21-461: Trafic ( Traffic ) is a 1971 Italian-French comedy film directed by Jacques Tati . Trafic was the last film to feature Tati's famous character of Monsieur Hulot , and followed the vein of earlier Tati films that lampooned modern society. Tati's use of the word "trafic" instead of the usual French word for car traffic ( la circulation ) may derive from a desire to use the same franglais he used when he called his previous film Playtime , and
42-452: A film's atmosphere, character, and story, and therefore, the labels "drama" and "comedy" are too broad to be considered a genre. Instead, his taxonomy argues that comedy is a type of film that contains at least a dozen different sub-types. A number of hybrid genres have emerged, such as action comedy and romantic comedy . The first comedy film was L'Arroseur Arrosé (1895), directed and produced by film pioneer Louis Lumière . Less than
63-483: A mainstream audience. The success of the American television show Saturday Night Live drove decades of cinema with racier content allowed on television drawing on the program's stars and characters, with bigger successes including Wayne's World , Mean Girls , Ghostbusters and Animal House . Parody and joke-based films continue to find audiences. While comedic films are among the most popular with audiences at
84-509: A minute long, it shows a boy playing a prank on a gardener. The most notable comedy actors of the silent film era (1895–1927) were Charlie Chaplin , Harold Lloyd , and Buster Keaton , though they were able to make the transition into “ talkies ” after the 1920s. Film-makers in the 1960s skillfully employed the use of comedy film to make social statements by building their narratives around sensitive cultural, political or social issues. Such films include Dr Strangelove, or How I Learned to Love
105-453: A picaresque journey of a man who leaves Paris to go to Amsterdam for a car show, but arrives much too late to participate." Jonathan Romney, in his Criterion Collection essay, felt "Tati certainly appears less in control than in the vast coordinated ballet of Play Time . For the most part, the jokes in Trafic drum up a sense of languid, almost apathetic chaos (note the distracted workers at
126-523: A separate genre, but rather, provides a better understanding of the film. Gary Giddins Gary Giddins (born 1948) is an American jazz critic and author. He wrote for The Village Voice from 1973; his "Weather Bird" column ended in 2003. In 1986, Gary Giddins and John Lewis created the American Jazz Orchestra which presented concerts using a jazz repertory with musicians such as Tony Bennett . For five years, Giddins
147-464: A velvet-gloved healing hand from the past to remind us of children's laughter and adults' smiles of satisfaction at the comedy that had indeed evoked their laughter at first sight." Vincent Canby of The New York Times wrote Trafic "is a very merry sort of film, but the amusement we share is Tati's, not Hulot's, a fact that may seem cold and unsettling to those who insist on mixing two parts of tears with every 10 parts of laughter." Roger Ebert gave
168-490: Is accompanied by Marcel, a truck driver, and Maria, an American publicity agent. On the way there, the transport truck has a flat tire and Hulot humorously replaces one near the edge of the road. Shortly after, the truck runs out of fuel. Hulot retrieves fuel from a nearby gas station. Sometime later, their truck is inspected by customs guards on the Belgium–France border , who hand out busts of historical figures. They pass but
189-431: Is allowed to leave. Back on the freeway, the truck is involved in a traffic-circle chain-reaction accident. Hulot helps a drunk elderly man who crashed his car and returns him home to his wife. By nighttime, the truck is taken to a garage on the countryside for repair. There, some teenaged pranksters steal Maria's fluffy dog and place a mophead underneath her sports car, making her think her pet has been killed. Hulot realizes
210-480: Is one of the oldest genres in film, and it is derived from classical comedy in theatre . Some of the earliest silent films were slapstick comedies , which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during
231-440: The 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue . Comedy, compared with other film genres , places more focus on individual star actors, with many former stand-up comics transitioning to the film industry due to their popularity. In The Screenwriters Taxonomy (2017), Eric R. Williams contends that film genres are fundamentally based upon
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#1732779662470252-470: The Altra workshop), without there always being conventional payoffs to give the comic business a sense of purpose." Gary Giddins disagreed with Romney's assessment in his book Warning Shadows , writing he believes Trafic to have been "transcendent," as well as "misperceived" and "neglected." Another review felt Trafic was "slow going, and even devoted fans will wonder whether they're there yet." The film
273-593: The Bomb , Guess Who's Coming to Dinner? and The Graduate . In America, the sexual revolution drove an appetite for comedies that celebrated and parodied changing social morals, including Bob & Carol & Ted & Alice and Fanny Hill . In Britain, a camp sensibility lay behind the successful Carry On films , while in America subversive independent film-maker John Waters made camp films for college audiences with his drag queen friends that eventually found
294-719: The box office, there is an 'historical bias against a close and serious consideration of comedy' when it comes to critical reception and conferring of awards, such as at the Academy Awards . Film writer Cailian Savage observes "Comedies have won Oscars, although they’ve usually been comedy-dramas, involved very depressing scenes, or appealed to stone-hearted drama lovers in some other way, such as Shakespeare in Love ." According to Williams' taxonomy , all film descriptions should contain their type (comedy or drama) combined with one (or more) sub-genres. This combination does not create
315-451: The film 3 + 1 ⁄ 2 stars out of four praising Tati for creating humorous incidents that "are so involved they're almost impossible to describe, but Hulot copes with them with good nature and never loses his philosophical equilibrium." Film theorist Michel Chion wrote: " Trafic turns out to be as impure a patchwork as Play Time was pure and intransigent. Nonetheless, it is an endearing film for different reasons: we are invited to
336-399: The joke and Maria locates her real dog. Days pass and the truck is fixed and back on the road. However, when they arrive at the auto show, they learn the event is over. Despite the camper-car not arriving on time, the Altra director is enraged he has been charged an electric bill for 300,000 francs. After playing around with a DAF 55 , Hulot is fired by the director. Hulot walks with Maria to
357-411: The police who are suspicious that it has been stolen. At the police station, Hulot and Marcel display the innovative features of the camper-car to the officers, including a pullout tent in the back and a grille that becomes a barbecue grill. While they are impressed, the police do not allow the truck to leave. The next morning, Hulot, Marcel and Maria retrieve the correct paperwork and the transport truck
378-457: The primary meaning of trafic is "exchange of goods", rather than "traffic" per se. The word "Trafic" was subsequently used for a light utility vehicle model manufactured by Renault starting in 1981. Monsieur Hulot is a bumbling automobile designer who works for Altra, a Paris auto plant. He is tasked to transport a new camper-car of his design to an international auto show in Amsterdam . He
399-415: The subway station and before they can part, he is forced back upwards by commuters heading in the opposite direction. He ends up back in her arms, where they walk off together in a parking lot full of identical umbrellas on a rainy day. Judith Crist of New York magazine wrote in her review: "Jacques Tati's Traffic is so non-blockbuster, in fact, that it is absolutely therapeutic for today's moviegoer,
420-461: The truck pedal stops functioning and it is taken inside an auto shop for repair. Meanwhile, Maria arrives at the auto show but drives back. The truck is fixed, and Hulot meets Maria along the way. The truck drives through customs along the Belgium–Netherlands border without stopping. Customs agents alert the police, and the truck is stopped by police along a freeway. The truck is impounded by
441-443: Was released on DVD by The Criterion Collection on 15 July 2008, in a special edition double-disc set, and on Blu-ray on 28 October 2014 as a part of The Complete Jacques Tati . Comedy film The comedy film is a film genre that emphasizes humor . These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending , with dark comedy being an exception to this rule. Comedy
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