Patrick Anthony Powers (October 8, 1869 – July 30, 1948) was an American producer who was involved in the movie and animation industry from the 1910s to 1930s. He established Powers' Cinephone Moving Picture Company , also known as Powers Picture Plays . His firm, Celebrity Productions, was the first distributor of Walt Disney 's Mickey Mouse cartoons (1928–1929). After one year, Disney split with Powers, who started the animation studio Iwerks Studio with Disney's lead animator, Ub Iwerks .
81-595: Mickey Mouse (originally known as Mickey Mouse Sound Cartoons ) is a series of American animated comedy short films produced by Walt Disney Productions . The series started in 1928 with Steamboat Willie and ended with 2013’s Get a Horse! being the last in the series to date, otherwise taking a hiatus from 1953 to 1983. The series is notable for its innovation with sound synchronization and character animation , and also introduced well-known characters such as Mickey Mouse , Minnie Mouse , Donald Duck , Daisy Duck , Pluto and Goofy . The name "Mickey Mouse"
162-516: A beach lifeguard who saves Minnie from being drowned by a wave. After Minnie is rescued, she fusses, Mickey tries to cheer her up by dancing, playing music and scat sings to "Rocked in the Cradle of the Deep". Also present are a wide variety of sea birds and marine mammals who accompany Mickey. Other appearances: Minnie Mouse Notes: Last film released by Celebrity Productions. Also the last film in
243-486: A cantina where he finds Minnie and dances with her. Pete arrives, abducts Minnie, and takes her away on a donkey. Mickey follows after him, but the rhea has become drunk and slows Mickey down. Finally Mickey confronts Pete in a fencing duel and saves Minnie. Other appearances: Minnie Mouse, Pete Notes: Released on August 2, 1928. The cartoon is a parody of the Douglas Fairbanks film, The Gaucho , which
324-418: A carnival and heckles rival barker Kat Nipp. Also at the fair is Minnie who performs as a shimmy dancer. Mickey gives here a free hot dog, and later under the pale moonlight with the help of two alley cats, serenades Minnie outside her trailer with the 1904 hit song Sweet Adeline . Other appearances: Minnie Mouse, Clarabelle Cow, Kat Nipp Notes: This is the first time Mickey speaks actual words, and
405-490: A consistent way to whatever style is employed on a particular film. Since the early 1980s, teams of about 500 to 600 people, of whom 50 to 70 are animators, typically have created feature-length animated films. It is relatively easy for two or three artists to match their styles; synchronizing those of dozens of artists is more difficult. This problem is usually solved by having a separate group of visual development artists develop an overall look and palette for each film before
486-422: A dedicated Disneyana Fan Club (since 1984). Disneyland opened in 1955 and features many attractions that were based on Disney's cartoon characters. Its enormous success spawned several other Disney theme parks and resorts . Disney's earnings from the theme parks have relatively often been higher than those from their movies. As with any other form of media, animation has instituted awards for excellence in
567-493: A hunting expedition to the jungle, but when his rifle malfunctions, Mickey is left facing several angry and vicious animals. To appease them, Mickey starts playing music, and soon has all of the animals joining him. Mickey weathers a ferocious storm inside an old haunted house where he is compelled to play the organ for a ghost and a group of skeletons. Other appearances: Skeletons , Ghost Notes: Title shortened to Haunted House in rerelease title sequence. Mickey works as
648-451: A new life on the small screen and by the end of the 1950s, the production of new animated cartoons started to shift from theatrical releases to TV series. Hanna-Barbera Productions was especially prolific and had huge hit series, such as The Flintstones (1960–1966) (the first prime time animated series), Scooby-Doo (since 1969) and Belgian co-production The Smurfs (1981–1989). The constraints of American television programming and
729-595: A producer on Erich von Stroheim 's The Wedding March (1928), along with Jesse Lasky and Adolph Zukor . (The latter was a former partner of Mitchell Mark who, like Powers, was a native of Buffalo, New York .) Patrick Powers, at age 78, died on July 30, 1948, at the Doctors Hospital in New York City after a brief illness. His August 1 obituary in The New York Times notes that at
810-520: A separate background, computer animation is usually based on programming paths between key frames to maneuver digitally created figures throughout a digitally created environment. Analog mechanical animation media that rely on the rapid display of sequential images include the phenakistiscope , zoetrope , flip book , praxinoscope , and film. Television and video are popular electronic animation media that originally were analog and now operate digitally . For display on computers, technology such as
