United Recording Electronics Industries ( UREI ) was a manufacturer of recording, mixing and audio signal processing hardware for the professional recording studio, live sound and broadcasting fields.
86-618: Bill Putnam Sr. founded Universal Audio in Chicago in the 1950s as a design and manufacturing addition to his recording studio business, Universal Recording Corporation . After Putnam moved to Hollywood in 1957 and established the United Recording Corporation , his company acquired Studio Supply Co. and rebranded it as the Studio Electronics Corporation (SEC) and moved all manufacturing to
172-518: A "form of art music which originated in the United States through the confrontation of the Negro with European music" and arguing that it differs from European music in that jazz has a "special relationship to time defined as 'swing ' ". Jazz involves "a spontaneity and vitality of musical production in which improvisation plays a role" and contains a "sonority and manner of phrasing which mirror
258-486: A 'wireless' merit badge, Bill built a crystal radio and a one-tube radio with his father's help, sparking his love of electronics. At thirteen, he tried and failed to become a licensed ham radio operator but at fifteen he succeeded, earning a Class B call sign W9PUK and building his own ham radio. Bill Putnam attended Danville High School , where two of his school classmates were Dick Van Dyke and Bobby Short . In his early high school years, he worked part time in
344-526: A coherent tradition". Duke Ellington , one of jazz's most famous figures, said, "It's all music." Although jazz is considered difficult to define, in part because it contains many subgenres, improvisation is one of its defining elements. The centrality of improvisation is attributed to the influence of earlier forms of music such as blues , a form of folk music which arose in part from the work songs and field hollers of African-American slaves on plantations. These work songs were commonly structured around
430-460: A division of CBS . The location later became the home of The Automatt recording studio. In 1963, Putnam extended his studio presence to Las Vegas when he established United Recording Corporation of Nevada, or URCON , complete with a fully-equipped remote recording truck. In 1966, Putnam sold URCON to Bill Porter . In 1985, Putnam sold the original United Recording studio to Allen Sides, who renamed it Ocean Way Recording . Putnam developed
516-453: A division of JBL Professional . Harman began releasing "JBL-UREI" co-branded products such as the 5547A graphic equalizer in 1986. In 2005, another Harman division, Soundcraft , introduced a "UREI-by-Soundcraft"-badged 1620LE mixer, with 'LE' standing for 'Limited Edition'. The mixer was a re-issue of the UREI 1620, a 1980s-era clone of Rudy Bozak 's classic 1960s-era rotary-style DJ mixer,
602-473: A drum made by stretching skin over a flour-barrel. Lavish festivals with African-based dances to drums were organized on Sundays at Place Congo, or Congo Square, in New Orleans until 1843. There are historical accounts of other music and dance gatherings elsewhere in the southern United States. Robert Palmer said of percussive slave music: Usually such music was associated with annual festivals, when
688-508: A facility on the west coast . In 1957, with support from Frank Sinatra and Bing Crosby , Putnam sold his interest in Universal Recording and moved to Hollywood , taking over and remodeling a defunct film studio at 6050 Sunset Boulevard establishing a new company, United Recording . Determined to incorporate as many technological innovations into the new complex as possible, Putnam constructed new facilities, including
774-615: A friend's radio shop, learning about radio repair and PA systems . He began singing with a number of regional bands which played college campus gigs, developing his interest in jazz and the music business. He realized that musicians were his favorite people. By his junior year, Putnam was earning $ 5 per night singing with dance bands and owned his own ham radio shop where he also installed car radios on weekends. After Putnam graduated from high school, he sold his radio shop for $ 700 and decided to study broadcast engineering at Valparaiso Technical Institute ; his professors were J.B. Hershmann and
860-572: A key figure in the development of the postwar commercial recording industry. Former colleague Bruce Swedien described Putnam's achievements: Bill Putnam was born on February 20, 1920 in Danville, Illinois . Putnam's father owned several business enterprises related to the coal mining business and also ran a radio program at WDZ in Tuscola, Illinois . While in the Boy Scouts , working toward
946-410: A limited melodic range, sounding like a field holler, and the guitar accompaniment was slapped rather than strummed, like a small drum which responded in syncopated accents, functioning as another "voice". Handy and his band members were formally trained African-American musicians who had not grown up with the blues, yet he was able to adapt the blues to a larger band instrument format and arrange them in
