama " as

219-496: A genre within their respective media. The term " radio drama " has been used in both senses—originally transmitted in a live performance. It may also be used to refer to the more high-brow and serious end of the dramatic output of radio . The enactment of drama in theatre , performed by actors on a stage before an audience , presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts , unlike other forms of literature ,

292-575: A complete national theatrical awards section and obituaries. It is a pictorial and statistical reference to each American theatrical season, and is used by industry professionals, students, historians, and fans. Theatre World is the recipient of a 2001 Tony Honor for Excellence in Theatre , presented by the American Theatre Wing . On behalf of the publication, longtime editor-in-chief, John Willis (1916-2010), accepted honors including

365-437: A genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle 's Poetics ( c.  335 BC )—the earliest work of dramatic theory . The term "drama" comes from a Greek word meaning "deed" or " act " ( Classical Greek : δρᾶμα , drâma ), which is derived from "I do" ( Classical Greek : δράω , dráō ). The two masks associated with drama represent

438-598: A hundred million. The self-contained nature of Bhramyoman, with all equipment and even the stage being carried by the troop itself, allows staging shows even in remote villages, giving wider reach. Pioneers of this industry include Achyut Lahkar and Brajanath Sarma . Rabindranath Tagore was a pioneering modern playwright who wrote plays noted for their exploration and questioning of nationalism, identity, spiritualism and material greed. His plays are written in Bengali and include Chitra ( Chitrangada , 1892), The King of

511-541: A late "hybrid morality" and one of the earliest examples of an English revenge play , brings together the classical story of Orestes with a Vice from the medieval allegorical tradition, alternating comic, slapstick scenes with serious, tragic ones. Also important in this period were the folk dramas of the Mummers Play , performed during the Christmas season. Court masques were particularly popular during

584-697: A more conservative development over a somewhat longer period of time. Pantomime (informally "panto"), is a type of musical comedy stage production, designed for family entertainment. It was developed in England and is still performed throughout the United Kingdom, generally during the Christmas and New Year season and, to a lesser extent, in other English-speaking countries. Modern pantomime includes songs, gags, slapstick comedy and dancing, employs gender-crossing actors, and combines topical humour with

657-589: A single comedy. Ancient Greek comedy is traditionally divided between "old comedy" (5th century BC), "middle comedy" (4th century BC) and "new comedy" (late 4th century to 2nd BC). Following the expansion of the Roman Republic (527–509 BC) into several Greek territories between 270 and 240 BC, Rome encountered Greek drama . From the later years of the republic and by means of the Roman Empire (27 BC–476 AD), theatre spread west across Europe, around

730-428: A story loosely based on a well-known fairy tale, fable or folk tale . It is a participatory form of theatre, in which the audience is expected to sing along with certain parts of the music and shout out phrases to the performers. Part of the appeal of amateur dramatics pantomime productions is seeing well-known local figures on stage. These stories follow in the tradition of fables and folk tales . Usually, there

803-542: A story", Dance movements in ballet "are often closely related to everyday forms of physical expression, [so that] there is an expressive quality inherent in nearly all dancing", and this is used to convey both action and emotions; mime is also used. Examples include Pyotr Ilyich Tchaikovsky 's Swan Lake , which tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse, Sergei Prokofiev 's ballet Romeo and Juliet , based on Shakespeare's famous play, and Igor Stravinsky 's Petrushka , which tells

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876-459: A very common character in Restoration comedy). The single play that does most to support the charge of obscenity levelled then and now at Restoration comedy is probably Wycherley's masterpiece The Country Wife (1675), whose title contains a lewd pun and whose notorious "china scene" is a series of sustained double entendres . During the second wave of Restoration comedy in the 1690s,

949-412: Is A Treatise on Theatre ( Nātyaśāstra ), a compendium whose date of composition is uncertain (estimates range from 200 BC to 200 AD) and whose authorship is attributed to Bharata Muni . The Treatise is the most complete work of dramaturgy in the ancient world. It addresses acting , dance , music , dramatic construction , architecture, costuming , make-up , props , the organisation of companies,