891-450: A true powerhouse of animation production, with its own recognizable and influential anime style of effective limited animation . Animation became very popular on television since the 1950s, when television sets started to become common in most developed countries. Cartoons were mainly programmed for children, on convenient time slots, and especially US youth spent many hours watching Saturday-morning cartoons . Many classic cartoons found
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#1732783537595972-531: A very long history in automata . Electronic automata were popularized by Disney as animatronics . The word animation stems from the Latin animātiōn , stem of animātiō , meaning 'bestowing of life'. The earlier meaning of the English word is 'liveliness' and has been in use much longer than the meaning of 'moving image medium'. Long before modern animation began, audiences around the world were captivated by
1053-409: A wide variety of styles, relatively often including stop motion and cutout animation techniques. Soviet Soyuzmultfilm animation studio, founded in 1936, produced 20 films (including shorts) per year on average and reached 1,582 titles in 2018. China, Czechoslovakia / Czech Republic, Italy, France, and Belgium were other countries that more than occasionally released feature films, while Japan became
1134-402: A wild ride on a humanized train which eventually rumbles out of control. Other appearances: Minnie Mouse, Clarabelle Cow Notes: A colorized version was made in 1991. As part of "Mickey's Big Road Show", Mickey plays a calliope pulled by Horace. They later play the xylophone and piano, Mickey mercilessly beating up on the latter. Other appearances: Horace Horsecollar Mickey goes on
1215-678: Is a technique combining hand-drawn characters into live action shots or live-action actors into animated shots. One of the earlier uses was in Koko the Clown when Koko was drawn over live-action footage. Walt Disney and Ub Iwerks created a series of Alice Comedies (1923–1927), in which a live-action girl enters an animated world. Other examples include Allegro Non Troppo (Italy, 1976), Who Framed Roger Rabbit (US, 1988), Volere volare (Italy 1991), Space Jam (US, 1996) and Osmosis Jones (US, 2001). Pat Powers (businessman) Powers
1296-448: Is contrasted with live-action film , although the two do not exist in isolation. Many moviemakers have produced films that are a hybrid of the two . As CGI increasingly approximates photographic imagery , filmmakers can easily composite 3D animations into their film rather than using practical effects for showy visual effects (VFX). Computer animation can be very detailed 3D animation , while 2D computer animation (which may have
1377-413: Is pointless for a studio to pay the salaries of dozens of animators to spend weeks creating a visually dazzling five-minute scene if that scene fails to effectively advance the plot of the film. Thus, animation studios starting with Disney began the practice in the 1930s of maintaining story departments where storyboard artists develop every single scene through storyboards , then handing the film over to
1458-449: Is that once a film is in the production phase, the marginal cost of one more shot is higher for animated films than live-action films. It is relatively easy for a director to ask for one more take during principal photography of a live-action film, but every take on an animated film must be manually rendered by animators (although the task of rendering slightly different takes has been made less tedious by modern computer animation). It
1539-404: Is the best known and most extreme example. Since first being licensed for a children's writing tablet in 1929, their Mickey Mouse mascot has been depicted on an enormous amount of products , as have many other Disney characters. This may have influenced some pejorative use of Mickey's name , but licensed Disney products sell well, and the so-called Disneyana has many avid collectors, and even
1620-410: Is the first to be animated in the series, marking the debut of Mickey and Minnie. The cartoon was released on May 15, 1928; the sound version followed on March 17, 1929. The silent version of the cartoon entered the public domain on January 1, 2024, while the sound version will enter the public domain the following year. Mickey is an Argentinian gaucho who rides a rhea instead of a horse. He stops at
1701-529: Is the process of producing high-quality traditionally animated films that regularly use detailed drawings and plausible movement, having a smooth animation. Fully animated films can be made in a variety of styles, from more realistically animated works like those produced by the Walt Disney studio ( The Little Mermaid , Beauty and the Beast , Aladdin , The Lion King ) to the more 'cartoon' styles of