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#17327987312961032-488: A majority interest in Coast Recorders and moved the studio to a location at 960 Bush Street . He eventually relocated Coast Recorders to a two-floor studio complex of his own design at 827 Folsom Street, where Francis Ford Coppola leased space on the second floor for his American Zoetrope film studio. Less than a year later on September 15, 1970, Putnam sold majority control of the building to Columbia Records ,
1118-460: A multi- strain ragtime march with four parts that feature recurring themes and a bass line with copious seventh chords . Its structure was the basis for many other rags, and the syncopations in the right hand, especially in the transition between the first and second strain, were novel at the time. The last four measures of Scott Joplin's "Maple Leaf Rag" (1899) are shown below. African-based rhythmic patterns such as tresillo and its variants,
1204-467: A new 15,000 square foot facility at 46 E. Walton Street. His company quickly became Chicago's largest independent studio, sometimes referred to as the "grand palace," recording projects for independent Chicago record labels like Vee-Jay , Mercury , Chess , and One-derful . His reputation grew quickly thanks to his work with artists such as Count Basie , Sarah Vaughan , Little Walter , Dinah Washington , Vic Damone , and Duke Ellington , who said Putnam
1290-660: A popular music form. Handy wrote about his adopting of the blues: The primitive southern Negro, as he sang, was sure to bear down on the third and seventh tone of the scale, slurring between major and minor. Whether in the cotton field of the Delta or on the Levee up St. Louis way, it was always the same. Till then, however, I had never heard this slur used by a more sophisticated Negro, or by any white man. I tried to convey this effect ... by introducing flat thirds and sevenths (now called blue notes) into my song, although its prevailing key
1376-478: A portion of the sales of the record. His use of the building's bathroom as an echo chamber for the recording of Peg o' My Heart was the first artistic use of artificial reverb in a popular song. The song sold 1.4 million copies, inspiring Putnam to establish the Vitacoustic and Universal Records labels and attracted new clients to record with Putnam at Universal Recording. In the same year, Putnam made
1462-439: A repetitive call-and-response pattern, but early blues was also improvisational. Classical music performance is evaluated more by its fidelity to the musical score , with less attention given to interpretation, ornamentation, and accompaniment. The classical performer's goal is to play the composition as it was written. In contrast, jazz is often characterized by the product of interaction and collaboration, placing less value on
1548-465: A significant modernization of studio control room concept to permit multi-track monitoring and recording. It featured his innovative design to provide overhead forward speaker mounting and provided seating space for guests while improving the engineer's view of the studio (control rooms of the era had typically been small booths). United's facilities included three acoustically isolated studios of varying sizes, three lacquer mastering studios (one stereo) and
1634-492: A single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands , Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near
1720-416: A soloist is supported by a rhythm section of one or more chordal instruments (piano, guitar), double bass, and drums. The rhythm section plays chords and rhythms that outline the composition structure and complement the soloist. In avant-garde and free jazz , the separation of soloist and band is reduced, and there is license, or even a requirement, for the abandoning of chords, scales, and meters. Since
1806-415: A stereo re-mixing room. Additionally each studio had its own stereo acoustic reverberation room. All facilities were cross connected electronically at a central location and all facilities were available to each other as needed. In 1961, Putnam acquired the neighboring Western Recorders located at 6000 Sunset, remodeled it, and incorporated it into the complex which was renamed United Western Recorders . He
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#17327987312961892-500: Is a music genre that originated in the African-American communities of New Orleans , Louisiana , in the late 19th and early 20th centuries, with its roots in blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . Since the 1920s Jazz Age , it has been recognized as a major form of musical expression in traditional and popular music . Jazz