1022-545: Is a dramatic art form that arose during the Renaissance in an attempt to revive the classical Greek drama in which dialogue, dance, and song were combined. Being strongly intertwined with western classical music , the opera has undergone enormous changes in the past four centuries and it is an important form of theatre until this day. Noteworthy is the major influence of the German 19th-century composer Richard Wagner on

1095-404: Is a lesson learned, and with some help from the audience, the hero/heroine saves the day. This kind of play uses stock characters seen in masque and again commedia dell'arte , these characters include the villain (doctore), the clown/servant (Arlechino/Harlequin/buttons), the lovers etc. These plays usually have an emphasis on moral dilemmas , and good always triumphs over evil, this kind of play

1168-415: Is a serious dramatic form that combines drama, music, and dance into a complete aesthetic performance experience. It developed in the 14th and 15th centuries and has its own musical instruments and performance techniques, which were often handed down from father to son. The performers were generally male (for both male and female roles), although female amateurs also perform Nō dramas. Nō drama was supported by

1241-462: Is also very entertaining making it a very effective way of reaching many people. Pantomime has a long theatrical history in Western culture dating back to classical theatre. It developed partly from the 16th century commedia dell'arte tradition of Italy, as well as other European and British stage traditions, such as 17th-century masques and music hall . An important part of the pantomime, until

1314-515: Is directly influenced by this collaborative production and collective reception. Mime is a form of drama where the action of a story is told only through the movement of the body. Drama can be combined with music : the dramatic text in opera is generally sung throughout; as for in some ballets dance "expresses or imitates emotion, character, and narrative action." Musicals include both spoken dialogue and songs ; and some forms of drama have incidental music or musical accompaniment underscoring

1387-512: Is named after him. Nathan was also inducted into the American Theater Hall of Fame . Nathan bequeathed his letters and papers to Cornell University . Among his papers were several letters he received from Eugene O'Neill . Drama Drama is the specific mode of fiction represented in performance : a play , opera , mime , ballet , etc., performed in a theatre , or on radio or television . Considered as

1460-605: Is the Easter trope Whom do you Seek? (Quem-Quaeritis) ( c.  925 ). Two groups would sing responsively in Latin , though no impersonation of characters was involved. By the 11th century, it had spread through Europe to Russia , Scandinavia , and Italy ; excluding Islamic-era Spain . In the 10th century, Hrosvitha wrote six plays in Latin modeled on Terence 's comedies, but which treated religious subjects. Her plays are

1533-466: Is the oldest surviving drama, although when it won first prize at the City Dionysia competition in 472 BC, he had been writing plays for more than 25 years. The competition (" agon ") for tragedies may have begun as early as 534 BC; official records (" didaskaliai ") begin from 501 BC when the satyr play was introduced. Tragic dramatists were required to present a tetralogy of plays (though

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1606-469: Is used as a synonym of Restoration comedy. After public theatre had been banned by the Puritan regime, the re-opening of the theatres in 1660 with the Restoration of Charles II signalled a renaissance of English drama . Restoration comedy is known for its sexual explicitness, urbane, cosmopolitan wit , up-to-the-minute topical writing, and crowded and bustling plots. Its dramatists stole freely from

1679-585: The Theatre World founders to coincide with the first publication of Theatre World . Until 1998, the Theatre World editorial staff administered the Theatre World Awards for Outstanding Broadway and off-Broadway debuts. First under the supervision of Theatre World founder Daniel Blum and then under John Willis , who took over the production of the Awards following Blum's death in 1964,

1752-561: The Wharton School of Business , then went to work for Federated in Chicago. From 1929 to 1940, he was a producer and columnist, while amassing a theatrical collection. By 1940, his private collection had required a full-time staff to maintain it. By 1951, his staff could no longer both help him compile his books on the theater and maintain his collection. In 1929, he co-produced Bambina' s road production, it lost 50,000 dollars. He