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#17327835375951782-432: Is the process that was used for most animated films of the 20th century. The individual frames of a traditionally animated film are photographs of drawings, first drawn on paper. To create the illusion of movement, each drawing differs slightly from the one before it. The animators' drawings are traced or photocopied onto transparent acetate sheets called cels , which are filled in with paints in assigned colors or tones on
1863-763: The Internet ( web cartoons ). Rotoscoping is a technique patented by Max Fleischer in 1917 where animators trace live-action movement, frame by frame. The source film can be directly copied from actors' outlines into animated drawings, as in The Lord of the Rings (US, 1978), or used in a stylized and expressive manner, as in Waking Life (US, 2001) and A Scanner Darkly (US, 2006). Some other examples are Fire and Ice (US, 1983), Heavy Metal (1981), and Aku no Hana (Japan, 2013). Live-action/animation
1944-532: The Keith-Albee-Orpheum theater circuit to form RKO Radio Pictures . Powers invested in what remained of the sound film company DeForest Phonofilm in the spring of 1927. Lee De Forest was on the verge of bankruptcy, due to legal fees from a series of lawsuits against former associates Theodore Case and Freeman Harrison Owens . DeForest was by that time selling cut-price sound equipment to second-run movie theaters wanting to convert to sound on
2025-1311: The Mickey Mouse series, such as appearances in short films starring other characters in their own film series, segments from feature films (such as The Sorcerer's Apprentice ), nor shorts of Mickey Mouse made as part of the episodes of the television series Mickey Mouse Works . Gray headers indicate black-and-white films, while yellow headers indicate color films. 1928 · 1929 · 1930 · 1931 · 1932 · 1933 · 1934 · 1935 · 1936 · 1937 · 1938 · 1939 · 1940 · 1941 · 1942 · 1943 · 1946 · 1947 · 1948 · 1951 · 1952 · 1953 · 1983 · 1990 · 1995 · 2013 Mickey tries to emulate his hero, Charles Lindbergh , and woo Minnie by building and flying his own airplane. Other appearances: Minnie Mouse, Clarabelle Cow Notes: This
2106-525: The Warner Bros. animation studio . Many of the Disney animated features are examples of full animation, as are non-Disney works, The Secret of NIMH (US, 1982), The Iron Giant (US, 1999), and Nocturna (Spain, 2007). Fully animated films are often animated on "twos", sometimes on "ones", which means that 12 to 24 drawings are required for a single second of film. Limited animation involves
2187-556: The animated GIF and Flash animation were developed. In addition to short films , feature films , television series , animated GIFs, and other media dedicated to the display of moving images, animation is also prevalent in video games , motion graphics , user interfaces , and visual effects . The physical movement of image parts through simple mechanics—for instance, moving images in magic lantern shows—can also be considered animation. The mechanical manipulation of three-dimensional puppets and objects to emulate living beings has
2268-462: The flip book (1868), the praxinoscope (1877) and film . When cinematography eventually broke through in the 1890s, the wonder of the realistic details in the new medium was seen as its biggest accomplishment. It took years before animation found its way to the cinemas. The successful short The Haunted Hotel (1907) by J. Stuart Blackton popularized stop motion and reportedly inspired Émile Cohl to create Fantasmagorie (1908), regarded as
2349-439: The persistence of vision and later to the phi phenomenon and beta movement , but the exact neurological causes are still uncertain. The illusion of motion caused by a rapid succession of images that minimally differ from each other, with unnoticeable interruptions, is a stroboscopic effect . While animators traditionally used to draw each part of the movements and changes of figures on transparent cels that could be moved over
2430-538: The 1960s, and European producers looking for affordable cel animators relatively often started co-productions with Japanese studios, resulting in hit series such as Barbapapa (The Netherlands/Japan/France 1973–1977), Wickie und die starken Männer/小さなバイキング ビッケ (Vicky the Viking) (Austria/Germany/Japan 1974), Maya the Honey Bee (Japan/Germany 1975) and The Jungle Book (Italy/Japan 1989). Computer animation
2511-522: The Beast was the first animated film nominated for Best Picture , in 1991. Up (2009) and Toy Story 3 (2010) also received Best Picture nominations, after the academy expanded the number of nominees from five to ten. The creation of non-trivial animation works (i.e., longer than a few seconds) has developed as a form of filmmaking , with certain unique aspects. Traits common to both live-action and animated feature films are labor intensity and high production costs. The most important difference