1978-529: Is a "white jazz" genre that expresses whiteness . White jazz musicians appeared in the Midwest and in other areas throughout the U.S. Papa Jack Laine , who ran the Reliance band in New Orleans in the 1910s, was called "the father of white jazz". The Original Dixieland Jazz Band , whose members were white, were the first jazz group to record, and Bix Beiderbecke was one of the most prominent jazz soloists of
2064-693: Is a fundamental rhythmic figure heard in many different slave musics of the Caribbean, as well as the Afro-Caribbean folk dances performed in New Orleans Congo Square and Gottschalk's compositions (for example "Souvenirs From Havana" (1859)). Tresillo (shown below) is the most basic and most prevalent duple-pulse rhythmic cell in sub-Saharan African music traditions and the music of the African Diaspora . Tresillo
2150-469: Is characterized by swing and blue notes , complex chords , call and response vocals , polyrhythms and improvisation . As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles , biguine , ragtime and blues with collective polyphonic improvisation . However, jazz did not begin as
2236-493: Is heard prominently in New Orleans second line music and in other forms of popular music from that city from the turn of the 20th century to present. "By and large the simpler African rhythmic patterns survived in jazz ... because they could be adapted more readily to European rhythmic conceptions," jazz historian Gunther Schuller observed. "Some survived, others were discarded as the Europeanization progressed." In
2322-400: Is that jazz can absorb and transform diverse musical styles. By avoiding the creation of norms, jazz allows avant-garde styles to emerge. For some African Americans, jazz has drawn attention to African-American contributions to culture and history. For others, jazz is a reminder of "an oppressive and racist society and restrictions on their artistic visions". Amiri Baraka argues that there
2408-476: Is well documented. It is believed to be related to jasm , a slang term dating back to 1860 meaning ' pep, energy ' . The earliest written record of the word is in a 1912 article in the Los Angeles Times in which a minor league baseball pitcher described a pitch which he called a 'jazz ball' "because it wobbles and you simply can't do anything with it". The use of the word in a musical context
2494-625: The Atlantic slave trade had brought nearly 400,000 Africans to North America. The slaves came largely from West Africa and the greater Congo River basin and brought strong musical traditions with them. The African traditions primarily use a single-line melody and call-and-response pattern, and the rhythms have a counter-metric structure and reflect African speech patterns. An 1885 account says that they were making strange music (Creole) on an equally strange variety of 'instruments'—washboards, washtubs, jugs, boxes beaten with sticks or bones and
2580-956: The United States Army Corps of Engineers under the Sixth Service Command in Chicago . He later worked for G-2 on several different projects, the first one was miniaturizing mine detectors to develop a miniature, concealable gun detector used by the United States Secret Service to protect President Franklin D. Roosevelt at the Tehran Conference . Putnam also worked for the Armed Forces Network to record big bands . In 1946, Putnam founded Universal Recording Corporation in Evanston, Illinois to pursue
2666-471: The swing era of the 1920s–40s, big bands relied more on arrangements which were written or learned by ear and memorized. Soloists improvised within these arrangements. In the bebop era of the 1940s, big bands gave way to small groups and minimal arrangements in which the melody was stated briefly at the beginning and most of the piece was improvised. Modal jazz abandoned chord progressions to allow musicians to improvise even more. In many forms of jazz,
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2752-673: The vacuum tube -based LA-2A and 176 compressors, and their transistor based successors, the LA-3A and 1176 . They also developed the Time Align Monitor Series. UREI outgrew the loft above United Recording and relocated to a wing of the Western Recorders building, later moving again to a much larger headquarters in North Hollywood , with Putnam eventually selling it to Harman Industries . Putnam
2838-948: The 1920s. The Chicago Style was developed by white musicians such as Eddie Condon , Bud Freeman , Jimmy McPartland , and Dave Tough . Others from Chicago such as Benny Goodman and Gene Krupa became leading members of swing during the 1930s. Many bands included both Black and white musicians. These musicians helped change attitudes toward race in the U.S. Female jazz performers and composers have contributed to jazz throughout its history. Although Betty Carter , Ella Fitzgerald , Adelaide Hall , Billie Holiday , Peggy Lee , Abbey Lincoln , Anita O'Day , Dinah Washington , and Ethel Waters were recognized for their vocal talent, less familiar were bandleaders, composers, and instrumentalists such as pianist Lil Hardin Armstrong , trumpeter Valaida Snow , and songwriters Irene Higginbotham and Dorothy Fields . Women began playing instruments in jazz in