1825-474: The chorus and its leader (" coryphaeus "), who were a traditional part of the performance of non-dramatic poetry ( dithyrambic , lyric and epic ). Only a small fraction of the work of five dramatists, however, has survived to this day: we have a small number of complete texts by the tragedians Aeschylus , Sophocles and Euripides , and the comic writers Aristophanes and, from the late 4th century, Menander . Aeschylus' historical tragedy The Persians

1898-495: The period of colonial rule under the British Empire , from the mid-19th century until the mid-20th. The earliest-surviving fragments of Sanskrit drama date from the 1st century AD. The wealth of archeological evidence from earlier periods offers no indication of the existence of a tradition of theatre. The ancient Vedas ( hymns from between 1500 and 1000 BC that are among the earliest examples of literature in

1971-461: The satyr play . Their origins remain obscure, though by the 5th century BC, they were institutionalised in competitions held as part of festivities celebrating the god Dionysus . Historians know the names of many ancient Greek dramatists, not least Thespis , who is credited with the innovation of an actor (" hypokrites ") who speaks (rather than sings) and impersonates a character (rather than speaking in his own person), while interacting with

2044-454: The tragedies and comedies that Livius Andronicus wrote from 240 BC. Five years later, Gnaeus Naevius also began to write drama. No plays from either writer have survived. While both dramatists composed in both genres , Andronicus was most appreciated for his tragedies and Naevius for his comedies; their successors tended to specialise in one or the other, which led to a separation of the subsequent development of each type of drama. By

2117-554: The "softer" comedies of William Congreve and John Vanbrugh set out to appeal to more socially diverse audience with a strong middle-class element, as well as to female spectators. The comic focus shifts from young lovers outwitting the older generation to the vicissitudes of marital relations. In Congreve's Love for Love (1695) and The Way of the World (1700), the give-and-take set pieces of couples testing their attraction for one another have mutated into witty prenuptial debates on

2190-433: The 15th to the 19th centuries. The Bhakti movement was influential in performances in several regions. Apart from regional languages, Assam saw the rise of Vaishnavite drama in an artificially mixed literary language called Brajavali . A distinct form of one-act plays called Ankia Naat developed in the works of Sankardev , a particular presentation of which is called Bhaona . Modern Indian theatre developed during

2263-521: The 1950 film All About Eve was based on Nathan. He had a romantic relationship with actress Lillian Gish , beginning in the late 1920s and lasting almost a decade. Gish repeatedly refused his proposals of marriage. Nathan eventually married a considerably younger stage actress, Julie Haydon , in 1955. Nathan died in New York City in 1958, aged 76. He wrote only one play, the one-act titled The Eternal Mystery, which premiered in 1913 at

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2336-552: The Dark Chamber ( Raja , 1910), The Post Office ( Dakghar , 1913), and Red Oleander ( Raktakarabi , 1924). Girish Karnad is a noted playwright, who has written a number of plays that use history and mythology, to critique and problematize ideas and ideals that are of contemporary relevance. Karnad's numerous plays such as Tughlaq , Hayavadana , Taledanda , and Naga-Mandala are significant contributions to Indian drama. Vijay Tendulkar and Mahesh Dattani are amongst

2409-815: The Girl ( c.  1300 ), one of the earliest known in English, seems to be the closest in tone and form to the contemporaneous French farces , such as The Boy and the Blind Man . Many plays survive from France and Germany in the late Middle Ages , when some type of religious drama was performed in nearly every European country. Many of these plays contained comedy , devils , villains , and clowns . In England, trade guilds began to perform vernacular " mystery plays ", which were composed of long cycles of many playlets or "pageants", of which four are extant : York (48 plays), Chester (24), Wakefield (32) and

2482-586: The Mediterranean and reached England; Roman theatre was more varied, extensive and sophisticated than that of any culture before it. While Greek drama continued to be performed throughout the Roman period, the year 240 BC marks the beginning of regular Roman drama . From the beginning of the empire, however, interest in full-length drama declined in favour of a broader variety of theatrical entertainments. The first important works of Roman literature were