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2592-712: The Friendly Ghost (1945), Warner Bros. Cartoon Studios ' Looney Tunes ' Porky Pig (1935), Daffy Duck (1937), Elmer Fudd (1937–1940), Bugs Bunny (1938–1940), Tweety (1942), Sylvester the Cat (1945), Wile E. Coyote and the Road Runner (1949), MGM cartoon studio 's Tom and Jerry (1940) and Droopy , Universal Cartoon Studios ' Woody Woodpecker (1940), Terrytoons / 20th Century Fox 's Mighty Mouse (1942), and United Artists ' Pink Panther (1963). In 1917, Italian-Argentine director Quirino Cristiani made
2673-557: The German Empire until early in the First World War. Kommandant Pete leads the cats in a raid on Mickey's farm. Mickey mounts a spirited defense of the farmhouse. Other appearances: Pete Mickey flirts with Minnie on the farm, but she spurns him, making him look bad in the eyes of his helper, Horace Horsecollar. Other appearances: Minnie Mouse, Horace Horsecollar , Clarabelle Cow Mickey sells animated hot dogs at
2754-600: The Lucky Rabbit cartoons for producer Charles Mintz . The first two films, Plane Crazy and The Gallopin' Gaucho , were previewed in theaters but failed to pick up a distributor for a broad release. For the third film, Disney added synchronized sound, a technology that was still in its early stages at the time. Steamboat Willie debuted in New York in November 1928 and was an instant success. The revenues from
2835-506: The Powers Cinephone so that Disney could make sound cartoons such as Mickey Mouse 's Steamboat Willie (1928). Unable to find a distributor for the sound cartoons, Disney began releasing his cartoons through Powers' company Celebrity Productions (also known as Celebrity Pictures). After one year of successful Mickey Mouse and Silly Symphonies cartoons, Walt Disney confronted Powers in 1930 about money due to Disney from
2916-771: The Powers Moving Picture Company, also frequently billed in advertisements and credited in his films as "Powers Picture Plays". Early examples of his studio's releases include The Woman Hater (1910) with Violet Heming , Pearl White , and Stuart Holmes ; the comedy Lost in a Hotel (1911); the children's fantasy film An Old-Time Nightmare (1911); and the Western Red Star's Honor (1911). In 1912, Powers's company merged with Carl Laemmle 's Independent Moving Pictures Company (IMP) film company and others to create what eventually would become Universal Pictures . He served as treasurer of
2997-594: The Tramp (1955) failed at the box office. For decades afterward, Disney would be the only American studio to regularly produce animated features, until Ralph Bakshi became the first to also release more than a handful features. Sullivan-Bluth Studios began to regularly produce animated features starting with An American Tail in 1986. Although relatively few titles became as successful as Disney's features, other countries developed their own animation industries that produced both short and feature theatrical animations in
3078-524: The US. Successful producer John Randolph Bray and animator Earl Hurd , patented the cel animation process that dominated the animation industry for the rest of the century. Felix the Cat , who debuted in 1919, became the first fully realized anthropomorphic animal character in the history of American animation. In 1928, Steamboat Willie , featuring Mickey Mouse and Minnie Mouse , popularized film-with-synchronized-sound and put Walt Disney 's studio at
3159-530: The Universal Film Manufacturing Company. Later, in 1916 and 1917, Powers introduced a cartoon series titled Fuller Pep , which was similar to Paul Terry's Farmer Al Falfa series. Nine cartoons were produced. In 1912, Powers had led his own filmmaking company, part of multiple mergers that created Universal Pictures . Between the 1922 reorganization of Film Booking Office of America and October 1923, Powers, as one of
3240-498: The adventures of human protagonists. Especially with animals that form a natural predator/prey relationship (e.g. cats and mice, coyotes and birds), the action often centers on violent pratfalls such as falls, collisions, and explosions that would be lethal in real life. A cartoon can also be a still humorous drawing, often with the same elements as animated cartoons but with still versions. The illusion of animation—as in motion pictures in general—has traditionally been attributed to
3321-469: The animation begins. Character designers on the visual development team draw model sheets to show how each character should look like with different facial expressions, posed in different positions, and viewed from different angles. On traditionally animated projects, maquettes were often sculpted to further help the animators see how characters would look from different angles. Unlike live-action films, animated films were traditionally developed beyond