2924-451: The 1950s, many women jazz instrumentalists were prominent, some sustaining long careers. Some of the most distinctive improvisers, composers, and bandleaders in jazz have been women. Trombonist Melba Liston is acknowledged as the first female horn player to work in major bands and to make a real impact on jazz, not only as a musician but also as a respected composer and arranger, particularly through her collaborations with Randy Weston from
3010-404: The 813 family of time-aligned large-format studio monitor speakers, introduced in 1977. The 813 and subsequent models introduced in 1979, including the 813A, 815A, and 811A, used Altec Lansing and Eminence drivers. In 1983, financial and quality control problems at Altec led UREI to introduce the 813B, which utilized JBL loudspeaker drivers. Putnam sold UREI to Harman in 1983, and UREI became
3096-509: The Black middle-class. Blues is the name given to both a musical form and a music genre, which originated in African-American communities of primarily the Deep South of the United States at the end of the 19th century from their spirituals , work songs , field hollers , shouts and chants and rhymed simple narrative ballads . The African use of pentatonic scales contributed to
3182-470: The CMA-10-2DL. Soundcraft provided the new product line with its own website. Bill Putnam Milton Tasker " Bill " Putnam (February 20, 1920 – April 13, 1989) was an American audio engineer, songwriter, producer, studio designer, and businessman. He has been described as "the father of modern recording". He was the inventor of the modern recording console and is recognized as having been
3268-464: The Caribbean. African-based rhythmic patterns were retained in the United States in large part through "body rhythms" such as stomping, clapping, and patting juba dancing . In the opinion of jazz historian Ernest Borneman , what preceded New Orleans jazz before 1890 was "Afro-Latin music", similar to what was played in the Caribbean at the time. A three-stroke pattern known in Cuban music as tresillo
3354-612: The Mercury label.) By the mid-1950s, Putnam was one of the most sought-after engineer-producers in the United States. Sam Phillips sent Elvis Presley 's Mystery Train and I Forgot to Remember to Forget to Putnam in August, 1955 with the instructions: "Give me 'hot' level on both 78 and 45's and as much presence peak and bass as possible!" Universal Recording had become so successful that clients including Nelson Riddle , Mitch Miller , and Quincy Jones began urging Putnam to open
3440-665: The Starlight Roof at the famed Waldorf-Astoria Hotel . He entertained audiences with a light elegant musical style which remained popular with audiences for nearly three decades from the 1930s until the late 1950s. Jazz originated in the late-19th to early-20th century. It developed out of many forms of music, including blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . It also incorporated interpretations of American and European classical music, entwined with African and slave folk songs and
3526-626: The United/Western merger and at the request of several film music producers in Hollywood who were looking for a more modern sound for their films, the studios began to record film scores utilizing multi-track film recorders. Playing video cues and sync recording mono audio for quick playback in the studio was also a very popular time saver. In 1962, sensing a business opportunity in the Bay Area 's commercial jingle industry, Putnam purchased
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3612-552: The blues are undocumented, though they can be seen as the secular counterpart of the spirituals. However, as Gerhard Kubik points out, whereas the spirituals are homophonic , rural blues and early jazz "was largely based on concepts of heterophony ". During the early 19th century an increasing number of black musicians learned to play European instruments, particularly the violin, which they used to parody European dance music in their own cakewalk dances. In turn, European American minstrel show performers in blackface popularized
3698-614: The company and retired. In retirement he and his last wife, Caroline, moved to Ventura Keys, California . Bill Putnam died in Riverside, California at the age of 69; he was laid to rest in Valley Oaks Memorial Park in Westlake Village . Many record executives and industry colleagues attended the service and a group of musicians formed a band to play some of his favorite songs. Jazz Jazz
3784-473: The contribution of the composer, if there is one, and more on the performer. The jazz performer interprets a tune in individual ways, never playing the same composition twice. Depending on the performer's mood, experience, and interaction with band members or audience members, the performer may change melodies, harmonies, and time signatures. In early Dixieland , a.k.a. New Orleans jazz, performers took turns playing melodies and improvising countermelodies . In