2555-566: The Princess Theatre in New York. Owen Hatteras referenced the play as a failure when he quipped that Nathan "has forbidden the production of the play henceforth in any American city save Chicago, in which city anyone who chooses may perform it without payment of royalties." Walter Winchell opened his column once in 1937 with a reference to Nathan as "a tough critic." The George Jean Nathan Award , an honor in dramatic criticism,

2628-814: The Silent Screen (1953), A Pictorial History of the Opera in America (1954), A Pictorial History of the Talkies (1958), and A Pictorial History of Television (1959). A Pictorial History of the American Theatre, 100 Years: 1860-1960 (1960). Only Great Stars of the American Stage (1952) did not feature a photograph-filled, large-sized volume, with minimal text. George Jean Nathan George Jean Nathan (February 14, 1882 – April 8, 1958)

2701-592: The Theatre World Awards were first given to those recipients considered "Promising Personalities." In 1998, the Theatre World Awards were incorporated as a 501 (c) 3 nonprofit organization and are currently overseen by a board of directors independent of "Theatre World." Daniel Blum (1900–1965) was born in Chicago, Illinois. His father was president of Federated Metals . He attended Shakespeare Grammar School in Chicago, Howe Prep School in Howe, Indiana, and

2774-484: The atmosphere at Court and celebrated with frankness an aristocratic macho lifestyle of unremitting sexual intrigue and conquest. The Earl of Rochester , real-life Restoration rake, courtier and poet, is flatteringly portrayed in Etherege's The Man of Mode (1676) as a riotous, witty, intellectual, and sexually irresistible aristocrat, a template for posterity's idea of the glamorous Restoration rake (actually never

2847-898: The audience, competitions, and offers a mythological account of the origin of theatre. Its drama is regarded as the highest achievement of Sanskrit literature . It utilised stock characters , such as the hero ( nayaka ), heroine ( nayika ), or clown ( vidusaka ). Actors may have specialised in a particular type. It was patronized by the kings as well as village assemblies. Famous early playwrights include Bhasa , Kalidasa (famous for Urvashi, Won by Valour , Malavika and Agnimitra , and The Recognition of Shakuntala ), Śudraka (famous for The Little Clay Cart ), Asvaghosa , Daṇḍin , and Emperor Harsha (famous for Nagananda , Ratnavali , and Priyadarsika ). Śakuntalā (in English translation) influenced Goethe's Faust (1808–1832). A distinct form of theatre has developed in India where

2920-520: The beginning of the 2nd century BC, drama was firmly established in Rome and a guild of writers ( collegium poetarum ) had been formed. The Roman comedies that have survived are all fabula palliata (comedies based on Greek subjects) and come from two dramatists: Titus Maccius Plautus (Plautus) and Publius Terentius Afer (Terence). In re-working the Greek originals, the Roman comic dramatists abolished

2993-424: The contemporary French and Spanish stage, from English Jacobean and Caroline plays, and even from Greek and Roman classical comedies, combining the various plotlines in adventurous ways. Resulting differences of tone in a single play were appreciated rather than frowned on, as the audience prized "variety" within as well as between plays. Restoration comedy peaked twice. The genre came to spectacular maturity in

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3066-453: The dialogue ( melodrama and Japanese Nō , for example). Closet drama is a form that is intended to be read, rather than performed. In improvisation , the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience. Western drama originates in classical Greece . The theatrical culture of the city-state of Athens produced three genres of drama: tragedy , comedy , and

3139-520: The drama of exemplary morality. The pivotal and innovative contributions of the 19th-century Norwegian dramatist Henrik Ibsen and the 20th-century German theatre practitioner Bertolt Brecht dominate modern drama; each inspired a tradition of imitators, which include many of the greatest playwrights of the modern era. The works of both playwrights are, in their different ways, both modernist and realist , incorporating formal experimentation , meta-theatricality , and social critique . In terms of