Mickey Mouse (film series) - Misplaced Pages Continue
3402-521: The animators only after the production team is satisfied that all the scenes make sense as a whole. While live-action films are now also storyboarded, they enjoy more latitude to depart from storyboards (i.e., real-time improvisation). Another problem unique to animation is the requirement to maintain a film's consistency from start to finish, even as films have grown longer and teams have grown larger. Animators, like all artists, necessarily have individual styles, but must subordinate their individuality in
3483-523: The cheap. In June 1927, Powers made an unsuccessful takeover bid for De Forest's company. In the aftermath of the failed takeover, Powers hired a former DeForest technician, William Garity , to produce a cloned version of the Phonofilm sound recording system, which became Powers Cinephone . By this time, De Forest was in too weak a financial position to mount a legal challenge against Powers for patent infringement. In 1928, Powers sold Walt Disney
3564-509: The company's new American investors, was effectively in command. Powers apparently(? ) changed the name of Robertson-Cole/FBO to the Powers Studio for a brief period, though there is no record of the company ever having produced or released a film under that banner. In 1925, he moved briefly to take over at the distribution outfit Associated Exhibitors . In 1928, Joseph P. Kennedy and RCA head David Sarnoff merged FBO and
3645-714: The demand for an enormous quantity resulted in cheaper and quicker limited animation methods and much more formulaic scripts. Quality dwindled until more daring animation surfaced in the late 1980s and in the early 1990s with hit series, the first cartoon of The Simpsons (1987), which later developed into its own show (in 1989) and SpongeBob SquarePants (since 1999) as part of a "renaissance" of American animation. While US animated series also spawned successes internationally, many other countries produced their own child-oriented programming, relatively often preferring stop motion and puppetry over cel animation. Japanese anime TV series became very successful internationally since
3726-830: The distribution deal. Powers responded by signing Disney's head animator Ub Iwerks to an exclusive deal to create his own animation studio. The Iwerks Studio was only mildly successful, with cartoon series such as Flip the Frog and Willie Whopper , released through Metro-Goldwyn-Mayer , and the ComiColor cartoons, released by Celebrity Pictures. The Iwerks studio closed in 1936 and Iwerks subsequently returned to Disney. As for Disney, he would go on to distribute his cartoons without Powers to Columbia Pictures . In his lifetime, Powers produced nearly 300 movies, most of them early silent films produced at Universal before 1913 or one-reel animated shorts. He is, however, also credited as
3807-422: The drawings and simulate camera movement and effects. The final animated piece is output to one of several delivery media, including traditional 35 mm film and newer media with digital video . The "look" of traditional cel animation is still preserved, and the character animators ' work has remained essentially the same over the past 90 years. Some animation producers have used the term "tradigital" (a play on
3888-504: The feline's home to play music with whatever they can get their little paws on. Other appearances: Minnie Mouse, Kat Nipp as "Tom Cat" Notes: Remake of Alice Comedies film Alice Rattled by Rats , depicts Mickey and Minnie as regular mice. Mickey joins an army of mice dressed like the forces of the Confederate States of America to battle an army of cats donning Pickelhauben , helmets like those worn by soldiers of
3969-868: The field. Many are part of general or regional film award programs, like the China's Golden Rooster Award for Best Animation (since 1981). Awards programs dedicated to animation, with many categories, include ASIFA-Hollywood 's Annie Awards , the Emile Awards in Europe and the Anima Mundi awards in Brazil. Apart from Academy Awards for Best Animated Short Film (since 1932) and Best Animated Feature (since 2002), animated movies have been nominated and rewarded in other categories, relatively often for Best Original Song and Best Original Score . Beauty and
4050-490: The film provided the studio with much needed resources, and the studio quickly began to produce new cartoons as well as releasing sound versions of the first two. Production slowed towards the end of the 1930s as the studio began to focus on other characters and feature-length films. The series was informally retired in 1953 with the release of The Simple Things , but was revived in 1983 and 1990 with two featurettes , or three reel short films. 1995's Runaway Brain returned