3870-555: The development of blue notes in blues and jazz. As Kubik explains: Many of the rural blues of the Deep South are stylistically an extension and merger of basically two broad accompanied song-style traditions in the west central Sudanic belt: W. C. Handy became interested in folk blues of the Deep South while traveling through the Mississippi Delta. In this folk blues form, the singer would improvise freely within
3956-540: The development of specialized recording equipment and new recording techniques. He secured a lucrative contract to record and delay broadcast transcriptions shows for the ABC radio network . In 1947, Putnam moved Universal Recording to the 42nd floor of the Chicago Civic Opera Building striking a deal with The Harmonicats to help facilitate a recording session and record release in exchange for
4042-509: The early 1920s, drawing particular recognition on piano. When male jazz musicians were drafted during World War II, many all-female bands replaced them. The International Sweethearts of Rhythm , which was founded in 1937, was a popular band that became the first all-female integrated band in the U.S. and the first to travel with the USO , touring Europe in 1945. Women were members of the big bands of Woody Herman and Gerald Wilson . Beginning in
4128-480: The education of freed African Americans. Although strict segregation limited employment opportunities for most blacks, many were able to find work in entertainment. Black musicians were able to provide entertainment in dances, minstrel shows , and in vaudeville , during which time many marching bands were formed. Black pianists played in bars, clubs, and brothels, as ragtime developed. Ragtime appeared as sheet music, popularized by African-American musicians such as
4214-593: The emergence of bebop, forms of jazz that are commercially oriented or influenced by popular music have been criticized. According to Bruce Johnson, there has always been a "tension between jazz as a commercial music and an art form". Regarding the Dixieland jazz revival of the 1940s, Black musicians rejected it as being shallow nostalgia entertainment for white audiences. On the other hand, traditional jazz enthusiasts have dismissed bebop, free jazz, and jazz fusion as forms of debasement and betrayal. An alternative view
4300-525: The end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines. The mid-1950s saw the emergence of hard bop , which introduced influences from rhythm and blues , gospel , and blues to small groups and particularly to saxophone and piano. Modal jazz developed in the late 1950s, using the mode , or musical scale, as the basis of musical structure and improvisation, as did free jazz , which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in
4386-556: The entertainer Ernest Hogan , whose hit songs appeared in 1895. Two years later, Vess Ossman recorded a medley of these songs as a banjo solo known as "Rag Time Medley". Also in 1897, the white composer William Krell published his " Mississippi Rag " as the first written piano instrumental ragtime piece, and Tom Turpin published his "Harlem Rag", the first rag published by an African-American. Classically trained pianist Scott Joplin produced his " Original Rags " in 1898 and, in 1899, had an international hit with " Maple Leaf Rag ",
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#17327987312964472-473: The first US multi-band audio equalizer and established Universal Audio as well as Universal Recording Electronics Industries (UREI) in the second story loft of United Recording, in 1958 as a means to develop and manufacture studio equipment. That included custom Studio Electronics recording consoles, outfitted with Putnam's 610 modular channel strips, all of which soon became standard equipment in studios all over America. His companies were also responsible for
4558-538: The first recording of a single artist singing more than one line on a recording; it was recorded with Patti Page and George Barnes , who suggested the "duet." Page sang one vocal line of " Confess " and the second part was recorded onto a large 17.25" disc, then played back as she sang the main vocal line; the two vocals and accompaniment were wedded onto a wire recorder. Shortly thereafter, Les Paul utilized his own technique for multiplying guitars and vocals, using magnetic tape. In 1955, Putnam built Universal Recording
4644-415: The first written music which was rhythmically based on an African motif (1803). From the perspective of African-American music, the "habanera rhythm" (also known as "congo"), "tango-congo", or tango . can be thought of as a combination of tresillo and the backbeat . The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States and reinforced and inspired