3212-446: The early Elizabethan era in England. Characters were often used to represent different ethical ideals. Everyman , for example, includes such figures as Good Deeds, Knowledge and Strength, and this characterisation reinforces the conflict between good and evil for the audience. The Castle of Perseverance ( c.  1400 –1425) depicts an archetypal figure's progress from birth through to death. Horestes ( c.  1567 ),

3285-413: The early nineteenth century Paris , Jean-Gaspard Deburau solidified the many attributes that we have come to know in modern times, including the silent figure in whiteface. Jacques Copeau , strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. Étienne Decroux , a pupil of his, was highly influenced by this and started exploring and developing

3358-514: The entire crew travels performing plays from place to place, with makeshift stages and equipment, particularly in the eastern parts of the country. Jatra ( Bengali for "travel"), originating in the Vaishnavite movement of Chaitanya Mahaprabhu in Bengal , is a tradition that follows this format. Vaishnavite plays in the neighbouring state of Assam, pioneered by Srimanta Sankardeva , takes

3431-402: The eve of marriage, as in the latter's famous "Proviso" scene. Vanbrugh's The Provoked Wife (1697) has a light touch and more humanly recognisable characters, while The Relapse (1696) has been admired for its throwaway wit and the characterisation of Lord Foppington, an extravagant and affected burlesque fop with a dark side. The tolerance for Restoration comedy even in its modified form

3504-822: The first Special Lucille Lortel Award , a Special Drama Desk Award , and the Broadway Theatre Institute (now The Theatre Museum ) Lifetime Achievement Award. Theatre World is published annually by Theatre World Media and distributed by Applause Theatre and Cinema Books . The permanent editorial staff currently consists of Ben Hodges, editor in chief, and coeditor Scott Denny. Current editorial staff includes Adam Feldman of Time Out New York (Broadway), Linda Buchwald TDF Stages (Off-Broadway), Shay Gines New York Innovative Theatre Awards (Off-Off-Broadway), and Diep Tran American Theatre Magazine (Regional theatre). Theatre World Awards were created in 1944 by Daniel Blum, Norman McDonald, and John Willis,

3577-522: The first known to be composed by a female dramatist and the first identifiable Western drama of the post-Classical era. Later, Hildegard of Bingen wrote a musical drama, Ordo Virtutum ( c.  1155 ). One of the most famous of the early secular plays is the courtly pastoral Robin and Marion , written in the 13th century in French by Adam de la Halle . The Interlude of the Student and

3650-535: The forms of Ankia Naat and Bhaona . These, along with Western influences, have inspired the development of modern mobile theatre, known in Assamese as Bhramyoman , in Assam. Modern Bhramyoman stages everything from Hindu mythology to adaptations of Western classics and Hollywood movies , and make use of modern techniques, such as live visual effects. Assamese mobile theatre is estimated to be an industry worth

3723-635: The government, and particularly the military, with many military commanders having their own troupes and sometimes performing themselves. It is still performed in Japan today. Kyōgen is the comic counterpart to Nō drama. It concentrates more on dialogue and less on music, although Nō instrumentalists sometimes appear also in Kyōgen. Kabuki drama, developed from the 17th century, is another comic form, which includes dance. Modern theatrical and musical drama has also developed in Japan in forms such as shingeki and

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3796-571: The individual works were not necessarily connected by story or theme), which usually consisted of three tragedies and one satyr play (though exceptions were made, as with Euripides' Alcestis in 438 BC). Comedy was officially recognized with a prize in the competition from 487 to 486 BC. Five comic dramatists competed at the City Dionysia (though during the Peloponnesian War this may have been reduced to three), each offering

3869-641: The late 19th century, was the harlequinade . Outside Britain the word "pantomime" is usually used to mean miming , rather than the theatrical form discussed here. Mime is a theatrical medium where the action of a story is told through the movement of the body, without the use of speech. Performance of mime occurred in Ancient Greece , and the word is taken from a single masked dancer called Pantomimus , although their performances were not necessarily silent. In Medieval Europe, early forms of mime, such as mummer plays and later dumbshows , evolved. In