4131-458: The first feature-length film El Apóstol (now lost ), which became a critical and commercial success. It was followed by Cristiani's Sin dejar rastros in 1918, but one day after its premiere, the film was confiscated by the government. After working on it for three years, Lotte Reiniger released the German feature-length silhouette animation Die Abenteuer des Prinzen Achmed in 1926,
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#17327835375954212-416: The first time Mickey has pie eyes and eyebrows. Mickey and his barnyard pals put on a show that includes dancing ducks, opera singing by Patricia Pig, and Mickey's own rendition of his theme song, "Minnie's Yoo Hoo". Other appearances: Minnie Mouse, Clarabelle Cow, Patricia Pig Notes: Introduction of "Minnie's Yoo Hoo", Mickey's theme song. Mickey is running a small-town railroad. He takes Minnie for
4293-406: The forefront of the animation industry. Although Disney Animation's actual output relative to total global animation output, has always been very small; the studio has overwhelmingly dominated the "aesthetic norms" of animation ever since. The enormous success of Mickey Mouse is seen as the start of the golden age of American animation that would last until the 1960s. The United States dominated
4374-611: The humour it can provide. Some animated characters in commercials have survived for decades, such as Snap, Crackle and Pop in advertisements for Kellogg's cereals. Tex Avery was the producer of the first Raid " Kills Bugs Dead " commercials in 1966, which were very successful for the company. Apart from their success in movie theaters and television series, many cartoon characters would also prove lucrative when licensed for all kinds of merchandise and for other media. Animation has traditionally been very closely related to comic books . While many comic book characters found their way to
4455-435: The late 1980s, in a style similar to traditional cel animation. The so-called 3D style, more often associated with computer animation, became the dominant technique following the success of Pixar's Toy Story (1995), the first computer-animated feature in this style. Most of the cel animation studios switched to producing mostly computer-animated films around the 1990s, as it proved cheaper and more profitable. Not only
4536-475: The list from 1928 to mid-1932 are shipping dates, reflecting when the Disney studio shipped the completed films to the distributors, per the 2018 Disney Enterprises book Mickey Mouse: The Ultimate History . The shorts released by United Artists (1932–1937) and RKO Radio (1937–1940) have official release dates announced by the distributors. The list does not include shorts where Mickey Mouse appears outside of
4617-495: The look of traditional animation) can be used for stylistic reasons, low bandwidth, or faster real-time renderings . Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts , puppets , or clay figures . A cartoon in the animation sense is an animated film, usually short, featuring an exaggerated visual style. The style takes inspiration from comic strips , often featuring anthropomorphic animals , superheroes , or
4698-421: The magic of moving characters. For centuries, master artists and craftsmen have brought puppets, automatons , shadow puppets , and fantastical lanterns to life, inspiring the imagination through physically manipulated wonders. In 1833, the stroboscopic disc (better known as the phenakistiscope ) introduced the principle of modern animation, which would also be applied in the zoetrope (introduced in 1866),
4779-409: The most recent installment, Lauren MacMullan , was the first female director. Notable animators who worked on the series include Ub Iwerks , Norm Ferguson , Ollie Johnston , Frank Thomas , and Fred Moore . Mickey's voice is mostly provided by Walt Disney, with some additional work by Carl Stalling and Clarence Nash . By 1948, Jimmy MacDonald had taken over Mickey's voice. Wayne Allwine voiced
4860-439: The mouse in the three films released from 1983 to 1995. In the most recent film, Get a Horse! , Mickey's dialogue was compiled from archival recordings primarily of Walt Disney's voice work. The following is a list of Mickey Mouse films. The early films released by Celebrity Productions (1928–1929) and Columbia Pictures (1930–1932) were distributed by region and state, so there is no definitive release date. The dates used in
4941-824: The oldest extant animated feature. In 1937, Walt Disney Studios premiered their first animated feature Snow White and the Seven Dwarfs , still one of the highest-grossing traditional animation features as of May 2020 . The Fleischer studios followed this example in 1939 with Gulliver's Travels with some success. Partly due to foreign markets being cut off by the Second World War, Disney's next features Pinocchio , Fantasia (both 1940), Fleischer Studios' second animated feature Mr. Bug Goes to Town (1941–1942) and Disney's feature films Cinderella (1950), Alice in Wonderland (1951) and Lady and