4730-532: The habanera rhythm and cinquillo , are heard in the ragtime compositions of Joplin and Turpin. Joplin's " Solace " (1909) is generally considered to be in the habanera genre: both of the pianist's hands play in a syncopated fashion, completely abandoning any sense of a march rhythm. Ned Sublette postulates that the tresillo/habanera rhythm "found its way into ragtime and the cakewalk," whilst Roberts suggests that "the habanera influence may have been part of what freed black music from ragtime's European bass". In
4816-512: The individuality of the performing jazz musician". A broader definition that encompasses different eras of jazz has been proposed by Travis Jackson: "it is music that includes qualities such as swing, improvising, group interaction, developing an 'individual voice', and being open to different musical possibilities". Krin Gibbard argued that "jazz is a construct" which designates "a number of musics with enough in common to be understood as part of
4902-424: The influences of West African culture. Its composition and style have changed many times throughout the years with each performer's personal interpretation and improvisation, which is also one of the greatest appeals of the genre. By the 18th century, slaves in the New Orleans area gathered socially at a special market, in an area which later became known as Congo Square , famous for its African dances. By 1866,
4988-460: The instruments of jazz: brass, drums, and reeds tuned in the European 12-tone scale. Small bands contained a combination of self-taught and formally educated musicians, many from the funeral procession tradition. These bands traveled in black communities in the deep south. Beginning in 1914, Louisiana Creole and African-American musicians played in vaudeville shows which carried jazz to cities in
5074-578: The late 1950s into the 1990s. Jewish Americans played a significant role in jazz. As jazz spread, it developed to encompass many different cultures, and the work of Jewish composers in Tin Pan Alley helped shape the many different sounds that jazz came to incorporate. Jewish Americans were able to thrive in Jazz because of the probationary whiteness that they were allotted at the time. George Bornstein wrote that African Americans were sympathetic to
5160-455: The late 1960s and early 1970s, combining jazz improvisation with rock music 's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in the 21st century, such as Latin and Afro-Cuban jazz . The origin of the word jazz has resulted in considerable research, and its history
5246-955: The many top players he employed, such as George Brunies , Sharkey Bonano , and future members of the Original Dixieland Jass Band . During the early 1900s, jazz was mostly performed in African-American and mulatto communities due to segregation laws. Storyville brought jazz to a wider audience through tourists who visited the port city of New Orleans. Many jazz musicians from African-American communities were hired to perform in bars and brothels. These included Buddy Bolden and Jelly Roll Morton in addition to those from other communities, such as Lorenzo Tio and Alcide Nunez . Louis Armstrong started his career in Storyville and found success in Chicago. Storyville
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#17327987312965332-697: The music internationally, combining syncopation with European harmonic accompaniment. In the mid-1800s the white New Orleans composer Louis Moreau Gottschalk adapted slave rhythms and melodies from Cuba and other Caribbean islands into piano salon music. New Orleans was the main nexus between the Afro-Caribbean and African American cultures. The Black Codes outlawed drumming by slaves, which meant that African drumming traditions were not preserved in North America, unlike in Cuba, Haiti, and elsewhere in
5418-583: The music of New Orleans with the music of Cuba, Wynton Marsalis observes that tresillo is the New Orleans "clavé", a Spanish word meaning "code" or "key", as in the key to a puzzle, or mystery. Although the pattern is only half a clave , Marsalis makes the point that the single-celled figure is the guide-pattern of New Orleans music. Jelly Roll Morton called the rhythmic figure the Spanish tinge and considered it an essential ingredient of jazz. The abolition of slavery in 1865 led to new opportunities for
5504-467: The northeastern United States, a "hot" style of playing ragtime had developed, notably James Reese Europe 's symphonic Clef Club orchestra in New York City, which played a benefit concert at Carnegie Hall in 1912. The Baltimore rag style of Eubie Blake influenced James P. Johnson 's development of stride piano playing, in which the right hand plays the melody, while the left hand provides
5590-618: The northern and western parts of the U.S. Jazz became international in 1914, when the Creole Band with cornettist Freddie Keppard performed the first ever jazz concert outside the United States, at the Pantages Playhouse Theatre in Winnipeg , Canada. In New Orleans, a white bandleader named Papa Jack Laine integrated blacks and whites in his marching band. He was known as "the father of white jazz" because of