3942-510: The lives of past kings, enhancing the image of the Tudor monarchy. Authors of this period drew some of their storylines from Greek mythology and Roman mythology or from the plays of eminent Roman playwrights such as Plautus and Terence . Restoration comedy refers to English comedies written and performed in England during the Restoration period from 1660 to 1710. Comedy of manners

4015-672: The major Indian playwrights of the 20th century. Mohan Rakesh in Hindi and Danish Iqbal in Urdu are considered architects of new age Drama. Mohan Rakesh's Aadhe Adhoore and Danish Iqbal's Dara Shikoh are considered modern classics. Chinese theatre has a long and complex history. Today it is often called Chinese opera although this normally refers specifically to the popular form known as Beijing opera and Kunqu ; there have been many other forms of theatre in China, such as zaju . Japanese Nō drama

4088-543: The mid-1670s with an extravaganza of aristocratic comedies. Twenty lean years followed this short golden age, although the achievement of the first professional female playwright, Aphra Behn , in the 1680s is an important exception. In the mid-1690s, a brief second Restoration comedy renaissance arose, aimed at a wider audience. The comedies of the golden 1670s and 1690s peak times are significantly different from each other. The unsentimental or "hard" comedies of John Dryden , William Wycherley , and George Etherege reflected

4161-414: The opera tradition. In his view, there was no proper balance between music and theatre in the operas of his time, because the music seemed to be more important than the dramatic aspects in these works. To restore the connection with the classical drama, he entirely renewed the operatic form to emphasize the equal importance of music and drama in works that he called " music dramas ". Chinese opera has seen

4234-476: The possibilities of mime and refined corporeal mime into a highly sculptural form, taking it outside of the realms of naturalism . Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. While some ballet emphasises "the lines and patterns of movement itself" dramatic dance "expresses or imitates emotion, character, and narrative action". Such ballets are theatrical works that have characters and "tell

4307-459: The reign of Henry VIII . One of the great flowerings of drama in England occurred in the 16th and 17th centuries. Many of these plays were written in verse, particularly iambic pentameter . In addition to Shakespeare, such authors as Christopher Marlowe , Thomas Middleton , and Ben Jonson were prominent playwrights during this period. As in the medieval period , historical plays celebrated

4380-490: The role of the chorus in dividing the drama into episodes and introduced musical accompaniment to its dialogue (between one-third of the dialogue in the comedies of Plautus and two-thirds in those of Terence). The action of all scenes is set in the exterior location of a street and its complications often follow from eavesdropping . Plautus, the more popular of the two, wrote between 205 and 184 BC and twenty of his comedies survive, of which his farces are best known; he

4453-517: The so-called " N-Town " (42). The Second Shepherds' Play from the Wakefield cycle is a farcical story of a stolen sheep that its protagonist , Mak, tries to pass off as his new-born child asleep in a crib; it ends when the shepherds from whom he has stolen are summoned to the Nativity of Jesus . Morality plays (a modern term) emerged as a distinct dramatic form around 1400 and flourished in

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4526-532: The story of the loves and jealousies of three puppets. Creative drama includes dramatic activities and games used primarily in educational settings with children. Its roots in the United States began in the early 1900s. Winifred Ward is considered to be the founder of creative drama in education, establishing the first academic use of drama in Evanston, Illinois. . The earliest form of Indian drama

4599-469: The traditional generic division between comedy and tragedy . In English (as was the analogous case in many other European languages), the word play or game (translating the Anglo-Saxon pleġan or Latin ludus ) was the standard term for dramas until William Shakespeare 's time—just as its creator was a play-maker rather than a dramatist and the building was a play-house rather than