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#17327835375955022-510: The oldest known example of a complete traditional (hand-drawn) animation on standard cinematographic film. Other great artistic and very influential short films were created by Ladislas Starevich with his puppet animations since 1910 and by Winsor McCay with detailed hand-drawn animation in films such as Little Nemo (1911) and Gertie the Dinosaur (1914). During the 1910s, the production of animated " cartoons " became an industry in
5103-768: The screen (which is often the case in Japan, where many manga are adapted into anime ), original animated characters also commonly appear in comic books and magazines. Somewhat similarly, characters and plots for video games (an interactive form of animation that became its own medium) have been derived from films and vice versa. Some of the original content produced for the screen can be used and marketed in other media. Stories and images can easily be adapted into children's books and other printed media. Songs and music have appeared on records and as streaming media. While very many animation companies commercially exploit their creations outside moving image media, The Walt Disney Company
5184-663: The series that was animated by Ub Iwerks. Animated cartoon Animation is a filmmaking technique by which still images are manipulated to create moving images . In traditional animation , images are drawn or painted by hand on transparent celluloid sheets ( cels ) to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry . Many animations are either tradtional animations or computer animations made with computer-generated imagery (CGI). Stop motion animation , in particular claymation , has continued to exist alongside these other forms. Animation
5265-411: The series to its single reel format, while the latest installment, 2013's Get a Horse! , was produced in the black-and-white style of the early films and combining color CGI animation scenes. The cartoons were directed by 20 different people. Those with the most credits include Burt Gillett (34), Wilfred Jackson (18), Walt Disney (16), David Hand (15), and Ben Sharpsteen (14); the director of
5346-458: The side opposite the line drawings. The completed character cels are photographed one-by-one against a painted background by a rostrum camera onto motion picture film. The traditional cel animation process became obsolete by the beginning of the 21st century. In modern traditionally animated films, animators' drawings and the backgrounds are either scanned into or drawn directly into a computer system. Various software programs are used to color
5427-425: The synopsis stage through the storyboard format; the storyboard artists would then receive credit for writing the film. In the early 1960s, animation studios began hiring professional screenwriters to write screenplays (while also continuing to use story departments) and screenplays had become commonplace for animated films by the late 1980s. Traditional animation (also called cel animation or hand-drawn animation)
5508-596: The two come up with creative ways to play " Turkey in the Straw " with a goat, Mickey plays along to the beat. Pete is unamused and puts Mickey to work skinning potatoes. Other appearances: Minnie Mouse , Pete , Clarabelle Cow Notes: Disney's first sound cartoon, selected to the National Film Registry in 1998. The title is a parody of the Buster Keaton film, Steamboat Bill, Jr. , which
5589-847: The use of less detailed or more stylized drawings and methods of movement usually a choppy or "skippy" movement animation. Limited animation uses fewer drawings per second, thereby limiting the fluidity of the animation. This is a more economic technique. Pioneered by the artists at the American studio United Productions of America , limited animation can be used as a method of stylized artistic expression, as in Gerald McBoing-Boing (US, 1951), Yellow Submarine (UK, 1968), and certain anime produced in Japan. Its primary use, however, has been in producing cost-effective animated content for media for television (the work of Hanna-Barbera, Filmation , and other TV animation studios ) and later
5670-565: The value had increased to an estimated US$ 370 billion. Animated feature-length films returned the highest gross margins (around 52%) of all film genres between 2004 and 2013. Animation as an art and industry continues to thrive as of the early 2020s. The clarity of animation makes it a powerful tool for instruction, while its total malleability also allows exaggeration that can be employed to convey strong emotions and to thwart reality. It has therefore been widely used for other purposes than mere entertainment. During World War II, animation