5676-500: The period 1820–1850. Some of the earliest [Mississippi] Delta settlers came from the vicinity of New Orleans, where drumming was never actively discouraged for very long and homemade drums were used to accompany public dancing until the outbreak of the Civil War. Another influence came from the harmonic style of hymns of the church, which black slaves had learned and incorporated into their own music as spirituals . The origins of
5762-494: The plight of the Jewish American and vice versa. As disenfranchised minorities themselves, Jewish composers of popular music saw themselves as natural allies with African Americans. The Jazz Singer with Al Jolson is one example of how Jewish Americans were able to bring jazz, music that African Americans developed, into popular culture. Benny Goodman was a vital Jewish American to the progression of Jazz. Goodman
5848-459: The post-Civil War period (after 1865), African Americans were able to obtain surplus military bass drums, snare drums and fifes, and an original African-American drum and fife music emerged, featuring tresillo and related syncopated rhythmic figures. This was a drumming tradition that was distinct from its Caribbean counterparts, expressing a uniquely African-American sensibility. "The snare and bass drummers played syncopated cross-rhythms ," observed
5934-676: The pre-jazz era and contributed to the codification of jazz through the publication of some of the first jazz sheet music. The music of New Orleans , Louisiana had a profound effect on the creation of early jazz. In New Orleans, slaves could practice elements of their culture such as voodoo and playing drums. Many early jazz musicians played in the bars and brothels of the red-light district around Basin Street called Storyville . In addition to dance bands, there were marching bands which played at lavish funerals (later called jazz funerals ). The instruments used by marching bands and dance bands became
6020-410: The rhythm and bassline. In Ohio and elsewhere in the mid-west the major influence was ragtime, until about 1919. Around 1912, when the four-string banjo and saxophone came in, musicians began to improvise the melody line, but the harmony and rhythm remained unchanged. A contemporary account states that blues could only be heard in jazz in the gut-bucket cabarets, which were generally looked down upon by
6106-458: The school's future dean, Cloid Patton. Putnam returned to his hometown of Danville to work in the engineering department at WDAN , and later became the chief engineer at WDWS in Champaign, Illinois . He began writing articles for Radio and Television magazine. In 1941 at the age of 21, Putnam received a draft notice and became a civil service employee working on radio ranges for
6192-443: The second floor of Western Recorders . By December, 1965, Universal Audio had been completely absorbed by Studio Electronics, although Studio Electronics continued to produce some Universal Audio-branded products. In 1967, Studio Electronics acquired the broadcast division of Babcock Electronics, including Teletronix and the patent rights to the electro-optical LA-2A leveling amplifier . In anticipation of further acquisitions, SEC
6278-500: The twice-daily ferry between both cities to perform, and the habanera quickly took root in the musically fertile Crescent City. John Storm Roberts states that the musical genre habanera "reached the U.S. twenty years before the first rag was published." For the more than quarter-century in which the cakewalk , ragtime , and proto-jazz were forming and developing, the habanera was a consistent part of African-American popular music. Habaneras were widely available as sheet music and were
6364-440: The two were married. Richmond worked at the studios as a tape editor and part time file librarian. But after moving to Hollywood, Putnam's long hours at Universal Recording again led to a divorce. Frank Sinatra introduced Putnam to his assistant, Miriam Simons (also known as 'Tookie'), who became his third wife; Bill and Miriam had two sons, Bill Jr. and Jim. Miriam died unexpectedly and Bill did not marry again until after he sold
6450-575: The use of tresillo-based rhythms in African-American music. New Orleans native Louis Moreau Gottschalk 's piano piece "Ojos Criollos (Danse Cubaine)" (1860) was influenced by the composer's studies in Cuba: the habanera rhythm is clearly heard in the left hand. In Gottschalk's symphonic work "A Night in the Tropics" (1859), the tresillo variant cinquillo appears extensively. The figure was later used by Scott Joplin and other ragtime composers. Comparing
6536-498: The writer Robert Palmer, speculating that "this tradition must have dated back to the latter half of the nineteenth century, and it could have not have developed in the first place if there hadn't been a reservoir of polyrhythmic sophistication in the culture it nurtured." African-American music began incorporating Afro-Cuban rhythmic motifs in the 19th century when the habanera (Cuban contradanza ) gained international popularity. Musicians from Havana and New Orleans would take