4672-716: The traditional theoretical discourse of genre, Ibsen's work has been described as the culmination of " liberal tragedy ", while Brecht's has been aligned with an historicised comedy. Other important playwrights of the modern era include Antonin Artaud , August Strindberg , Anton Chekhov , Frank Wedekind , Maurice Maeterlinck , Federico García Lorca , Eugene O'Neill , Luigi Pirandello , George Bernard Shaw , Ernst Toller , Vladimir Mayakovsky , Arthur Miller , Tennessee Williams , Jean Genet , Eugène Ionesco , Samuel Beckett , Harold Pinter , Friedrich Dürrenmatt , Dario Fo , Heiner Müller , and Caryl Churchill . Western opera

4745-510: The world) contain no hint of it (although a small number are composed in a form of dialogue ) and the rituals of the Vedic period do not appear to have developed into theatre. The Mahābhāṣya by Patañjali contains the earliest reference to what may have been the seeds of Sanskrit drama. This treatise on grammar from 140 BC provides a feasible date for the beginnings of theatre in India . The major source of evidence for Sanskrit theatre

4818-464: Was a member of the Quill and Dagger society and an editor of The Cornell Daily Sun . There is some evidence that Nathan was Jewish and sought (successfully) to conceal it. Nathan had a reputation as a "ladies' man" and was not averse to dating women working in the theater. The character of Addison De Witt, the waspish theater critic who squires a starlet (played by a then-unknown Marilyn Monroe ) in

4891-408: Was admired for the wit of his dialogue and his use of a variety of poetic meters . All of the six comedies that Terence wrote between 166 and 160 BC have survived; the complexity of his plots, in which he often combined several Greek originals, was sometimes denounced, but his double-plots enabled a sophisticated presentation of contrasting human behaviour. No early Roman tragedy survives, though it

4964-495: Was an American drama critic and magazine editor . He worked closely with H. L. Mencken , bringing the literary magazine The Smart Set to prominence as an editor, and co-founding and editing The American Mercury and The American Spectator . Nathan was born in Fort Wayne, Indiana , on February 14, 1882, the son of Ella (Nirdlinger) and Charles Naret Nathan. He graduated from Cornell University in 1904. There, he

5037-472: Was based on Euripides ' Hippolytus . Historians do not know who wrote the only extant example of the fabula praetexta (tragedies based on Roman subjects), Octavia , but in former times it was mistakenly attributed to Seneca due to his appearance as a character in the tragedy. Beginning in the early Middle Ages , churches staged dramatised versions of biblical events, known as liturgical dramas , to enliven annual celebrations. The earliest example

5110-863: Was drama critic for the Chicago Journal of Commerce, 1934 to 1937. He was drama editor for the Manhattan Magazine in 1939. He directed summer stock in Abingdon, Virginia (1940) at the Barter Theatre. He was assistant stage manager for Sons and Soldiers (1943), New York City. He co-produced, with Malcolm Wells, The Country Wife (1957), Playwrights Company (1957), and Between Seasons (1961). The success of Theatre World prompted Screen World (1950-1965), Opera World (1952-1954) and John Willis' Dance World . Blum also compiled and published seven non-annual books: A Pictorial History of

5183-473: Was highly regarded in its day; historians know of three early tragedians— Quintus Ennius , Marcus Pacuvius , and Lucius Accius . From the time of the empire, the work of two tragedians survives—one is an unknown author, while the other is the Stoic philosopher Seneca . Nine of Seneca's tragedies survive, all of which are fabula crepidata (tragedies adapted from Greek originals); his Phaedra , for example,

5256-430: Was running out by the end of the 17th century, as public opinion turned to respectability and seriousness even faster than the playwrights did. At the much-anticipated all-star première in 1700 of The Way of the World , Congreve's first comedy for five years, the audience showed only moderate enthusiasm for that subtle and almost melancholy work. The comedy of sex and wit was about to be replaced by sentimental comedy and

5329-563: Was the Sanskrit drama . Between the 1st century AD and the 10th was a period of relative peace in the history of India during which hundreds of plays were written. With the Islamic conquests that began in the 10th and 11th centuries, theatre was discouraged or forbidden entirely. Later, in an attempt to re-assert indigenous values and ideas, village theatre was encouraged across the subcontinent, developing in various regional languages from

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