5751-401: The very popular 3D animation style was generated with computers, but also most of the films and series with a more traditional hand-crafted appearance, in which the charming characteristics of cel animation could be emulated with software, while new digital tools helped developing new styles and effects. In 2010, the animation market was estimated to be worth circa US$ 80 billion. By 2021,
5832-683: The words "traditional" and "digital") to describe cel animation that uses significant computer technology. Examples of traditionally animated feature films include Pinocchio (United States, 1940), Animal Farm (United Kingdom, 1954), Lucky and Zorba (Italy, 1998), and The Illusionist (British-French, 2010). Traditionally animated films produced with the aid of computer technology include The Lion King (US, 1994), Anastasia (US, 1997), The Prince of Egypt (US, 1998), Akira (Japan, 1988), Spirited Away (Japan, 2001), The Triplets of Belleville (France, 2003), and The Secret of Kells (Irish-French-Belgian, 2009). Full animation
5913-482: The world market of animation with a plethora of cel-animated theatrical shorts. Several studios would introduce characters that would become very popular and would have long-lasting careers, including Walt Disney Productions ' Goofy (1932) and Donald Duck (1934), Fleischer Studios / Paramount Cartoon Studios ' Out of the Inkwell ' Koko the Clown (1918), Bimbo and Betty Boop (1930), Popeye (1933) and Casper
5994-726: Was born in Waterford, Ireland . According to the Buffalo Courier-Express obituary dated August 1, 1948, his sister, Mary Ellen Powers, lived in Buffalo for her entire life. Powers partnered with Joseph A. Schubert Sr. and sold phonographs from 1900 to 1907, when they formed the Buffalo Film Exchange, 13 Genesee St. which purchased films from producers and rented them to nickelodeons . In 1910, Powers left Buffalo for New York City , where he founded
6075-420: Was first used in the films' title sequences to refer specifically to the character, but was used from 1935 to 1953 to refer to the series itself, as in "Walt Disney presents a Mickey Mouse". In this sense "a Mickey Mouse" was a shortened form of "a Mickey Mouse sound cartoon" which was used in the earliest films. Films from 1929 to 1935 which were re-released during this time also used this naming convention, but it
6156-543: Was gradually developed since the 1940s. 3D wireframe animation started popping up in the mainstream in the 1970s, with an early (short) appearance in the sci-fi thriller Futureworld (1976). The Rescuers Down Under was the first feature film to be completely created digitally without a camera. It was produced using the Computer Animation Production System (CAPS), developed by Pixar in collaboration with The Walt Disney Company in
6237-430: Was made in the late-1980s. Mickey owns and performs at his own theatre, going in drag as a harem girl, in a derby as a Hasidic Jew, and finally in a wig as a fancy pianist. Other appearances: Minnie Mouse, Kat Nipp Notes: This is the first time Mickey wears gloves outside of titles cards and posters. After Tom Cat has a drink and goes out for the day with his rifle, Mickey, Minnie, and an army of mice break into
6318-518: Was not used for the three shorts released between 1983 and 1995 ( Mickey's Christmas Carol , The Prince and the Pauper , and Runaway Brain ). Mickey's name was also used occasionally to market other films which were formally part of other series. Examples of this include several Silly Symphonies and Goofy and Wilbur (1939). Disney began secretly producing the first Mickey Mouse films while still contractually required to finish some Oswald
6399-453: Was released May 12, 1928. This cartoon entered the public domain on January 1, 2024. Mickey wants to take Minnie to a dance, but Pete's flashy car beats Mickey's horse-drawn wagon as her transportation of choice. At the dance, Mickey uses a balloon to make himself light on his feet — the perfect dancing partner — but this does not keep Minnie at his side for long either. Other appearances: Minnie Mouse , Pete Notes: A colorized version
6480-540: Was released November 21, 1927. Mickey wears shoes. At first he and Minnie have the same eyes as in Plane Crazy , but halfway into the cartoon they turn into the dot eyes seen in Steamboat Willie . This cartoon entered the public domain on January 1, 2024. Mickey works aboard a river steamboat captained by Pete with the mission of transporting livestock. Along the way Mickey picks up animals and Minnie and
6561-482: Was widely exploited for propaganda. Many American studios , including Warner Bros. and Disney, lent their talents and their cartoon characters to convey to the public certain war values. Some countries, including China, Japan and the United Kingdom, produced their first feature-length animation for their war efforts. Animation has been very popular in television commercials, both due to its graphic appeal, and
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