6622-500: The year's crop was harvested and several days were set aside for celebration. As late as 1861, a traveler in North Carolina saw dancers dressed in costumes that included horned headdresses and cow tails and heard music provided by a sheepskin-covered "gumbo box", apparently a frame drum; triangles and jawbones furnished the auxiliary percussion. There are quite a few [accounts] from the southeastern states and Louisiana dating from
6708-532: Was Frank Sinatra's preferred engineer, and Sinatra put him on retainer to ensure his availability. When Sinatra founded Reprise Records , his office was in the Western Recorders building. At the time Putnam started United Recording, stereo recording was new and considered by the major record labels as little more than a novelty. But he foresaw its importance and at his own expense, began making and stockpiling simultaneous stereo mixes of recordings produced at United. About 1962, as consumer demand for stereo recordings
6794-497: Was documented as early as 1915 in the Chicago Daily Tribune . Its first documented use in a musical context in New Orleans was in a November 14, 1916, Times-Picayune article about "jas bands". In an interview with National Public Radio , musician Eubie Blake offered his recollections of the slang connotations of the term, saying: "When Broadway picked it up, they called it 'J-A-Z-Z'. It wasn't called that. It
6880-422: Was his favorite engineer. There were a number of 'firsts' for the recording industry during Putnam's time at Universal Recording including the first use of tape repeat, the first vocal booth, the first multiple voice recording, one of the first to use 8-track recording (preceded by Les Paul and Tom Dowd ), the first use of delay lines in the studio, and the first release (in 1956) of half-speed mastered discs (on
6966-433: Was major ... , and I carried this device into my melody as well. The publication of his " Memphis Blues " sheet music in 1912 introduced the 12-bar blues to the world (although Gunther Schuller argues that it is not really a blues, but "more like a cakewalk"). This composition, as well as his later " St. Louis Blues " and others, included the habanera rhythm, and would become jazz standards . Handy's music career began in
7052-620: Was married four times. He and his first wife had a son and daughter, Scott and Sue; Grace elected to stay in Danville, Illinois with their children when Bill joined the U.S. Army Band and was stationed near the North Side of Chicago. After his discharge from the Army he and Grace divorced. After Universal Recording moved to Walton Street, Bill met Belinda Richmond, a singer at a nearby club near Universal Recording Corp's Walton Street location and
7138-729: Was rebranded as United Recording Electronics Industries , or UREI . UREI subsequently acquired National Intertel; from this acquisition came technology which developed into the 1176 peak limiter in 1968, and the 1108 FET preamp. Other notable products included the UREI Teletronix LA-3A electro-optical leveling amplifier, LA-4 electro-optical compressor limiter, and UREI 500-series graphic equalizers. By 1976, UREI had moved their manufacturing and service center to Sun Valley, California . UREI collaborated with Edward M. Long of E.M. Long Associates in Oakland, California to create
7224-651: Was spelled 'J-A-S-S'. That was dirty, and if you knew what it was, you wouldn't say it in front of ladies." The American Dialect Society named it the Word of the 20th Century . Jazz is difficult to define because it encompasses a wide range of music spanning a period of over 100 years, from ragtime to rock -infused fusion . Attempts have been made to define jazz from the perspective of other musical traditions, such as European music history or African music. But critic Joachim-Ernst Berendt argues that its terms of reference and its definition should be broader, defining jazz as
7310-457: Was surging, the major labels offered to buy Putnam's stockpile of stereo recordings. He negotiated a lucrative deal, whereby he was recompensed not for the finished recordings, but for the (much more expensive) studio time used in mixing the stereo versions. According to his former associate, Allen Sides, at this time United Recording was bringing in around $ 200,000 per month in studio billing (equivalent to $ 2.01 million per month today). After
7396-536: Was the leader of a racially integrated band named King of Swing. His jazz concert in the Carnegie Hall in 1938 was the first ever to be played there. The concert was described by Bruce Eder as "the single most important jazz or popular music concert in history". Shep Fields also helped to popularize "Sweet" Jazz music through his appearances and Big band remote broadcasts from such landmark venues as Chicago's Palmer House , Broadway's Paramount Theater and
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